Owner of Game Wisdom with more than a decade of experience writing and talking about game design and the industry. I'm also the author of the "Game Design Deep Dive" series and "20 Essential Games to Study"
For this extended interview, or light college course, I sat down with Chris Park and Willard Davis to talk about what is happening over at Arcen Games over these last few years working on AI Wars 2. We discussed game design and the changing market and perception of games, not just in the strategy genre. Chris spoke about the challenges of working on AI Wars 2 and teased what he has planned for the future.
Owner of Game Wisdom with more than a decade of experience writing and talking about game design and the industry. I’m also the author of the “Game Design Deep Dive” series and “20 Essential Games to Study”
With Steam Next Fest 2022 going on, I’m dedicating the indie showcases each day to cover my favorite demos of the night prior, let me know what you think about this in the comments below.
Owner of Game Wisdom with more than a decade of experience writing and talking about game design and the industry. I’m also the author of the “Game Design Deep Dive” series and “20 Essential Games to Study”
With Steam Next Fest 2022 going on, I’m dedicating the indie showcases each day to cover my favorite demos of the night prior, let me know what you think about this in the comments below.
Owner of Game Wisdom with more than a decade of experience writing and talking about game design and the industry. I’m also the author of the “Game Design Deep Dive” series and “20 Essential Games to Study”
With Steam Next Fest 2022 going on, I’m dedicating the indie showcases each day to cover my favorite demos of the night prior, let me know what you think about this in the comments below.
Owner of Game Wisdom with more than a decade of experience writing and talking about game design and the industry. I’m also the author of the “Game Design Deep Dive” series and “20 Essential Games to Study”
With Steam Next Fest 2022 going on, I’m dedicating the indie showcases each day to cover my favorite demos of the night prior, let me know what you think about this in the comments below.
Owner of Game Wisdom with more than a decade of experience writing and talking about game design and the industry. I’m also the author of the “Game Design Deep Dive” series and “20 Essential Games to Study”
Each indie showcase highlights the demos and developer submitted games we play here, if you would like to submit a game for a future piece please reach out.
Owner of Game Wisdom with more than a decade of experience writing and talking about game design and the industry. I’m also the author of the “Game Design Deep Dive” series and “20 Essential Games to Study”
With Steam Next Fest 2022 going on, I’m dedicating the indie showcases each day to cover my favorite demos of the night prior, let me know what you think about this in the comments below.
Owner of Game Wisdom with more than a decade of experience writing and talking about game design and the industry. I’m also the author of the “Game Design Deep Dive” series and “20 Essential Games to Study”
For each showcase I highlight the many developer submitted games and demos we check out here. If you would like to submit a game for a future piece please reach out.
Owner of Game Wisdom with more than a decade of experience writing and talking about game design and the industry. I’m also the author of the “Game Design Deep Dive” series and “20 Essential Games to Study”
The Indie game showcases highlight the many developer-submitted games and game demos we play here on the channel. If you would like to submit a game for a future stream please get in touch.
Owner of Game Wisdom with more than a decade of experience writing and talking about game design and the industry. I’m also the author of the “Game Design Deep Dive” series and “20 Essential Games to Study”
For this cast, I sat down with Jonathan White who is the developer of the Last Sunshine and the recent re-release The Last Sunshine Rekindled. We spoke about his background and developing a combination of a shooter and a roguelite.
Owner of Game Wisdom with more than a decade of experience writing and talking about game design and the industry. I’m also the author of the “Game Design Deep Dive” series and “20 Essential Games to Study”
Salt and Sanctuary by Ska Studios was one of the more solid 2D attempts at making a soulslike along with metroidvania progression. While the game wasn’t perfect, the mysterious world, disturbing character designs, and challenging gameplay made it a highlight of the year. With Salt and Sacrifice, the developers have experimented in a new way that unfortunately does drag things down a bit.
Mage Madness
The story finds you in a completely new area from the original. After being imprisoned for a crime, your only options are to either rot in jail or become an inquisitor who hunts mages. Taking the latter, you head towards the land of the mages, and in typical soulslike fashion, you’re killed within 30 seconds of playing. Revived via the pact you made, your only way to get free of your pact is to find a cure and take out every mage you see along the way.
The basics of the first game are here, as you are free to customize your character from a variety of weapons and gear that can be found or crafted. The original’s massive skill tree has been expanded with more classes and options. The class and armor perks are required for you to use weapons and armor pieces of certain levels respectively. Unlike the first game, your “eastus” flask here can be upgraded via crafting as opposed to specific nodes on the tree.
Right away, a lot of the more archaic aspects of the first game are gone. The faction/idol system of the first game — where you could set up bases for different groups by using consumable items is no more. But the real twist, and major gameplay difference between the two games, come with a new focus.
Monster Mage
The first game easily fit as a metroidvania soulslike, but with Salt and Sacrifice, the developers have taken inspiration from Monster Hunter. Instead of one hugely connected world, the game is split between different self-contained zones. While there are still major upgrades that add new tech hidden throughout the world, progress is now locked via “mage doors.” To open these doors up, you need to find, kill, and consume the heart of a certain number of mages.
The mages themselves act like the monsters from Monster Hunter — they will randomly go around the area causing trouble. Each mage has a set of attacks and summons they can use. As you do damage to them, they’ll warp around until you’ve done enough damage to trigger the boss fight. Killing the mage will reward you with the heart the first time you kill them and droppable resources. Like Monster Hunter, there is a random assortment of goods that will be given, and this is a part of a greater focus on crafting.
Most of your gear will come from crafting them out of the resources from mages. Killing a mage can also reward artifacts that come in different rarities and levels. As you explore each zone, you may also come across a book that will allow you to set up repeatable hunts, but the mages will also show up randomly as you make progress.
Boss fights range from easy to incredibly annoying to fight due to the combat system
Your two forms of major progress will come from unlocking more areas and finding inquisitor tools that take the place of the brands as your metroidvania unlocks.
All this adds up to a game that feels different than the first, but Salt and Sacrifice also shows the limitations of the mechanics and not in the best way.
Ragdoll Rage
The original’s combat system was good and served the purpose given the mechanics at work. With Salt and Sacrifice and the changes made to the overall pacing, we can see some major pain points with the transition to hunts.
Stamina, which is used for attacking and defending, feels very low compared to the first. It is very easy to run out even with a few basic attacks or dodging at the start considering how much gets thrown your way. The mages themselves fight with random patterns, but said patterns are not equal. Many of them have attacks that require your full attention to dodge, and the AI has a habit of spamming this attack several times in a row — making it near impossible to dodge everything or get in for a hit.
Here’s the big point, when your character is in the air or standing, their hitbox will take every attack that connects; you are only immune to damage when you are lying on the ground. For spam attacks, if one hits you, there is a good chance the next five will hit as well. Anytime the player is knocked into the air, you cannot always air recover out of it, and more than likely, you are going to take more damage while you are helpless.
It is very easy in this game to go from full health to dead from a single attack that either stun locks you, or all the individual projectiles connect and wipe you out. Fortunately, mage health does not regenerate when you die outside of the actual boss encounters, but the rest of the enemies come back.
One thing that doesn’t come back is your resources. For this game, your healing flask and ammunition for your range weapon require you to gather resources and craft them. In the first game, your flask would also be restored back to its capacity at checkpoints. This system is an odd choice given the difficulty and how easy it is to drain them. But these decisions emphasize a point about Salt and Sacrifice’s design changes and how it is far more grinding than the first game.
Grind Souls
The first game had grinding in the traditional sense of getting enough salt to unlock levels and get upgrade materials. Here, the amount of grinding has been increased. Not only do you need to grind areas for basic resources, but you need to grind mage encounters and their spawns for upgrade materials, along with different ones for the various weapons.
While the game will track a named mage during a hunt, you cannot set it to track wandering mages while you are exploring a zone. Good luck keeping track of one if they decide to warp while they are just slightly off screen from you. This could be forgiven if not for one major problem — the game has no in-game maps or guide markers. Trying to remember where all the heart doors are becomes frustrating when you start having multiple ones at different thresholds. When you die, there is no indication where your death spot is, and if you die from a fall, the drop point shows up where you landed, not where you fell.
Each biome only has one warp point at the start of it, and you can only do leveling up and gear upgrades back at the hub. I do like the shortcuts that you can open that allow you to quickly get back to certain areas, but there is still a lot of backtracking that will need to be done.
Feeling Salty
Salt and Sacrifice despite being the sequel feels like a step back and shows the limitations of the combat system. If you haven’t played the first game yet, I easily recommend that one for your 2D soulslike fix. This isn’t a bad game, but it just feels like two steps forward and three steps back.
Owner of Game Wisdom with more than a decade of experience writing and talking about game design and the industry. I’m also the author of the “Game Design Deep Dive” series and “20 Essential Games to Study”
Owner of Game Wisdom with more than a decade of experience writing and talking about game design and the industry. I’m also the author of the “Game Design Deep Dive” series and “20 Essential Games to Study”
