The Flipside of Gaming
Part 4 of my favorite games of Next Fest 2023 showcase.
0:00 Intro
00:18 Monster Crawl
1:42 Cavern of Dreams
3:32 Witch Guild Survivor
4:37 Extreme Evolution Drive to Divinity
6:52 MistRogue
8:08 Shattered Heaven
9:54 Baldy Bounce
12:07 Horde Hunters
13:45 A Sister’s Journey
15:37 Roots of Yggdrasil
18:34 Gods of Defense
19:40 Trinity Fusion
21:33 Wall World
One of a number of great gaming blogs you should be reading is A Secret Area, which has been around for awhile now. Back in December they did a piece covering the worst off all of the instances of The Game Awards, an institution so prestigious that this may be the first time I’ve even heard of it.
The most fun of the Oscars and other award shows is mocking the whole awful affair, and the Game Awards are no different. Please, have a look and enjoy!
Lowlights of the Game Awards (A Secret Area)
Edit the Frog is still taking a break from covering romhacks, there’s thousands to sift through on romhacking.net, but in the meantime, here’s a fan-made, browser-playable version of Metroid! Although it looks a lot like the NES game, it’s no hack, but a from-the-ground-up reimplementation.
It was made specifically to help overcome the limitations of the NES platform, so Samus animates much more smoothly, there’s particle effects, multi-directional scrolling areas, built-in mapping, and the music uses later, more orchestral versions of the original’s music, although with an option to switch to the 8-bit originals. (I find that the music is a bit reluctant to play in the current version, though.) There’s other interesting features new features to find as well.
Most interesting is a built-in randomizer mode, and a second, alternate planet to explore! It’s designed along the lines of the original Zebes (here called “Zebeth,” a nod to the on-screen Romanization of Zebes in the NES game), but has some new elements, including areas that scroll in all directions, and new bosses!
Metroid is approaching 37 years old, and it was looking a bit long in the tooth three decades ago. Yet it’s still remarkably atmospheric for its age, and I find there’s something evocative about how the game’s world doesn’t feel designed like a challenging obstacle course for the player, like it just exists on its own and doesn’t particularly show any care for the player. There are some item gates, but like the original NES Legend of Zelda, many fewer than you’d expect, especially compared to their SNES sequels.
Screed time! Will Metroid still be played 20 years from now? I think so, although I find that most of the internet energy around these classic NES games now is focused on speedrunning, randomization and romhacks, and two of these three things Nintendo is actively fighting against. It’s a good example of how copyright law and corporate control has the potential to hold back both fan interest and property longevity. The rights to these games should be released to the public, while there is still a public that cares about them. Nintendo would probably get more money out of it, in the long run, from making sequels anyway.
The era of the 3D shooter was inaugurated in 1992 by the shareware release of Wolfenstein 3D by id Software, for 80286-based DOS computers. It wasn’t until this year though that the game was backported to the 8088, the chip the original release of the IBM PC used, and CGA cards. The port was made by James Howard, who showed it off in a Twitter thread. Rees at RetroRGB wrote an article on this “updated” version.
While the monitor colors for CGA are pretty harsh on the eyes, the code also has support for CGA’s little-known 16-color composite output, as well as Tandy graphics and monochrome.
Wolfenstein 3D Comes To Even Older PCs With New 8088 / CGA Port (RetroRGB)
WolfensteinCGA source code repository (GitHub, requires shareware or commercial Wolf3D data files)
The always excellent Nicole Express has a great post on the Japanese gambling game Pachinko, especially the imported machines that made it to the U.S. when for a brief time we liked it too. It contains the fact that we probably got video pachinko before Japan did, through the Odyssey2 game Pachinko! (The exclamation point there is part of the game’s title, as it is with all Magnavox-produced Odyssey2 games. While I enjoy that bit of trivia, I am not actually hugely excited about it.)
Physical slot machines were, and maybe still are, illegal in Japan, so all the ridiculous graphic and sound flourishes those demonic entities bear in North America are instead put in the service of the Tiny Silver Balls. I’ve always shied away from these forms of gaming for the same reason I never got into Magic: The Gathering: by tying profitability to gameplay, they feel to me like they’re more business model than game, really. I might not be able to earn my quarter back at Pac-Man, but at least there isn’t someone figuring out how to work those odds against me.
Nicole Express: Vintage Pachinko: Going Back And Forth Across The Pacific
This is part 3 of my favorite games of next fest February 2023 showcase.
0:00 Intro
00:18 Bleak Sword DS
1:27 Yog-Sothoth’s Yard
3:38 Full Void
5:30 Striving for Light Survival
7:04 Teslagrad 2
8:38 Desynced
10:48 Afterimage
12:41 Mika and the Witch’s Mountain
14:30 Gamma 19
15:46 Shumi Come Home
17:24 Dragon Bell Xi
18:53 Death or Treat
20:23 Darkest Dungeon 2
22:38 Highwater
Overseeing the early days of computing was Compute! Magazine, properly stylized with an exclamation point. They got their start as The PET Gazette, changing over to Compute as their focus spread into more types of home microcomputers. Compute stuck around as a multi-platform for some time, but ultimately spun off a couple of manufacturer-dedicated magazines. One of these was Compute’s Gazette, whose name harkened back to those PET-exclusive days. It focused on Commodore machines, and would then outlive Compute itself by some years.
The early years of Compute magazine are joyous. They’re filled with esoteric data, geeking out over low-level coding matters, and lots and lots of type-in programs. But it is depressing to me, reading over the early issues, knowing how numbered are its days. This whole genre of computer magazine, that encouraged users to type in programs, that offered coding tips, sometimes even offered add-on disks of software, is now only a memory. We are all poorer for it.
The writing on the wall for this style of magazine could perhaps be seen as early as September 1982, when Compute published an article about a great new upcoming product from Commodore, the Commodore 64. Not because of the style of the article or anything specific about the computer. Just that, by being so greatly popular, the C64 greatly expanded the magazine’s audience, which would inevitably steer it towards becoming more “mainstream,” which ultimately would be the death knell for a publication like this.
Still, it’s fun to look back on. Here is that article in image form, or you could find it on the Internet Archive, where the archives of Compute live on, for a time.
An extra, from that issue, is an ad for one of Microsoft’s first peripherals, a memory card for the Apple II:
Let’s explore further the Youtube archives of Matthew Taranto, a.k.a. BitFinity, a.k.a. the Brawl in the Family guy. Last time we met Eario, Janitor of the Mushroom Kingdom. Now we meet his supposed son Waluigi, who Nintendo themselves have never quite known what to do with, and sort of the breakout character of BitF.
Waluigi has long been excluded from the Smash Bros. games as a playable character, at beast appearing as an assist trophy. This video is his lament at his perpetual status as outsider, set to Leonard Cohen’s Hallelujah, which scans precisely with “Waluigi”:
In a way though, this video is an echo of an earlier song, a closer tribute to Hallelujah featuring Waluigi, which has sadly seems to have been taken off of Youtube, but lives on in a number of imitators that are easily searchable.
There’s quite a few other Waluigi videos, lying around Youtube like broken dreams. We’ll get to those in due time.
This is part 2 of my favorite games of next fest Feburary 2023 showcase.
0:00 Intro
00:15 Astra Fading Stars
1:49 Corsair’s Madness
2:57 Plan B Terraform
4:37 Rallygator
5:35 Crystarise
7:37 Saga of Sins
9:23 Swarm Grinder
10:48 Dad By the Sword
12:31 Worldless
15:18 Greedventory
17:16 Super Raft Boat Together
19:09 The Ramsey
20:49 Bionic Bay
22:36 Anomaly Collapse
The Commodore 64 was not Commodore’s first home computer. It wasn’t even the VIC-20. Their first machines were the line of the PET, or “Personal Electronic Transactor,” as labored an acronym as any.
The PET was a decent machine, with integrated monochome monitor and a heavy metal case. Although it had no color, no sprites, only a basic speaker for sound and no synth, it had a number of things in common with the later C64, particularly the 6502 processor that lay at the core of half of the personal computers sold at the time.
There was something else, something fairly major, that the PET lacked: customizable graphics. No hi-res mode, and no programmable character sets. The graphics were encoded on a ROM that wasn’t even mapped to the CPU’s address space. The letter ‘A’ would forever look like a letter ‘A’. It couldn’t be changed to anything else, even a slightly different ‘A’. This greatly limited what PETs could display, and basically doomed it as a gaming computer.
Commodore tried to compensate for this feature by including “PETSCII,” a set of custom characters included in the upper 128 characters of its ROM intended for makeshift graphics. PETSCII would survive throughout the rest of the Commodore 8-bit line, even featuring on machines that had programmable graphics: the VIC-20, C64 and C128 all had it included too. (The Twitter account PETSCIIBOTS (now inactive) shows off its many graphical characters in making robots.)
On the later machines PETSCII graphic characters were a fun nicety. On the PET, they were all you had, all you would ever have. This is exactly the kind of limitation that demo authors love circumventing where they can, and taking advantage of when they can’t. Hence: Back To The PET, a demo, complete somehow with chiptunes, that runs on Commodore’s ancient machine:
Every character cell of every frame of this video is one of the PET’s 256 ROM-based characters. It had no hardware scrolling, so effects are all faked or done 8 characters at a time. Yet it’s still pretty slick! The PET had quite a better selection of graphics characters than even IBM’s code page 437, including lines of single pixel differences in thickness and horizontal and vertical position. Image what the ASCII artists of the 90s could have done with this selection! Luxurious!
ZZT was (is) an ancient shareware DOS game that runs in character mode, created and published by Tim Sweeney. Originally published by Potomac Computer Systems, a company ran out of the basement of Sweeney’s house, when it expanded its software selection it was renamed to Epic MegaGames, and later Epic Games, under which title it remains today, still headed by Tim Sweeney after all these years. He would go on to create the Unreal Engine, upon which the modern fortunes of the company were founded.
But back to ZZT, which is still a nifty piece of software, and a lot of fun to mess around with. It included an editor that allowed users to create their own scenarios, which spawned a modding community that survives to this day. Noted game designer and educator anna anthropy wrote a book about ZZT for Boss Fight and she continues to carry its banner today. ZZT scenarios both old and new can be found on the site Museum of ZZT, and every three hours Mastodon bot Worlds of ZZT publishes screenshots from random ZZT adventures.
Because it’s a character-mode game, ZZT modules are often confused with classic roguelike computer games. ZZT is not necessarily a roguelike, but it may be possible for someone to write a classic-style roguelike game in ZZT.
But running a DOS game nowadays is not as easy as it used to be. It requires the use of either a vintage computer system running a compatible DOS, a virtual machine like VirtualBox or Docker, or some DOS emulator, such as DOSbox, a tool for emulating a working DOS system that can run on current OSes, or Zeta, a DOS emulator with just enough features to get ZZT working.
ZZT was written in Turbo Pascal, but its source code had been misplaced by Tim Sweeney and was considered lost, until very recently (the past few days), when a nearly-complete version of ZZT 3.0 was found. Most of it can be downloaded from The Almost of ZZT, on Github, which is that version minus some parts of the source that are considered to be under third-party copyright.
Since it is incomplete it is not useful for compiling a working game, and is presented for historical reasons more than anything. Fortunately, there already exists The Reconstruction of ZZT, a reverse-engineered (with Sweeney’s blessing) version from 2020 that compiles to identical binaries.
ZZT is a subject that deserves much more detail than I can give it in an introductory post like this. Maybe later….
Did you ever play Wario Land 4 on the Gameboy Advance? It was the last “classic” Wario Land game before its team switched over to making WarioWare games. If you’re a gaming, or at least a Nintendo, enthusiast you probably know what WarioWare games sound like, that endearingly weird crushed and echoey sound, but you might be surprised to discover that Wario Land 4 sounds of a piece with the Wario Land titles! Here’s the intro, hear for yourself:
Here’s the original WarioWare’s intro to compare its sound to. It’s all the good stuff!
geno7 over on Youtube (who has a terrific home page, by the way!) did a 51-minute deep dive into WL4’s sound design that’s just the kind of obsessive attention to detail that our cadre of pixel art loonies appreciate! Have a gawk and a listen and see if you agree.
The Bizarre Music and Sound Design of Wario Land 4 (Youtube, 51 minutes)
