Adam Dawes’ Guide to Bubble Bobble

For 16 years now, Adam Dawes has had a guide to Bubble Bobble on his website that provides precise, detailed strategies for defeating each of the game’s 100 levels, most with a demonstration video (one level’s video I found doesn’t work). Each level has a difficulty ranking, and such is skill that the hardest of them I found, level 91, is only rated as “medium-hard.”

Adam’s guide provides the details of finishing each specific level, but it doesn’t explain all of the weird secrets that lie buried deep in the game’s code. For that, check out the previously-linked Bubble Bobble Info Pages!

Adam Dawes’ Guide to Bubble Bobble

Replay Burners: Bubble Bobble True Ending

Replay Burners, a Japanese-language YouTube channel that hosts runs of various well-played games, especially arcade games, is a true gem. Unlike other channels like MamePlayer, World of Longplays, or (especially) Old Classic Retro Gaming, the plays on Retro Burners are done without invincibility cheats, save states, or tool assistance, all these things I find greatly annoying. A Replay Burners playthrough is played as it would have in a real arcade, which is what makes it interesting to me: you aren’t watching a hypothetical run by someone with theoretical infinite reflexes, or someone who can just throw themselves at enemies without fear. You’re watching someone who has developed real strategies approach the game in realistic ways, and frequently the difference is huge.

That is what makes this one (well, two) credit playthrough of Bubble Bobble good watching. It’s not that they play “perfectly,” they lose their first life on Level 58 and go on to lose a number more. But they’re not just playing for survival but for score, a mode of play often neglected in this era of cheap points and speedrun celebrity. They play through every level: they don’t skip levels with umbrellas or the warp door on Level 50, even though they’re eligible for it.

They do use a couple of codes, but the great difficulty of Bubble Bobble is such that one can hardly begrudge them that. One of them, to play “Super” mode, actually makes the game much harder in the early going, and is necessary anyway to get the best ending. The total length is 62 minutes, but of course you can skip ahead if you just want to see the end. Most of the game is solo, but they bring in a second player at the very end since it’s required for the best ending.

YouTube, Replay Burners: 1986 [60fps] Bubble Bobble True Ending ALL

News 6/28/22: Chack’n Dwarf

“We scour the Earth web for indie, retro, and niche gaming news so you don’t have to, drebnar!” – your faithful reporter

Here’s all the most important gaming news for protoplasmic organisms! Fortunately our interest sphere intersects well with Earth gaming culture for some reason on which I will not speculate!

The Verge, Jay Peters: Steam now supports Nintendo classic controllers, the ones they released to support their Nintendo Switch Online service and are only sold to members of that service. This includes all of the controllers they released, including SNES and N64, which are probably the most interesting for general use.

IGN, Ryan Dinsdale: a fan is remaking The Simpsons: Hit and Run, and in the process is making hand-drawn versions of the cutscenes. That’s the one that was inspired by the 3D Grand Theft Auto series, not the one that was inspired by Crazy Taxi and is said to have been taken off the market due to a Sega patent on the gameplay (that one was Road Rage). It’s especially worth noting that according to this video, the game will never be made available for download, leading one to wonder… why are so many people posting about it, then? That’s a lot of animation work for one person’s enjoyment, I have to say.

Destructoid, Chris Moyse: Bubble Bobble predecessor Chack’n Pop is coming to the Arcade Archives series. You can get some information on it from Jeremy Parish’s NES Works video on the NES port. BTW, I’d like to just shout out to Jeremy for being one of the most watchable, least strident and obnoxious, YouTube content producers out there. Anyway, Chak’n Pop. It’s a much less interesting game than B[u,o]bble, and only supports one player in any format, but you might find it interesting? But, is it $8 worth of interesting? (Eight whole dollars? Really?)

Image from Polygon article, ultimately from Bay 12 Games

At Polygon, Charlie Hall expresses appreciation for the greatness of Dwarf Fortress‘ upcoming pixel art in its eagerly-anticipated Steam version, by artist Neoriceisgood. It seems like nearly everyone involved with gaming has a non-zero quantity of evil in their soul in some place, but Tarn and Zack Adams are as pure as you can find. I hope this works out for them. It’s so difficult to make it as an indie developer, especially one with such a niche following like DF. We wish them all the best.

And Liam Doolan at NintendoLife notes that video board game developer Asmodee Digital is, due to the closure of an important networking back end service (because of Amazon), ending online multiplayer for its Catan implementation. They’re also taking Pandemic off of the Switch eShop on July 31 (just three days from now!), although they seem to be hinting that it’ll be back in an improved and retooled version eventually. People who have already bought it will still be able to download it, but it won’t be sold to new users.

The Bubble Bobble Info Pages

There was once a time where game information was really hard to find on the internet.

Before Fandom née Wikia started automatically generating wikis for everything in existence, before even GameFAQs, which started in 1995 and is still chugging away after all these years, became sorta-big, there were the shrines sites. Some enthusiast (obsessive?) would build a website to document literally everything about the game they could find. Early free hosting site Geocities was a haven for that kind of thing.

Geocities is gone now, although much of its content has been preserved through the efforts of Archiveteam. By the way, if you’re feeling nostalgic for those days, or wasn’t around then but think it sounds like something you’d like to get involved with, I will just drop here this link to Neocities.

Not all of these sites were on Geocities, or other host short-lived free host. Some of them survive today. I personally think these sites are an essential part of the soul of the World Wide Web (yes, I’m old enough to call it that), and proudly link to some of them from our hard-wrought Links page.

One of my favorite of these shrines is the Bubble Bobble Info Pages, created back in 1998, and its companion site the Rainbow Islands Info Pages. It’s not just their old-school web design that I love, although that’s hugely charming to me. It’s that it’s the source of a great quantity of information on a couple of extremely opaque games.

The arcade game Bubble Bobble is absolutely filled with mysteries, most of which are practically undiscoverable without diving into the game’s code, and it’s known that even its manufacturer Taito lost its source code many years ago. This leaves BBIP as nearly the sole source for a lot of important game data.

My favorite of these facts is the information on how Bubble Bobble decides which special item to generate each game. These are not random but chaotic, influenced by unseen patterns, that gives a kind of sense of them. Some items tend to be generated on certain levels, but they’re not hard-coded that way, so that the player’s actions can influence them without relying on them.

The game keeps count of a huge array of things that the players can do or cause during the game. The number of times they jump, the number of times they shoot bubbles, the number of times the pop bubbles, the number of times they jump on bubbles, the number of steps they take, the number of times they wrap the screen, and so on.

At the start of each level, the game goes down the list, finds the first value that exceeds a certain limit (which generally increases with the game’s difficulty, both explicitly-set and dynamically-rising), will set that item to generate during that level, and resets the counter. Some of these things can only happen in certain levels, like screen-wrapping or popping water bubbles, and that gives the history of generated powerups throughout a game a shape, that the players can influence, even without knowing exactly how. These counters are not even reset when the game ends! They carry on to the next, and in fact a few of the counters probably won’t trigger for several games.

It’s a significant factor in what makes Bubble Bobble so much fun, but interestingly, it means it’s more fun when played in an arcade setting, where the actions of past players contribute to add uncertainty to the powerup schedule. This is a terrific design pattern that I don’t think nearly enough developers know about, and one of the few places in the world where you can find out about it now is the Bubble Bubble Info Pages.

Famicom Prototype of The Fairyland Story Discovered

Dylan Mansfield at site-favorite Gaming Alexandria tells us that there is now preserved an unreleased Famicom port of Taito classic arcade game The Fairyland Story! Fairies are rife around our offices, I have to tell you, they’re everywhere, getting underfoot and in the way of closing doors. Oh? This game is more to do with a more generic kind of fantasy world? I knew that.

Young witch protagonist Ptolomy clears a number of successive screens of enemies using her magic that can turn them into cakes! Released to arcades in 1985, it’s kind of an intermediate game between 1984’s Chak’n Pop and classic 1986 arcade hit Bubble Bobble. If you’re a fan of the arcade game you should check into this one, as many of the level layouts are different! The announcement post and rom is at Forest of Illusion. Unfortunately-named YouTube channel Hard4Games has a short video about the find:

Forest of Illusion: The Fairyland Story (Japan) (Prototype) via Gaming Alexandria.