Tag: metafilter

It’s Zelda Day! (What is Zelda Day?)

Back in 2010, over on Metafilter, three posts on The Legend of Zelda went up on the same day, on the day after Christmas, December 26th. Since then, I’ve tried to commemorate the event by making a post there about The Legend of Zelda each year. I typically tag these posts with “zeldaday,” to make them easier to find.

Since we have Set Side B now, I figured I’d crosspost the main content of this year’s Zelda Day post here as well. Here it is!

GameSpot has a long series of interesting discoveries of The Legend of Zelda: Breath of the Wild:

This is just the first video….

48 things you still didn’t know – 21 more – 31 more than that – 29 on top of those – and then still 28 more – and 30 additional – followed by another 33 – and then 27 – after that 25 – then, 26 – and 19 – and 20 – and 22 – and 18 – and 23 – and another 24 – and then, 16 – then ANOTHER 16 – then 12 – then 15, and then, finally 14 — as of this writing, that is. That’s 497 things in all, over nearly three hours! Here’s their playlist with the whole series.

The Youtube channel Looygi Bros. has done a couple of similar series, covering Ocarina of Time and Majora’s Mask:

15 cool things about Ocarina of Time – 10 more – then 13 – then another 13 – then 19 – then 7 – then 11 – then 11 more – then 10 after that – then 10 – and then 13. Then, later, another 10, another 8, yet another 10, and then 9, and 9, and 8, and at last another 8.

But there’s more, on Majora’s Mask! 11 cool things about Majora’s Mask – and then 10 – and then 9 – and then another 10 – then yet another 10 – and another 10 again – and another 10 once more – and 9 – and 7 – and 7 again – then 6, then 15, then 7, then 10, and then finally 7.

And now, a new series has started on the Wind Waker, with one video so far and 12 facts. Here is a playlist with all of them. All together, I count that’s 841 facts of Zelda esoterica to watch. I figure that’ll keep you going until Zelda Day 2023!

The Twisting Gyre of Mobile Game Ads

If the algorithms that drive the ad servers of social media sites have you pegged as a casual gamer, you will be given a little window into a world of madness. Searching for “mobile game ads youtube” will turn up a fair number of YouPotatoes pointing at that madness and saying, “Look! Isn’t it crazy! How can that be allowed!”

Those kinds of videos themselves are their own exploitative little world, but they have a point. One such video recently made the Blue (that’s what Metafilter users call their main site), and it’s a prime example of both worlds, accurately calling out a lot of mobile gaming ads for being batshit insane, while also having the dismissive, hyper-edited, sound-effect-laden style all too illustrative of the problems with YouTube’s own engagement algorithms. It’s a crappy thing, making fun of a very crappy thing.

Edit: Here’s the video itself, which might be useful, it’s about 13 minutes long:

The thread is interesting, arguably more interesting than the video. Two MeFi users currently in the industry had a conversation there, and after a somewhat rancorous beginning, it was fairly civil by internet standards. Jilder is a writer in the mobile games space, and Ryvar works as a dev in more traditional computer gaming.

Here are some selected quotes:

[…]the ads aren’t aimed at children. Children don’t have money. The game developers want whale tier players – so people who can drop thousands of dollars a year on a game without blinking. There is a whole industry dedicated to building games to find and catch these sorts of players and the game developers are very much not interested in children – the ethics of that not withstanding, the legal implications are expensive.

Jilder

[…]boy, hes got no idea how wild ads can get if he’s only seeing the Dude Ads. Lily’s Garden ads are a whole ass thing all on their own and one of the grande dames of the genre, along with Merge Mansion, which is I suspect the game Alison mentions above. Merge Mansion’s most recent crop of ads full on have Oscar Award winner Kathy Bates starring as sketchy grandma Ursula (which, I must stress, are basically a tv mystery series only very loosely connected to the game).

Jilder (same comment)

The basic model for mobile game profitability is to release several dozen lightly reskinned clones of the exact same game and invest continued development into the handful that attract a sustainable population of whales. It’s grift, all the way down.

Ryvar

When mobile exploded the market and dropped financial barrier to entry by an order of magnitude, both game dev and game consumer culture were considerably thinner on the ground and even the best things to come out of the resulting environment (Genshin Impact, Lineage 2 Revolution) are still exploitative as shit. […] Part of the reason devs and gamers alike fucking hate Diablo Immortal is that it’s an extremely public beachhead for the tentacles of pure capitalist greed into a culture that has until now been moderately successful at keeping this avalanche of bullshit at bay.

Ryvar

All competitive online gaming has a pay-to-win element, it’s just not easily seen a lot of the time – it’s just that you pay for a decent gaming rig, and in my case you pay for having a decent internet connection. Like I’m in Australia, so lol how’s my ping bruh?

Jilder

But the gatekeeping around AAA rated gaming is huge – gamergate bros are just the most visible manifestation […]. As I mentioned in my first comment here, I’m a middle aged woman, so you know, I’ve been dealing with gatekeeping shit around gaming my entire gaming career.

Jilder

There’s lots more interesting discussion to be seen, start from this point and read on from there.

DarkPattern.games

From the site: “Definition: A gaming dark pattern is something that is deliberately added to a game to cause an unwanted negative experience for the player with a positive outcome for the game developer.”

I remember when I was first writing about roguelikes at late, lamented GameSetWatch, it was right around the time of the rise of mobile gaming. It would bring video games to a whole under-served audience, and it did! It would become industry worth hundreds of millions of dollars, and it did that too! And it would all do it fairly, taking nothing from poor players while granting extra perks to wealthy ones who would just pay them a little money, a microtransaction*, to justify their outlay, and, well….

Mobile games are fun, and many of them are inexpensive, at least at first. But frequently, and especially with the whole “free to play” genre, they are full of tricks to try to get you to shell out cash for advantages. A certain nominal fee might be appropriate, but most aren’t in it for a simply nominal fee. Interesting and/or important features will turn out to be locked behind the “premium currency,” which at first seems plentiful but before long turns very scarce unless you pony up with the cash money dollas.

These games want to find themselves a few big whales to be their sugar parents, and at times it seems that they are the true audiences that they chase, with us ordinary plebs left to soak our heads. It’s a lucre-seeking design style that has become synonymous with an entire genre, and it could be argued has done real harm to the whole field of mobile gaming.

Everyone needs to earn a living, but it rankles to be used as the bricks on their road to their pot of gold, especially when the necessity of that premium currency is obscured at the start of the game. DarkPattern.games lays out how these games try to get their fingers into your wallet, and points an accusing finger at those titles that rely on these tricks.

Part-Time UFO is an awesome non-exploitive mobile game! It’s on Switch too! It needs love!

It also points the way to games that don’t. They may cost a bit more up-front, but at least you won’t be nagged repeatedly during your time with them to give them just a little more cash, just a little more, that’s all they need, just a little more cash man, they can stop any time, any time they want….

darkpattern.games (via cosmic owl on Metafilter)

* “Microtransaction” is one of those terms that causes my blood pressure to rise. Who now remembers that the term was originally coined to mean payments of a dime or less, maybe even less than a penny, such as to pay for access to a news article? Now we’re beset with paywalls, the things microtransactions were supposed to save us from, while the term has been appropriated by all these sharks? I mean to tell you, it makes all my neurons sparkle with a communist glimmer.