Vs. Super Mario Bros. was the arcade version of Super Mario Bros., which made it to US arcades a few months after the NES release. It’s a much harder game than the home version, with levels brought in from the Japanese Super Mario Bros. 2, and operator adjustments that can make it even more difficult.
A little remarked-upon aspect of the game is that it came about before the drawn character design of Mario and his enemies had been solidified, at least in the US, so the official arcade release of SMB had a weird marquee, with an image design that was never drawn upon by later releases:
I wish that these videos weren’t always videos. A lot of this information would be delivered just as effectively in text, but these days a lot of game researchers have abandoned good old text for flashy video, or otherwise locked-off Discord servers that don’t add to our common body of knowledge. I’ve complained about this before, and I am liable to keep complaining about it. Because I’m right about this, and yet it doesn’t change. Get to fixing this, world!
The video (21 minutes) has a lot of interesting changes though. Paper Mario: The Thousand-Year Door has sustained a huge amount of fan interest over the years, due to its story being actually really good for a Mario game, it’s terrific sense of humor, and its deep gameplay. It’s generally agreed to be the highlight of the whole Paper Mario series, building on the ideas of the first game.
This is a good opportunity to muse upon what the gameplay merits of TYD are. I identify these:
The combat system, which keeps most of your moves useful in different ways by giving them special properties that make intuitive sense. Jumps can’t hit spiked enemies or enemies on the ceiling, while hammer attacks only hit the first enemy in line and can’t hit enemies in the air. There are exceptions to these rules, but they’re more costly. Follower attacks also have their own limitations along these lines.
The action commands, and Guard and Superguard functions. Paper Mario wasn’t the first JRPG to add a timed minigame to combat (that may have been Super Mario RPG), but the design here is very good. Most moves have an action command minigame where good performance increases the move’s power. Guard reduces the damage taken from attacks by pressing a button in a brief time window, while Superguard negates damage if a different button is pressed in a briefer time window. The button you press changes both the difficulty and the reward. Both aren’t easy to perform consistently, as many enemy attacks have tricky timing, but the Superguard bonus is great enough that it’s really tempting to use it. All three of these functions largely replace the general randomness and variance in JRPG combat, making it a lot more skill-based. (Finding ways for players to demonstrate skill in RPG-style games is a long-standing design challenge. I should write something about that here in the future!)
And then there’s the joy of exploration, and the many secrets in the game world that reward it. Paper Mario had a bunch of them, but TYD really goes overboard. I can’t name a game with as much cool stuff thrown into its game world for players to just happen upon. The old line used in many Nintendo game manuals is to “try everything,” but how much of everything should the player really try? TYD is one of the few games that feels like it lives up to the true breadth of that word. There is a character in the game whose purpose is to give the player hints at finding obscure secrets. The Trouble Center offers further rewards and fleshes out the game world by giving Mario and friends the opportunity to perform helpful tasks for people. There’s so many things to do!
Super Paper Mario also had a lot of tricks, but it had a worse story (IMO), and it completely abandoned the classic Paper Mario battle system. Later Paper Mario games went in a completely different direction with unique battle systems for each. It was Thousand Year Door that got the most right in a single game.
So, um. The video! Yes, watch it, it’s interesting.
Twinbeard is a pretty active gamedev and Youtuber. If that name sounds familiar, it’s because he made Frog Fractions and Frog Fractions II. Yes! Him.
Lately he’s been playing Mario games on the installment plan: one significant unit of the game per video. One level at a time, or one star, or shine, or whatever luminous MacGuffin the plumber is lusting after at the moment.
For the best results, read the title with a whiny stress on the word NOW, like you’re a kid asking “Are we THERE yet?”
Let me see, off the top of my head. It’s Super Mario, so the original Mario Bros. or anything before it are out. I assume these are “mainline” games, meaning tentpoles for their platform. Okay, let’s go:
Super Mario Bros., Super Mario Bros. 2 (Japan), Super Mario Bros. 2 (USA), Super Mario Bros. 3, Super Mario Land, Super Mario Land 2: 6 Golden Coins, Super Mario World, Super Mario Bros. 4: Yoshi’s Island, Super Mario 64, Super Mario Sunshine, Super Mario Galaxy, Super Mario Galaxy 2, New Super Mario Bros., New Super Mario Bros. Wii, Super Mario 3D Land, Super Mario 3D World, Super Mario Odyssey, Super Mario Wonder. That’s 18, but I’m sure I missed one or two. Super Mario Maker & 2 are more like side games; All Night Nippon Super Mario Bros. is basically a romhack, if it’s not a platformer in some way it’s not really a Super Mario game so Paint and sports and karts don’t kount. Bowser’s Fury is like a parallel universe, and the later Yoshi and Wario games made themselves distinct from the original series. Mario Clash for Virtual Boy doesn’t have Super in the title, and it feels more akin to Mario Bros. anyway.
jan Misali (talk to them about their name’s capitalization) did a video covering the matter in an extreme amount of detail. It’s two hours and eight minutes long! Can you hang in there that long? I just finished the video about the Star Wars hotel and I’m frankly exhausted. Tell me how this one ends.
Sundry Sunday is our weekly feature of fun gaming culture finds and videos, from across the years and even decades.
Why does Bowser set up race track courses in his castles? Does he have that many to spare? It’s a question with a simple answer, that he answers in 50 seconds. It’s also pretty good animation on Bowser, done in Blender by GleanieBOI!
I had heard this fact but wasn’t sure if it was actual lore or fan-canon, a character who had been adopted by the community as trans. But as it turns out she always had been in the original Japanese, and in some localizations. Nintendo of America censored that aspect of the character for the US audience.
It’s funny. Those of us in the US who “consume media” that’s been localized for international audiences sometimes hear of those countries where one aspect or other has been papered over, like making Steven Universe’s Ruby a boy so her and Sapphire’s relationship would play better in countries with more homophobic cultures. Show creator Rebecca Sugar pushed against those localization decisions by, when the characters got married, making sure Ruby was the one in the wedding dress. It’s a decision that may have shortened the show’s run (the last season feels rushed), which reflects poorly on producer and airer Cartoon Network.
We in the US can tut at this, and look down upon those “less enlightened” places. Well, here’s a case where it was done for us, to us. And it’s been remedied in the new release, not a change, but the removal of a change. Vivian isn’t a bit character either, she’s an important part of the story.
Paper Mario: The Thousand-Year Door is the highlight of the Paper Mario series, its gameplay is terrific, and it’s story is hilarious and surprising, much better than a Mario game has any right having. It has many fans, and I’m sure most of them didn’t know either. When they play through this and find out about Vivian, I think it’s going to spark a number of conversations. It may also spark a few realizations.
More Youtube videos coming up! In this hellish age of the World Wide Web, where discovering things with Google Search is harder than ever, at least Youtube has a decent discoverability system (when it works, which is not always). Discovering things has long been really difficult on the internet, what we’re witnessing is just a regression to an earlier state where things appear and disappear unseen all the time, like particles and antiparticles annihilating each other. It’s still a huge problem, we just forgot, for a while, that there’s still no good solution. Um, what was I talking about again?
Retro Game Mechanics Explained (RGME: See? The acronym in the title means something!) recently explained a glitch in Super Mario World, a game that is becoming infamous for its many glitches. Some of those glitches are oversights, but some are the result of features planned in development, and even partially implemented, but then for whatever reason were abandoned.
Most of the enemies in the game, if you stomp on them over and over without touching the ground, give you more and more points and eventually extra lives. But there are indications that, at some point during the game’s development, it wasn’t going to stop there. There is support in Super Mario World for further rewards beyond “1UPs”: 2UP, 3UP, 5UP, and from there, for some unknown reason, coins.
The code in the game supports going into those ranges, but for all the enemies in the game, only one has the support enabled, probably accidentally: Wigglers. If you consecutively stop Wigglers, which is only possible in one or two levels, the cap on the awards for stomping on them is lifted, and the lookups from the table on which the rewards are stores continue, off the end of the table, into miscellaneous ROM space, awarding undefined rewards, and quickly awarding many hundreds of thousands of points.
The full details are in their video, here (20 minutes):
I have a particular fondness for this glitch because I encountered it myself once, long ago, on actual hardware!
Sundry Sunday is our weekly feature of fun gaming culture finds and videos, from across the years and even decades.
tomoseen is a gifted stop-motion animator from Japan, who’s made over 40 videos on Youtube. They make animations with tiny figurines of cats and ducks, food, dice and Lego pieces. All of them are a ray of sunlight, but very few of them are relevant to our subject. In fact, really only one is: a Lego video of breakfast made from Mario enemies. It’s five minutes long, and amazing:
Wait, there is one other tomosteen video that’s slightly game-related: Steak Dinner with Dice has a special guest appearance by Tetris, but it’s not really enough to merit its own post here. Consider it a bonus:
There is no one who hates a thing more than someone who formerly loved it. As a kid I rather enjoyed Monopoly, until I came to realize its many flaws (as I like to say, it’s over long before it ends). This means I know a lot about the game, even though I find it pretty annoying to play.
One of the things about Monopoly I know is that its artwork has changed a fair bit over the years. The board mostly looks the same, but the characters are different. The character that Hasbro now calls by the generic “Mr. Monopoly,” and used to be called Rich Uncle Pennybags, was not the original mascot for the game, which was a character with a big 50s ad art-styled head. I don’t have pictures of it, just vague memories from seeing it back during the Monopoly anniversary that happened decades ago now. Google is of no help. The search continues.
Another thing that I know about Monopoly, as the rest of the developed world by now, is that Hasbro was, for a while, extremely active in pimping out the Monopoly property for making custom versions. There are several hundred of then, probably thousands by now, and they keep making more.
There have been multiple Nintendo Monopoly boards. Mario obscurites site Supper Mario Broth found one, and in one of the few examples of something I’ve found interesting about one of those damn Monopoly variants, there are drawings of Mario and Luigi on the cards done in the style of Rich Uncle Pennybags!
Most of them are pretty sad attempts to wallpaper over Monopoly game elements with a Mario pattern. In the game, houses are “power-ups,” and a hotel is an “invincibility.” But the artwork shows much more care in melding the two properties than do the rules!
Mario Parties require you pay at the door. They’re probably BYOB too.
Sundry Sunday is our weekly feature of fun gaming culture finds and videos, from across the years and even decades.
Someone edited some footage of Super Mario Galaxy, but superimposed their cat into it, and it turned out really well, and here it is. It’s like only a minute long. You’ll enjoy it. I mean why wouldn’t you? It’s a kittycat!
It’s a fun idea, to determine if you, as a physical human being person, with all your physical human being person needs, could survive in the world of Super Mario 64, were you somehow to be transported there permanently.
The video embedded and linked below, from a Youtuber named Pretzel, is the projected beginning of a series about whether you could survive in different game worlds. Games are abstractions, and play life in them often leaves out details like drinking, eating, or (let’s face it) pooping. By ignoring that and trying to look at them as if they were actual places you are, by definition, engaging in pedantry, ignoring the essential nature of these places. But it’s fun to think about somewhat. At least we know this world has cake!
It’s been some time since we had one of these obsessive quirk videos. I’d been feeling a bit self-conscious about using them a lot I suppose, plus none of them struck my brain the right way. Well, here’s one that’s pretty good, from Youtuber Bringles (21 minutes):
I won’t like this will be mostly interesting to people who are familiar with the game, but I should explain a few things in case you aren’t but still want to watch.
A “superguard” is a special mechanic in TYD. After the concept was pioneered with Super Mario RPG, the first Paper Mario also included a timed reaction move, often a button press, you can do in response to enemy attacks to reduce damage. But singe the first two Paper Mario games purposely keep their battle numbers pretty low, with most attacks doing single digit damage, sometimes even just one or two points, any reduction to that ends up being significant.
Those moves are called guards. Thousand Year Door goes a step further, with superguards. If your reactive button press happens within a three frame window of the attack’s impact, your character will often take no damage. That’s really strong, which is why both the frame window is so slight and way some enemies play cagey timing games with their attacks to try to trick you into guarding early or late.
One of the things the video reveals is that, in Western releases of the game, nearly every non-item attack in the game can be superguarded. The Japanese version, which was released first, has a lot more attacks that can’t be superguarded, making this a mechanic that was un-nerfed.
Another interesting mechanic revealed by the game is how a lottery in the game works. Players draw a ticket and try to match a four-digit number. You might expect that to work randomly, but it’s much less random than you’d think. Instead it decides how many real-world game days (using the Gamecube’s real-time clock) it’ll be before each of the four tiers of prices will be won. The number of days is random, but only by a bit: it’ll still be a while before the wins happen, but within a limited range. The highest prize won’t be won until at least 335 days since the game was started. There is no chance of winning it before then! That might sound unfair, but since it’d be a 1-in-10,000 chance of winning it fairly, it’s more bending the odds in the player’s favor. Although honestly, who would even be playing the same game of PM:TYD nearly a year after beginning it?
One more thing you should know is that TYD has this stageplay aesthetic in its battle sequences, which take place on a wooden stage in front of an audience of Mario characters. Some enemies play around with the stage (like hanging from the ceiling), but the audience also can play a role in the fights. The video reveals that two particular kinds of audience members don’t trigger randomly as one might expect, but react to certain failures of the player’s behalf during combat. X-Nauts throw rocks if an attack hits but does zero damage (like if the target is invulnerable or guarding), and Hammer Bros. throw hammers at you if Mario misses with a Hammer attack, in something like a display of hammerer pride.
It’s an interesting video all in all, concerning a game that’s much deeper than it may seem at first.
