We love it when we find weird and unique indie games to tell you all about! Our alien friends to the left herald these occasions.

NANDgame is one of those puzzle games that’s really an educational game in disguise. By hooking up wires and relays, then logic gates, then larger pieces of basic computing hardware, you construct a basic processor from first principles, step by excruciating step.

Of course, the difference between a puzzle game and an educational game is only if the skill the puzzle requests you to learn has some objective use in our physical world. Tetris masters are robbed by the rest of the human race that their unique skill can’t be used to write software or design cars or something, for the kind of effort involved in getting good at all these things is exactly the same. This puzzle, at least, can get you on the road to designing low-level computing hardware, or at least started on that road.

Now that’s out of the way, I’m not completely happy with this introduction to computing architecture. It is true that you can start with NAND gates and, from them, derive all the other logic gates, and from there the rest of computing in its entirety, and this game has you do essentially that.

But NANDs are not the simplest gate to understand. Even their name comes from combining two other gates that you’re not introduced to first. And forcing the player to invent one out of relays, which you are actually required to do here, is a difficult first step. If you aren’t already well-versed in the kind of thinking this involves I’d suggest making use of the hints for each level, because the game gives you no other aid. It is a real trial by fire, and without prior exposure you’ll be staring at the relays for a while wondering not just what you’re supposed to do with them, but why.

But if you can power through them all, again using hints, it is really rewarding to know that, if you had the parts, you could construct a simple processor from first principles. It is difficult, but this is a good introduction. I’d treat it as kind of a test, and that the actual game is learning what you’re supposed to do to win by looking it up from other sources, including the help system. That’s to say, it’s all bosses, with the skills learned to defeat them coming from what amounts to GameFAQs.

NANDgame (web)

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We love it when we find weird and unique indie games to tell you all about! Our alien friends to the left herald these occasions.

One of the best puzzle games out there is Noumenon Games’ colorful, fun, and challenging Snakebird, its easier sequel Snakebird Primer, and their combined version on Switch Snakebird Complete.

But even Snakebird Complete costs $15. What if you just want to dip your toe in and find out why the snakebirds are the snakeword(s)?

Try Snekburd, on itch.io.

Created by a Pico-8 dev called Werxzy, they’ve made a “demake” of Snakebird that is essentially just the original but with different levels and pixel graphics, which can even be tried out on the web. And if you’re already a certified serpent-falconeer, it even has some new tricks for you to learn.

You control up to four colorful adorable snakebirds, who you can switch between freely. Their mission is to consume all of the fruit on each level, and then escape to the next island. They all move, one turn at a time, like the snake in Snake, but in a side-view, gravity-burdened world with unexpected implications.

It’s a good idea to spend some time at the start getting used to how the SBs operate. Despite being nominal birds they cannot fly. It’s easy to get a longer one trapped against a wall, but you’re allowed infinite undo levels, and you’ll need all of them.

A snakebird that eats a piece of fruit grows one space longer. In multibird levels it doesn’t matter to completion which feathery slitherer eachs which fruit, but sometimes the design of a level means a specific bird will ultimately need to be a certain length.

To complete a level, not only must all the fruit be eaten, but all birds must make it to the goal portal. This will often be the hardest part of the puzzle. The ease with which one birdbrain can get stranded unless their snavian colleagues help them to the exit will confound you, but they should be applauded for not leaving anyone behind. (They can’t applaud themselves—no hands.)

There’s even a level editor for making puzzles to challenge your friends, or maybe even yourself if you’re really forgetful. Progress is saved between sessions on the same browser. And it’s a good thing, for the game lives up to the original’s reputation for difficulty.

So please, give these fluffy beakworms a place in your heart. I’m told that as parasites they’re completely benign!

Snekburd (from Werxzy on itch.io, $0, based on Noumenon Games’ Snakebird series)

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We love it when we find weird and unique indie games to tell you all about! Our alien friends to the left herald these occasions.

There are tens, if not hundreds, of thousands of quirky little games and things on itch.io. Lots of them are worthless, some are mere cash-ins, and a few are really nice, but good luck finding them with the towering piles of meh blocking view of the horizon, or indeed anything else.

So it’s nice when you find something through the browse feature that’s a joy to play, and such a game is Emlise’s Conservation of Bass. At first glance it looks like it’s going to be another game of the type that bitsy makes it easy to construct. Nothing against bitsy or its games, but most of them are pretty simple, leaning more into the fun of exploring a little world than offering challenging gameplay.

But as it turns out Conservation of Bass only looks like it’ll be an exercise in pure exploration. It’s actually a completely linear platform-puzzler, and it requires a surprising amount of skill to get far into it. Your walking fish protagonist can only jump one space high, and can’t move very quickly, so sharp jukes in the air won’t save you. As is the custom for these kinds of puzzle games now there’s no penalty for failure, it immediately resets the puzzle for another try.

The fish’s special trick is, it can swap spaces with blocks exactly two spaces away from it with the X button, if they’re the same size as it. It can do this in all for cardinal directions, by pressing that arrow key. These are the same keys that move the fish, and allow it to jump, and it can even do this in mid-air. That’s where the control skill comes in, even if you have a solid plan for how to solve the puzzle, putting it into effect may take you a few tries, as the timing window for swapping a falling fish with a block over safe ground is pretty demanding.

Helping out is a special property of that X button that’s unveiled to you a short way in: holding it down freezes time, and lets you then use the arrow keys to decide which direction you want to swap in at a bit without needing split-second accuracy, so long as you pressed X with that same accuracy to begin with.

This is another of those games where you’re introduced to its elements slowly, which is great because the puzzles get hard fast. I got to the early levels of Chapter 3 before my pending deadline forced me to set it aside and write it up. See if you can get beyond that.

Conservation of Bass (itch.io, $0, playable on the web with optional download)

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We love it when we find weird and unique indie games to tell you all about! Our alien friends to the left herald these occasions.

Less a game than a puzzle, and not so much runnable software than a website, enclose.horse is a very nice thing to spend a few minutes of your day, each day, on.

Every puzzle is a map of a field, with an arrangement of lakes and a horse somewhere in it. You have a number of square blocks to try to completely surround the horse. The horse does not like to be surrounded (click on them to get their opinion), so the more space you can enclose the horse within the higher your score.

When the horse is surrounded, a field of wheat springs up to show you how much space you’ve left the horse. Each space of wheat is one point. Some puzzles have cherries on the map, and also enclosing those is worth five bonus points. There’s also Golden Apples, they’re worth ten points. There’s bees too, trapping the horse with those is five points off your score. And there are pairs of portals, which count as an additional avenue of escape for Horsie that you must also account for.

The puzzles vary in difficulty. It’s usually easy to score at least something, but your true aim is for an optimal, perfect score. When you submit your score (you only get one try!) you’re told what the perfect score is and shown a solution that earns it. You can also browse past puzzles and see how well you do at those, create your own with a simple editor, and play other users’ puzzles.

The site continues to be worked on. Up until a couple of days ago there was a Check button, that you could use to find out what a puzzle’s perfect score was, so you could keep trying until you achieved it. However that introduced a bit of reluctance to submit anything that wasn’t perfection (it certainly made me a lot less likely to submit a score), so in the past couple of days it was removed, and that was probably for the best.

Give it a shot, while it’s harder than you’d think, it’s also not usually very hard. I think you’ll like it.

enclose.horse (web, $0)

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We’ve brought up Stephen’s Sausage Roll (SSR) here in the past, it’s a uniquely challenging turn-based puzzle game. You move a little fork-wielding guy around to cook sausages in an infuriatingly precise way: each two-unit long sausage has two sides to each of its units, and each must be cooked exactly once per side. The controls are simple, but the puzzle start out tough and get tougher. New wrinkles get added in an organic way, and the game feels like it changes as you advance through it, even if you doesn’t actually gain any new verbs; the levels are just cleverly designed so that Stephen’s advanced tricks just aren’t possible before the game’s ready to unveil them.

In this 7½ minute video, a Youtube channel with the suitable name Stephen’s State Space examines two early levels of SSR with their move spaces graphed out, and shows that, while there is room for some slight variation, both of them require the player to progress through a specific sequence to finish the puzzle. If you don’t know anything about SSR, the shown-off solutions will seem to be brain-melting in their specificity. Let me assure you that these puzzles are only the beginning.

When people talk about why they play these kinds of hard puzzlers, they often express it in terms of how they make them feel when they solve it, the harder the puzzle, the greater the feeling of accomplishment. When I hear that, I think, duh, but more than that, why do people have a “feeling of accomplishment” when they play these games?

When you put it in terms of a feeling, I think you’re getting dangerously close to those people who put it all in terms of dopamine, which I hate. Game players aren’t dopamine addicts! If you could get it out of a syringe, would you do that?

You get a jolt of dopamine, experienced as a feeling of accomplishment, because you accomplished something! I have long thought that the best reason for playing difficult puzzles isn’t the feeling you get when you solve them, but their improving aspect. Working through tricky puzzles actually makes you a little smarter for doing them. The fact that they’re fun to do is the spoonful of sugar, to borrow Ms. Poppin’s phrase, to get you through.

So go forth and cook those sausages! If you can get all the way through SSR, I reckon that’s enough to get your INT score up to at least 15. I don’t know if I can say if it’ll affect your WIS, and it certainly won’t help your CHA, but let’s work on one D&D attribute score at a time, eh wot?

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This is a double review for Elephantasy 1 and Neyyah, played with a retail key and press key, respectively.

Josh Bycer

Owner of Game Wisdom with more than a decade of experience writing and talking about game design and the industry. I’m also the author of the “Game Design Deep Dive” series and “20 Essential Games to Study”

game-wisdom.com/

We love it when we find weird and unique indie games to tell you all about! Our alien friends to the left herald these occasions.

A second webgame in a row, Urjo is a logic puzzle game about choosing which of each space in a grid should be red or blue, with the following conditions:

1. Every row and column must contain the same number of red and blue spaces.

2. Every numbered space must have the same number of spaces touching it (in the eight spaces around it) as its color.

3. No two adjacent rows or columns can have the same sequence of colors. In practice this is the most subtle rule. It doesn’t always come into play, but if it does it’ll probably be the breakthrough you’ll need to pull off a solve.

Every puzzle has a unique solution. It is similar in style to another web puzzle called 0h h1, but a major difference in presentation is that Urjo is watching as you try to solve it, and won’t let you make incorrect moves. Instead, it counts up all your mistakes and scores you on how well you did. You have an overall rating that goes up as you both complete puzzles with fewer errors and faster times than other solvers. This can be annoying (it’s easy to click the wrong size of a circle on accident), and it pushes you to try to solve them faster than you may feel comfortable, which may also cause inadvertent mistakes.

The software will try to give you puzzles just past your skill level, and I can verify that they get very difficult. If you make mistakes it’ll offer to give you some pointers. Myself I ignore those tips; but I can see how some people might find them useful.

Urjo (web, free)

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We love it when we find weird and unique indie games to tell you all about! Our alien friends to the left herald these occasions.

words.zip is a fun word search kind of game. It’s an infinite field of random letters. You try to find words snaking through the array. Words can twist and turn, and can also go backwards, but can’t go diagonally, cross themselves, or intersect with any other word that someone else has ever found.

There is no scoring, but there is a newly-added list of challenges, various categories to try to find words in. If you decide to play, I think you should start out immediately dragging the field in one direction until you find an area almost devoid of other players’ words, and start from there. Of course as time passes it’ll get harder to find unique words. I read somewhere that there are plans to implement private games, with new fields to search through uncluttered by people entering ASS or POOT. If the well-hoed field is too much to tiptoe through, maybe come back in a week or two and see if that feature has gone live.

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Click on an item, then click on another item of the same type. The two will merge together into one item. When you get an item with all 45 of its type it’ll be replaced with a box with the name of its category.

Remembering the locations of the growing categories quickly becomes a major part of the puzzle! When you combine an item with another one, the combined group ends up at the location of the second one you clicked. Use this information to get the categories as close to the upper-left as possible. This will prevent them from moving around too often, and aid your creaking grey matter in recording their places.

Unless I miss my guess, you’ll progress smoothly for a while; you’ll complete one or two specific categories long before any of the others; then at about six to ten categories finished you’ll collide rudely with the taxonomical wall. I had to use Google to get through the last 20% (that’s about 400 items remaining!), and I really think you will too, since everyone has holes in their knowledge.

Below (in ROT13, since it’s a spoiler), I list some of the harder categories to pick up on:

Gbz Unaxf zbivrf, Tbbtyr cebqhpgf, Gbyxvra punenpgref, “jrngure jbeqf,” pbyyrpgvir abhaf, HF ICf, xvaqf bs cnfgn (whfg ubj znal xvaqf NER gurer?!), “jrngure jbeqf,” Zneiry Pvarzngvp Havirefr punenpgref, pbzchgre ynathntrf, ynetr pbzcnavrf, ybtvpny snyynpvrf, purrfrf, shpxvat PBPXGNVYF (V qba’g qevax) naq, zbfg vashevngvat bs nyy vs lbh’er abg n ynjlre, yrtny qbpgevarf.

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We love it when we find weird and unique indie games to tell you all about! Our alien friends to the left herald these occasions.

Primesweeper is a recreation of Minesweeper, but with two changes:

• You can’t mark squares where you think there are mines. This isn’t as bad as you’d think it would be, partly because…
• All the spaces have three digit numbers on them, and the mines are hidden by the spaces with prime numbers.

Don’t let the math terms scare you, it’s not as hard as you’d think it would be, at least if you know a trick to determining divisibility by 3: the sums of the digits of all numbers that add up to 3 are themselves divisible by 3.

Primesweeper is from vole.wtf, created and filled with things made by Metafilter member malevolent, who has made many a free wonderment and entertainthing to enjoy. If you enjoy Primesweeper (or even if you don’t), I’m sure you’ll find something else fun on their website.

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Part of the fun of most Nonograms is making a picture, and very few of these come out to anything. In the screenshot above 9,303,414 there looks like a crab, and the one above 9,303,408 whose number is cut off is obviously a helicopter, but the rest is pixel gibberish. It’s amazing, though, that one can make even that out of these random blobbies and garbages.

But on the flipside of that, 5×5 puzzles are really easy! It’s a simple matter to do one, and after that another, and so on, and then an hour has passed and you’ve finished hundreds. Add to that the job of just working on something with lots of other people, and you have a damn addictive time. The puzzle software is friendly too: left click to mark squares, right click to mark empties. The solver automatically marks Xs in spaces where they logically must go if you’ve filled all the spaces on a line of column. And unlike many of the Picross implementations on Nintendo systems, there’s no penalty for making wrong moves, although you’re not informed when you fill an incorrect square either.

To work on these, I suggest scrolling way down the page and finding a block of unsolved ones, as the site doesn’t filter out finished puzzles, and then working outward from there.

I realize I’ve assumed that you already know how to solve Nonograms/Picross here. A full description would be verbose and probably unneeded, especially since you can probably figure it out yourself by just looking at the solved puzzles on the site, but just in case:

You have a grid, right? Along the top and left side are numbers. The numbers indicate the runs of filled blocks in the solution of the puzzle. Take this example:

2 2

This horizontal line must have two sequences of filled blocks in the solution:

That one was easy, but usually the full solution isn’t so, and must be deduced using the intersections of the rows and columns.

Try it out, but do it soon; more and more solvers are joining on every day, and even with 24M puzzles in the list they’ll probably churn through them all in around a month!

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We love it when we find weird and unique indie games to tell you all about! Our alien friends to the left herald these occasions.

Some of you may remember seeing, from a while ago, a clever hack that implemented a series of interactive puzzles on a website. If you didn’t see it, or don’t know much about how these things usually work, you might not think much of that, we’ve all been playing web games for two decades now, and an entire web platform for them (Flash) has arisen and died in that time. It now has an updated version, with new puzzles to figure out!

Nowadays these things tend to be made using Javascript, or some language that renders down to Javascript. That’s what makes the CSS Puzzle Box amazing: it doesn’t use Javascript! It’s implemented entirely with HTML tags and CSS! See for yourself! Caveat: it doesn’t work on mobile platforms, some of the click or drag handles are a little hard to hit with your clumsy human finger. On desktop browsers, watching for the cursor to change when it’s over an interactive element is tremendously helpful.

It’s challenging, but far from impossible. It requires some close observation to get started, but after that you can probably get through it with enough time spent and effort expended. The hardest puzzle is one of the first, “Lights On,” one of those puzzles where clicking on a square inverts that light and those adjacent. You can follow these directions (swapping off lights for on ones) to solve it, or click on the O in the Lights On title a few times to skip it, or just muddle through—if you get stuck with just one or two lights on and can’t clear them, mess up the puzzle by clicking everywhere on it randomly and try again, and eventually you’ll happen on a pattern that resolves nicely.

So, about the technical underpinnings. Its creator blackle mori (Mastodon) wrote up a nice breakdown of how it manages to do what it does without scripting. Part of it includes the <details> tag and its accompanying <summary> tag, a way in pure HTML to have collapsing content. If you want to know the tricks there they are, but you don’t have to care about that to enjoy the puzzles. Good luck!

CSS Puzzle Box 2.0 by blackle mori (webgame)

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We love it when we find weird and unique indie games to tell you all about! Our alien friends to the left herald these occasions.

I found it through Metafilter (here), but it’s simple and fun enough that I felt I could extend its reach by a few more players. Alphabet Soup For Picky Eaters is a logic game, by Daniel Linssen, where you have to find some bit of text that satisfies six different hungry blobs.

It’s a very simple game. There’s no randomness; each blob is looking for a specific criteria, and most of the game is figuring out what those are. There is no penalty for wrong guesses, and you’ll have to make some to figure out what the rules are. While there are multiple possible solutions, there is one that is very apt. It’ll probably take you just a few minutes to deduce the requirements then fulfill them.

Alphabet Soup for Picky Eaters (Daniel Linssen, for browsers, $0)

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We love it when we find weird and unique indie games to tell you all about! Our alien friends to the left herald these occasions.

It’s another of those games that’s remade in Pico8, and in the process becomes subtly different, not necessarily better, but not worse either. It’s Make-Ten, and it’s free on itch.io.

This time it’s not an arcade game. The remake is of a mobile and web game called Fruit Box. I’ve only tried the web version and, in this case, I think the Pico8 version is better. The UI is a lot easier to use for its only action, drawing boxes around numbers. The original uses a generic rectangular box, while the Pico8 version snaps the lines to the number grid, which works much better for me. Also the numbers are colored according to value, which helps readability a lot.

I’m sorry, I should explain what I’m talking about!

It’s one of those simple yet addicting games. You’re given a random field of digits from 1 to 9. You’re given a couple of minutes to draw rectangles around sets of numbers that up to 10. When you do, you get one point per digit you remove (which is a difference from the original), and those digits disappear from the board.

Obviously, pairs of numbers that add up to 10 are relatively easy to find. Any pair of 5s, for instance, can be immediately cleared. Each game usually starts with clearing away any quick pairs. Removed pairs make space to connect further digits. Empty spaces have no number value, and make it easier to clear more than two numbers at once. Some examples of common larger sets to surround (of course they can be in any order): 4-3-3, 1-2-3-4, 7-1-2, 5-3-2, 6-2-2 and 4-4-2. The tricky part is connecting two numbers in the corners of a box, when other digits get in the way, adding unwanted values to the sum.

The most valuable digit is 1, since they fit into the most possible combinations.

While Make-Ten is not a game for perfectionists, as it’s probable that most fields cannot be fully cleared, the game does let you keep playing after time concludes, which is an advantage it has over Fruit Box. It doesn’t count points after the time bar runs out, but it can be interesting to see how much of the board you can complete.

Make-Ten is really simple and has very little fuss about it. It plays quickly, and then it’s over. It’s a nice game for quick sessions. It was written in 500 characters of code, and doesn’t offer any progression or metagame. After two minutes, which begin the moment the game starts, there isn’t even a prompt to play again. To have another go, press Enter and choose to Reset Cart, or just close the window if you’re done.

Make-Ten (itch.io, by pancelor, $0)

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We love it when we find weird and unique indie games to tell you all about! Our alien friends to the left herald these occasions.

It’s continually amazing what people manage to make within the modest resources of the Pico8 fantasy console virtual machine. This time it’s a decent demake of 2DBOY’s World of Goo, by VirtuaVirtue!

The objective is the same as the original: drag goo balls to build structures, to try to reach the pipe, which will then suck away all the excess goo balls on your construction. If you have enough left over, you win and get to move to the next level.

It’s quite challenging, it gets harder much faster than the original game. The physics of the goo constructions is much wobblier and bouncier than WoG, and goo balls don’t stick to walls here, so you’ll have to spend more goo balls on balances and counterweights. But it’s certainly not a bad thing to play around with for free!

World of Goo Demake for Pico8 (itch.io, $0)

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Arcade Mermaid is our classic arcade weirdness and obscurity column! Frequently (no promises) we aim to bring you an interesting and odd arcade game to wonder at.

We continue our lengthy, obsessive coverage of Atari Games’ brilliant, but really difficult, arcade strategy game Rampart.

Overview

Rampart is really two separate but related games, the single-player game and multiplayer. Both are excellent. Even so, this article mostly concerns itself with single-player, but towards the end I will have a few things to say about its multiplayer mode.

Before we begin, you should know that Rampart is a highly abstract game, and as such it might not be easy to see how it all fits together from a text description. I have uploaded several complete playthroughs of the game to YouTube, the first such on that site of the arcade version. You might watch a bit of one of them, it should make it pretty obvious how the game works.

The Board

In both single-player and multiplayer, after selecting a home castle and placing initial cannons, the game repeats a sequence of rounds, each consisting of a Battle phase, Building phase and Cannon phase. In the Battle phase, players shoot at ships or the other players’ walls, while those ships or enemy cannons fire back at their own walls. In the Building phase, players place a variety of shaped pieces in an attempt to fix their wall and/or construct walls around at least one of the castles on their land within a time limit. Then in the Cannon phase, players get a number of new cannons to place within the territory they captured in the Building phase, adding to the number of shots they can get off in Battle.

Select Home Castle, then
Cannons -> Battle -> Building -> repeat

This cycle continues until the player wins or loses. Losing happens when a player fails to capture a castle in time in Building. Winning happens, in single-player, when the game decides the ships don’t have a reasonable chance of defeating the player, and advances to the next level, out of six in total. In multiplayer, it happens when all the other players have lost and don’t continue, or for a set number of battles. If the fight goes the full distance, the winner is the surviving player with the highest score.

A defeated player can put more money in the machine to continue the game “with more firepower.” This is allowed four times in single-player, so up to five credits in all, and losing after that results in a solid Game Over. The dynamics of continuing in Rampart are really more complex than this, and I’ll explain those later, but for the time being, you should know “with more firepower” signifies several important changes that are not all clear during play.
In multiplayer, losing players can choose to continue individually twice. That can make for a decently long game if all the players choose to buy all their continues. But eventually, the game will declare a round to be the “Final Battle,” after which no continues will be offered to losing players, and the game ends regardless. The number of rounds a game is allowed to go is operator-adjustable, and continued games usually add a few battles to the overall length.
There also exists one semi-secret game variation. If just two players play Rampart, and at least one of them is joining in again after a completed game, there is a map selection screen that offers the chance to play a composite game mode, featuring both two players and ships! In this, the ships belong to one or the other side, and are color-coded based on who they belong to. They function like extra cannons, generally firing where the player aims their cursor, but are more autonomous. This mode is an interesting variation, and is fairly obscure. Could there be other such secrets hidden in Rampart’s code?

Basics

For now, we’re most concerned with figuring out and defeating the very difficult single-player game. The basic play of both games is similar, but there is a lot of difference between attacking ships or walls, and the structure of single-player is quite different, so it’s worth treating each mode separately.
When you put a coin in and press Start, this appears:

This ornate lobby screen is accompanied by booming drums and realistic, although synthesized, trumpets and fifes. With the volume turned up (as all Rampart machines should rightfully have) the effect is startling and bound to attract some attention. The purpose of this screen is to give other players the opportunity to join the game, for unlike the Gauntlet-style, “join any time” play model Atari pioneered and most arcade games used, once underway a game of Rampart cannot be entered by others. Players can only leave a game, by failing and not continuing.

An interesting thing about Rampart is that, after a game concludes, it always returns to the lobby screen and adds the player’s score to a total across all their games in the session. This encourages players to play repeated games, to see their overall score climb higher and higher. I’ve seen the total go up to over 900,000 points, which takes around 18 full-length games. I know of no reason to go for a high total score other than vanity, but if someone else has information on this I’d certainly like to know!

Your Domain

Assuming a single-player game, the screen clears and shows an overview screen of an island. There are four possible maps that can be selected for play here. At the start of the game, two areas along the shore are boxed, one marked “RECRUIT,” the other “VETERAN +5000 points.” Most of Atari Games’ arcade releases had such a selection, for it was a major part of their house style to offer a basic and an advanced difficulty, with a score bonus for starting harder. With Rampart, this choice is mostly an illusion. All choosing Recruit does is start you off with a very easy first board (the Recruit map is always the “J” map), which usually takes two rounds to finish.

Each level pits the player against a larger and more dangerous enemy navy.

At first, only weak Single-Sailed Ships attack, which go down with two hits from basic cannonry. Here, I call these Gunships.

With level two comes Double-Sailed Ships, a.k.a. Landers, which take three hits, and if they manage to get close to a diagonal shoreline, they drop off a swarm of evil little Grunts.

Grunts are a huge danger! They are the only enemy that has the power to move around during the Building phase. I’ll have more to say about them later, but for now just know that a grunt beachhead, left unopposed, has more credit-ending power than anything else in the game.

Starting with level three, Red Ships join the battle. Although few in number at first, these take five shots to sink, and their red cannonballs leave fiery craters where they land. Craters block piece placement and persist for multiple rounds. Usually a Red Ship can get off two or three shots each Battle, and they add up.

Levels four through six feature the same kinds of ships, but they’re darker in color, which in game terms means they take one additional hit before sinking. Dark Gunships take three hits, Dark Landers require four hits, and Dark Red Ships only go down after six cannonballs have struck them.

Every time you complete a level, you’re returned to the island screen to pick a new map to play. After the first level, three remaining unplayed options are offered. If you chose a Recruit game you’ll eventually have to face all these boards, but if you picked Veteran and started on level two, you end up skipping one of them, an opportunity to avoid a disliked map.

The “C” Map

The “Hat” Map

The “J” Map

The “N” Map

The maps are not even in difficulty. Generally, easier maps have castles with land around them on all sides, and more straight horizontal or vertical coastline, giving Landers fewer places to land. My opinion is that the “Hat” map is the easiest, followed by the “J” map, then the “C” and “Lowercase N” maps. A good strategy is to try to get one of the harder two maps out of the way as first selection, so you can later play the J and Hat maps to offset the harshness of the third and fourth levels, but sometimes the Veteran selection level ends up being the Hat, and you’ll have to play them in a different order.

The “Slash” Map

The “Backslash” Map

Level five is selected from one of two unique maps, both peninsulas with water on both sides. Both are difficult, although I think the “Backslash” board is a little easier. As you progress, each level starts you out with fewer castles to capture. By this point you’re only getting three castles, and you’ll probably have to use all of them to survive.

The final, “Island” Map

The last level is an island to itself, with a lake on it and only two castles! Here, ships attack from both sides of the screen. This level is a trial; although you have to sink fewer ships here to win, it’s difficult to prevent landings and grunts from overwhelming you, and the craters from Red Ships can easily give you an inescapable situation unless you mitigate them.

If you finish the last level, you get special ending music, and an illustration that few arcade goers have seen, before being returned to the High Score and Lobby screens. It may seem anti-climatic, but final victory and safe shores are their own reward.

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Arcade Mermaid is our classic arcade weirdness and obscurity column! Frequently (no promises) we aim to bring you an interesting and odd arcade game to wonder at.

The next week is going to be pretty busy for me, so I’m reusing a long long piece I originally wrote for the short-lived fanzine I made, Extended Play. It’s been seen before, but only by a very small audience.

Rampart has been an obsession to me since it came out around 1990. I still think it’s one of the finest arcade games ever made, actually one of the best video games period. People tend to describe it as either an early version of Tower Defense, or Missile Command meets Tetris, but neither description is very good. Simply, there had never been a game like Rampart before, and despite some attempts to clone it, there’s never been a game like it since, either.

We’re all as obsessed with weird old arcade games as I am, right? Right?? Most (but not all) of the next week of posts will all be about this wonderful, but extremely difficult, game, one of the best from Atari Games at their heights. Please bear with me, and please, try to understand why I’ve been so into this unique game for so long.

In the late 80s Atari Games was recovering from 1983’s Great Game Crash, which decimated the US arcade industry and resulted in a great dying out of companies. Atari Games, newly split away from the consumer electronics company that would make the Atari ST, weathered it better than most, primarily through developing ingenious kinds of games the likes of which were seen nowhere else.

This period, 1984-1990, is the age that began with Marble Madness and the System 1 hardware, followed by hits like Paperboy, 720 Degrees, Gauntlet, Toobin’, Cyberball and others. It lasted roughly to the release of Street Fighter II, which sparked the fighting game craze and made arcades inhospitable to most other genres for a while. At the tail end of this period came Rampart, designed by John Salwitz and Dave Ralston, who also created three of the games in the foregoing list.

It’s a bit obscure now, but it was quite a hit for Atari at the time. For home systems Rampart received no less than thirteen distinct ports, plus a few notable emulations. It got very good reviews from Nintendo Power (SNES version) and Videogames & Computer Entertainment (arcade). More recently, it was released emulated with network play for free for the PlayStation 3. And yet, still, no one talks about Rampart anymore.

That is a weird thing about what I call Atari Games’ “Silver Age,” that time after the classic arcade boom of the late 70s/early 80s but before the rise of one-on-one fighting games, its games, while still fun and surprisingly ingenious, and widely ported, don’t have the star power, other than a couple of things like Gauntlet, that Japanese releases from the same time have garnered.

Part of the reason may be trademark-related. The name Atari still carries considerable nostalgic weight, but another company, the one formerly known as Infogrammes, bought the trademark and the classic Fuji logo, and still releases games under it. They own the rights to everything before Marble Madness. Games after that were owned by Midway for a while, but Midway then, in a crushing indignity, renamed them Midway Games West, before closing them outright in 2005, getting out of arcades altogether. Many of its assets were sold to Warner Bros. Entertainment, who presumably now owns the rights to Atari’s post-Marble Madness catalog.

I’ve written before that, at their peak, I think Atari Games was more ingenious and original than Nintendo themselves. They made some stinkers, sure (few remember Thunderjaws, or their arcade take on Tim Burton’s Batman movie) but their best games were, and still are, amazing. I think that Rampart, while little talked about now, is at the top of the gilded heap.

Rampart is great, but it’s difficult. For a game I’ve been obsessed with since its release in arcades in 1989, I can only complete it on default settings about a third of the time, and usually only after expending all the continues the game allows. This was common for Atari Games games, who tended to make arcade machines that mocked the idea of one credit runs, but even among those, Rampart is hard. You are not going to master this one overnight.

I view my purpose here usually to be a secondary source. That is, I prefer to summarize, encapsulate, explain and preserve information available elsewhere. But the thing about Rampart is, there is very little of this information to find. For a game that was popular at the time of its release and with so many ports, googling it will not turn up much to aid you. As far as I know, and I’ve searched for it many times throughout the years, Rampart has never had a good, comprehensive strategy guide written for it.

It is because of this, favored reader, that I have decided that this shall be that guide. Since most of it is self-discovered, I have no one to blame for errors but myself. I have made some efforts to make sure it’s correct, but, well, sometimes even well-considered assumptions turn out to be false. I’ve done what I can.

(More tomorrow!)

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But we find that one of the more positive aspects of their gaming products lately has been their Connections puzzle, which right now is not even a year old. (I don’t know if you’ll need a subscription to get through to that link. Paywalls suck, but are a necessary suckage.)

Each puzzle is a 4×4 grid of words. Rarely it may contain phrases; on April 1st, it had emoji, but it’s usually pretty good about staying in its lingual lane. The positions of the words in the puzzle are not relevant to solving it, but they’re sometimes placed with an eye to theme, or in such a way to suggest connections that don’t actually exist, in order to obfuscate the solution a bit. Usually, they hardly need to bother; the puzzle is usually fairly difficult.

Each puzzle contains exactly four categories of four terms, no more and no less. The categories and words in the puzzle are always chosen to punish imprecise and vague associations.

A solver (I won’t presume that that solver will necessarily be you at this stage) will want to find four words that have the same relationship with their category. One will never have a subordinate relationship with another word in its category, exclamation point! I emphasize this because you’ll often find a puzzle has a word that seems to have a superior-inferior relationship with another word, but this is a trap! Categories are egalitarian! Down with hierarchy!

Words are also chosen so that sometimes you’ll only find three words in a prospective category, which is a sign that you’re on the wrong track. Sometimes you’ll find five, which could mean you’re on the wrong track, or that one of the words is slightly outside the category. Sometimes your only real clue is because another category relies on one of those words to complete it, instead: categories never overlap, so if a word is in one category it isn’t in another.

Because the categories are exclusive like this, if you find one category, all the other categories become a bit easier to figure out. There are always four, and they’re ranked, by the puzzle setter, in color by trickiness, from least to most crafty: yellow, green, blue and purple. If it helps you remember (let’s drop the pretense that you are not involved in this), those are in spectrum-order. Even so, often you’ll find you’ve gotten the blue or even purple category early.

You only get four failures, and the nature of the puzzle is that sometimes you’ll make a mistake or two. There is no penalty for running out of mistakes other than getting told the answers, which by that point is occasion to curse the perfidy of the puzzle maker. (“Brit-pop bands? How was I supposed to get that?”)

By way of aid, I can tell you that categories tend to follow certain themes. Sometimes they’re literal; sometimes ridiculously so. My (least) favorite example of this was CONDO – LOO – HAW – HERO. Go ahead. Guess what the hell those have to do with each other. You’ll hate it. (Answer at end of post.) But because, once you’ve gotten three categories, all that remains must be the fourth, you have some leeway, which is good for when you have a category like that one.

Another very common category is the phrase that’s completed by all the words in the category, or titles that are all completed by those words. If you’re stuck (yeah I’ve given in to just using second-person by this point), it’s often because there’s a category of this type.

Being well read is always useful for this kind of puzzle, but rarely is it necessary. Like the Crossword, a basic facility with language will be of inestimable aid. None of the connections will be too obscure; nor, likely, will you have to deal with absurd words like inestimable.

Unlike the Crossword, the New York Times doesn’t maintain a public archive of Connections puzzles for you to try, but multiple other sites do, at least until the NYT gets as litigiously jealous of them as they became of Wordle clones. Here is one. There is an official Companion blog that offers hints. Other sites, including Rock Paper Shotgun (really?), offer their own daily hints.

Here are some example categories, all taken from recent puzzles. What do these words have in common? I’ve hidden the answer with an abbr tag, on desktop devices you can hover the mouse over the words to reveal the category.

Star – Feather – Flower – Mushroom

Brain – Courage – Heart – Home

Jack – Love – Squat – Zip

Getting harder now:

Cradle – Eye – Meow – Pajamas

Dogs – Brown – Unchained – Fiction

Clown – King – Colonel – Mermaid

Bowl – Buzz – Crew – Pixie

Cigarette – Pencil – Ticket – Toe

And finally, that example I gave earlier:

Condo – Loo – Haw – Hero

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Stephen’s Sausage Roll (homepage, Steam $30, Humble $30 – Increpare gets the most money if you buy it here, plus you get a Steam key)

This is the beginning of a series of reviews of sublime games. The sublime is, as described on Wikipedia, the quality of greatness, whether physical, moral, intellectual, metaphysical, aesthetic, spiritual, or artistic. The term especially refers to a greatness beyond all possibility of calculation, measurement, or imitation. That’s a lot to live up to for a videogaem!

I’m using that term to describe games that feel like they stretch out your brain just by playing them. Usually this doesn’t mean by difficulty, although Stephen’s Sausage Roll has plenty of that, but by there being some special aspect of it. I think what I mean by that will become more evident as this series continues, but Stephen’s Sausage Roll is rather foundational. Both Jonathan Blow (Braid, The Witness) and Arvi Teikari (Baba Is You) have claimed it as inspirational. Sublime things tend to inspire people a lot.

It’s easy to miss the quality of Stephen’s Sausage Roll if you play it casually, because it’s not a game that really lends itself to casual play. SSR doesn’t ease you into its puzzles, right from the very start the game demands thorough knowledge of the consequences of its movement scheme, knowledge that can only come from failing at its puzzles many times. Stephen’s movement is reminiscent of the porter from Sokoban, but he’s got this dang fork sticking out of him, and every movement must take it into account. Steven can only move forward and backward without turning to the side, which rotates the fork around him.

Understanding how to move that fork around is essential to shoving around the sausages in each level. To solve a level, all of its two-tile-long sausages must be moved over grills exactly once in four locations: once on each tile of one side, and once on each tile of the other. Leaving a sausage on a space doesn’t overcook it, but you can’t move it so a cooked spot touches a grill again. One move for each sausage on each tile of each side! Burning a sausage, or dumping one in the water, immediately fails the level.

This playthrough of one early level demonstrates how it works:

This description is not all of Stephen’s Sausage Roll’s tricks, not by a metric mile, but it’ll stump most players for a good while. It starts out hard and gets harder.

There are no tutorials, not even instructions other than an early sign that tells to use the arrow keys to move, Z to Undo, and R to Restart a puzzle. (These hotkeys have become a bit traditional, and work in other games.) You can’t even read the sign until you realize you have to swing your fork around and walk alongside it. Stephen does have other moves, I have come to learn from reading pages about the game, but it’s impossible to activate them in early levels.

When I read writing about puzzle games, the writer often talks about how smart the game made them feel, sometimes in a paragraph that also mentions dopamine hits, like they were Skinner boxes that give players treats. I dislike game criticism that tries to reduce them to pop neurochemistry. Besides, these days dopamine is not in short supply. It’s available on every Steam corner, plus you could get it just as well from food, an interesting novel, a movie, or pornography for that matter. Difficult puzzle games make you work for it, and where is the fun in that?

The fact is, puzzle games are not interesting for being a dopamine administration mechanism. They are about improvement, about learning to overcome challenges on your own. Once you learn how to do Sokoban puzzles they lose their appeal, because solving puzzles isn’t as much fun as learning to solve them.

Stephen’s Sausage Roll does not make the player feel smart. It makes them feel perfectly stupid at first, but by the end of it they may feel smart. They may, because by completing it they may have become a little smarter. The improving aspects of playing video games is not often mentioned these days, but it is one of the main reasons that I enjoy them. Thinking through a difficult puzzle can help one learn to think a little better, and because of that these sausages are no mere empty calories.

But the difficulty, and the novel take on Sokoban rules, aren’t the only reasons I’m writing about this in a series about sublime games. Each of the game’s little puzzles is a small portion of a larger world. When you enter a level, most of the world sinks beneath the sea, leaving you with a tiny portion of it remaining. When you properly cook all of that level’s sausages, the world returns, but pink walls, where the sausages were, will be gone, allowing you progress. This means the very terrain of the overworld is made of the puzzles you’re solving, which is an unexpected elegance in a game about cooking sausages. And mirroring that fact, there is a deeper meaning to the sausages you’re cooking and eliminating from the world, one that is revealed slowly, as you solve each excruciating puzzle.

SSR is a game that makes a mockery of the very concept of review scores, as most sublime games do. The graphics are purposely done in a PS1 style, intentionally ugly by current standards, and the sounds are simple steps, swishes, and the occasional “ugh” that may have come from the game or the player. And it’s gameplay, while great, shows that play can be about subtracting, taking away all extraneous elements, rather than adding unnecessary new things. In what world does taking away things add points to a review score?

Stephen’s Sausage Roll is not an extremely popular game. While it inspired big hits like The Witness and Baba Is You, and is rated Overwhelmingly Positive on Steam, it hasn’t sold as well. But it hangs on, quietly enlightening new generations of players and designers. It may inspire you too, if you were to let it.

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• First, some that I’ve already linked on this blog already: Mobile Suit Baba (previously, $4), Cavern Sweeper (previously, Web) and Baba Is You XTREME (previously). And of course there’s Baba Is You ($15) itself.
• A recent trilogy of Sokoban-like games, each with a unique gimmick: Covemount, That’s a Warp and Pultimush, and the earlier IT’S A BLOCK-PUSHING GAME (all for Web)
• Baba Files Taxes is a very silly game, but Baba’s world is an appealingly silly one anyway, and there is a little gameplay there in trying to duplicate Baba’s signature as closely as possible.
• The Plumber Thing ($2) is a horror puzzle/platformer.
• It’s-a Me is a purer platformer, starring the confusingly-named Me from the Baba games. It seems pretty standard at first, until you discover what the run and jump buttons were assigned to. I hope you’re careful with your fingers….
• Keke in the Caves of Peril is also a Baba-Youniverse game, that evidentlly takes more than a little inspiration from Boulder Dash.

• The “gravity-changing platformer” Once In Space 2022, which gets pretty tricky pretty quickly.
• Stumblehill is a platformer, with striking graphics, where the controls are purposely a little harder to master than your basic example of the form.

• Baba Friend is a little desktop buddy/toy who wanders around your computer’s screen while you do other things. It’s much like the classic computer amusement Neko!
• Rude Chess is another Sokoban variant: some of the pieces you have to move are chess pieces, which shift according to their movement rules when pushed. The rude part applies because, if a piece has a choice of squares to move to, it always tries to pick one that doesn’t lead towards a destination square!

There’s more too, that I only fail to list here because of time-related reasons, including some physical games and a screensaver. Go on and explore their itch page, it’s brilliant!

Hempuli’s itch.io software (mostly free, most for Windows)

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The board on the left is a Sudoku-like game; the board on the right is Minesweeper. The two boards match: the numbers on the Sudoku board are the number of mines in the matching area of the Minesweeper game. You use each to help you solve the other!

It’s not perfect, mind you. There’s currently no way to mark a square that definitely has a mine in it, just the question marks you see in the right-hand board above. There are still cases, familiar to players of standard Minesweeper, where you end up having to guess. And don’t click the “change size” button if you care about the current game: it doesn’t make the boards larger, it starts a new game with bigger Minesweeper and Sudoku boards!

Still though, I have to give creator Rianna Suen props for a cool idea! I found this through the “map obelisk” area during Roguelike Celebration, which is a pretty cool place to find things beloved of clever people!

Sudo Sweep (itch.io, free, playable by web)

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The World Wide Web is now over thirty years old. In that time, more content has vanished from it than remains now, but some of it can still be dredged up from the shadowy archives of the Wayback Machine. This is the latest chapter in our never-ending search to find the cool gaming stuff that time forgot….

DHTML means “Dynamic Hypertext Markup Language.” The term is little-used now; it later got renamed AJAX, and now is pretty much just how websites are made if they have any interactive aspects. It was originally presented as an alternative to Flash applets, which were threatening to crowd out actual web pages at that time.

Lemmings, of course, is Psygnosis’ classic puzzle game where you grant members of a horde of suicidal rodent people specific skills to guide them to an exit while losing as few of them as possible to the hazards of their ridiculously dangerous world.

Back in 2004, DHTML Lemmings was a brilliant example of how much could be done with Javascript. Original Lemmings was released in 1991; we’re now further away from DHTML Lemming’s release than the original game was when it was published.

Its first home went away, although the server and even its page still exist. It says that the Lemmings page was taken down (and implies they did it to dodge legal liability), but promises something called The Pumpkins to replace it. It never did, but the promise survives. The game itself has been preserved, relocated as-was to a subpage of the site of Elizium, a dark rock band from the Netherlands.

Only the first ten levels of each difficulty, about one quarter of the original Amiga game, are presented. And this version has not survived the years unaltered: the distinctive sound effects and music appear to be missing. Still though, what’s here is playable, and fun. Enjoy, if you have the inclination and deliberation. And check out those requirements: IE 5.5 or better, or recent Firefox or Opera. And a 500 Mhz processor, wow!

DHTML Lemmings

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A newcomer to their game collection that’s in beta testing that seems interesting is Connections. It’s not a word game, at least not in the sense that a game involving manipulating letters is. It’s more a game of categorizing.

You’ve given a field of sixteen cells in a grid, each containing a word. The words relate to each other in four distinct groups, each containing four of the words. They’re all scrambled up so their positions in the grid don’t relate to their connections. To solve the puzzle, you must figure out which words connect with each other.

To help you, if you manage to pick four words that belong together and click the Submit button, the answer will be confirmed and the category identified, and the words will be removed from the grid, leaving only the words yet to be sorted, making it easier to deduce the remaining categories.

In the first puzzle I did, the words, mixed up here to preserve for you the opportunity to do it yourself, were:

OKLAHOMA HIP PACKER THEM

COWBOY ELBOW SPIRAL WRIST

AIRPLANE RAVEN MOTHER SHOULDER

SHELL KNEE BOWTIE BRONCO

There is only one solution to each puzzle, where every category has four members. Following is the solution and one way to arrive at it, so skip past this paragraph if you don’t want to be spoiled:

NFL players: BRONCO, COWBOY, PACKER, RAVEN

Pasta shapes: BOWTIE, ELBOW, SHELL, SPIRAL

Joints: HIP, KNEE, SHOULDER, WRIST

Movies with “!”: AIRPLANE, OKLAHOMA, MOTHER, THEM

The categories seem to be chosen so that some of the words could possibly be part of more than one, so you’ll have to use the fact that each only contains four to narrow them down. In this case, ELBOW is a joint and a pasta shape, but there are four other joints and only three pastas. If you don’t categorize clearly, you might figure that OKLAHOMA might fit in with the NFL players, but Oklahoma doesn’t have an NFL team, and anyway the category is composed of singular versions of sports team names that are plurals, and OKLAHOMA doesn’t fit that pattern. The hardest category here is Movies With “!”, which is very hard to get without eliminating the other categories first. This is what makes it a proper puzzle: solving one part of it helps narrow down the rest. If you got the other three categories correct first, the remaining one is handed to you. I got this one by first picking out the NFL players, which is pretty simple as there aren’t many ways to use the word BRONCO; then the pasta shapes; then from what remained the joints; then I was left with the movie titles with exclamation points.

If it’s like the others, the NYT will be making a new Connections puzzle available daily. I look forward to trying out more of them.

Connections (New York Times link, a subscription is probably necessary to play, alas)

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I got a treat for you people today, a genuine treasure of the internet, a collection of forty computer-generated puzzles of wide-ranging types, from Sudoku (called “Solo” because of trademarks) to Minesweeper. And they’re not only all open source and free, they’re free for many platforms. Not all the puzzles are yet available for all platforms, but it’s continually being worked on, with new puzzles added from time to time. It has been for nineteen years; when it got started it only had five puzzle types. It’s one of the best things out there, and I’m amazed it’s not better known generally.

I can’t overstate what a wonder this collection is. All the puzzles are their own executable, if you don’t just play them on the web anyway. Each one of these puzzles offers many hours of happy puzzling. My own favorites are Loopy, Slant, Bridges, Dominosa, Galaxies, Net and Untangle. Most of the puzzles are of a type that should be familiar to fans of the Japanese puzzle magazine Nikoli, but they’re all randomly generated, and playable on multiple difficulty levels.

If the name Simon Tatham sounds familiar, he’s the guy who also created and maintains the popular networking tool PuTTY.

Here’s the links, all of these are free:

Simon Tatham’s Portable Puzzle Collection main site, which has implementations for Java, Javascript and Windows

Here’s some other HTML implementations

For Android on the Play Store

For iOS on the Apple App Store

On the Windows Store

In the Debian and Ubuntu package repositories (and it should be available in your own distribution’s repository, too)

Flathub

And here it is for Windows again, but distributed through Chocolatey

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On Romhack Thursdays, we bring you interesting finds from the world of game modifications.

There aren’t many game series with the reputation that Castlevania has. While it’s always been very popular, the stature of the original game has only grown over the years, and it’s now seen as one of the very best games on the NES. We’ve talked about it here before, and about how badly the creator of one of the best-designed games ever made was treated by his company, but we’re not here to talk about sad things today.

You’d think Castlevania would have more imitators, but there aren’t as many as you’d think there would be? It has specific and definite ideas, some of them not obvious to a random player. Simon moves slowly and jumps stiffly, but it’s clear with repeated play that not only is the game designed around this, it’s even a better game for it! It’s a good example of how reducing a player’s abilities, relative to Mario-standard, can actually result in better play.

One of the few definite Castlevania clones that come to mind is Thinking Rabbit’s 8 Eyes. It could not be more obvious while playing it that its designer played a lot of Castlevania; its hero Orin’s movement is nearly an exact match for Simon Belmont, and it even has staircases that he can climb and hidden items buried in the walls.

It’s not as good a game as Castlevania, definitely, but it has its own ideas, and I respect it for adding some unique features. The player can determine what order the first eight levels are played in, and every time they finish one their attack power is upgraded. It has devious level designs that don’t always map cleanly on paper. It has a player-controlled drone character in the form of a falcon that can be deployed, and then flies around on its own, and can be commanded to attack and return and even has its own health. Most interesting of all, every level has hidden with it a clue, a piece of text that must be found and used at the end of the game to solve a logic puzzle to finally win.

There’s a lot of cool ideas in 8 Eyes. If it had some more design and development work put into it it could have been seen as a later highlight of the system. elbobelo has, for over fourteen years, been at work on a huge hack to put Simon Belmont into the game. In a forum thread they started long ago they mentioned that, while work has slowed, it’s still going. They haven’t issued a public release since an old beta in 2008, but there’s enough present in it to make one wonder how it’ll play when it’s finally released.

Fortunately, the 2008 version of the hack keeps the cool ideas that 8 Eyes contributed, and it just adds features from Castlevania I and II. It keeps the falcon, the diabolical levels, and the clues and game-ending logic puzzle. Gone, however, is the player’s sword, replaced with Simon’s whip, which is a vast improvement. In addition to the falcon, Simon can find his usual subweapons, which don’t replace each other but can be switched between with the Select button. It doesn’t make the game too easy because 8 Eyes was a very difficult game. It just makes the challenge more reasonable.

Best of all, it also keeps 8 Eyes’ weirdest aspect: after you beat each boss, you sit down and have tea with them! In the original the tea was brought by one of the boss’s flunkies, but in this hack one of the skeleton enemies brings it in. It’s surprisingly adorable!

8 Eyes – Playing as Simon Belmont (romhacking.net)

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I can’t claim to have comprehensive knowledge of all kinds of pre-existing puzzles, but Squirrelativity seems unique enough to be really interesting..

Made for Ludlum Dare 52, it’s a free game with only 15 levels, but they’ll have you mystified long before you reach the end.

One team of squirrels has a tree growing up from the bottom of the board, the other has a tree growing down from the top. How it grows, though, depends on how you draw their branches. The bottom tree’s branches can only go up, and the upper tree’s branches can only go down. Each set of squirrels can only broach their own branches.

In the middle of each board there are a number of green seeds. A color of fruit will grow out of the seed, depending on which tree touches it. However, each squirrel’s tree makes the fruit that the squirrels of the other tree likes. It also drops down according to that tree’s gravity. That is: the blue squirrels’ tree grows up, and produces red fruit that drop down, and the red squirrels’ tree grows down, and produces blue fruit that drops up. Got it?

The screenshot I took demonstrates how the fruit falls. Neither tree can grow branches through a space containing a branch from the other tree, and each level can only end if you both get all the seeds, and each team of squirrels get the same number of fruit as the other. The delicate balance of squirrel power must not be overturned!

Squrrelativity, by cassowary (itch.io, $0)

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It’s a game that involves moving colored blog creatures around to connect them in groups of four or more to clear them out, which sounds pretty typical at first. But doing this also creates bombs that you can also connect, to make them into bigger bombs, and clear out larger fields of clutter as you do so, as voices proclaim things like “So happy!” and “Mega happy!”

The tilt sensor comes into play in that it allows you to determine from which side of the screen new objects enter from.

Korokoro Puzzle only got the one entry, but we have it from Kimimi’s that it hides a whole lot of gameplay within its little rectangular case.

Kimimi the Game-Eating She-Monster: Happy! So happy! Mega happy!

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Somehow though, he keeps making interesting new things! Most recently there’s Babataire, a variant of Spider Solitaire that uses Baba characters for cards (it’s fun!), Babataire Ex, a variant of the variant that also uses Baba Is You’s rule-modification mechanic (and that, honestly, I can’t make much sense of), and Cavern Sweeper.

Cavern Sweeper is really good! It’s a generalization of Minesweeper where the mines not only have different values, casting varying amounts of danger into the adjacent squares, but where, on harder difficulties, different kinds of mines can even have differently-shaped danger zones.

In the easiest version, all monsters have a diamond-shaped peril region around them with a value from one to three. The number in a space is the sum of all the danger spread into them. Harder versions also add slimes, which have the traditional square-shaped Minesweeper danger zone, ghosts with plus-shaped areas, and optionally serpents with X-shaped zonas de peligro.

To make up for the added uncertainty, you’re granted two additional helps. First, as you mark spaces (you must select the proper kind of monster in the space for it to count), the numbers are subtracted from the nearby regions, decreasing the chaos around it, and any impossible situations are marked for you. And you’re allowed two extra misses before you’re actually in danger of losing the game.

Cavern Sweeper is a fine addition to the genre of Minesweeper variants, and I rather think I prefer it to the original.

Cavern Sweeper (itch.io, browser-playable, $0)

rodneylives