Tag: niche

Folding Ideas: Why It’s Rude To Suck At World of Warcraft

Another another video again once more! And this is a big one. Dan Olson of Folding Ideas tends to post long-form, movie-length videos on its subjects. They were the toast of the internet for a while after their brutal takedown of NFTs and cryptocurrencies (2h 18m), which was recently followed up by an equally detonative look at NFT-based libertarian techbro virtual world Decentraland (1h 49m-I told you they were long).

Between those two worthy video conflagrations they produced a video that is rather in our backyard, a one hour, 24 minute vid-essay on who World of Warcraft became a place where playing sub-optimally isn’t just frowned upon, but came to be seen as anti-social. If you’re interested in the social aspects of MMORPGs, It’s worth devoting an eleventh of a day’s waking hours to!

What’s really interesting here is something I’ve been worried about with older video and computer games for a while. Games that manage to still be popular over a lot period get focused on, dissected, sometimes disassembled, and laid out so that they have no secrets. Their audience both focuses on them, and both seeks out ways to play them better, and reasons to play them better.

That’s where speedrunning comes from, and that’s the thing-what’s happening in WoW is just what’s happening to classic gaming in general. It’s become a degraded form of play, almost, to come to a game completely new. I’ve bought into this too, occasionally leaving a message on a Youtube video of someone playing sub-optimally giving a couple of helpful tips. Really though there’s no need. If they wanted to do that, the avenues are available to them. There’s already plenty of people trying to play, say, Castlevania III in the best possible way.

World of Warcraft is 19 years old now, and even has an entire official alternate version that duplicates the game experience from launch. During that time the expert-level strategies that were discovered by players after long observation and practice have become ubiquitous lore. Even if you’ve never read a FAQ or watched a tutorial video, just from hearing other players talk about the game and watching them, a lot of it will seep in.

As a result, not only can’t a long-time player go back to how they experienced the game at launch, because they know too much, but even new players can’t, because the community around them is filled by those players who know that much.

There’s lots to think about here. Especially if you’ve played World of Warcraft before, but also if you haven’t. (I haven’t!) Also note that the video is consciously patterned after Jon Bois’s videos for SBNation and Secret Base. Here in 2023, that’s a comforting reference.

Why It’s Rude To Suck At Warcraft (Youtube, 1h24m)

PannenKoek2012 Returns: Crashing Super Mario 64 With Pendulums

PannenKoel2012 is the Super Mario 64 enthusiast (that’s the only word I can think of that matches) who has been working on reducing the number of A button presses needed to finish the game. They haven’t gotten it down to zero yet, and likely never will, but by resorting to increasingly extreme measures they continue to figure out ways to get it down. I think they’ve been working at this project for over 12 years; the oldest video on their Youtube account is that old.

Of arguably more interest than their quest, though, is its interesting byproducts, which is a series of Youtube videos, on both their main channel and alternate channel UncommentatedPannen, which not only explain how their many subtle and effective stratagems work, but also a number of aspects of how Super Mario 64’s engine works, and even basic principles of computer science. These videos are so in-depth that they have their own wiki to track the concepts they use, to explain turns like Parallel Universe (PU) and Pedro Spot.

When I say they return, it’s not that they ever left, but it’d been a while since they had a solid explainer. Now they have one, it has spoken narration instead of the text that marks many of the best videos, and the production values have even increased a bit:

In this video, a clever way to manipulate the pendulums in Tick Tock Clock to crash the game after 39 1/2 days of playing also takes into its sweep an excellent explanation of many of the systems compilers use to represent numbers and their limitations.

And here are a number of those interesting videos (by no means complete) that they’ve posted in the past: The Art of Cloning (17m29s) – Walls, Floors and Ceilings parts One (37m23s), Two (32m5s) and Three (37m26s, all three together being a pretty through explanation of how Mario 64’s platforming system works) – Blinking (eyes, 8m40s) – Floats (9m23s) – Pause Buffering (8m7s) – Pitch Conversation and Yaw Velocity Conservation (15m15s) – Sleeping (Mario, 7m25s) – Random Number Generation (12m37s) – Wall Hitboxes (6m50s) – Releasing Objects (5m18s) – How Holding Objects Really Works (12m1s) – Units, Speed and Sense of Scale (4m41s)

How to Crash SM64 Using a Pendulum (Youtube, one hour 12 minutes)

7DRL 2023: Blunt Quaternion

It’s a silly NetHack-themed game about exploring a dungeon, presented through a bunch of characters sitting around passing a blunt between them. It’s not really that hard, but there is a bit of strategy to it.

You and your pet sit around a campfire with other characters from that dungeon level and talk about things. Your character and your pet can say things like, they want to be less or more aggressive on the next level, or they want to invoke Elbereth, or they want to use an item; other characters may say things like telling you where fewer or more fights will be, or where treasure is. Or they may have nothing of importance to say.

Every time a character says something, they must pass the blunt, which when it’s depleted signals it’s time to go to the next level. (C’mon, you know all the characters in this dungeon have to be potheads.) All of the fighting and stuff happens in simulation between conversations. Your character or their pet may be wounded (observe their hit points when their conversation turn comes up), or even die at this phase. It’s possible for your pet to die but your character go on to win. It’s also possible for your character die and your pet go on to win the game, which is not something that can occur in NetHack.

It’s a very simple game, and as stated, not really that difficult. But it’s fun, and might give a chuckle to NetHack fanatics. It’s free and completely playable in browser!

Blunt Quaternion (itch.io, $0)

Type-in Games in Magazines

This is another huge topic that I should come back to later, but in the meantime here’s an article, mostly about the British type-in scene, from Wireframe Magazinne last year. It mentions the longest type-in game ever, Axys: The Last Battle (Youtube), an Amstrad program that had to be printed in five successive issues, and what it calls the best type-in game of all, Crossroads from COMPUTE!, although I’m dubious about that claim, there were lots of type-ins. It’s definitely great, though. It’s worth a read if you have the time, although who has enough of that these days?

This is Crossroads, yet another thing to add to the stack of future topics. If you like this, you might be interested in Forget-Me-Not, for iOS and Google Play and Windows (on itch.io)

The Rise and Fall of Type-In Games Listings (Wireframe)

The Nintendo Font

Youtuber T2norway educates us on a very commonly used font for Nintendo products from around the Gamecube era onward, especially remembered for its use in Wii Sports and other Wii software:

New Rodin

The video’s only four minutes long but the basic gist is that it’s actually two closely-related fonts, New Rodin and Shin Go, both based on a typeface created in 1975 called Gona. They have been called the Japanese version of Helvetica. They see frequent use in Japan in media, on signage, and of course in games too!

What’s the deal with this font? (Youtube, T2norway, 4 minutes)

Nicole Express: Vintage Pachinko

The always excellent Nicole Express has a great post on the Japanese gambling game Pachinko, especially the imported machines that made it to the U.S. when for a brief time we liked it too. It contains the fact that we probably got video pachinko before Japan did, through the Odyssey2 game Pachinko! (The exclamation point there is part of the game’s title, as it is with all Magnavox-produced Odyssey2 games. While I enjoy that bit of trivia, I am not actually hugely excited about it.)

“Thunderbird,” one of several machines in Nicole’s post, and in her collection!

Physical slot machines were, and maybe still are, illegal in Japan, so all the ridiculous graphic and sound flourishes those demonic entities bear in North America are instead put in the service of the Tiny Silver Balls. I’ve always shied away from these forms of gaming for the same reason I never got into Magic: The Gathering: by tying profitability to gameplay, they feel to me like they’re more business model than game, really. I might not be able to earn my quarter back at Pac-Man, but at least there isn’t someone figuring out how to work those odds against me.

Nicole Express: Vintage Pachinko: Going Back And Forth Across The Pacific

Reviving ZZT

ZZT was (is) an ancient shareware DOS game that runs in character mode, created and published by Tim Sweeney. Originally published by Potomac Computer Systems, a company ran out of the basement of Sweeney’s house, when it expanded its software selection it was renamed to Epic MegaGames, and later Epic Games, under which title it remains today, still headed by Tim Sweeney after all these years. He would go on to create the Unreal Engine, upon which the modern fortunes of the company were founded.

Images from the Worlds of ZZT bot

But back to ZZT, which is still a nifty piece of software, and a lot of fun to mess around with. It included an editor that allowed users to create their own scenarios, which spawned a modding community that survives to this day. Noted game designer and educator anna anthropy wrote a book about ZZT for Boss Fight and she continues to carry its banner today. ZZT scenarios both old and new can be found on the site Museum of ZZT, and every three hours Mastodon bot Worlds of ZZT publishes screenshots from random ZZT adventures.

Because it’s a character-mode game, ZZT modules are often confused with classic roguelike computer games. ZZT is not necessarily a roguelike, but it may be possible for someone to write a classic-style roguelike game in ZZT.

But running a DOS game nowadays is not as easy as it used to be. It requires the use of either a vintage computer system running a compatible DOS, a virtual machine like VirtualBox or Docker, or some DOS emulator, such as DOSbox, a tool for emulating a working DOS system that can run on current OSes, or Zeta, a DOS emulator with just enough features to get ZZT working.

ZZT was written in Turbo Pascal, but its source code had been misplaced by Tim Sweeney and was considered lost, until very recently (the past few days), when a nearly-complete version of ZZT 3.0 was found. Most of it can be downloaded from The Almost of ZZT, on Github, which is that version minus some parts of the source that are considered to be under third-party copyright.

Since it is incomplete it is not useful for compiling a working game, and is presented for historical reasons more than anything. Fortunately, there already exists The Reconstruction of ZZT, a reverse-engineered (with Sweeney’s blessing) version from 2020 that compiles to identical binaries.

ZZT is a subject that deserves much more detail than I can give it in an introductory post like this. Maybe later….

A Video on Wario Land 4’s Sound Design

Did you ever play Wario Land 4 on the Gameboy Advance? It was the last “classic” Wario Land game before its team switched over to making WarioWare games. If you’re a gaming, or at least a Nintendo, enthusiast you probably know what WarioWare games sound like, that endearingly weird crushed and echoey sound, but you might be surprised to discover that Wario Land 4 sounds of a piece with the Wario Land titles! Here’s the intro, hear for yourself:

Here’s the original WarioWare’s intro to compare its sound to. It’s all the good stuff!

geno7 over on Youtube (who has a terrific home page, by the way!) did a 51-minute deep dive into WL4’s sound design that’s just the kind of obsessive attention to detail that our cadre of pixel art loonies appreciate! Have a gawk and a listen and see if you agree.

The Bizarre Music and Sound Design of Wario Land 4 (Youtube, 51 minutes)

How Do You Say “Bahamut?”

Drew Mackie’s Thrilling Tales of Old Videogames brings up the issue of frequent Final Fantasy summon and sometimes optional boss monster Bahamut’s pronouncation, and tells us its mythological source wasn’t pronounced ba-HA-mut, but instead, ba-ha-MOOT.

Bahamut is one of the oldest traditions in Final Fantasy, going all the way back to the first game, where much of the game’s bestiary came directly from the Dungeons & Dragons books. Yet Bahamut was not fightable in that game, they wouldn’t fall into their standard role of challenge encounter until the third Japanese game. Like many D&D creatures, and JRPG creatures too, Bahamut was a borrowing from a mythological source. They were one of the entities upon whose back the world is carried. Observe:

Which of these entities is “dragon king” Bahamut? The person is just an “earth-bearing angel.” The bull is Kuyuta. Bahamut, or “Bahamoot,” is the fish. What’s more, it’s thought that the name derives from Behemoth, from the book of Job, despite Behemoth not being a fish. But Final Fantasy already has a Behemoth….

None of this proves much of anything. RPG writers, both tabletop and videogame, have long just pulled anything out of mythology, and sometimes more recent literature, that they wanted and just used it, regardless of author, age or culture. Gary Gygax had a Monster Manual to fill, he didn’t have any internet to help him fill it, but lots of other people enthusiastically used his bastardization, to help them compile their own bastardizations. That’s what most game lore is when you get right down to it: it’s bastardizations all the way down.

This is just a fraction of the edifying enfo, er info, in the article, a link to which awaits you here:

Bahamut and Behemoth: One And The Same? (Thrilling Tales of Old Videogames)

WikiData on Video Games

From Wikidata.

Picture your life and interests. Let’s pick out as part of it your interest in, knowledge of, and enthusiasm for video games. In the future, after you’re gone, what will be left of it? What will be remembered of what you know and have seen? Where will all of that go? Have you considered that, the way the internet is, a lot of that will simply disappear, tracelessly?

Websites die, and when they do, they leave very little in their wake. The early days of the web was filled with an overabundance of fansites and web shrines, and most of those are gone. The demise of Geocities, the decay of free web hosts in general, and the loss of online service web communities and hosts like Compuserve Ourworld, has resulted in the large-scale deletion of huge swaths of content, and the loss of web directories as a thing, combined with Google Search’s slide into senility, means what survives is a lot harder to find.

This is a discursive lead-in to the work at WikiData in cataloging games and game sites, which is summarized for 2022 here. Information on their efforts was written up here.

I wish I could say more, their work seems very important, but I’m just starting to learn about it myself! Apparently there is a means of querying their information to answer questions, like which game series has the most games? More on this in the future.