Our own Josh Bycer isn’t the only source of indie recap videos out there. Nintendo themselves released a new Indie World video yesterday with a number of new games listed, as well as an upcoming free update to one of my favorites, Little Kitty Big City. (I interviewed its creators for Game Developer some months ago!) Here’s the video (15 minutes):
The biggest surprise is, at the end, the news that both Caves of Qud and UFO 50 are coming to the Switch platforms at last! UFO 50 is out now! Please forgive my breach of decorum when I say, yippie, and besides that, wahoo. Thank you. (sips tea)
It is as the title says. It’s been discovered that, in the original Animal Crossing on Gamecube, if you read the village Message Board 43 times, it’ll reset your axe’s durability. But there are more consequences than just that! It’s explained in HunterR’s 10-minute video.
So, why does this happen? The precise details are in the video, but here’s a summary.
When you’re holding an axe, the game is not discriminating about which A button presses cause it to degrade—or, rather, its damage value will increase. If you hit objects other than trees, it’ll pick up three times as many damage points. But you can do other things that use the A button, and if an axe is in hand, its also take on damage.
There are actually eight different axe objects, that are switched between when eight points of damage is taken. (The more damaged versions have slightly different appearances.) The damage counter isn’t actually tied to the axe: it’s a separate count that’s counts for all axes. (Meaning, if you have multiple axes and try to spread out the wear between them, technically only the axe that you’re holding when you take the eighth damage point really gets harmed.) The value is also not saved when you save the game; if you hit trees seven times with an axe, then save and reload, the wear will be forgotten.
If you do something with the A button while the axe is in hand, but it doesn’t strike an object that might cause it to break, it’ll keep gaining damage. If you’re facing an object that isn’t a tree, like the Message Board sign, it’ll even gain three as much. But the check that switches to the next-most-damaged axe type only happens when the axe actually hits something. (It also happens if you open doors with an axe in hand!)
The counter to check if the axe should take wear is a single byte interpreted as a signed value, so, if you can get it to 128 or higher, the high bit is set, so the C library code used for the game’s comparisons will consider it to be a negative number. 43 x 3 is 129, or -126. You can then keep using the axe over and over until the number turns positive again, at 0, or until you save the game and reset the counter anyway.
By the way, to bring this to the realm of things I have personal knowledge of… Animal Crossing New Horizons doesn’t have a similar bug (as far as I know at least), but there is a different unexpected aspect of its tool-breaking. If a timer is running, like from hitting a rock for Bells or from participating in a round of a fishing or bug-catching tournament, tools won’t break until the timer expires, even if they exceed their durability limit. It’ll count the damage, but it won’t actually break the tool until the timer runs out. If you don’t use the tool in a way that might cause it to break, then it won’t, not until you next use it. If you’ve kept track of how much wear it’s taken, you can then sell it at Nooks and get some of the value for it.
Founder of Digital Eel and friend of the blog Rich Carlson sent word that they’ve released a number of albums collecting their music on Bandcamp! I’m not much of a music-knower, admittedly, but the songs on their games always stuck in my ear, and I think there’s a good chance they’ll stick in yours too!
The Midway Sessions: I’m fondly recalling MIDI, the dawn of digital audio, the Macintosh, Windows for Workgroups, the Pentium, DAT, Mark of the Unicorn, Windows 95, the Proteus, Sound Canvas, Cakewalk, the Roland D-50, the Kurzweil K2000, the Roland RAP-10…. It was an astonishing, revved-up and magical era in music; we were spoiled with innovations. And this was when, at a modest studio in an industrial park in Midway near St. Paul, Minnesota, the music-making period that I call the Midway Sessions occurred.
The Midway Sessions: Short Stack EP: These three tunes were recorded at the same time and place, and were rescued, last minute, just after the Midway Sessions compilation was released. Note that most of the music on the Midway Sessions album as well this EP was created for commercial purposes but, for one reason or another, were never used.
Hidden Cookies: This final installment of the “Midway Sessions” features a mix of newly uncovered tracks and original versions, rescued from the vault, dusted off and revived using old tyme tools and methods.
Sea of Stars: The Symphonic Score (Evelyn Sykes): In 2015, indie game makers Digital Eel (including yours truly) decided they (we) wanted fancy theme music, like the Star Trek TOS theme, for their (our) third space game, Infinite Space III: Sea of Stars. Enter UK composer, Evelyn Sykes, an instrumentalist, recordist and creator of music for radio dramas, videos, films, and live performances.
The Weird Musical World of Digital Eel: This compilation offers a wholly unique and eclectic mix of musical and music-like material from nearly 15 years of Digital Eel games. […] These “suites” feature a diverse collection of sounds and mayhem from Plasmaworm, Dr. Blob’s Organism, Big Box of Blox, Weird Worlds: Return to Infinite Space, Brainpipe: A Plunge to Unhumanity, Data Jammers: FastForward, and Infinite Space III: Sea of Stars.
Plasmaworm: This album contains the level music from the 2001 Cheapass Games/Digital Eel computer game, Plasmaworm. […] Out of context (and in, for that matter) many of these pieces–extended loops really–are rather hypnotic and trancy, so get comfy and enjoy!
By the “first LowSpec” processor it means the 6502. This video is a retrospective on its origins (27 minutes). With its manga-styled illustrations of key players interspersed by stock footage and the occasional meme, It’s not my favorite style for a YouTube doc (those would be the Dan Olson/Folding Ideas style), but it’s not a bad introduction?
Owner of Game Wisdom with more than a decade of experience writing and talking about game design and the industry. I’m also the author of the “Game Design Deep Dive” series and “20 Essential Games to Study”
Sundry Sunday is our weekly feature of fun gaming culture finds and videos, from across the years and even decades.
Nathorz is an animator who has made several videos that took game character noises and put them into humorous contexts. To date he’s made videos with the sounds of Luigi, Kirby, Wario, Yoshi and Donkey Kong. The longest of any of these videos is 1½ minutes, so they’re not going to eat up your day.
Most recently he made a video, again just a minute and a half long, with noises from various incarnations of Link and Zelda. Warning: this includes the old Zelda cartoon from the Super Mario Bros Super Show. Additional warning: includes a cameo from “Suaveamente Ganondorf” at the very end.
Finding this one was a real treat for me. I’m so pleased that there are still people who care deeply about these weird arcade/console hack & slash games from a twice-defunct publisher. While in its final years it got renamed to “Midway Games West,” it’ll always be Atari Games in my mind, and that’s what it rightfully should be called, it having had a direct lineage to the first successful arcade video game manufacturer of all.
Gauntlet Dark Legacy is the last of the “real” Gauntlet games (it’s best not to talk about Seven Sorrows), and is especially notable to have received something of a redesign when it came out on consoles. I don’t think the changes were all for the better; the make work of collecting crystals and stuff does not substantively add to the game, but there are some nice additions, like extra class magic effects, poisonable food and destructable items (they’re nice in game design terms, that doesn’t have to mean nice to the player).
The Youtube account Jess & Zac arguably likes the Gauntlet games even more than I do. In a 27-minute video, they give 100 little-known facts about G:DL. Just knowing someone else cares so deeply about the games was enough for me; the information that fans have made updates for the game to fix bugs is even better. I should seek that patch out! I’m entitled, or should be: I own a copy of the game on Gamecube! Also, the N64 and Dreamcast versions of Legends! Me and friends in college played so much of N64 Gauntlet Legends….
That video’s pretty short. They also have a much longer video (1 hour 27 minutes) that rates all 60 maps of Gauntlet Dark Legacy. That one’s rather more obsessive, but it’s not like I’m any strange to video game obsession (Rampart), and it’s a game that isn’t talked about nearly enough these days, at least within my hearing. They’re in order from worst to best, so maybe skip through to the end? Up to you.
I personally think Dark Legacy is a little too long. Gauntlet Legends, its predecessor, is thematically tighter, DL’s extra characters aren’t differentiated enough from the originals, and in the arcade it took many more quarters to get through DL. But I’ve played through both games, and I’d do it again. They’re a little mindless, but less mindless than they seem at first.
I wish Atari Games had stayed in business and allowed to keep iterating and improving on the Gauntlet games, and not closed by stupid corporate cost-cutting. The United States relies on corporations for so much of its creative presence, but regularly destroys huge portions of its culture due to being judged by clueless moneypeople who are way to sure of themselves. It’s a problem that other countries suffer from too, but no where else is it so bad. The US just decided that the skill and thought that all of Atari’s people, who had worked much of their lives making games, didn’t matter. It’s a damn crying shame, and it’s far from the only time it’s happened.
I like filling the posts on Set Side B with a wide-ranging field of material, but I realize this is pretty far out even for us. We’re about electronic entertainment, right? Cooking is entertaining, or can be! And websites of recipes are electronic!
I told you about Loadstar, the long-lived Commodore 64 disk magazine that I am involved in preserving. Well I was thinking about things I could draw out of the issues, that people to use. And I noticed the recipes.
Someone named James T. Jones submitted, and had published, over 280 recipes on Loadstar’s disks, over a period of nearly six years. I came to realize that I’ve written scripts to export and convert Commodore 64 text files from out of disk images. And everyone hates recipe sites on the internet, right? They’re all SEO-infected ad-soaked pages, and more and more AI slop is moving into that field. James Jones’ recipes don’t have any of that, and if I don’t care about improving their traffic or exploiting them for ad revenue I can make this resource available to everyone for free!
So I’ve added a subsite to my Neocities site, linking all the recipes that appeared in the disks of Loadstar 64. (I think there’s a few extras on Loadstar 128, I might add those later.)
Here is the intro page to the recipe site. Whether people will find it useful or not, who knows. These are the kinds of recipes that will casually use ingredients like Doritos, or ginger ale. I haven’t made any of these. A few of them look a bit suspect: the recipe for ice cream is surprisingly brief, one of the steps being to “follow the manufacturer’s instructions,” assuming you have an ice cream maker. But there seem to be a lot of other good recipes in there, if you explore a bit.
I’m still tinkering with the layout and text, but all of the content is there now. Bon Appétit!
