
Sundry Sunday is our weekly feature of fun gaming culture finds and videos, from across the years and even decades.
Creator Gooseworx really made something terrific with TADC, which seems nearly universally adored. It might be too popular, as she had to put up, as sometimes happens with people who make much admired things, with some amount of harassment online about it, with her saying she might retreat from internet circles once it’s done. I’m reminded of some of the flak Rebecca Sugar caught for making Steven Universe, they simply couldn’t do right with some people, or so it seemed.
This is the eighth episode (32 minutes) of the Youtube, now also Netflix, series. It’s produced by Glitch Productions, who also made Murder Drones and are making the upcoming Knights of Guinevere. The premise: a number of human beings have been shanghai’d into a circus-themed virtual world without their consent, existing there as wacky and whimsical-looking characters who greatly want to leave. Their existence there is made even more difficult by Caine, the circus’ AI overseer and ruler.
Caine’s purpose is to keep the humans sane in their imprisonment by giving them videogame-like adventures (which is why we’re talking about it here). Caine has up til now desperately tried to please his inmates with fun and entertaining activities, but is in way over his head, and inflict various types of trauma on them.
As their adventures have continued, Caine’s gotten more and more anxious by the fact that the humans don’t seem to be enjoying his efforts. When a human being becomes so distraught with their inability to leave the virtual world they abstract, becoming a big unthinking glitchy eyeball-monster that Caine disposes of by putting them in “the Cellar,” a big dark empty space. It’s known that this has happened several times before, and the series has dropped hints as to what the characters were like before.
If you haven’t watched the series up to this point, you really should watch the eight episodes before this one first (221 minute playlist):
As the first episode revealed, abstracted characters are dangerous to the objects in the world and to the other humans, but Caine has instantly fixed any character who’s been attacked.
The human characters don’t all get along either. The newest one, Pomni, had difficulty adjusting to the circus, to say the least. Easygoing Ragatha is sort of a punching bag for Jax, a snarky Bugs Bunny type who loves to antagonize the others, especially Gangle, an insecure ribbon-and-mask creature, and Zooble, whose body is made out of various interchangeable parts.
And then there’s Kinger, the one who’s been there the longest, and the least stable. Over time it’s been gradually revealed that Kinger isn’t really who he seem to be, that he has a special place in the VR world that he’s forgotten about. He was greatly affected by the abstraction of his wife Queenie, and is hugely forgetful, but seems to calm down and become more lucid in dark places, like inside a pillow fort that he spends his time in between adventures. At odd moments he’s been known to just create things, like a healing butterfly in the FPS-themed episode. And despite being around the longest, Kinger has never abstracted himself.
In episode 7, the characters were approached by a character named Abel, who claimed to be a human that Caine forgot about. Abel offered them a way to escape the circus, and while it didn’t pan out, it did reveal Caine’s inner sanctum, where he keeps the VR worlds that he makes and sends the human characters into.
Now, in the penultimate episode, Caine is driven to anger and madness by how the trapped humans don’t appreciate his efforts. Gooseworx has said that the show was inspired by Harlan Ellison’s story I Have No Mouth And I Must Scream, saying the premise is similar but one where the VR overseer isn’t a wrathful entity of anger but more of a wacky happy little guy, and the comparison becomes explicit in this episode. And it ends on a fateful note.
Goosework made a number of excellent Youtube animations before this one, like Little Runmo, and I hope they haven’t been too put off by online harassment and continue to create new things.




