A similar kind of trap was the Game.com, Tiger Electronics’ bid to compete with the Game Boy. It made a kind of sense, sure. Nintendo got into portable gaming with the Game & Watch series, from there spreading into a more flexible system with replaceable cartridges. Tiger made Game & Watch-style LCD games too, so why couldn’t they do the same thing?

Thing is, Tiger was doing this through most of the 1990s! They kept their costs and prices down and managed to make them profitable by just putting out the most barest games possible, Game & Watch-like LCD games in the era of the Sony Playstation. (Ernie Smith at the excellent blog Tedium wondered at their success too.)

Tiger released their Game Boy competitor, Game.com, in September 1997. It was absurdly cheap at $30, but at that time a Game Boy Pocket was only a little more expensive at $55. I think it’s safe to say the only people who were buying up Game.com devices were extremely low information buyers. But they found 300,000 such buyers. I expect a majority of them were grandparents.

So, what were those lucky enough to get a Game.com in for? The system got a total of 21 games. One of its games was Sonic Jam. The website Bad Game Hall of Fame had a look at it, and it was quite the thing. I call it a thing because it barely qualifies as a game.

It was named after a Saturn release of the Genesis Sonic the Hedgehog games, and claimed to have Sonics 2, 3 and “and Knuckles,” but not only were all the games strained through the Game.com’s small monochrome screen, they all were drastically cut down. Each has only one level! And it’s barely playable at that!

Bad Game Hall of Fame did a general retrospective on the Game.com. I personally love terrible janky systems like this, but it’s not because I think they’re secretly good, it’s because, like the mockbuster output of The Asylum, I think they’re hilarious. But I’m not laughing at the kids who were expecting a Game Boy but ended up with this instead.

These days Tiger Electronics exists, as many other game companies from past decades like Milton-Bradley, Parker Brothers, Avalon Hill and Wizards of the Coast, as merely one organ out of the many that comprise the grotesque Frankenstein’s Monster of Hasbro, Inc. Hasbro paid $335 million dollars for them, possibly because they saw something in their then-new Furby product. Nowadays I don’t think Tiger’s name is being applied to any current products, and that’s probably for the best.

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Their most recent examination is the best NES basketball game, Double Dribble. If you’re not familiar with it, it plays and feels an awful lot like it were an early version of NBA Jam, without the teams or players or personality sure, but it does play a mean arcade-style game, which makes sense since it was a port of an arcade game (one that plays, I should say, a hideous vocalized version of the Star Spangled Banner at game start).

Here is the video. (32 minutes) Discussion of the discussion is below it.

Okay, the first surprise is that it that whether the ball goes in or not depends entirely on physics. The game takes the angle of the player to the basket (gotten from the X and Y position of the shot on screen) and sends the ball towards the basket using a lookup table to tell how the ball should move. When the ball arrives, whether it goes in depends on whether the ball is close enough to the center of the basket.

Double Dribble actually just sends the ball towards the basket, and if it’s close enough to the hoop (less than four pixels away), it goes in. Basically, the spot on screen the ball leaves from is what determines whether it scores. Affecting that is that there’s a limited number of discrete angles the ball can be thrown at. Displaced Gamers runs through the math, which is fairly involved, but in short, if you throw at the wrong combination of angle and distance, the ball just won’t go in.

More than that. The big discovery made by Displaced Gamers is that the two hoops aren’t the same! Due to flaw in the math, both hoops’ centers are essentially shifted to the right slightly, and both are also easier to hit when shots are made from the top of the screen, above the basket.

This is only a couple of points from the video. It’s full of the kinds of shortcuts that time-pressed programmers from the age of 8-bit consoles often had to use to make their code work. If you’re allergic to discussions of math (especially trigonometry) you might want to skip this one, but I think it’s worth a look.

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The World Wide Web is now over thirty years old. In that time, more content has vanished from it than remains now, but some of it can still be dredged up from the shadowy archives of the Wayback Machine. This is the latest chapter in our never-ending search to find the cool gaming stuff that time forgot….

A recent Retronauts episode looked back upon the history of Buckner and Garcia’s 45-year-old video game novelty song Pac-Man Fever. Host Drew Mackie also runs Thrilling Tales of Old Video Games, and it just as recently linked in passing a pair of ancient websites devoted to its album, Lee Seitz’s Pac-Man Fever Forever and 52 Weeks of Pac-Man Fever.

We here at Set Side B do everything we can to encourage the kind of unhealthy obsession with video game ephemera that is epitomized by these sites. And carrying a torch for a novelty song dating back to the height of the arcade era, that sounds even crazier (“It’s drivin’ me cray-zee!”) than my own obsession with Rampart.

Started in 1994, when readers would have had to browse the page in Mosaic, the length of the site Pac-Man Fever Forever’s legacy now begins to rival that of the song itself. Like all good websites it refers to other pages on this Widest of World Webs, but alas most, if not all, of the sites it refers and links to are defunct now, saddest being that of the song’s creators, Buckner and Garcia themselves.

As countless kids on social media remind me nearly every minute, I am old, and yet I still dimly remember 1981, the year of Pac-Man’s release, which now might as well be the Stone Age. Social Media, the Web, the public Internet and, I seem to remember, electricity didn’t exist back then. But people still listen to Pac-Man Fever, and they still play Pac-Man today, and Bandai-Namco continues to squeeze the hungry lemon-wedge for every final drop of its juice. I maintain that Bally-Midway, R.I.P., was at least as responsible for its worldwide success as Namco was, and it would have been them who’d have sub-licensed the game’s sounds for a novelty song, as they would have for the Pac-Man Saturday morning cartoon show, a whole landfill of tatty merch, and most of the other instances of Pac-mania from the classic age of arcades. (But not Pac-Mania: Atari published that in the US)

We know Gary Garcia has since passed away. Jerry Buckner (IMDB) continues to roam the neon-blue tunnels of the Earth, and he wrote a song for Wreck-In Ralph. We here hope he continues giving breath as long as he wants. Thanks for the tunes, and to Lee Seitz, thanks for remembering them.

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1. In 2024 Kayinworks wrote an essay about games as models vs. toys. I’d describe the same dichotomy as simulationism vs gamism. Neither are necessarily bad, but their aims are different. Models, like model trains, take some real-world thing and try to give you its essence. Toys use a real-world thing to lend flavor to a friendlier, more accessible, but in some cases more pandering experience. That’s an oversimplification, it’s a great article, well-thought and full of nuance, but it gets across what you need for item 2. (It also mentions and links to the preposterous and awesome Ginormo Sword.)
2. Taking inspiration from that essay’s description of changing old games, modernizing their looks and in some cases changing game rules to be more acceptable to players, although sometimes in ways that miss the point of why those old games do things they way they do, plourples created a romhack for NES Donkey Kong that does away with such quaint notions like Mario having a jump that’s only his own height tall. “What’s that? This ruins the entire game? But it’s for Quality of Life!”
3. Darkman425 and Spikestuff speedran that game. (Youtube link, 48 seconds)

I’m only sad they didn’t do the version with the Conveyor Belt level.

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This video is a bit more general than that, describing the various kinds of extra chips included in SNES carts. (11 minutes)

It didn’t have as many different kinds of mappers as the NES did, since its processor had a much larger address space, but it still had a few helper chips included in cartridges through the system’s life. Most of these were essentially co-processors. The most famous one was, of course, the Super FX, which supplemented the unit’s relatively pokey 5A22, providing it enough extra muscle to rapidly draw polygons. But there were other chips, like the DSP line, and the SA-1, which was essentially another processor of the same kind as in the SNES, with its own memory and clocked at a much higher speed, and additional aids.

The use of these chips allowed the SNES to perform feats it was incapable of out of the box. Unlike the NES, which I’m pretty sure wasn’t intended to be used with mapper chips in its initial design, at least one SNES launch title, Pilotwings, used a DSP-1 chip. I have to wonder if Nintendo’s affection for including extra hardware in cartridges played a role in their ill-fated decision to go with cartridge media for the N64?

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We collect literally hundreds of links in compiling stuff to you, far more to give everything its own post. Here’s a scattershot collection of some of it, we hope that one or two of them might strike your discriminating fancy.

SGDQ 2026 has concluded, having raised $2,400,000 this year for Doctors Without Borders.

Each event there are many runs of possible interest for people—and I must remind you, GDQ is far more than just AGDQ and SGDQ*.

I’ve collected a number of them in the list below. Of course I’ve picked and chosen those I found the most appealing, but they all can be found in their video archive on Youtube. Times gives are the video length, not the length of the run.

The Legend of Zelda

A Link to the Past (no major glitches, 1h33m)
The Wind Waker Randomizer Race (2h41m)
Tears of the Kingdom (1h7m)
The Wand of Gamelon (silly block, 58m)

Arcade Games

Ghosts ‘n Goblins (20m)
Vs. Super Mario Bros (24m)
Total Nuclear Annihilation (pinball, 39m)

NES Games

Castlevania (1HKO, 15m)
Gauntlet (16m)
Clash at Demonhead (30m)

16-Bit

Ogre Battle: March of the Black Queen (1h13m)
Donkey Kong Country 2: Diddy’s Kong Quest (1h44m)
SNES Teenage Mutant Ninja Turtles 4: Turtles in Time (23m)
Sonic 3 & Knuckles (40m)

Kirby

Kirby Air Riders (Air Ride races, 43m)
Kirby’s Dream Land 2 (42m)
Kirby: Nightmare in Dreamland race (48m)

UFO 50

Rail Heist (19m)
Vainger (Cherry goal, 35m)
Mystery Tournament (offstage, 3h22m)

Indies

Pizza Tower (tag-team Peppino & Noise, 1h11m)
Hollow Knight Silksong (1h54m)
Rift of the Necrodancer (48m)
Environmental Station Alpha (31m)
Slay the Spire II (55m)
Yooka-Laylee and the Impossible Lair (22m)
Supraland (48m)
VVVVVV (16m)
Stardew Valley (race, 47m)

Miscellaneous

Super Mario Maker 2 (1h34m)
Mario 64 (120 star TAS, 1h19m)
Metroid Dread (1h12m)
Elden Ring (3h16m)
Kingdom Hearts II: Final Mix (2h24m)
Banjo-Tooie (54m)
Pokémon FireRed (3h47m)
Super Princess Peach (1h38m)
Wario World (53m)
No More Heroes (1h35m)
Fire Emblem: Three Houses (1h29m)
Wii Sports (28m)
Earthbound Beginnings (35m)
Crash Bandicoot 4: It’s About Time (1h33m)
Wario World (54m)
Resident Evil 3: Nemesis (with a guitar controller, 56m)

Silly Block

DOS Mega Man (silly block, 13m)
C64 Snoopy, 9 loops (silly block, 17m)
Grandma, No! (silly block, 22m)
Dryway Eating Simulator (silly block, 21m)
Power Shovel (silly block, 13m)
Bait & Tackle (silly block, 18m)
WHAT THE GOLF? (silly block, 19m)

For the embedded video, which will become the video included in the social media posts, I choose DingoYabuki’s Ghosts ‘n Goblins arcade run, because it’s short and impressive:

When AGDQ 2027 comes around it’ll be in Atlanta, and I hope to be able to bring you coverage live, on the ground from the event itself! Let’s keep our fingers crossed and our expectations low!

* As an aside, just today GDQ was doing a stream with SNK, which they abruptly cancelled 30 minutes in, when they learned about SNK’s relationship with the Saudi Arabia Public Investment Fund. I’ve heard some people react bitterly that they were going to do the stream at all, but I have to say wow, calling it off while it’s in progress takes rather a lot of guts! I think cutting people like GDQ at the first iota of disapproval might be going too far, that people who realize their mistakes should be cut some slack, especially when it’s so rapid. I say, be prepared for positive action and reward it appropriately.

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It’s one of those two times of year again. Games Done Quick, the bi-annual week-long charity speedrunning marathon, begins at 12:30 PM (“Noon Thirty”) Eastern Time on Sunday, July 5th, that’s tomorrow. The day after today, the 250th occurrence of that particular US holiday some people make a fuss about.

This one is SGDQ, where the S stands for Summer. If my recollection is accurate, AGDQ, the one that happens in January, is the home of Awful Block, speedruns while SGDQ hosts Silly Block. You can keep track of them by the first letter: AGDQ for Awful, SGDQ for Silly. Even so though there’s a lot of leakage between the two, and many of the games in Silly Block this time would fit in well in its Awful relative, including the infamous Snoopy game on Commodore 64, Mega Man for DOS and The Legend of Zelda: The Wand of Gamelon.

The schedule is here. A few games of interest, I think, are Castlevania: Symphony of the Night, Kirby Air Riders (only Air Ride mode though), No More Heroes, a couple of games from UFO 50, the SNES version of Ogre Battle, Sonic 3 & Knuckles, Paper Mario: The Thousand Year Door, Vs. Super Mario Bros, Earthbound Beginnings, What The Golf?, The Legend of Zelda: The Wind Waker Randomizer, Gauntlet and Castlevania both for NES, and a naneinf run of Balatro, among many others.

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The cool thing is, while they’re much faster now denser now, and faster, and we have much simpler ways of interacting with them, and storage, both chip and magnetic, hold much more data, and each of these things has improved by a factor of billions or even trillions, computers still basically operate on these same principles.

This video mostly concerns itself with explaining how basic computer circuts are made. It makes for fairly dry viewing if you don’t know anything about electronics or circuit diagrams, but maybe it’ll be interesting anyway, from a historical perspective.

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It was for the original Playstation that Namco first started rereleasing home compilations of their classic-era arcade hits, in the six well-known and respected Namco Museum titles. But then their rereleases became rerereleases, and then, rerererereleases. So many collections, so many trips around the block, so many recreations, so so many. Going by the series’ Wikipedia page, the most recent entries have been for modern home consoles, the Evercade handheld retro console, and even a standalone unit.

I would despair of ever understanding all the Namco Museum releases, but for the tireless efforts of Mythic Resonance on Youtube. He has constructed an epic two hour review of every Namco Museum version, called The Namco Museum Museum! It took him over 2½ years to make! And as of this writing it only has 1.9K views, which I view as a darn shame, even if it is, right now, only nine hours old.

I don’t know how many of you have the stamina to watch all of an epic overview of these dozens of game collections, but some of you have got to be up for it, I’m sure. Good luck on retaining your sanity while weathering this massive onslaught of game information!

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When the market for replacement cabinets opened up, targets for upgrade kits without gutting an old machine to host them, they still had to have some game in them, even if everyone knew its PCB would be just be taken out and thrown away. It was also a way to assure a game center owner that the cabinet worked as advertised, as it could immediately be plugged and tested.

But games cost money to develop and need parts to implement, so these games have to be really simple. So there arose a micro-genre of games, usually a simplified remix of something from the cabinet manufacturer’s back catalog, using ancient processors, minuscule ROM and RAM, and the simplest means of driving the video signal possible, to fulfill this tiny and strange market need.

Nicole so far covers three such games: Sega’s Dottori-kun is a remake of their classic arcade game Head-On (remade before by Atari as Dodge ’em), a simple dot-eater where the player’s surrogate is a car that can only drive around a track one way. Taito’s Mini Vaders is a series of Space Invaders challenge boards, but with no enemy shots or sound. And most recently Konami’s Target Panic is a kind of fast reaction target shooting game, but using a joystick instead of a light gun.

Dottori-kun, a silent blue-and-white remake of a 1979 arcade game, was, via Sega’s Aero City cabinet line, a game they were publishing the year that also saw the release of their Super Scaler extravaganza G-LOC.

Nicole goes into detail about each of these games, possibly the most attention any of them has gotten outside of their creation, including their internals. She really knows her stuff, and dives into the implementation of each game. All three run on Z80s or variants. Only one of the three games, Mini Vaders, accepts coins. All three articles make for fascinating reading, at least to my fevered mind, so please click through

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The existence of this feature implies that the PPU was intended for greater things at some point in its development. A lot of the limitations of classic hardware end up being due to economic and complexity tradeoffs prevalent at the time of their making. I find it intriguing to imagine the PPU’s chip designers anticipating a future where it could have been daisy-chained like this.

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The details of the story are that this only involves the copyrights, not the trademarks. But trademarks are different from copyrights, they must be continuously defended and expire if not utilized. Every so often Electronic Arts attempts to do something new with the Ultima name, but none of them usually turn out that successful. The sole remaining example of classic Ultima is the venerable MMORPG Ultima Online, older than World of Warcraft, even older than Everquest. It’s possible that EA could use its unbelievable continued existence as a pretext to keep hold of the Ultima trademark, but UO is incredibly ancient itself nowadays and doesn’t have the large userbase it once did.

I have no love for the monstrosity Electronic Arts has become, the memory of their enlightened early years under Trip Hawkins fading after decades of stagnating sports lines chained to big leagues licenses, and piles of brown and gray military shooters. They sit on countless classic computing properties, doing nothing with them while people who fondly remember them age and die off. Yet I choose to believe this isn’t out of spite, more that they can’t be assed to do anything with properties that aren’t gigantic sellers.

Ultima is one of the few cases where a piece of their gigantic lucite block of IP shows a crack that could be broken away. Richard Garriott has maintained his wealth from the time of Ultima’s success, and may have the resources to fund a revival. Whether it would be successful… I can’t say. Garriott has tried making multiple games since leaving behind Ultima with varying degrees of quality. His Tabula Rasa from NCSoft, from nearly 20 years ago, didn’t do well; I’m not apt to hold that against Garriott though, considering how badly they treated City of Heroes.

Every so often Richard Garriott comes up with some new concept, but truthfully it’s been a while since he’s made waves. I personally sat at a talk he gave at DragonCon a few years ago where confidently held forth on the direction that he saw gaming going, but then failed to go. I’ve tried Shroud of the Avatar: Forsaken Virtues recently, he was involved with it but has long since left it. I bounced off. I’d like to give him the benefit of the doubt, but Garriott’s most recent project involved NFTs, which seems like a huge danger sign.

My personal opinion is that Richard Garriott should immediately approach Digital Eclipse, developers of the terrific remake of Wizardry: Proving Grounds of the Mad Overlord, and together start making something along those lines. Richard, if you’re somehow reading this, please consider it! They do great work. Maybe something involving Ultima III, IV or VII? Any of those would be amazing and could open up this long-neglected series for a new generation of players.

I’ve heard that Garriott is going to be at DragonCon again this year. I plan on reporting on it on-site. Despite what you might think from what I wrote two paragraphs above I’m still rooting for him. Ultima is the most shamefully neglected classic RPG franchise out there right now, and I’m excited to think that it might make a comeback, no matter how unlikely that might seem right now. I didn’t think Wizardry could make a comeback either! Let’s all clutch our ankhs tightly and hope.

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The CRPG Addict has come around to reviewing the original Multi-User Dungeon, the first of many. Because PLATO predated so many networked computer games it wasn’t the first online multiplayer game, but it was one of the first that could be played by many people. The Addict links to an extensive Digital Antiquarian article from 2017 explaining MUD’s history.

That Antiquarian article is pretty amazing. In the original MUD, if you got enough experience points you could become a wizard, basically a moderator yourself. If you killed another player they had to start over from scratch, and you got 1/24th of their experience points. Other ways to gain points was to find treasure and drop it into the swamp. Once treasure was swamped it was gone until the next server reset, which only happened when nearly all the treasure was so disposed. While you could find and use weapons, there was a limited number of most of those in the game so most players had to be satisfied with basic stick weapons.

But despite these limitations, players managed. Wizards could crash the game easily (there was a command specifically for doing so!), so mostly they didn’t. Customs were decided on; it was improper to kill a player more than two levels below yours. The game continued, and players largely came up with their own solutions to social problems.

The CRPG Addict explains that the original MUD is still in operation at british-legends.com, and that you can even join him there to play today! Times are in his post.

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There are some locations in a few levels that have four invisible spots in the background that can detect your presence. If you touch the four in order, the extra life appears. They’re found throughout the game, and they’re supported in code to the extent that, if you find one in a level, the game sets a flag for that level so it won’t appear again in that play session. You have to exit your game and load it back up again before you can get another extra life by this means from that level.

Many of these locations are arranged so that to trigger them in order, you’ll have to move in a loop around some location. This is similar in concept to the stakes in Super Mario 64 that, if you run around them a few times, cause them to generate coins to collect. Another kind of weird secret in a Mario game. I feel like Shigeru Miyamoto must have been lying awake at night brainstorming ever more obscure things to put into them.

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Loadstar and its side project Loadstar 128 were made for the Commodore 64 and 128 home microcomputers. They were disk magazines, a niche of publisher Softdisk, distributed by mail, and for a while even on newsstands. Even after it became untenable to keep distributing by retail Loadstar managed to retain enough subscribers to keep going for a while longer.

Loadstar lasted 22 years, from 1985 to 2007, an amazing run lasting well into the Internet Age. It hasn’t been 22 years since 2007 yet. In that time they published more than 6,700 items. Sure, it had its ups and downs, and towards its end its last editor, Rev. Dave Moorman, had to struggle to find things to fill its four disk sides with. Its last year only saw two issues, but Dave was determined to keep it going, aiming for 256, the number of possible values in a byte. Sadly a tornado hit his home and destroyed his issue-making setup. (We talk sometimes about reviving Loadstar and making the last six or seven issues ourselves to fulfill Dave’s ambition. We have most of the tools, and it’s much easier to find new Commodore software now than in 2007.)

Loadstar wasn’t Softdisk’s only product. I can legally distribute Loadstar because of a special carve-out for it. Loadstar is still owned by its longest-running editor, Fender Tucker, who used to sell physical CDs of the issues, with an old version of VICE on it to run them in emulation. I have one of those CDs myself, and it serves as the base of the version of Loadstar Compleat we sell with Fender’s permission.

The company that originally published Loadstar was called Softdisk Publishing. Founded in 1981 by Jim Mangham, it was a similar product to Loadstar but for computers in the Apple II line. It was also successful, lasting (I believe) for 166 issues (Loadstar went for 249), and given the popularity of Apple IIs could probably have lasted a bit longer, but for a lamentable fact: Apple IIs were refreshed several times during the series’ life, as Apple II+s, Apple IIes. Apple IIcs and then Apple IIGSes. Early issues don’t even run on Apple IIs after the + line; later machines, especially the GS, have much greater capabilities than the original, so a stock II owner would have to upgrade to get the most use out of the final issues. Unlike Commodore 64s which cost $200 for most of their life, Apple IIs were always pricey, and eventually an owner would have to decide whether to invest more money in a line of computers even its manufacturer didn’t seem too interested in anymore, or switch to one of the teeming IBM PCs types that were everywhere by then.

I’d like to tell you more about Softdisk the magazine, but I’ve never used it! Just now, today, I’ve finally been able to obtain a mostly complete set of issues from the Internet Archive, in Softdisk Supreme. Doing so was an adventure involving an ISO using the Mac HFS filesystem (so standard ISO-manipulation tools proclaim the disk image to be corrupt), the website Infinite Mac, and having to dodge several annoying quirks of both Infinite Mac and Classic Mac OS itself.

Softdisk Supreme was the product of a company called Syndicomm. Distributed on CD much as Loadstar Compleat was, Syndicomm was owned by Eric Shepherd, who transferred it to Tony Diaz in 2011. Diaz passed away in 2021 (source), leaving ownership of Softdisk’s properties uncertain.

Or are they? There is a note in a PDF supplied with Softdisk Supreme that tells us that Syndicomm didn’t own Softdisk the Magazine, but just licensed it from the company:

So then, who owns it now? No less a figure than John Romero himself, the John Romero, game designer of Wolf 3D, Doom and Quake and former Softdisk employee, tells us that a company called Flat Rock Software owns the Softdisk IP now.

Softdisk made more magazines than just Softdisk and Loadstar. For the PC they made Big Blue Disk and Gamer’s Edge. I’ve found a mention online that parts of Softdisk’s legacy were sold in pieces to other companies. My Abandonware doesn’t distribute several notable games from BBD’s issues that were made by the id Software people, like Catacomb 3D, pointing people (but not directly) to GOG. Here is a direct link. It’s $6 for six games, and in the style of GOG retro releases they’re packaged with an emulator capable of playing them out of the box.

Catacomb 3D is listed as made by “id Software, Softdisk Publishing” and “Catacomb Games.” It’s the only product by Catacomb Games on GOG. They have a website. They’ve opened the source code to the whole series and uploaded it to Github. While their website doesn’t list a point of contact, their Github account page has an email address, which I sent a polite request to just a few minutes ago. I hope they can clear up the question of ownership, and if they can, that it’ll illuminate a path towards offering a package similar to Loadstar Compleat for Softdisk’s other products.

I believe that all software has value, but Softdisk’s output easily exceeds that low bar. The Catacomb games don’t need my pitiful efforts at preservation, but Softdisk published lots of other stuff that’s in serious danger of being lost forever. In addition to the work of their in-house programmers they accepted submissions, and bought software from a wide range of programmers. Many of those coders are aging, or are no longer with us. Attention must be paid! They cared about their work, and so must we. Wish me luck.

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I have played Dragonstomper, in fact I wrote about it in an ebook on 2600 games here, and it’s quite an interesting game. Defining an RPG these days is rife with complication, but then it a bit more obvious: statistics, character building, equipment, exploration and turn-based combat. Dragonstomper has all of these things and more.

The Supercharger was a peripheral that allowed games to be loaded off of cassette tape. The unit itself housed an amount of RAM that held the games that the system would run. The Atari 2600 didn’t have write lines leading out to the cartridge, so the Supercharger had to load the code itself, which looked like normal inflexible ROM to the Atari. But the Supercharger could handle multiload games, making it much easier to make large games for the console. Dragonstomper was stored on the tape in three segments, corresponding to three stages of the quest.

The first section, and the most open-ended, involved exploring the kingdom, fighting monsters, finding items and trying to build your character’s power. A complication to this is that five magic items, a Charm, a Cross, a Potion, a Ring, a Staff, have randomized functions that change every time you begin a game. (There is no saving; the Atari has no way of writing to the tape.)

To get to stage two, you must get past the guard to town, either by showing him an ID, by bribing him, or by defeating him in combat. (They have more health than the dragon!) Town is kind of a break area where you shop for items to help you in the final part of the quest: the tunnel to and fight against a dragon waiting for you in its cave.

There’s all kinds of interesting things you can do, that helps give the game a lot of replayability. For example, you can hire fighters in town to accompany you against the dragon. There are traps around but also items that can reveal their locations to you. You can fight the dragon in melee, or by firing a longbow at it, or you can even avoid fighting it all together by figuring out how to get the gem its guarding without fighting it. There is a GameFAQs guide to it (contributed as late as 2023) that gives a good rundown of how to play and win.

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On Romhack Thursdays, we bring you interesting finds from the world of game modifications.

We’ve not done a Romhack Thursday* for a while. Found by way of a Bluesky post by bro3256, of the website Famibro, this is a brilliant romhack by jroweboy (SMBArena page) that not only puts Mario into Zelda II, but also subtly remixes the game to allow for his different moveset.

While this is a hack to Zelda II, not Super Mario Bros., Mario’s physics and jump have been faithfully recreated in the engine. Mario doesn’t have Link’s sword, and without certain spells his only means of attack is his trademark jump! But all of the enemies that Link could employ his downthrust move against Mario can stomp. This makes some enemies much easier to beat, like the Dairas in Death Mountain, but it makes Stalfos and Ironknuckles almost impossible to defeat without some aid. It takes a lot of familiarity with the original game to notice it, but a couple of enemies have been removed in order to provide a better play experience.

I’ve found it to be unusually well-balanced and implemented for a romhack, especially one with such a unique premise. The game plays a lot like if Nintendo had made it themselves. When Mario is reduced to two bars of health he loses his Super status and becomes small, just like in the SMB games. There are certain advantages to being small; a few keys require a difficult running ducking jump/slide to get when Mario’s big, but if he’s small it’s simple to collect them.

The spells have been redone to fit Mario’s abilities, and the implications of the new rules make the game seem fresh even to Zelda II obsessives like me. The Shield spell doesn’t reduce damage taken, but instead gives Mario a floating shield that acts like Link’s shield. Mario already has a great jump, so the Jump spell is replaced with a spell called Tanooki. Tanooki gives Mario his tail from SMB3; he can’t fly with it, but he can float down from jumps and, crucially, he can use it like Link’s sword if it were limited to low attacks. Unlike all of Link’s spells, Mario’s Tanooki and Fire powerups don expire when the scene changes, but instead lasts until Mario becomes small. I think there are other changes too but I haven’t gotten far enough to find them.

On top of all of that, the music has been slightly Mariofied too, and the soundtrack is really good! Here’s some footage of me playing through some early portions of the hack. (1 hour 23 minutes)

I do need to warn you of one issue though. On my first attempt at playing the game, one of the keys in the first dungeon didn’t register when I collected it, softlocking me and making it impossible to finish the Parapa Palace (the first dungeon). I suggest you save often in case something like this happens to you. It was lucky for me that it happened so early in the game, and starting over didn’t lose me much progress. There’s another place where you appear to be softlocked, in the third palace, but I managed to overcome it by getting the item out of it then setting it aside and exploring ahead, and sure enough, soon after I got an ability that let me go back and finish it.

Despite those issues I’m having a great time trying to puzzle through Zelda II’s huge challenges with this different moveset. If you’re a Zelda II fan too (I hear there are a few of your out there at least) you should check it out!

* Why, you may ask, a Romhack Thursday? It’s because I wanted to do a weekly romhack feature but there aren’t any days of the week beginning with the letter R! You may also ask, why a picture of a frog wearing sunglasses for its header image? They’re the cool frog of the swamp, they know how to edit rom files and give them to all their friends. If you look closely at the cartridge in its hand, the label may look slightly familiar if you’ve played a lot of classic arcade games….

Zelda II: The Adventure of Mario (hack of Zelda II by jroweboy)

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We love it when we find weird and unique indie games to tell you all about! Our alien friends to the left herald these occasions.

It’s got every level of the original Lemmings, including variants from different versions, and the first Holiday demo collection, along with a smattering of extras with more on the way. Picotron of course is the successor to the popular Pico-8 fantasy console, more of a fantasy workstation, but you can still play Picotron Lemmings without buying the $20 tools.

It doesn’t have music or many of the sound effects (including any digitized voices), but it does play very well. It’s smoother than the original and even has visual indicators for Climbers and Floaters, which the originals didn’t have.

Lemmings is a true classic from the 16-bit era and even without music this version is a fine remake. And it’s free to play!

One of those ports we mentioned was a web-based port from 2004, DHTML Lemmings, still online after all these years. Back then it was amazing to see a game like that without even needing Shockwave or Flash. We’ve come a long way, for better or worse, but Sophie’s version is destined to be a highlight among the legends of the Lemmings.

What is that? Some of you may not know what Lemmings is? It’s a classic computer game from DMA Design in the early 90s, originally for the Commodore Amiga but ported to many other systems including the SNES. A bunch of green-haired numbskulls march forward through a huge variety of dangerous landscapes. As kind of their benevolent god, you give them skills to help them get through the terrain and also prepare the way for their friends. In the original you had to have a certain percentage survive to progress to the next level, but in this version you can play them in any order you choose. Give it a try, it’s just as brilliant now as when it was first released in 1991.

Sophie’s Picotron remake of Lemmings (Picotron, Web, $0)

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‘@Play‘ is a frequently-appearing column which discusses the history, present, and future of the roguelike dungeon exploring genre.

Larn, created by Noah Morgan, may his name be sung by the bards forever, is a venerable classic roguelike game, from the same era as Moria and the first Hacks. It’s always been more obscure than the other games but was still popular, and it’s still played today. atsb, aka Gibbon, made a GitHub post commemorating its 40th anniversary, and noting the code has been ported to run on many systems, like Windows, Mac, Linux, DOS, OS/2, 68000, Alpha and many others. There they have both its source code and many precompiled binaries. We covered Larn once back on GameSetWatch, but GSW’s now only accessible through the Wayback Machine, and my Larn article from there is in the book Exploring Roguelike Games, so it seems a good opportunity to write of it again here.

You can download it from that page, but note that after unpacking it you should copy the files in the larnfiles directory into that of the executable, then edit larnopts to suit your playstyle (I’d change the player name, turn on color and pick a suitable gender.) If you don’t copy the files you won’t have in-game help; if you don’t edit larnopts your player will default to a male character named Gibbon.

I’ve only played a little of this version, but what I’ve seen is in keeping with the style of olde. Larn is a great game and worth trying. It makes a lot of different choices from its colleague games, which gives it a different feel. By default it’s easier than Rogue or Hack, but you can pick a higher difficulty if you want. High-difficulty games are ranked higher on the scoreboard.

Larn has a town level like Moria, but it includes features like a college that can teach you skills (but cost money and time) and a bank to save money at. It has two dungeons: a main dungeon that’s ten levels long, and a volcano that’s three levels and much stronger monsters. It has many random features, akin to Nethack’s fountains and thrones, that can do various things to your character, and it uses a code-based spell system. Press Shift-I from the spellcasting prompt (the c key) to be told what spells you know and what their codes are.

In the land of Larn many items cost lots of money, but you also find lots of money in the dungeon, there are lots of valuable gems there, and enemies frequently drop more. There are some things that are different from the Rogue and the Hack line of roguelikes that will need some adjustment:

• One key that works the same is Question Mark for Help, which should give you enough information to start you on your way.
• I haven’t tried using a numpad to play yet, but the help text doesn’t mention it. You might have to use the vi keys plus diagonals to move: h–j–k–l for left–down–up–right, and y–u–b–n for up&left–up&right–down&left–down&right.
• While the standard keys < and > go up and down levels, to enter places from down you have to press Shift-E.
• Monsters don’t follow you between dungeon levels, but the stairs, going both up and down, deposit you at a random place on the next level, so you can’t just retreat up if you find a dangerous monster on the next level.
• Some dungeon features use letters of the alphabet in addition to monsters: a deep blue P is a pit you might fall down.
• There is no key to put on or remove a ring, for they take effect automatically as you carry them. They’re identified immediately too.
• Potions and books don’t get individual descriptions when unknown, like “scroll titled KIRJE” or “plaid potions,” but they do still have underlying identities, and get identified when you use them.
• Lots of items, not just weapons and armor, have plusses, and you can even see them when the item type is unknown. What they mean, you’ll have to figure that out for yourself.
• When you find gems, don’t sell them in the trading post. Take them to the bank and have them appraised there.
• The flow of your quest is unusual to players expecting to collect an Amulet of Yendor some ways down and escape with it. The Eye of Larn is at the bottom of the main dungeon, but it won’t cure your daughter. But there is a way it can greatly further your quest, if you can figure out what that is.

A really distinctive thing about Larn is its time limit. Larn doesn’t use a food clock like many other classic roguelikes, but instead your daughter is dying of a mysterious disease whose cure is rumored to be somewhere in the land. As long as you progress slowly enough you can usually handle the monsters, and you can learn new skills in the College of Larn, but if you take more than 350 “mobils” you’ll fail your quest, although there is an item that can give you more time. If you manage to win the game, the Larn Revenue Service assesses you taxes based on your score before you can use the stores in subsequent games, and you can set a difficulty level before playing that affects the game in many ways: use the command-line option -# where # is the level, with 0 being the easiest.

Larn has its own wiki with many play tips (a lot of them spoilers) at wiki.larn.org.

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More than that, arcade games in the days of their ascendance had a breadth and variety that no other style of video game has ever had. Even home microcomputers, to my eyes, didn’t see games as ludicrously peculiar as arcade games could be, especially in their early days.

Somebody on Youtube with the user name GaryRetroGamer has made a three videos showing off obscure but interesting arcade games from the 80s, ranging in length from 20 to 25 minutes, 127 games from 1983-1984 (25 minutes):

133 from 1985-1986 (22 minutes):

and 100 from the late 80s:

To help you track down individual games, the ones in each video are presented here, in order. Please excuse errors, these lists were compiled with the aid of text processing tools. (For any bashheads out there, of particular use: cut, tr, wl-paste, wl-copy)

1983-4

Dr. Micro, Exerion, Guzzler, Harem, High Way Race, Hoccer, Hopper Robo, I Robot, Intrepid, Joinem, Joyful Road, Jump Coaster, Kick Boy, Lover Boy, Markham, Marvin’s Maze, Money Money, Mouser, Mr. TNT, New Sinbad, Nova 2001, Phozon, Popper, Raiders, Regulus, Roc’n’Rope, Saturn, Scrambled Egg, Senjyo, SF, Sinbad Mystery, Sky Lancer, Star Jacker, Stinger, Super Doubles Tennis, Super Glob, Tin Star, The, Traverse USA, Tropical Angel, Uncle Poo, Van, Vastar, Yamato, Acrobatic Dog Fight, Appoooh, BanBam, Bank Panic, Battle, Ben Bero Beh, Bull Fighter, Bullfight, B-Wings, Champion Boxing, Cheyenne, Chicken Shift, Chinese Hero, Circus Charlie, Complex X, Country Girl, Crater Raider, Crowns Golf, Cycle Mabou, D-Day, Demolition Derby, Do Run Run, Dragon Buster, Drakton, Driving Force, Eeekk!, Eight Ball Action, Equites, Field Day, Fighting Basketball, Fire Battle, Freeze, Future Spy, Gladiator 1984, Goalie Ghost, Great Swordsman, Grobda, Gyrodine, Hero, Hole Land, Hunchback Olympics, Imago, Itazura Tenshi, Jack Rabbit, Jumping Cross, Jumping Jack, Kamikaze Cabbie, Kick Rider, Kick Start, Liberation, Lode Runner, Mad Crasher, Mister Viking, Mr. Kougar, Mysterious Stones, Ninjakun Majou No Bouken, Off The Wall, Pandora’s Palace, Peter Pack Rat, Pinbo, Pirate Ship Higemaru, Progress, Revenger ’84, Roller Jammer, Rumba Lumber, Sea Fighter Poseidon, Seicross, Snacks’n’Jaxson, Snake Pit, Son Son, Spatter, Star Force, Super Bag Man, Super Basketball, SWAT, Three Stooges in Brides Is Brides, Timber, Tube Panic, Two Tigers, Wai Wai Jockey Gate, Wanted, Wily Tower, Zaviga, Zwackery

1985-6
4-D Warriors, Alien Sector, Arm Wrestling, Bogey Manor, Boulder Dash, Canvas Croquis, Cerberus, Chanbara, City Connection, Combat, Cop 01, Crazy Rally, Crowns Golf in Hawaii, Doki Doki Penguin Land, Field Combat, Finalizer, Flashgal, Galactic Warriors, Go Go Mr. Yamaguchi, HAL21, Heavy Metal, High Voltage, I’m Sorry, Ikki, Knuckle Joe, Lady Master of Kung Fu, Lizard Wizard, Lode Runner III, Lot Lot, Mat Mania, Mayhem 2002, Metal Clash, Mirax, Motos, N.Y. Captor, Penguin, Performan, Pinball Action, Pitfall 2, Porky, Powerplay, Raiders 5, Repulse, Samurai Nihon, Sarge, Scooter Shooter, Sega Ninja, Shanghai Kid, Shoot Out, Shot Rider, Sky Destroyer, Sky Kid, Special Forces, Spelunker, Splendor Blast, Street Heat, Submarine, Super Speed Race Junior, Tank Busters, Team Hat Trick, Teddy Boy Blues, The FairyLand Story, Typhoon Gal, Wink, Wiz, Wyvern F, Argus, Baluba, Battle Lane! Vol 5, Big Event Golf, Body Slam, Brain, Calorie Kun vs Moguranian, Chiller, Clash Road, Clay Pigeon, Competition Golf Final Round, Danger Zone, Darwin 4078, Empire City 1931, Fire Trap, Flower, Gardia, Genpei ToumaDen, Gigas, Gladiator, Guardian, Halley’s Comet, Hopping Mappy, Joust 2, Kiki KaiKai, Land Sea Air Squad, Legend, Lock, Lost Castle In Darkmist, The, Mania Challenge, Max RPM, Merlin’s Money Maze, Mighty Guy, Mission 660, Mr. Goemon, Night Stocker, Ninja Emaki, Noboranka, Omega, Power Drive, Prebillian, Rack + Roll, Rafflesia, Red Robin, Return of Ishar, The, Riddle of Pythagoras, Robo Wres 2001, Rock ‘n Rage, S.R.D Mission, Shackled, Sky Kids Deluxe, Slap Shooter, Soldier Girl Amazon, Space Position, Spiker, Stompin, Super Stingary, Thunder Ceptor, Tokio, Top Gunner, Top Secret, Toypop, Transformer, Ufo Robo Dangar, Up Scope, XX Mission, Youjyuden

Late 80s
Aaargh, Act Fancer, Bakutotsu Kijuutei, Battle Shark, Black Panther, Block Hole, Bonze Adventure, Buccaneers, Burning Force, Champion Wrestler, China Gate, Chopper, Chuka Taisen, Crazy Climber 2, Crime City, Crime Fighters, Cue Brick, Dead Angle, The Deep, Demon’s World Horror Story, Devastators, Devil World, Diamond Run, Don Doko Don, Dr. Topper’s Adventures, Dragon Punch, Dragon Unit Castle of Dragon, Dynamite Duke, Enforce, Extermination, Exterminator, Exzisus, Fast Lane, Final Round, The, Finest Hour, Gang Wars, Garyo Retsudent, Ginga NinkyouDen, Gold Medalist, Gondomania, Gorodki, Hachoo, Hard Head, Hippodrome, Hot Chase, Hyper Crash, InsectorX, Kabuk, Kageki, Kitten Kaboodle, Konek, Kozure Ookami, Kuri Kunton, Kyros, Legend of Hero Tonma, Legend of Makai, Legion, Mad Gear, The Main Event, Marchen Maze, Maze of Flott, Metal Freezer, Metal Hawk, Mirai Ninja, Mustache Boy, Mutant Night, Night Striker, Ninja Kazan, Ninja Kid II, Ninja Mission, Pig and Bombers, Plump Pop, Poker Ladies, Psychic 5, Psycho, Python, Rabbit Punch, Racing Hero, Raimais, Reikai Doushi, Rompers, Shingen Samurai, Skull & Crossbones, Sky Robo, Snezhnaja Koroleva, SOS, Spark Man, Special Project Y, Star Guards, Street Smart, Super Ranger, Shadowland, Tough Turf, Trick Trap, Tricky Doc, Trio The Punch, Ufo Senshi Yohko Chan, Viper, Wild Fang, Wit’s, Wonder Momo

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Wizardry was the first popular (actually, mega-popular) CRPG, though as with many CRPGs from the time it’s much forgotten about now, even if its legacy is truly gigantic. It is indeed fortunate that Digital Eclipse has released that modern remake of Wizardry I, Proving Grounds of the Mad Overlord, which is a lot more than you can say about Ultima, Phantasy, Might & Magic or a bunch of other games.

Nerdly Pleasures has posted a detailed history of the original games and their microcomputer ports, breaking down versions, features and bugs. It reminds of a number of interesting things, like that the original Apple II Wizardry would write to the Scenario Disk if you defeated a certain encounter, and thus make it permanently impossible to encounter it again on later playthroughs. Or that character growth was badly broken in the original PC version, with stats going down when they should have gone up. Or that the Commodore 64 version came out so late that it not only includes support for the C128’s extra memory, but even Commodore’s bankswitching RAM expansion modules.

I have come to realize that I much prefer the gameplay in these early CRPGs to those of more recent takes like Skyrim. The simulationist depth of those founding games has largely been replaced with gamish fluff, and in place of the imagination that the first CRPGs asked players to bring to the experience, everything has been made literal, explicitly rendered on your screen just as you’re supposed to perceive it. I know this comes across as nostalgia talking, but I don’t think it necessarily is. There’s a whole approach to making RPGs that has been lost, and I think we’re all poorer for it.

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One of those things I mentioned is, I’m getting a table at Vintage Computing Festival Southeast 2026 in Atlanta! And they said they wouldn’t mind if I did another presentation on the history of Loadstar, so it looks like I’ll be doing that again too! If anyone reading this is in Atlanta July 31, or on August 1-2, please drop by and say hello!

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It does this because of a couple of other changes: the player is identified by their initials before each fight, and it saves a high score table for each fight that’s displayed when the game comes up in attract mode.

While we’re on the subject of Playchoice differences, on dual-screen Playchoice-10 machines, the top screen is used as a simple UI for selecting games and tracking how much playtime you have left, but it also displays instructions for the game. The instruction screen for Metroid contains a simple map of the first area. (Cutting Room Floor article with image)

Just a minor thing today, as I’ve been splitting my time between other projects. I may have mentioned the Punch-Out fact here before, but if I have it’s been awhile.

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That documentary is long sold out, but its producers have put its raw DVD files up for free download here.

That’s all for today. See you tomorrow!

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We collect literally hundreds of links in compiling stuff to you, far more to give everything its own post. Here’s a scattershot collection of some of it, we hope that one or two of them might strike your discriminating fancy.

We dusted off the image editor and made the first new page header in years! It’s about time too, for it’s time to shorten our list of pages before they threaten to overwhelm our nonexistent offices.

1. Seminal official D&D blobber Eye of The Beholder got a C64 port three years ago. That’s how long this link’s been laying at the bottom of our barrel. Here’s a demonstration video. (37 minutes) If you play it on a C128 in C128 mode, it uses the 80-column screen to display a map! Something to try out in VICE.

2. Also from around that time LowSpecGamer did a video exploring the origins of the ARM processor. (18 minutes) It was created by people new to processor construction for British Acorn microcomputers, and from there expanded and grew until now it’s the most popular processor style in the whole world, backing both Apple and Android devices, by a long shot. It’s beginning to make inroads into desktop use even; I’m currently writing this on an ARM-powered Raspberry Pi 500+.

3. onaretrotip shows off cancelled arcade games in two videos, Part 1 (18 minutes) and Part 2 (32 minutes).

4. I’ve been having a distracting amount of fun on a kind of public Unix/Linux machine called a tilde lately. I plan on writing a lot more on my experiences, but in the meantime you can find out what they’re about, including finding one to sign up for yourself, at tildeverse.org.

5. It’s been hanging out among my tabs for a few days, a memory of days when I referred to it frequently, Ali Harlow’s Nethack spoiler site. Not that the Nethack Wiki isn’t great, but the Wiki-style organization of information is not always the perfect mechanism for information delivery, and the decline of this style of fansite has weighed down on my soul, a whole species of site preyed upon by Fandom and its horde of highly SEO’d corporate wikis. Here’s some more surviving Nethack info sites, though you should note much of the information is a little outdated: the venerable Steelypips, Stan’s Nethack site, some miscellaneous related files most from 1997, and a few more files scattered about this directory at www.chiark.greenend.org.uk: an identification spoiler and item sheet, a musing about Nethack bots, a brief discussion about combat, a discussion comparing Dungeon Crawl with Nethack, and this cake:

6. A late-breaking development, the 25-year-old forums of classic gaming site Digital Press have been destroyed, apparently due to miscommunication between owners, in order to save a little bit of cash every month. As Time Extension reports, this is a gigantic blow to the retro gaming community, there was a huge amount of information that was contained there, and the Wayback Machine’s preservation of these forums is scattershot.

7. To throw in another last-second inclusion, Nintendo’s “My Nintendo” store is changing its name to just the “Nintendo Store.” This is their web shop, not their console-based digital game sales service called eShop, although you can buy downloadable games from the site too. I’d link to the announcement, but they stupidly only made it via Twitter. Get with the times, Nintendo!

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This post isn’t about any game specifically, but rather about an awesome Substack blog, Rings of Saturn, that examines the code of games from what they call the “32-bit era,” around the time of the Saturn to the Playstation 2, which includes the original Playstation, Dreamcast, and Gamecube, with a handful for the Nintendo 64, 3DO, Xbox and even the PSP along the way. They load them up in like Ghidra and search for unpublished codes, they look through demos and prototypes for ways to unlock features (sometimes ones that aren’t present in the finished game) and they make hacks to make unreleased features usable. All are very worthy activities that should be of interest for the kinds of people who would visit Set Side B. (You know who you are.)

A few selected items: a mod for Burning Rangers to play it two-player co-op, playing as Sonic in Christmas NiGHTS Into Dreams, enabling a secret English translation in Kingdom Grandprix, a debug mode in Grandia II, a patch to unlock the entire first Clockwork Knight game in Clockwork Knight 2, a code to unlock some extra cartoon artwork in Cotton Boomerang, extra options in Radiant Silvergun, a cheat code for Parappa the Rapper, and much more!

Really, if you’re a fan of games from this era, you’re almost bound to find something on this site of interest to you. Have a look!

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So then, what can the player do? Just because CPU opponents have unfair advantages no human player has doesn’t mean its AI can’t be exploited in certain specific ways. Danny Tsung06 has a 19-minute video demonstrating how to handle the various opponents:

Another thing we’ve linked in the past is instructions on how to activate Ed Boon’s secret developer menu in the first three Mortal Kombat games.

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The main portion of the video goes into subpixel movement, a term you may have heard speedrunners use. Many NES platformer heroes don’t jump immediately to movement when a control is pressed, but instead increase acceleration, and that acceleration is measured, in the case of Mario, in 16ths of a pixel.

The process of conversion is pretty slick though. It doesn’t use floating point math but fixed point. Mario’s position isn’t stored just in hardware screen coordinates but in a number with four extra bits off the right side. This larger number is what acceleration math is performed on, and when it comes time to position Mario’s sprite matrix (he’s not properly a sprite because he’s made of several), the code divides by 16 by just rolling the bits to the right, which is a very time performant operation on a 6502.

Other useful tricks are explicated, like storing controller states in a single byte (easily done since NES controllers have precisely eight buttons) and jumping. It’s not a general guide into general platformer implementation, but that’s okay, as there already exists a terrific example of that.

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Christian Hammond (Bluesky) has begun a series of text articles looking into the specifics of the implementation of Famicom/NES game Faxanadu.

To explain its name, Faxanadu’s name comes from Xanadu, an early JRPG from Japanese computer game maker Nihon Falcom. Falcom didn’t make Famicom games themselves, but they did sometimes license their games to other developers to make Famicom ports of them, or spinoffs. Faxanadu, developed by Hudson Soft, is such a spinoff. It has nothing to do with Xanadu other than being a non-scrolling exploratory platformer. Its name is a combination of “Famicom” and “Xanadu,” you see. While it’s not at all as popular as a Dragon Quest/Warrior, it’s well remembered by many.

Christian disassembled the whole game, and found out that it has three separate binary scripting languages. His series to document and explain them so far has only Part 1, which is here, but the rest are forthcoming soon.

This first part explores what is possible using interaction scripts, or “IScripts,” which are run when the player runs into some object or speaks to an NPC. It’s quite easy to understand. If you have some interested in how these things are built and run, it’s worth it to take a look.

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The first Brandish game did get an English port, released in the US on the SNES, but in Japan it got three sequels. It used sort of mixture between first-person and overhead view, with a bit of roguelike mixed in. You viewed the action from above, but your character was fixed to the bottom center of the screen, and the view was behind his back. He could move or jump forward, or strafe to either side, but if he turned 90 degrees the screen would be suddenly redrawn to the new facing. Enemies would attack you in the field in real time, that is to say, combat was not modal but took place on the same screen as exploration.

It was a bit disorienting; you might think that the SNES’s Mode 7 effects could be used there, but no it kept the same quirk. Smoothly rotating the view wouldn’t happen until the PS Vita remake years later.

Basement Brothers digs up lots of classic Japanese computer games that are still barely known in the US. Please check them out some time!

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