We love it when we find weird and unique indie games to tell you all about! Our alien friends to the left herald these occasions.

There are tens, if not hundreds, of thousands of quirky little games and things on itch.io. Lots of them are worthless, some are mere cash-ins, and a few are really nice, but good luck finding them with the towering piles of meh blocking view of the horizon, or indeed anything else.

So it’s nice when you find something through the browse feature that’s a joy to play, and such a game is Emlise’s Conservation of Bass. At first glance it looks like it’s going to be another game of the type that bitsy makes it easy to construct. Nothing against bitsy or its games, but most of them are pretty simple, leaning more into the fun of exploring a little world than offering challenging gameplay.

But as it turns out Conservation of Bass only looks like it’ll be an exercise in pure exploration. It’s actually a completely linear platform-puzzler, and it requires a surprising amount of skill to get far into it. Your walking fish protagonist can only jump one space high, and can’t move very quickly, so sharp jukes in the air won’t save you. As is the custom for these kinds of puzzle games now there’s no penalty for failure, it immediately resets the puzzle for another try.

The fish’s special trick is, it can swap spaces with blocks exactly two spaces away from it with the X button, if they’re the same size as it. It can do this in all for cardinal directions, by pressing that arrow key. These are the same keys that move the fish, and allow it to jump, and it can even do this in mid-air. That’s where the control skill comes in, even if you have a solid plan for how to solve the puzzle, putting it into effect may take you a few tries, as the timing window for swapping a falling fish with a block over safe ground is pretty demanding.

Helping out is a special property of that X button that’s unveiled to you a short way in: holding it down freezes time, and lets you then use the arrow keys to decide which direction you want to swap in at a bit without needing split-second accuracy, so long as you pressed X with that same accuracy to begin with.

This is another of those games where you’re introduced to its elements slowly, which is great because the puzzles get hard fast. I got to the early levels of Chapter 3 before my pending deadline forced me to set it aside and write it up. See if you can get beyond that.

Conservation of Bass (itch.io, $0, playable on the web with optional download)

rodneylives

I could go on about its very light RPG elements (there’s no experience system at all), its comedic story, its characters and music, and I will someday. But until then, please be content with what the Basement Brothers had to say about the original PC-88 version of Popful Mail, which is the version for the weakest machine, but still fun. (39 minutes)

Falcom had developed a reputation for making hardcore, unique and system-heavy RPGs like Dragon Slayer and Xanadu, so Popful Mail was a departure. It was designed to be an early multimedia game, with animations and even voice acting in some versions. This version, however, was distributed on floppy disk, and for a underpowered system, so it couldn’t rely on audio-visual splendor. It still did pretty well for itself, as the Brothers demonstrate.

It’s always saddened me that Popful Mail was a one-off. It’s a property that seems ripe for sequels and animation, but to my knowledge it never happened. Maybe Falcom will ease their stream of Ys sequels someday and look at updating more of the other games in their history, and maybe then they’ll return to Mail and her cartoony comrades. Here’s hoping.

rodneylives

They turn to face the player, as if acknowledging for the first time that there’s a space alongside the strictly 2D in-profile world through which he traveled before the Nintendo 64 existed, and leaps out like an ant escaping an ant farm. Like this:

Mario isn’t the only character to die this way. Other faller-deathers include Milon, the Doki Doki Panickers, Wonder Boy, Master Higgins, the Mice Mickey and Minnie, Little Nemo, Kid Dracula, Kirby, Sonic the Hedgehog, and even Scrooge McDuck, who really should be able to afford a more unique animation.

Think about how odd it is that so many games use this leaping out of the screen idea, and that we rarely question it. Then go read the post, where they interrogate the idea even further.

rodneylives

As the article reminds us, it wasn’t the first Treasure game released, that would be the game that in many ways announced to the world that they meant business: Gunstar Heroes, as brimming with ideas as it was.

Treasure seems largely to be in preservation mode these days, and their last title was released 11 years ago. Not all of their games have been as critically acclaimed as Gunstar Heroes, but they all have something interesting about them, and McDonald’s Treasure (heh) Island has it too.

Kid Fenris on McDonald’s Treasure Island

rodneylives

Well, here’s another video shenanigan along those lines, a platformer, one styled much like Super Mario Bros., also implemented with PETSCII graphics, and also from jimo9757. First the PET version (15 minutes, all eight levels), then the one made for the Commander X16 (3 minutes, a demonstration):

While other retro computer systems had their own distinctive fonts, including MS-DOS’s nigh-legendary code page 437, I think PETSCII is among the best. The PET could only do graphics at all using it, but it had quite a lot of foresight put into its character set. Among its characters are are seven different heights and widths of solid block, diagonal lines, balls, slopes, playing card symbols, box drawing borders of two different types, enough corners to make for decent low-res images, and reverse video versions of all of the above. Later 8-bit Commodore computers didn’t have to use PETSCII for graphics, but its presence made for a good baseline for amateur programmers without having to start messing around with POKEs (which every other kind of graphics on a C64 or VIC-20 required).

rodneylives

Barbuta is made in an old school style, and it’s rough, although short. You get seven lives, instead of the one a really old game might give you, but there are no continues. The very first screen contains a death trap. It’s the kind that you won’t fall for more than once, but it teaches an important lesson: pay attention to the terrain. Anything that looks unusual, different from its surroundings, could be important, or deadly.

Rather than tell you of my findings, which might not be too useful since, while I’ve gotten some ways in, I haven’t finished it yet, I present a Youtube walkthrough from sylvie (32 minues). If you just need a nudge you could just watch a few minutes, until you find something that gets you unstuck. That’s my recommendation, anyway.

rodneylives

Here is their video on the coding problems with Konami’s Contra Force (24 minutes):

Watch the video for the full spiel, but here’s a summary.

Once upon a time, in the waning days of the Famicom, Konami planned to release a game called Arc Hound in Japan. It was going to be another of their trademark run-and-gun shooters, along the lines of Contra. It even received coverage in enthusiast magazines in Japan, and it probably would have used one of Konami’s bespoke mapper chips like the VRC6 that the Japanese version of Castlevania III used.

Arc Hound was likely far into development when the decision was made to not release it in the Japanese market. Producing a game cartridge requires a substantial investment in parts and marketing, of course, and they must have judged that they couldn’t make enough of a profit off of it in their home territory: the Super Famicom was already out, as well as Contra III on that platform. But the NES still had a little bit of life left in it in the US, so they decided to give the game a shot over here, as a title in the Contra series

A big problem there was Nintendo’s policies towards manufacturing NES games. Nintendo demanded the right to build all the licensed software for the NES, and further restricted most (although not all) publishers to using Nintendo’s own family of mappers. Konami had been forced to revise their games to use Nintendo’s mappers in other games: Castlevania III famously used a different mapper in Japan, one that offered greatly expanded sound capabilities that worked through the Famicom’s sound channel pass-through, but was incompatible with the NES.

Extra sound channels are nice, but the primary use for most mapper chips is bank switching, swapping different sections of a cartridge’s data into the Famicom/NES’s 6502-workalike’s 64K address space, and also potentially making different sections of the game’s graphics data visible to the PPU graphics chip.

Behind the Code’s examination of the game program reveals that a large portion of the time of each frame is spent in setting up bank switches. Whether it was coded poorly, or just that Konami didn’t want to pay to include a mapper with more a more efficient bank switching mechanism, the game wastes a lot of time just pulling in different banks of data to be visible to the NES’s hardware. So it is that Contra Force could have run a lot better, but Konami either didn’t want to expend the coding effort, or pay for the the mapping hardware, to allow it to do so.

Presumably, somewhere in Konami’s archives, there is a version of Arc Hound that uses a VRC chip to handle mapping, and that runs much more smoothly. Maybe someday it’ll come to light, although I wouldn’t lay any bets on it. More likely perhaps is that someone will hack up the code and make such a version themselves. Who knows?

rodneylives

We love it when we find weird and unique indie games to tell you all about! Our alien friends to the left herald these occasions.

It’s not FrogFind, which is an web search engine with a retro-computing theme run by the person behind Action Retro.

No, this one’s a charming and free action game from itch.io. It’s a lot like a platformer, but not quite completely one, because you never land on any platforms. Once you leave the ground, it’s up to you to guide your tiny friend to eat every fly on the level before they touch the ground again. Each fly gives the frog a burst of height, like they’re bouncing off of them. It’s satisfying to collect every fly on one pass, bouncing off of each one like a little amphibious pinball.

There’s some leeway you’re granted. They frog can hit ceilings without danger; they won’t collide but will just fall from there. Sometimes you can hit walls, although sometimes they’ll result in failure. Retrying is instantaneous though.

As you progress, the game introduces new elements. “Empty” flies only appear and become snackable once all the other flies have been nom’d. Flies with a dot on them must be eaten twice; they become edible again after any other fly has been eaten. Skate rails (the itty bitty froggy can shred, it seems) give the frog a place to grind safely for a while, and can be used sometimes to get around barriers or return to heights to get more flies. There’s bouncing spots the frog can hop endless on too.

There’s 48 levels in the game, three of them tutorial levels and then nine levels in each of five worlds. After they’ve all been cleared and the frog has enough food for winter, you begin to unlock harder “B-side” levels, which introduce new tricks.

The aesthetic is laidback, and the music is quiet contemplative, somewhat in contrast with the frog’s acrobatic feats. So help a frog out! Winter is coming!

Frogfall (by Kultisti, for Windows, on itch.i0, $0)

Here’s video of a playthrough of the main game. Note that, while it does show the ending, it doesn’t show any of the B-side levels.

rodneylives

This is a video review of the game Pseudoregalia played with a retail key.

• My complete run

Josh Bycer

Owner of Game Wisdom with more than a decade of experience writing and talking about game design and the industry. I’m also the author of the “Game Design Deep Dive” series and “20 Essential Games to Study”

game-wisdom.com/

The video embedded and linked below, from a Youtuber named Pretzel, is the projected beginning of a series about whether you could survive in different game worlds. Games are abstractions, and play life in them often leaves out details like drinking, eating, or (let’s face it) pooping. By ignoring that and trying to look at them as if they were actual places you are, by definition, engaging in pedantry, ignoring the essential nature of these places. But it’s fun to think about somewhat. At least we know this world has cake!

Could You SURVIVE in Super Mario 64? (Youtube, 14 minutes)

rodneylives

This is a double review of Koa and the Five Pirates of Mara and Super Catboy, both played with press keys provided by the developers.

0:00 Intro
00:18 Koa and the Five Pirates of Mara Review
4:36 Super Catboy Review

Josh Bycer

Owner of Game Wisdom with more than a decade of experience writing and talking about game design and the industry. I’m also the author of the “Game Design Deep Dive” series and “20 Essential Games to Study”

game-wisdom.com/

This is a double indie game review of Forza Polpo and Doomblade, both played with press keys provided by the developer.

0:00 Intro
00:14 Forza Polpo
7:38 Doomblade

Josh Bycer

Owner of Game Wisdom with more than a decade of experience writing and talking about game design and the industry. I’m also the author of the “Game Design Deep Dive” series and “20 Essential Games to Study”

game-wisdom.com/

Super Mario Maker survives, for now, but its online services will be shut down in April, removing the vast swath of levels that players made for the software, because Nintendo can’t be assèd to preserve it. That sucks epically, gigantically, humongously, brobdingnagianly. But it’s Nintendo. They always do what they want, heedless of the opinion of others, and as I said, that’s both good and bad.

Remember Super Mario Maker? Most players used it to construct hyper-lethal deathtraps, literal abattoirs of Marios. (Tip: don’t Google image search the word “abattoir.”) Sure, I tried constructing reasonable levels of fair situations, but saying that online is like claiming I don’t watch television: it sounds pretentious. In practice everyone made at least one Smiling Hellscape, and yes I did make at least a couple.

But on the other hand there is speedrun culture, who attempts to overcome any challenge in a game no matter how ridiculous. In order to upload your level to the SMM servers, you have to complete it. That means it must be completable, even if it’s ludicrously unfair. In addition to the usual kaizo gauntlets, some players created levels that rely on prior knowledge to finish, and tackling one of those if you don’t have that information can be Promethean exercise in trial and error, emphasis on the trial.

That brings us to the Discord server of Team 0% (invite link). There mission: to show every level created for Super Mario Maker some love, and by love I mean, at least one completion, before the servers go dark for bad in a month’s time. SMM helps out by offering to give players uncompleted levels. And so they play on, no challenge to great, no gimmick too obscure. Recently they finished every level made in the year 2019. And they’re down to their last 1,000 levels overall!

One month to go. 1,000 levels to finish. Can they do it? They finished 1,000 levels back in the first week of their project, so it’s definitely possible. We’re watching them on their epic quest, and wish them luck. The good kind!

rodneylives

The Man Behind Jumpman: Retro Gaming Revealed (Youtube, 58 minutes)

rodneylives

Last year for Sundry Sunday we linked to Gooseworx’s video game-inspired cartoon Little Runmo. In summary: a platforming character discovers that the peril-filled world he’s tasked with traversing is part of a system designed to support the life of a grotesque ruler. They turn it off, but other circumstances happen, and in the end things don’t go too well. Here’s the video, again (16 minutes).

Little Runmo was made four years ago and has amassed 30 million views. Much more recently, a month ago Gooseworx made a pilot for a show to be called The Amazing Digital Circus, which in that short time has gotten an incredible 147 million views. Presumably it’ll get a series, but who really can tell these days? We have one major media company that thinks it’s worthwhile to make complete expensive productions then purposely kill them before release for a tax writeoff, but these are not the pages to discuss that.

Over on itch.io JuhoSprite has made a platformer game inspired by Little Runmo, constructed in Godot and (it seems) with Gooseworx’s permission. Here is the trailer (2 1/2 minutes):

You might think it’d be a simple recreation, in game form, of the original, but it’s got its own things going on! Its platforming is pretty sharp. In addition to basic running and jumping, pressing an action button in the air gives Runmo a forward dive that gives a slight bit of extra height and some forward distance. On the ground while ducking, this move turns into a forward dash that can get through low ceiling passages.

The game is divided into levels, but they aren’t clearly announced, and to a limited extent you can explore the areas as you wish, in a different order than as presented in the cartoon. The game world isn’t exactly as the cartoon presents it either, with the areas much larger, and containing a decent number of secrets to find! It’s usually worth it to poke around out of the way places if you can figure out how to get to them.

The game starts out fairly chill, but gets pretty difficult. It doesn’t seem like an unfair level of difficulty, although it may take you a few plays to build up the skills to conquer it. Here is some advice to playing it:

• If you haven’t seen the cartoon, you should know that the above ground area is only a small part of the game. The wide pit, the first one with the alternative spike wall over it, is the entrance to the rest of the game. Pikit’s message hints that that’s the way to go (press up to listen to it).
• Unlike as seen in the original cartoon, you have to use the midair dive move to get past the pit, it’s too wide to cross with wall jumps alone.
• Get used to hugging walls on the way down, to slow your descent. This can be used to scout out pits for secrets, to see if the scrolling continues.
• If you press towards most walls but keep jumping, you can climb them easily. Get used to doing this all the time.
• If a ceiling has a one block overhang, you can get around it with a jump off the wall and a dive back towards it.
• Watch the cartoon, and think about ways to explore regions that the animated Runmo doesn’t go to.
• There is at least one place where there are extra lives hidden off the top of the screen.
• While running out of lives doesn’t erase your metaprogress, it just sends you back to level 1, the game does not save its state when you exit it. If you quit out and reload, you’ll be at the very beginning.

If you don’t care to see the game yourself, this 100% completion speedrun shows off the locations, although of course it doesn’t waste time talking to Pikit or exploring unnecessary places. There don’t seem to be any unnarrated longplays around yet, so, best to sharpen those skills if you want to experience it all.

Little Runmo: The Game (itch.io, $0, Windows & Linux)

rodneylives

The post mentions that designer Shouichi Yoshikawa, a.k.a. “Angela,” has an interview up at GDRI. It also mentions that Angela used to have a site devoted to their game, which while gone now has a backup on the Wayback Machine! Sadly the promised English version of the site never materialized.

Also–Kid Fenris mentions he once wrote about Wurm on GameSetWatch. My old stomping grounds!

Kid Fenris: Journey to the Center of Wurm

rodneylives

For 16 years now, Adam Dawes has had a guide to Bubble Bobble on his website that provides precise, detailed strategies for defeating each of the game’s 100 levels, most with a demonstration video (one level’s video I found doesn’t work). Each level has a difficulty ranking, and such is skill that the hardest of them I found, level 91, is only rated as “medium-hard.”

Adam’s guide provides the details of finishing each specific level, but it doesn’t explain all of the weird secrets that lie buried deep in the game’s code. For that, check out the previously-linked Bubble Bobble Info Pages!

Adam Dawes’ Guide to Bubble Bobble

rodneylives

An interesting fact from near the end of the video: gravity affects Mario’s shadow! Shadows point towards where Mario will fall, not according to how light strikes him, to give players a sense of where he is spatially in 3D space.

How Spherical Planets Bent the Rules in Super Mario Galaxy (Youtube, 30 minutes)

rodneylives