We love Nicole Express! She regularly covers the most interesting, and often obscure to U.S. audiences, gaming topics. This time out, she relates the many ways that the PC Engine saved game data. Just about every possible way the system could do saving, it did, from simple passwords to on-cart battery-backed RAM to expansion port peripherals with batteries or capacitors, even to a device that plugged into the controller port. Great information as always from Nicole Branagan!
It’s Sunday! Time to electrocute your brain with more game-related video weirdness. Electrodes at the ready!
In Japan, it seems, Crash Bandicoot has a completely different, and extremely earwormy, theme song. Well in the Japanese release of Crash Bandicoot 2: Cortex Strikes Back, if you hold Left, Circle, L1, and L2 when the Playstation logo appears, you get this entertainingly bizarre karaoke video showing off a long version of the theme, featuring Crash doing a signature dance move, cavorting with ladies in nightgowns and bikinis, and getting blown up by a jetpack, all right and proper activities to be had by an anthropomorphic marsupial.
The song also featured in commercials for the games in Japan. As an extra, here is a (very badly compressed) compilation:
There’s a more video weirdness concerning Japanese Crash Bandicoot, but let’s save that for later….
90s Japanese game magazines look so cool! I wonder about those huge pink pauldrons and other jutty bits though. Doors may be a problem for her.
Gaming Alexandria is a treasure, and lately it’s been uploading scans of 80s/90s Japanese game magazine PC Engine Fan to the Internet Archive! Even if you can’t read a word of it, the artwork and screenshots alone make it a joy for the eyes. If you remember and love the look of the early days of Nintendo Power, when its layout and illustration were done by Tokuma Shoten publishing, you should appreciate these.
The PC Engine, a.k.a. Turbo-Grafx 16 (a much worse name really), sits at a sweet spot between old-school pixel art and 16-bit splendor. It was arguably a less capable system than Sega’s Mega Drive/Genesis, but it could show more colors, and its games looked a lot more vibrant in print. To a kid in the U.S. at the time, it exuded a strong sense of anime coolness, and I can’t help but feel a bit of that old excitement.
I have to stop myself from filling this post with page after page. Here’s a few choice examples:
Gunhead, a.k.a. Blazing Lazers (August 1989):
Compile really designed some crazy powerups for this game!
Double Dungeons (July 1989):
We present the Gary Gygax weapon collection, curated by Dr. Pumpkin Boy.I have it on good authority that this game is nowhere near as cool as this page makes it seem.
The style of this page serves to make the reader forget the game is just plain ol’ Altered Beast, the lackluster pack-in for the Mega Drive/Genesis. Even in the arcade it wasn’t that great.
In the past for limited times Nintendo has authorized the setting up of Kirby Cafes, charming little representations of the affable pink blob’s world and its inhabitants. Two of them are currently open, in Tokyo and Hakata, Japan. These have really gone the extra mile to create an atmosphere of Kirbiness, from their menus to having large plush Waddle Dees to set into a chair opposite yours if you should come to one alone.
I like the use of the older style of Kirby face on this hamburger.
The embedded video is over an hour and a half of background music from these cafes. It appears to be a rip of a pair of official CDs. SiliconEra reports on some current dishes being served there as tie-ins to the new 3D Kirby game for Switch, Kirby and the Forgotten Land. The cafes have an official website and Twitter feed.
“Here are your Kirburgers, and your side orders of Kirbyfries.” (inhaling noise)
It’s awesome when a tile-based game uses huge letters like this.
Gaming Hell is great! It’s an obscure game investigation site with some serious Oldweb power. They recently had a look at the Japanese-only Game Boy title For The Frog The Bell Tolls, known in its home territory as Kaeru No Tame Ni Kane Wa Naru, the game whose engine went on to serve as the basis for Link’s Awakening. (EDIT: As the article points out and I skipped over, and discovered after I wrote the preceding, while Kaeru no Tame Ni Kane Wa Naru has a number of aesthetic and gameplay similarities to Link’s Awakening, under the hood people note that the engine does not seem to be similar!)
There is a whole world of Nintendo games that never made it out of their home country on release, and the company only acknowledges exist in other territories with reluctance. Games like Captain Rainbow, Doshin the Giant, and Nazo No Murasame Jo. Once in while one might get a Virtual Console release, or a mention in a Smash Bros. or Nintendo Land, but other that it seems like strict radio silence.
Ant Cooke of Gaming Hell speculates on why this game didn’t make it to the US, that it has to do with some difficult to localize content. There may be something to this, but if I might offer? Kaeru No Tame Ni Kane Wa Naru also only got one rerelease in Japan. Maybe Nintendo saw its not featuring one of their large stable of marketable characters as a weak point? Likely it’s a combination of many factors that edged the game over into possibly-unprofitable territory on some obscure spreadsheet, somewhere.
(Source) We in the US never get cool box art like this.
One could spend hours speculating on why Nintendo does or doesn’t do a thing. Ultimately they are a huge company, not a monolith but composed of hundreds of people, and many people could doom a project if they chose. It is a shame in For The Frog The Bell Toll’s case. It’s not just their loss, but all of ours.
