‘@Play‘ is a frequently-appearing column which discusses the history, present, and future of the roguelike dungeon exploring genre.

So yesterday the Devteam (it is always the Devteam) released version 5.0 of legendary and venerable rogueike compuer game NetHack. It is 39 years old.

Nethack (I am more used to writing it without the capital H) is a venerable roguelike computer game, and by some measures the greatest roguelike of them all. Long before Caves of Qud or Dwarf Fortress it was, and still is, a game of surprising depth, and for many years no other games were anything close to it. Even today, few games do.

The history of the game is recounted on the excellent Nethack Wiki. It got its start as a remake of Jay Fenalson’s Hack (1981), itself a recreation of Rogue (1980), and which was remade by Andries Brouwer (1984). The first version of Nethack, sometimes stylized ad”NetHack” was 1.3d, posted to Usenet by DevTeam leader Mike Stephenson in June 1987.

Nethack 3.0 (July 1989) saw major changes to the gameplay. Nethack 3.1 (January 1993) greatly changed the dungeon, and in large part all following versions are modifications and elaborations upon it. In the time since sometimes there have been great pauses in its history. Nethack 3.2 arrived April 1996; Nethack 3.3 in 1999; Nethack 3.4 in 2002; Nethack 3.5 in 2002; Nethack 3.6 in December 2015; and now, Nethack 5.0 on May 2, 2026.

Here is a list of major changes, though it contains significant spoilers, and a note tells us that this is a renamed changelist from 3.7. With 3.4 the Devteam switched to a Linux-style numbering system: even minor numbers (like 3.6 and 5.0) are releases for wide play, and odd minor numbers (like 3.5 and 3.7) are development versions mostly intended for work and bug testing. Even so, as with all major versions of Nethack, bugs almost certainly exist in this version. Nethack jumped past version 4.0 probably because a notable fork called itself Nethack 4.

Three major architectural changes made in this version: the code now supports C99, bringing its source to the cusp of the 21 century. Much better support for cross-compiling exists now, building it on a system it’s not intended to run on. And the old yacc/lex special level construction system has been replaced with Lua. This make Lua a build requirement.

So, how do you play it?

For three systems binaries are provided: Windows, MS-DOS and Amiga. Yes, Nethack still supports MS-DOS, and yes, it still supports classic Amiga: it explicitly supports AmigaDOS 3.0, meaning it can still run on 68000 machines. While Atari ST support isn’t explicitly claimed, plenty of references to it are left in the code. (Does Lua exist for ST?)

That these are the only systems they provide binaries for shouldn’t be seen as an indication that these are the “most important” platforms for Nethack, it’s more that, since it’s entirely open source, building it yourself is entirely possible, and more expected than with most software. Nethack can be built for Linux, Windows 8-11, AmigaDOS, MacOS (I’m not sure if this includes classic Mac too but it might), Windows CE (wow), OS/2 (additional wow), BeOS, VMS and multiple Unixes.

Linux poses a special challenge for releasing binaries since there are so many distributions, so until 5.0 becomes the main Nethack in their repositories you’ll probably have to built it yourself. I have done this on two systems and can vouch that it’s doable, make sure to read the directions carefully though. After reading the README in the top level of the gzip tarball, the file you want to follow is in sys/unix/NewInstall.unx, which will tell you the manner in which to invoke sys/unix/hints/linux.500, and then ultimately, again from the top level of the source, make fetch-lua, make all, then make install. I ended up with a directory in my home called nh/install/games/, which contains a script that starts the system-installed nethack. Note that nethack supports multiple play styles: ordinary tty, curses, Windows UI, X11, Qt, Gnome and more, and configuring any of those besides the standard game will mean you’ll have to find an option to enable in include/config.h.

Another option is to play through public Nethack servers. The most popular of these are probably alt.org and Hardfought. alt.org doesn’t seem to make 5.0 itself available yet, and I’ve been able to get through to Hardfought today via ssh (possibly due to a misconfiguration on my end). If you can set them up for play then not only do you not have to build or install the game yourself, but you can even play with public bones, the remnants of other players’ games, adding an additional layer of high-stakes randomness to the dungeon.

For New Players

I wish I could point you to my old @Play column on learning Nethack, but its home blog GameSetWatch has been gone from the living internet for four or five years now. My book Exploring Roguelike Games from CRC Press has it, but it’s quite expensive unfortunately. It’s still buried somewhere in the Internet Archive. I must hunt it down some day.

If you haven’t played Nethack before you are in for a bit of a learning curve. Nethack 5.0 now has an optional tutorial in the early phases of the game that might help you. You can always press ? during the game to find its help system. If your keyboard has a numpad you’ll really want to enable it, or else you’ll have to learn vi keys, hjkl, for movement, as well as yubn for diagonals. This will also push several important commands into the “extended” input system, where you either hold Alt (aka Meta) and press a letter, of if you don’t even have that, you press “octothorpe” (#) and then type a command name. This is especially annoying for the #kick (Alt-K) and #loot (Alt-L I think) commands, needed for opening locked doors and chests, and getting items out of chests. You can set options during the game with #option (Alt-O), or in .nethackrc, defaults.nh, or NetHack.cnf, depending on your platform.

I can’t impress enough how much fun Nethack still is, even after all this time. There is a ton to learn before you can play well (read the wiki if you don’t mind spoilers), but it’s mostly entertaining knowledge. What other computer game freely quotes from sources ranging from Edmund Spenser to Terry Pratchett? It plays much faster than roguelikes of more recent vintage. Every level is only one screen in size, characters advance through the early levels rapidly, and its monsters and item systems are still top class. It’s true that I do miss the days when they’d introduce huge new features (3.0 and 3.1 each made it into almost an entirely new game), but there’s still a lot of things to discover. Gehennom, the deeper areas of the dungeon, has been changed greatly, and I look forward to reaching those hellish climes once again.

Happy hacking!

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We love it when we find weird and unique indie games to tell you all about! Our alien friends to the left herald these occasions.

Neal.Fun makes lots of great games and game–adjacent amusements. Every one is a winner, and Cursor Camp is just the latest of the lot.

When you load the page it’ll inform you that the page wants to take over your cursor. Let it, but remember that you’ll have to press Esc(ape) to get it back. It needs it so it can let it to fun things, like slide down slides, float down rivers or ride carousels!

There’s quite a lot of fun things for your summering cursor to do! There’s movies and Popeye cartoons in the camp theater to watch, there’s a cat to pet, there’s chairs to sit it, seashells to collect, hats to wear, chandeliers to knock about, and much more! And you can do them all with a horde of other pointers from around the world who are exploring too, each with a little flag to indicate which country they’re in.

Low-powered machines like my Pi 500+ may struggle with all the 2D effects going on, but other than that the only thing wrong with it that it doesn’t remember anything about your session when you close it. So if you want to have a go at collecting all nine achievements (noted in a book in the cabin lobby), you’ll have to do it in one sitting. Fortunately they’re not difficult to earn, and even easier to re-earn.

There’s even what seems to be a backstory to the camp, which you can uncover by reading the book in the treehouse, playing with the radio there, and maybe also interpreting the drawings on the wall of the cave. Are they just quirky easter eggs, or is there some meaning to them? I don’t know; maybe you can figure it out.

Cursor Camp (web, $0)

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Skawo, one of the best Youtubers I’ve found for getting to the bottom of mysteries like this, did a sixteen-minute video explaining it.

Here is a brief text explanation. Some cutscenes are programmed so that Link turns to face the subject of the scene, a given actor in it, presumably to make it look more realistic. This is a little clumsily done though. The “location” of the actor, its location in 3D space, is usually near its feet (it being the most relevant location for collision checks), so actors have a second location, for cutscene-Link to stare at.

There’s even a special process for this, to make Link’s turning seem more natural: his head turns first, then the rest of his body. But, who knows why, during the clay pot cutscene, Link’s focus point is himself. The focus point is connected to his body, and the angle is a little off-center, he turns his head to look at it, his body rotates beneath it, causing the focus point to move, and so continue the rotation.

This, by itself, is pretty minor. But more than that, the focus point is also a bit above Link’s head, so he looks up at the same time. Eventually, the focus point rotates so far around that it’s technically behind Link, and that makes the horizontal rotation angle nearly 180 degrees, increasing the rate of spin considerably.

This isn’t the whole story, just a tl;dw. In fact, it’s just half of it, which then moves over to a different cutscene, one from the 3DS version of the game. For more, please refer to Skwaro’s video above.

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Balatro Multiplayer (homepage, GitHub), a.k.a. “Balaatro,” is a mod for base Balatro that adds a robust versus-play component to the base game. While the stake and deck may (or may not, it’s heavily configurable) be selectable between the participants, each player plays with the same random seed, and will find the same shops, the same tags, the same deals (presuming their decks have yet to be modded) and so on.

The mod has a few extra Jokers that add additional nuances to the game when played against a human opponent, but in Major League Balatro they try to keep the settings as close to standard Balatro as possible. The basic idea is that all but the first of the boss blinds are replaced by Balatro deathmatches against an opponent. Each plays their own round simultaneously, receiving updates on the score progress of the other player’s round. At its end, the player with the least chips in the Blind loses one of four lives. You also lose lives if you fail to make the normal escalating score challenges of the Small and Large Blinds each Ante.

Even if you lose, you still get the money and other rewards from playing the Blind as if you won. One potential strategy is to not make a strong effort on early Boss Blinds, saving consumable resources (especially Glass Cards) for later bosses, but Balatro being Balatro and focused as it is on super powerful exponentially-growing strategies, it’s easy once you start losing to keep losing.

The third season of Major League Balatro has just wrapped up in a battle between Dr. Spectred of Balatro University, possibly the strongest Balatro player in the world who’s pulled off tricks like earning the rarest achievement, Completionist++, from scratch without losing a game, and Bean, a very strong player themself.

If you’d like to follow Major League Balatro, either in the future or to watch prior seasons, you can do it on their Youtube channel. Or you could just watch the finals with commentary, although beware: it’s 5 hours and 50 minutes long! Maybe you might turn up the playback speed, or skip around, or to the end.

Everyone in the Balatro community is waiting for news of a major update to the game, teased by its creator Localthunk, that is promised to add lots of new Jokers, but in the meantime there’s certainly lots of other things going on there, from competitive play to lots of insane mods.

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We love it when we find weird and unique indie games to tell you all about! Our alien friends to the left herald these occasions.

NANDgame is one of those puzzle games that’s really an educational game in disguise. By hooking up wires and relays, then logic gates, then larger pieces of basic computing hardware, you construct a basic processor from first principles, step by excruciating step.

Of course, the difference between a puzzle game and an educational game is only if the skill the puzzle requests you to learn has some objective use in our physical world. Tetris masters are robbed by the rest of the human race that their unique skill can’t be used to write software or design cars or something, for the kind of effort involved in getting good at all these things is exactly the same. This puzzle, at least, can get you on the road to designing low-level computing hardware, or at least started on that road.

Now that’s out of the way, I’m not completely happy with this introduction to computing architecture. It is true that you can start with NAND gates and, from them, derive all the other logic gates, and from there the rest of computing in its entirety, and this game has you do essentially that.

But NANDs are not the simplest gate to understand. Even their name comes from combining two other gates that you’re not introduced to first. And forcing the player to invent one out of relays, which you are actually required to do here, is a difficult first step. If you aren’t already well-versed in the kind of thinking this involves I’d suggest making use of the hints for each level, because the game gives you no other aid. It is a real trial by fire, and without prior exposure you’ll be staring at the relays for a while wondering not just what you’re supposed to do with them, but why.

But if you can power through them all, again using hints, it is really rewarding to know that, if you had the parts, you could construct a simple processor from first principles. It is difficult, but this is a good introduction. I’d treat it as kind of a test, and that the actual game is learning what you’re supposed to do to win by looking it up from other sources, including the help system. That’s to say, it’s all bosses, with the skills learned to defeat them coming from what amounts to GameFAQs.

NANDgame (web)

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Sundry Sunday is our weekly feature of fun gaming culture finds and videos, from across the years and even decades.

A comment says, Fludd was their favorite They Might Be Giants album, but that doesn’t quite work; Fludd’s from Super Mario Sunshine, the 3D Mario game after Super Mario 64.

Even so, Seanathan S has made quite the recreation. (3 minutes) No vocals, but if you know the song you can recognize the track that’s duplicating the syllables of the singing and sing along with the. Everything is intact, even down to Flansberg’s counterpoint chorus at the end.

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Here’s what I’ve been enjoying lately on my Switch 2. These are store links, but we get no affiliate or advertising dollars from them, they’re provided just out of convenience.

Cruise Elroy’s great retro-styled action platformer Annalynn (Switch, Steam, itch.io)

Tomodachi Life: Living the Dream (Switch), a social sim abounding in quirkiness

UFO 50, for many things but especially for the addictive Party House (homepage, Switch, Steam)

Caves of Qud, the terrific true roguelike, filled with equal parts, with atmosphere almost as great as its challenge, but also two accessible easy modes (homepage, Steam, GoG, itch.io)

Chibi-Robo, the sleeper hit for Gamecube where you help a tiny housekeeping robot save a fractured family and also discover the secret of the house’s living toys (Nintendo Gamecube Classics)

Kirby Air Riders, Masahiro Sakurai’s remake of the Gamecube cult classic, with even deeper gameplay, robust online multiplayer and so much fun that it oozes out of the system’s USB-C ports (Switch 2)

Dragon Quest I+II HD-2D Remake, not just a conversion but a redesign, not always for the better but still great (Square-Enix page, Switch)

Blippo+, Yacht and Panic’s sci-fi tale of interplanetary communication told through the medium of an exacting recreation of 90s satellite television (homepage, Switch, Steam, Playdate; currently on sale for Switch and on Steam)

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A service Nintendo offered, and even more incredibly still offers, is to make customized playing cards for people, anyone, although the stated purpose is to promote products. The blog beforemario tells all about the service, and even links to Nintendo’s page where you too can order custom playing cards, and all you have to do is order them in a batch of at least 3,000 decks, oh and also navigate through the entirely-Japanese order site. Or you could just buy non-customized cards, some with Nintendo character art.

Lest the domain name not convince you that this is the same Nintendo, one of the example decks pictured uses Pikachu in its art (along with the appropriate copyright notices, as Nintendo doesn’t actually own the Pokémon characters).

beforemario has mentioned before that Nintendo still runs a large sideline in making traditional Japanese gaming equipment like Go and Shogi sets, or Chinese Mah Jong sets.

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The video I’d like to point out today is this one on the dungeon generation in the first Pokémon Mystery Dungeon game (19 minutes), which basically lays bare the entire scheme by which nearly all Mystery Dungeons construct their procedural death labyrinths.

I’ve played quite a few Mystery Dungeon games, including nearly all of the many versions of Shiren the Wanderer (Rainbow Labyrinth is the only one I’m missing), and these dungeon level types keep coming up again and again. I’d be very surprised if essentially the same code, or close to it, wasn’t used in all of them. The beginning of the dungeon generation explainer is at 5:03.

One interesting thing is that the dungeons generated by the various routines often create maps that can be seen as variations upon the dungeons from the original roguelike, Rogue itself. Rogue used a distinctive 3×3 grid of rooms. Sometimes a “room” might be a winding corridor, a dead-end or a dark maze, but it doesn’t take much playing to see the patterns used, and the Mystery Dungeon games obviously use a similar system for most of its floors, using differently-sized grids. Sometimes extra dead-ends are generated, and there are a few extra styles, but in its overall plan it’s Rogue-standard. It’s what the video calls the “standard generator.”

This isn’t all that the video explains, for just one example it goes over the details of how the game’s random number generators work, and also how they can be abused (the dungeon RNG is seeded to 1 at boot, which can be used to ensure dungeons generate the same way). I think it’s essential viewing for any Mystery Dungeon enthusiast.

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Interesting thing to notice? The word “Softdisk,” publisher of Gamer’s Edge and former workplace of the id Software founders, doesn’t appear anywhere in this video. There’s at least one screenshot that has part of its name, but it’s covered up with a different graphic.

(I’ve been trying to track down as many old issues of Softdisk’s publications as I can; it seems the only public place where they survive at all is in collections of Loadstar, including my own. Even the Internet Archive only has a smattering. They deserve to be preserved, dammit, both these guys’ previous work and that of everyone else who made software for that company.)

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Tomodachi Life is a big release from Nintendo, its first real use of their once-starring Mii characters since the quirky and underappreciated Miitopia, which basically puts your little pseudo-people through a D&D campaign, an idea so cool that I had it myself over a decade ago, though of course no one listened to me way back then, or really ever.

Let’s remember what Miis are. The name itself is a reference to the characters’ origin system, the Wii. You see, you just flip the W. The Wii was extremely popular, and opened up video gaming to hitherto unserved demographics, but because most “gamers” are entitled jerks they spread bad vibes about the system despite its popularity (remember “waggle?”), taking its sequel system entirely. Nowadays, Nintendo Switch Sports and Miis are probably its sole remaining legacy, regardless of how many other cool ideas it had. (A version of Opera made for it! News and Weather Channels! In Japan you could order pizza using it! I haven’t even gotten to Check Mii Out and Everybody Votes yet.)

This is the third game in the Tomodachi Life series. The first one was 14 years ago, the original Tomodachi Life for 3DS, got a cult following. It’s kind of Nintendo’s version of The Sims, if the Sims had (very) slightly more self-motivation, no mandatory biological need to fulfil, and an emphasis on weirdness. The second game, the sorely-missed Miitomo, was a free-to-play mobile game that also served as an instant messenger, but it hit sadly at a time when the old style of instant messenger apps were dying out, and lasted just over two years. It was dead in the water long before it closed.

What all the Tomodachi Life games really are is an elaboration of the old game of Mad Libs. “Hey _name_, I’m going to _place_! Should I pick up a _noun_ while I’m there?” Except it’s not just with words, but people too, your Mii characters fill in the role of actors in the many silly little vignettes built into the software. The game includes no characters on its own: you create everyone in the whole damn town, name them, pick how they look, and rate their personalities in five categories, then plop them onto the island and watch them bounce off each other.

Sometimes when they meet you’ll be asked to give the system a word or phrase for them to talk about, and that’s where the more explicit Mad Lib connection kicks in. Just like official Mad Libs*, Maybe nine times out of ten the jokes will fall flat, but that tenth time is comedy gold. Of course what everyone did, and still does, is make Miis of every celebrity and comic character they can fit into Nintendo’s limited yet oddly useful tools. In my game, I have a Mr. T character, downloaded from the Mii Channel on the Wii so very long ago, laboriously schlepped over to Wii-U (via system import) to Switch (via Amiibos) to Switch 2 (via another system import). Mr. T had a dream his first night in my game, on the isle of Yendor, in which he met three other Miis all with Mr. T’s face.

I’d love to show you the video of his dream, but I forgot to record it. Also, though, Tomodachi Life: Live the Dream has a fatal flaw. It’s a meme gold mine, sure, but Nintendo has disabled all media sharing from it. You can make all the great Miis you want, but no one else will ever see them! Its drawing tools are pretty darn impressive, but nothing you make with them can be shared on the internet! You can’t upload them to the Nintendo Switch smartphone app, or even transfer them to your cell phone using Nintendo’s stupid Wi-Fi system! I don’t know if you can get them right off an SD card, but ha ha, on the Switch 2 it doesn’t matter because it uses incompatible SD Express cards!

NINTENDO, ARE YOU LISTENING? WHY CAN YOU EVEN TAKE SCREENSHOTS OR VIDEO AT ALL IN TOMODACHI LIFE IF YOU CAN’T SHARE THEM? Nintendo is a company used to doing things its own way, which sometimes results in moments of brilliance, but at least as often means they do amazingly stupid things like this.

Because of this, you will have to live with potato-quality screen photos, taken with my very own smartpotato. I plant them below. Imagine how much better these would be if Nintendo actually officially supported the use their software was obviously made for. (Note: I’ve been told since writing this that you can still get images off using an SD card… although if you have a Switch 2 like I do you’re probably just as out of luck as it uses SD Express cards. I’ve yet to confirm cross compatibility with those, I don’t think I have the right kind of adapter.)

Below is my absolute favorite of all the Mii interactions I’ve seen so far. Poor Patricia’s got it bad, and truthfully, I felt much the same way back in 2008. I kind of feel that way now, but sadly both his terms are up.

* BTW, did you know Mad Libs was co-created by Leonard Stern, who wrote many scripts for The Honeymooners, and wrote for and executive produced Get Smart?

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Sundry Sunday is our weekly feature of fun gaming culture finds and videos, from across the years and even decades.

Nintendo’s latest attempt to do something with their Mii characters just hit the Switch (and along with it, the Switch 2). The game is Tomodachi Life, and while, like its real-time counterpart game Animal Crossing, it’ll take time before we really know everything it has in store, whether it’ll blow all of its content on the first couple of days of play or if it has new scenes, conversations and items that it’ll unlock over time.

Miis originated on the Nintendo Wii game system, an extraordinarily popular game that, now, seems almost forgotten. Besides the odd Wii Sports sequel and Miis, it seems like there’s not a lot of the Wii’s innovations that have persisted into later systems. Maybe games with motion controls? We know the Switch and Switch 2 are capable of them, but not a lot of games are as enthusiastic about them as the Wii.

We can set aside the question of whether that’s a good thing or not, but to interject my own opinion, Miis, one of the defining features of the Wii, really should be utilized more. Remember when the whole internet was abuzz about them? Social media would be full of everyone’s takes on recreating celebrities or comic characters with Nintendo’s limited yet oddly expressive tools. The Wii showed them off in a number of ways. The Mii Channel downloaded random Miis from other users Wii systems, and the Check Mii Out Channel provided a way to show your creations off to other users. Both of these sharing methods are defunct now, even if you have an operational Wii. They could well stand to make a come back, but who knows if Nintendo will ever think to do so.

Beyond that, there was a secret code that let you upload Miis into a Wii Remote. And now, on the Wii-U and Switch systems, you can upload single Mii into an Amiibo figure at a time, a trick I used to rescue our entire Mii collection from my Wii-U… but more on that story later.

Louie Zong, Youtube musician and comedy creator, posted a tribute to the Mii Channel a couple of weeks ago. (3 minutes) If you had a Wii, it’s certain to bring back memories. Maybe even fond ones.

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We’ve linked videos in this series many times before, but it’s wuite a doozy this time. Final Fantasy is known to have a number of combat bugs. Critical Hit chances are determined by the index of the weapon in the weapon table, not the stat in that table; weapon special properties just don’t work, regardless of what the Nintendo Power Strategy Guide says; and more.

This isn’t just an explication of those bugs though, it goes through all of how basic (non-magic) combat works in the game, explaining the value of all the stats. That’s one of the things about RPGs: you’re told items are “+4 better,” but often those values don’t match up to what they’d mean in D&D, where a plus is usually either a one-point increase in damage, a 5% improvement on odds for something, or both. Final Fantasy’s attack roll turns out to be a 1-in-200 die, so, a mere +1 is negligible to attack odds.

They probably didn’t elaborate on what these numbers mean in the manual because, at the time, Square and Nintendo were keen to get players hooked on Final Fantasy and other JRPGs, and nothing would dissuade them from picking up the game than to be confronted with battle formulae in the manual. Looks too much like school work! But they could have at least mentioned something about relative chances?

If you really want to know what the numbers mean, the video is there waiting for you. You can just let your eyes glaze over during the math if you want. I won’t tell the teacher!

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We love it when we find weird and unique indie games to tell you all about! Our alien friends to the left herald these occasions.

Some time back, I don’t remember how long, I made a Metafilter post about Nickireda’s weird and fun mixup game Return to Castle Monkey Ball, free on itch.io.

In a place like Metafilter, it’s not always obvious what will work and what won’t. Presentation matters for a whole lot, and there is also a random aspect to it. While no one said anything negative about it, I remember it being one of the least favorited-posts I’d ever made on the site. (Favorites are one measure I use to see if people liked a post or not. Sometimes comments just don’t tell the whole story.)

It’s a shame because the game is a perfect mixture. Not as punishing as either original game, its levels are procedural generated so a lot of rolling on your feet is required. You get a time bonus for defeating a guard. While you don’t have a weapon, you do just enough damage at full tilt to take one out in a single hit, and it feels great to do it.

There’s only eight levels (at least in the first “episode”) so it doesn’t take long to get through either. In the first version they kept Wolfenstein 3D’s graphics unchanged, meaning unfortunate reminders of Bad Person and his Stupid Symbol. Those have been removed since, which makes it less accurate to Wolf3D but also less saddening to play.

I was reminded of EFCMB by Vinesauce having recently streamed it. (13½ minutes) I don’t often return to a Gamefinds game, but given that I had made an attempt at telling people about it before I feel a slight bit of ownership here, and my previous attempts at spreading the word slightly predated Set Side B, so please go enjoy if you think you’d like it. It really is brilliant, and it runs in a web browser, even on my Raspberry Pi 5.

Escape From Castle Monkey Ball (by Nickireda on itch.io, $0)

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Nearly the whole program (with minor edits for copyright) is on Youtube (4 hours), with a table of contents with links in its description. Although, unless you have an insatiable hunger for random gaming clips, you’ll probably want to go through the TOC.

This post is mostly intended to point you to Get Info’s much more substantive piece, but here are links to a few of the more recognizable clips these days: Ballblazer, Space Invaders, Out Run, Flight Simulator, Super Mario Bros., Eliza, Zanac, Little Computer People, Fantasy Zone, Karateka, Pinball Construction Set, Marble Madness, Rescue on Fractalus, Wizardry and Galaxian. All 100 clips are also on Youtube separated out into individual videos (and with better image quality overall).

The book that followed contains Denshi Yuugi Taizen : TV Games,” presents 40 interviews with a who’s-who of game creation at the time, including Nolan Bushnell, Ed Logg, Steve Cartwright, Fukio “MTJ” Mitsuji, Trip Hawkins, Freefall Associates, Timothy Leary, Shigeru Miyamoto, Yuji Horii, Toru Iwatani, Sir-Tech, Shigesato Itoi and many more. A full scan of the book is on the Internet Archive.

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Well, yesterday they posted a second video on matters involving formatting disks. (16½ minutes) This time they went over a routine written, for the same drives, that can format a disk in 15 seconds.

So, how can this new formatting method be more than four times faster? In a few ways. The drive’s normal format routine writes 1 bits throughout each entire track; the 15 second formatter doesn’t do anything like that. The stock routine attempts to size the between-sector zones differently depending on how far from the center the track is, and to make that work better it performs a measurement of how fast the drive motor runs. The quick format just uses a same-sized gap throughout the disk. It still reads okay because the drive uses the sync marks to find sectors, it doesn’t try to time the length of gaps when reading, it just looks for a sequence of 10 1 bits in a row. And Commodore’s format routine verifies each track as it’s recorded to the drive; the 15 second format simply moves on, assuming everything worked out.

The result is, the quick formatter does a worse job of setting up the disk, skipping some of the niceties of Commodore’s routine. I wonder if there are some cases where the quick format produces a non-working disk? The video notes that, because there could have been data on the disk before, it could result in cases where the drive gets confused when that leftover data resembles a sync mark or other essential drive structure. Commodore History mentioned at the end of the video that they tried to create such a disk, to see if it caused issues, but was unable to make it happen.

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We love it when we find weird and unique indie games to tell you all about! Our alien friends to the left herald these occasions.

Another one, so soon! I feel like I should post these as I find out about them, or else they’ll fade in memory, and in importance. I want to get them out to you immediately, while the bytes are hot.

Yet also, with this one, I sort of want you to discover what it’s about, the promise of that title, Trees Hate You, for yourself. That’s not how these descriptions work though. If I just say “play it, trust me,” some of you will, but most won’t, which will be something of a shame for this very silly game.

Basically, you’re trying to find your way home after a picnic, but for some reason (littering maybe?), the trees on the way back have decided to stop you. The ways in which they display their vegetative ire are the humor of the game. The ways you must discover to evade it are the game of the humor.

This is just a free demo, a preview of what developer tykenn hopes will be a longer game. I’m not sure how long they can sustain the joke honestly, but at least the demo is entertaining, if you can handle a bit of frustration. I look forward to seeing if they can sustain the premise.

Trees Hate You (itch.io demo by tykenn, $0)

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We love it when we find weird and unique indie games to tell you all about! Our alien friends to the left herald these occasions.

One of the best puzzle games out there is Noumenon Games’ colorful, fun, and challenging Snakebird, its easier sequel Snakebird Primer, and their combined version on Switch Snakebird Complete.

But even Snakebird Complete costs $15. What if you just want to dip your toe in and find out why the snakebirds are the snakeword(s)?

Try Snekburd, on itch.io.

Created by a Pico-8 dev called Werxzy, they’ve made a “demake” of Snakebird that is essentially just the original but with different levels and pixel graphics, which can even be tried out on the web. And if you’re already a certified serpent-falconeer, it even has some new tricks for you to learn.

You control up to four colorful adorable snakebirds, who you can switch between freely. Their mission is to consume all of the fruit on each level, and then escape to the next island. They all move, one turn at a time, like the snake in Snake, but in a side-view, gravity-burdened world with unexpected implications.

It’s a good idea to spend some time at the start getting used to how the SBs operate. Despite being nominal birds they cannot fly. It’s easy to get a longer one trapped against a wall, but you’re allowed infinite undo levels, and you’ll need all of them.

A snakebird that eats a piece of fruit grows one space longer. In multibird levels it doesn’t matter to completion which feathery slitherer eachs which fruit, but sometimes the design of a level means a specific bird will ultimately need to be a certain length.

To complete a level, not only must all the fruit be eaten, but all birds must make it to the goal portal. This will often be the hardest part of the puzzle. The ease with which one birdbrain can get stranded unless their snavian colleagues help them to the exit will confound you, but they should be applauded for not leaving anyone behind. (They can’t applaud themselves—no hands.)

There’s even a level editor for making puzzles to challenge your friends, or maybe even yourself if you’re really forgetful. Progress is saved between sessions on the same browser. And it’s a good thing, for the game lives up to the original’s reputation for difficulty.

So please, give these fluffy beakworms a place in your heart. I’m told that as parasites they’re completely benign!

Snekburd (from Werxzy on itch.io, $0, based on Noumenon Games’ Snakebird series)

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Sundry Sunday is our weekly feature of fun gaming culture finds and videos, from across the years and even decades.

The Katamari Damacy games have such a wonderful soundtrack, every tune in each of them is (adjusts glasses, looks at Urban Dictionary page) “a banger.”

One of these numerous and multifarious bangers, from the first game but sadly absent from its Reroll remake, is WANDA WANDA, the music from its tutorial.

Giving it some overdue recognition is nathorz, in this 2½ minute animation that interprets its title as referring to a grandmother drafted into saving a bunch of aliens. Here ’tis:

We linked to multiple videos made by nathorz in the past, our favorite being a cartoon based on a Splatoon 3 song called Bang Bing.

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Someone on Mastodon (I can’t find the post now) mentioned that the KIM-1 had excellent programming guides, as it rightfully must have had, considering a freshly-assembled KIM had to have been programmed in raw machine code, and coming from an era before the World Wide Web. I had a look and, lo, it did!

Have a look for yourself, from a copy hosted by Rich’s Classic Computer Pages (PDF). Explained in an early chapter is how to properly add together numbers of arbitrary sizes, something that I had to find out from random sources. I wish I had this book when I was programming on the Commodore 64; I did have the famous Programmer’s Reference Guide, but that’s just it. It’s a reference work, and very difficult to learn the principles of assembly coding through it directly. (That said, there are pages in the C64 PRG that will look very familiar to someone flipping through the KIM-1 Programmer’s Guide.)

If you sat down and read this all the way through, and it’s quite readable for a programming manual, you’d be well placed to write code for, not just the KIM-1, but any 6502 computer. While for other machines you would need more information, like memory maps and hardware documentation, and you might like to have an assembler too, you’d still have a great foundation for whatever crazy programming adventure you were about to embark upon. I love it.

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The weirdnesses continue…. The cartridge has mock-up art on it that looks like the “black-box” trade dress early NES games had. The chips on the cart are mask ROMs, not EPROMs. In the attract more scroll, arcade names are used for some of the fighters, like Pizza Pasta, Piston Hurricane and Vodka Drunkinski.

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The original Bard’s Tale, not the PS2 action RPG reboot, and not the more-recent continuation either, created by Michael Cranford, is not as harsh as Wizardry, but is still a tough game, and one that demands that you map it out as you go. Instead of a menu-based town like in Wizardry, you have to actually explore the town of Skara Brae to find important locations within it like Garth’s Equipment Shop, Roscoe’s Magic Emporium or even the Review Board where you gain experience levels, and surviving the town’s random monsters long enough to do those things is your first major challenge. Yet despite, or maybe because of, that difficulty, the series sold more than a million copies, and was an important early hit for both developer Interplay and publisher Electronic Arts.

The C64 Appreciation Society is working through the original Bard’s Tale in an in-progress series of videos, ranging from 10 to 15 minutes in length, and they’re excellent both for an introduction to the classic series, and for understanding what made the game so popular.

The playlist is in reversed order, so if you watched it from that you’d start with the episode 4 and then watch 3, 2 then 1, and it’s really for the best to watch them in the correct sequence, so here those are: Episode 1 – Episode 2 – Episode 3 – Episode 4. Embedded here is the first of those episodes:

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Because of this, I just have to assume that this 16½-minute video from Cat’s Eye and Cybershell finding many (although they admit not all) of the songs that the musicians behind the Japanese version of Sonic CD drew samples from is on the up and up. The Japanese version’s soundtrack was by (looking up spelling on Sonic Retro) Naofumi Hataya and Masafumi Ogata. They mostly don’t seem to touch the US version, which had mostly different music by Spencer Nilsen and David Young, maybe because of those many musical references. Whichever you prefer is mostly a matter of taste, and how well you can handle an intro track for a game about a cartoon hedgehog with lyrics about “leather and lace” and “toot toot sonic warrior.” (Didn’t I make a post about that at one time? A search suggests no, but I was sure I had….)

Lots of names and bands that I’ve never heard of, and songs that I’ve never heard! Look, I know, it’s a huge area to be ignorant of, but at this point I don’t feel like I could possibly do it any justice, so I guess I’ll just go back to my CD of Flood. (Starts absentmindedly singing the lyrics to Particle Man for the hundredth time….)

Extra: this Sonic Retro forum post where The Sunshine Feeler dove into figuring out who did the vocals on the Japanese version, which reveals the amazing fact that the artist who did the rap portion of the intro song, Casey Rankin, also sang the remix of the DK Rap for Smash Bros. Melee!

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But MK7 actually means them. The vehicle speeds are actually derived from the CC number in that game. 100 CC is actually twice as fast as 50 CC, because the acceleration multiplier is double, and 150 CC is triple.

Meaning, if you hacked the game, or else made a mod, like CTGP-7, that let you set the CC number, by changing that one value you could affect the whole game, and try ridiculously fast, or slow, game speeds never intended by the designers.

But there is no need to stop there. CC is just a float. PabloMK7 hacked the hack and tried weird floating-point values for CC that shouldn’t rightfully work, like infinity, and NaN (“Not A Number”) , just to see what would happen. (5½ minutes) And then very high finite CC values, and infinitesimally small CC values, like point-lots-of-zeros-then-one CC, causing the engine to break in amusing, and somewhat frightening, ways.

So then, what would happen? Take a look for yourself:

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But the bug isn’t always at fault. The 1541 disk drive takes over a minute and a half to format a disk, but as it turns out it had good reason to, and the time consumed had nothing to do with the C64’s code because the drive does all the work itself; the Commodore 64 just waits throughout the process.

Commodore History goes into considerable detail on the process here (16½ minutes). During formatting the drive wipes out all the data that had been on the disk, lays down syncing structures, writes the disk ID to every sector, puts down the directory track and sets up the Block Allocation Map (BAM), and more. It’s an interesting, if not too useful these days, exploration of what disk drives at the time had to do to make the disk’s magnetic surface usable for data storage.

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How are we different? Although we’re given to the occasional frivolity, we’ve never tried to insult your intelligence here. If it seems like we post randomly from across the whole breadth of gaming (notably excepting the standard AAA production) that is not an accident, even if we do, admittedly, veer off to Nintendo-related topics frequently.

We already did a 2025 recap post, and a full blog recap should wait another year for the 5th anniversary, but I figured it was worth looking back on how far we’ve come, and where we are now in terms of visitor stats. All of these figures are from WP Statistics.

On the average, Set Side B gets about 435 visitors a day. Our most frequent search referral is still Google at 27,954 over the last month. We got 1,108 from DuckDuckGo, and 750 from the poor saps using Bing. Speaking of saps, Brave search brought us 93 links. Facebook brought 36, odd considering I don’t think I’ve ever mentioned SSB on Facebook. I try to avoid it generally when I can.

Device usage breakdown: Desktops at 10.4K (hooray!), Smartphones at 3.5K (eh), Tablets at 137 (huh), “Phablets” at 14 (wha), and “other” at 6. What is other supposed to mean? Game consoles? Fones? Wristtops? Cyberglasses? Compuhats? Supposiputers?

OSes. Windows at 8.8K; Android at 1.9K; iOS at 1.7K; Mac at 1.2K and others at 531. I’d like to think the Wii’s and 3DS’s old versions of Opera are in there somewhere. (The Wii-U’s browser is hopelessly modern by our standards.)

Most visits from countries are, in order: U.S., Viet Nam (second place somehow), China (third place, I’m guessing from AI training), then Brazil (we really need to do that retrospective on the Sega Master System and the Monica games eventually), the UK, India, Singapore, Canada (why so low, canucks?), Iraq(??) and Germany rounding out the top ten. The top city, inexplicably, is Hanoi in Viet Nam. Tokyo is 4th place. The top US city for visits is Ashburn, Virginia, down in 8th place.

Four years is a long time to do anything, but we don’t plan on quitting in the near future. Of course, as happened with our friend Matthew Green and Press The Buttons, all blogs fall silent someday. I hope that, when my day comes, if Set Side B is still around, that someone will take it over and keep it going as long as possible, so long as it stays true to its three categories of Retro, Niche and Indie gaming. So long as it’s true to those focii I think it won’t soon lose its way.

We love you! Please love us back, and spread the word about us! And of course, thanks for reading.

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We love it when we find weird and unique indie games to tell you all about! Our alien friends to the left herald these occasions.

There are tens, if not hundreds, of thousands of quirky little games and things on itch.io. Lots of them are worthless, some are mere cash-ins, and a few are really nice, but good luck finding them with the towering piles of meh blocking view of the horizon, or indeed anything else.

So it’s nice when you find something through the browse feature that’s a joy to play, and such a game is Emlise’s Conservation of Bass. At first glance it looks like it’s going to be another game of the type that bitsy makes it easy to construct. Nothing against bitsy or its games, but most of them are pretty simple, leaning more into the fun of exploring a little world than offering challenging gameplay.

But as it turns out Conservation of Bass only looks like it’ll be an exercise in pure exploration. It’s actually a completely linear platform-puzzler, and it requires a surprising amount of skill to get far into it. Your walking fish protagonist can only jump one space high, and can’t move very quickly, so sharp jukes in the air won’t save you. As is the custom for these kinds of puzzle games now there’s no penalty for failure, it immediately resets the puzzle for another try.

The fish’s special trick is, it can swap spaces with blocks exactly two spaces away from it with the X button, if they’re the same size as it. It can do this in all for cardinal directions, by pressing that arrow key. These are the same keys that move the fish, and allow it to jump, and it can even do this in mid-air. That’s where the control skill comes in, even if you have a solid plan for how to solve the puzzle, putting it into effect may take you a few tries, as the timing window for swapping a falling fish with a block over safe ground is pretty demanding.

Helping out is a special property of that X button that’s unveiled to you a short way in: holding it down freezes time, and lets you then use the arrow keys to decide which direction you want to swap in at a bit without needing split-second accuracy, so long as you pressed X with that same accuracy to begin with.

This is another of those games where you’re introduced to its elements slowly, which is great because the puzzles get hard fast. I got to the early levels of Chapter 3 before my pending deadline forced me to set it aside and write it up. See if you can get beyond that.

Conservation of Bass (itch.io, $0, playable on the web with optional download)

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The Wizard stars Fred Savage of The Wonder Years, a popular show that you barely hear anything about any more. Like thirtysomething, remember that? I don’t either.

Many of my nights lately have been consumed with trying to play enough Caves of Qud so that I don’t embarrass myself too badly when I finally decide to talk about it. Most of my early explorations were in permadeath Classic Mode, but I have come to realize that playing it that way would mean I would need several years to finish it. I may not actually finish it before I write on it. On Nethack I had the advantage of being obsessed with it for years, had read many spoilers on it and participated on the Nethack Usenet group. These days much discussion of that nature has moved onto Reddit, which I have strong moral qualms about visiting now, not to mention that its app sucks on toast.

Well, back at it. Send fresh water.

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For most of the episode we try to treat the game as if all that skeevy stuff doesn’t exist, but don’t close it when it seems like it’s over….

As for the skeeve, the game’s official website has a section marked OPPAI, which I do not link to directly from here, in case it gets Set Side B on some kind of list.

I don’t make many @Play posts these days, and I’m sad that I have to drag out the tag for something like this. I am working on a lot of discussion about Caves of Qud (if I can link to Omega Labyrinth Life here I can certainly call out Qud), but the game is so blasted huge! Hopefully I can bring you something on that front soon.

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I’m not happy with the clickbait title The Game Display chose for this video, claiming they found a “golden mushroom” in Super Mario Bros. 3 like it’s some actual thing. What it is is a 1-Up mushroom with a weird palette. But it’s still a video worth linking (11 minutes), and seeing, because to find it you have to learn about an unlikely secret mechanic in Mario 3 involving the map screen and the wandering Hammer Bros. You can watch it, but I’ll give you the gist down below.

Remember those map Hammer Bros. in Mario 3? They walk around after you finish a level or lose a life, adding a bit of extra uncertainty to the map screen, and giving you a stored powerup if you beat them.

But did you ever notice that sometimes the blocks in the battle arena where you fight the Hammer Bros. have powerups in them too, but only sometimes? And it isn’t something to do with the Hammer Bros. themselves, the same fight might have a powerup one time, but no powerup another. What determines whether it’ll be there or not? Is it random?

The diabolical thing is that it turns out the map intersection spaces, the little coin-like locations that Mario/Luigi can stand on but don’t contain levels, Toad Houses or anything that can normally be entered, are actually valid gameplay locations! They’re only loaded as battle arenas when you fight enemies encountered on the map screen on that spot. Although most of those locations look the same on each world, some of them have powerups in a specific block, and some don’t. The qualification for whether you can find it or not is where you fight the Hammer Bros., not which one you fight.

In the sky portion of World 5, there is one specific map screen spot where, if you can lure that area’s lone Hammer Bros. onto it and fight it there, you can find that 1-Up mushroom with the weird palette. It requires a lot of tricky actions to find it, since the Hammer Bros. icon can’t travel up one of the only two ways to that spot, and you also have to avoid clearing a couple of levels using Jugem’s Cloud, because if you clear a level normally, the M or L space that is produced blocks the movement of map screen enemies. You also have to avoid fighting and defeating the Hammer Bros. early of course, and you have to avoid turning the enemy into a Treasure Ship. That might seem like an unlikely thing to have to watch for, but it is a issue encountered in the video. Watch it and you’ll see.

It’s so cryptic and precise that it seems like it must be an intentional secret, the one non-level map screen spot with a 1-Up in it. Given how many infinite life tricks Super Mario Bros. 3 has, I can’t say that it’s particularly useful, but that isn’t the point. It’s a little nod by the developers to the obsessed player, a way of saying, we see what you did there.

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