The Flipside of Gaming
Sundry Sunday is our weekly feature of fun gaming culture finds and videos, from across the years and even decades.
The things we post here on Sundays tend to vary a lot in quality, but there aren’t many vids that are tonally pitch-perfect as this mash-up between the old Legend of Zelda cartoon, from the Super Mario Bros. Super Show, and Beavis and Butthead (10 minutes), from KhalidSMShalin.
Larian Studios has announced the last Baldur’s Gate 3 content patch, and they commissioned a cartoon, from Spud Gun Studios, to commemorate it. It’s more mass-market than most of the things we present here, but eh, it’s the final patch. 4½ minutes:
The same people did some other animations over the past months as well, so we might as well make this a roundup post. They’re all official content.
Mod Support (3 minutes):
The game’s leaving Early Access (3½ minutes):
Christmas (3½ minutes):
And The Greatest Foe (a particular frog in the swamp, 2 minutes)—but Youtube’s awful policies think it’s made for kids, despite the frog getting murdered bloodily at the end, so they made it unembedable. YOUTUBE HAS DONE A STUPID THING, LET THIS ALLCAPS MESSAGE STAND IN TESTAMENT TO THIS RIDICULOUS FACT.
Nintendo has a habit of, with each new console, throwing a bunch of features at the wall to see what’ll stick. Most things, let’s be frank, don’t.
Top of my head? The DS’s second screen? It worked for a while, but now seems pretty well an abandoned idea. The 3D features of the 3DS. StreetPass. AR games. Their brief experiments with free-to-play on the 3DS. The whole darn Virtual Boy. Need I go on?
One of these features was the idea of system-supported services that software could use to interact with the player outside of borders of their channel. Miis were the finest example of this, of course, and amazingly Nintendo hasn’t abandoned them yet, although ideas like Miis that could travel between systems on their own have been conveniently forgotten.
But on the Wii, there were a few less publicized things that games could do. Super Mario Galaxy and its sequel were known to send you messages on the system bulletin board to congratulate you on winning, or to give you hints of Stars to find.
About a year ago GVG did a recounting of Wii games that used, of all things, data from the Weather Forecast Channel. They pinned down nine pieces of software that did this. It’s a feature that Peter Molyneux notably abandoned when he directed Black & White (after announcing it), but Nintendo actually did it. Here is the video, which is a fairly padded 9½ minutes:
The title says nine games used it, but the channel only lists seven, and not all of them are even games! The software named:
Quick! Name a level in Sonic Adventure 2 that isn’t City Escape (the first level)!
You probably couldn’t think of one. Maybe Pumpkin Hill, from remembering its rap-based theme song? But one very distinctive level in that game is the last one on the Hero Side: Final Rush.
Wait, what do I mean by Hero Side? None of this paragraph really matters, but…. There’s two scenarios in it, the Hero story with Sonic, Knuckles and Tails, and the Dark story (the game shies away from the term Evil) with series debut characters Shadow and Rouge, and Dr. Robotnik, a.k.a. Eggman, playable. The story scenes from Sonic Adventure 1 were ditched in favor of a level select map, and the varied gameplay of the first game narrowed down to running stages (Sonic/Shadow), searching stages (Knuckles/Rouge) and shooting stages (Tails/Eggman). Gone were Amy and Big the Cat’s playstyles, and Omega’s were given over to Tails and Eggman.
Of course, everyone most loved the running stages. The game’s named after Sonic, after all, even though they had some issues. The issues, they were what many people who played the game remembered. Although the game is arguably an improvement on SA1, gave us more insight into Eggman’s history and motivations than we’ve ever had before or since, and even its lore plays a big part in the Sonic 3 movie, it’s still a 3D Sonic, and so it’s still seen as inferior to the Genesis originals. The 3D Sonic game released after Sonic Adventure 2 was Sonic Heroes, which was mostly about running; the searching and shooting gameplay seen in SA2 hasn’t to my knowledge returned since.
But as ZoomZike reminds us, there are interesting ideas in Sonic Adventure 2! He examines the last of the running levels (if you don’t count the very hard to unlock Green Hill level), in fact the last Hero Side level in the game.
Final Rush takes place in space (there’s still gravity though), and is themed around Sonic Adventure’s 2 new gimmick, rail grinding. You’ve shredded on rails throughout the game up to this point, but most of Final Rush takes place sliding around on rails improbably placed in Earth orbit. The level is rife with opportunities to send your pitiful blue garden mammal through a fiery reentry. My own memories of the level, like most of the game, involve camera struggles and fighting glitches, but I remember Final Rush being entertaining at least.
ZoomZike thinks the level was well-designed (23 minutes). Maybe you’ll agree.
Sundry Sunday is our weekly feature of fun gaming culture finds and videos, from across the years and even decades.
It’s been ten years since a little line drawning animation called URappinBad! shows up on Newgrounds. Now its creator Kevin Fagaragan has gone back and not only made it into a full color animation, but shows it side by side with the original.
This is the new video (3 minutes), which has the comparison at the end, and its Newgrounds page:
And this is the original by itself (1½ minutes):
Be on the lookout for cameos by Parappa’s friends PJ Berri and Katy Kat, Cheap Cheap the Cooking Chicken, and UmJammer Lammy. Both videos of course feature music taken directly from the Playstation classic Parappa the Rapper, which still has one of the best soundtracks in gaming. They got the music stuck in my head all over again. “When I say boom boom boom you say bam bam bam, no pause in between! C’mon let’s jam!
Displaced Gamers and their various technical dives, including the Behind the Code series, are favorites around here, and we’ve linked to them many times before. They take a lot of time with their content, but they always do a good job, much better than the average Youtube channel of whatever type, and it’s always something interesting to learn about. They have a new video up now (22 minutes) that examines the differences between the original and revised versions of Super Mario Bros 3, released a few months apart back in 1990.
Most of the differences were superficial: they changed the cover art slightly and added a ® symbol replacing a ™ on the Official Nintendo Seal. On the rom itself, they changed the names of the lands in the ending, from a flavorful set of localized names to just Adjective Land eight times in a row.
But there were other changes, and one of them was a substantial difference in the code, one that required moving much of it around by seven bytes to make room for it.
What was it? In brief, there’s one level in the game, 7-3, that uses a vertical-only scroll instead of a horizontal or multi-directional scroll, and it writes the images of the cards in the status window to the wrong place. So in the original release, on that one level, the card images are mysteriously blank during the vertical section.
That was fixed in the revision, which meant a check for what kind of scroll the level was using, and which changed the pointer to where to write them. Code needs space, and that space came out of a section of unused bytes at the end of the rom, with all the code between the change and that section shifted to account for it. If you had a Game Genie code that relied on data in those memory locations, too bad! You’ll need a modified version of that code.
Here’s the full low-down, which goes into much greater detail:
Sundry Sunday is our weekly feature of fun gaming culture finds and videos, from across the years and even decades.
I think I’ve posted some of these before, but I don’t think I’ve done all of them, and I’m cleaning some links out of my list. So let’s take another look.
These are from a six-or-so year old meme that began with putting creepy (but not too creepy) music to battle music from perennial retro JRG favorite Earthbound. Earthbound had lots of weird and crazy enemies, so they fit fairly well. But they’re not all Earthbound collections, just so’s you knows.
I’ve got quite a few of these links. I could spread them across weeks, but I’ve got other posts to make, so I’ll just unload them all at once. Watch as many as you can stand.
First, the Earthbound collections. 3 minutes:
Now, 9 minutes:
They’re getting longer in length. 12 minutes, if you’re getting tired of them I can’t say that I blame you:
And the mother (heh) of all collections, 51 minutes, using music from all three games:
The meme mutated a bit into science diagrams that look like shitposts, and with other game music. This one’s Miitopia (8 minutes):
And, with Splatoon music (11 minutes):
Last one! With Toby Fox music (13 minutes), you know, Undertale and Deltarune and stuff:
I’m glad to get those out of the list! Something different next time, whew.
Making the rounds has been a two hour Youtuber doc by Stop Skeletons Fro Fighting about the construction of a 16-player Faceball 2000 game. Here is the video, but don’t feel you have to watch it yet:
The video refers to a shorter video (19 minutes) by Zarithya, who solved some particular technical issues that made the 16-player game possible. If you’re in the mood for the full journey watch the above video; if you want less of your day consumed, try this one:
The gist: Faceball 2000 was a console (and portable) recreation of an Atari ST game called Midi Maze. Midi Maze was probably the first true FPS. Faceball 2000 got releases for multiple platforms, but the first, and most impressive technically, is probably the Gameboy version.
Developer Xanth Software F/X had a 16-player version of Gameboy Faceball working internally with special cables. Nintendo wanted them to support their new four-player adapter, but the mode that allowed for 16 players with the rigged cables was left in (it still works with an ordinary Gameboy link cable, jut limited to two players), although the devs noted in a 2005 interview that they had only managed to test it with up to 10 players.
Zarithya managed to figure out a way to play it with higher player counts with minimal extra hardware, and also discovered, and fixed, a bug that made 16-player games impossible with the code as released. It’s a pretty accessible explanation, you can probably understand it without much of a technical background.
That’s the main point; for the full story, the videos above are available. Enjoy, if you have the time!
Sundry Sunday is our weekly feature of fun gaming culture finds and videos, from across the years and even decades.
Its from Dorkly, a gamer content channel on Youtube. I usually try to keep the finds we present here to one-person operations or similar. But the animation (2 ½ minutes) is entertaining, and it addresses the experience of those people standing to the side watching others beat the crap out of each other. I’m surprised they don’t take an accidental Hadoken from time to time. Doesn’t seem very safe to be at ringside for a Psycho Crusher.
The (very most barest) basics are explained in this five-minute video from Game Facts Special:
The (impossibly detailed) specifics are on Sonic Retro. Warning: you have no idea.
Can I summarize them briefly? Not really, but here’s the basics. The tiles link to a list of heights for that tile. If Sonic is traveling vertically up a wall, then the heights count as widths. If upside-down, then the inverse of the tile’s heights are used.
Every frame, Sonic emits four or five “sensors,” basically raycasts, around his feet and head. Those indicate where he’s standing and where the ceiling is. If he’s traveling vertically the rays are rotated 90 degrees in the proper direction, and for an upside-down Sonic they’re rotated 180 degrees. Additionally, each tile has a record of what its angle is, and that’s used for things like how it affects speed and what angle Sonic should jump at.
When going around a loop, Sonic’s sensors remain as normal until up past 45 degrees up the first ramp. Then his sensors rotate, and he’s now going up. 135 degrees around the loop, it rotates again, and again at 225 degrees, and one more time at 315 degrees. The same height values get used for each slope, just used for different purposes. It’s surprising it works as well as it does, really.
This seems like it’s going a bit too far to me. That’s the very phrase, “going too far,” that video creator 100th Coin uses, when he finishes Super Mario Bros. by swapping cartridges in mid-play.
And it’s not even really swapping cartridges. This is a TAS, a tool-assisted speedrun, so instead of physically removing a cartridge and putting in another one within a single machine cycle, it just switches rom images into an emulated machine’s address space.
It’s pretty ludicrous, but at least the video maker is upfront about this. Correction: they’re up front about it within their 40-minute video, but not in the title. The title is pretty click-baity, but I guess creators get views however they can in the Youtube hellscape of 2025, if content makers can survive.
Sundry Sunday is our weekly feature of fun gaming culture finds and videos, from across the years and even decades.
If you’ve been following Sundry Sunday for a while here, you might have caught on to a few trends. One, too many Nintendo characters. And two, I have a high resistance to schmaltz.
There’s fifty-pound bags full of unearned sentiment just laying around the Youtube platform, and most of it I will have no truck with. A lot of it depends on your past connection with characters, and despite surface appearances, I don’t have a lot of connection with game characters. And it feels like theft, to cloyingly play off of pre-existing characters in such cheap and easy ways.
But that’s not to say it can’t be done well, as in this short voice-acted slideshow that was released soon after the recent Super Mario Bros. Movie. The (newer) SMB movie definitely has its faults, but it also has some pretty deep cuts from throughout Mario’s history, and the best of those has to be Foreman Spike, semi-antagonist from Wrecking Crew, and Mario & Luigi’s boss in the mundane world of plumbing.
There are slight hints that, despite his abrasive personality, there is a tiny bit more to Spike than seems at first, and that’s what makes the slideshow, from GabaLeth, feel like it’s slightly more entitled to its emotion than your standard cartoon sugarjob. And it’s only a minute long. Here:
Extra: here’s nine minutes more from the same account, of various Movie-themed clips.