For this perceptive podcast, I spoke with game designer Moritz Wagner from Mimimi Games to talk about the studio’s history, stealth design, and their upcoming game Shadow Gambit: The Cursed Crew. We spoke about how the studio pivoted towards stealth/strategy with Shadow Tactics, and a whole lot on the ins and outs of stealth design. From there, we talked about Shadow Gambit and how the studio is trying to make a more accessible stealth experience, while still providing the challenge for their fans.
Owner of Game Wisdom with more than a decade of experience writing and talking about game design and the industry. I’m also the author of the “Game Design Deep Dive” series and “20 Essential Games to Study”
alienmelon is Nathalie Lawhead, a desktop toy creator who’s made a lot of cool things, like the Electric Zine Maker and Cyberpet Graveyard. Back in 2021 she made this great roundup of her own desktop toy work, as well as that of others. It was a whole field of computer software, not really games, that faded into obscurity right around the time that social media, that bane of all good internet things, started becoming big. Desktop toys were often distributed on personal websites, and Facebook and Twitter tend to muscle out those kinds of places.
The article lists all of these, but with that it’s just getting started, linking to a plethora of old toys. One that comes to mind personally is the classic Neko desktop pet, a pixel-art kitty cat that would chase your cursor then fall asleep.
It’s a great introduction to/recollection of an old and vanished age of software. And it also contains the phrase, “In retrospect I don’t think it was cool of me to scare my mom with a potato.”
Have you ever heard of Cosmic Smash? I’d be shocked if you had. It’s the kind of thing that even I only know about from obsessive reading of obscure game blogs and Youtube videos. It was a Sega arcade game that got a release for the Dreamcast right at the moment the company was getting out of the console business. It had laughably bad timing, and it never made it out of Japan.
Yet, the game has gotten a cult following. You could deride it as merely a futuristic, three-dimensional take on racquetball and Breakout, but it’s one of those games where the style makes all the difference. Here’s some footage of the Dreamcast version:
Why don’t people make games that look like this more often?
Time Extension, one of those blogs that makes good posts so often that I’m tempted to tell you to read it instead, did an article talking with the creator of a spiritual remake called C-Smash VR, released for Playstation VR2 with a license from Sega and the blessing of the game’s original creators. It’s such an obscure game that I’d be surprised if it could be profitable, but we love rooting for underdogs here, even if I have a general antipathy for VR.
Bolo is a multiplayer tank game, originally for the BBC Micro but remade for classic Macintosh computers. It was a very popular online kind of game for awhile.
It had a popular resource page on the internet, called the Bolo Home Page, made by Joseph Lo and and Chris Hwang, that began as a student project and migrated to the site lgm.com. But then that site went down, and its domain was bought by squatters. So it goes.
Well, vga256 on Mastodon has remade the Bolo Home Page out of the records kept by the Internet Archive. A site composed of hundreds of static HTML pages has risen from the ashes, all (well most) links fixed up to point internally, its content restored as much as is possible. The Internet Archive, for all its greatness, frequently misses images and even whole pages, so there are holes in its record.
Still, most of its content remains. For people who wish to learn about this classic piece of electronic entertainment, a collection of hundreds of pages awaits you!
I’ve never played Bolo myself, I don’t know much about it, but some people it seems were very enthusiastic about it. I don’t think gameplay goes obsolete, it just falls into and out of fashion. Maybe this is a sign. Maybe it’s time for the Second Age of Bolo to begin.
On Romhack Thursdays, we bring you interesting finds from the world of game modifications.
Let’s get back to talking about other Zelda games than the 800-pound, battery-powered, flame-spouting, spike-studded elephant in the room.
I make no apologies for it: I love Zelda II: The Adventure of Link! It’s second only to the original game for me, and I’ve probably played it, in its unaltered form, more than The Legend of Zelda by now. Because you can play enough of TLoZ that it becomes kind of boring, but a game of Zelda II is never a guaranteed win. There’s just enough randomness in it to mess you up once in awhile, even for speedrunners, and while you can do things to account for it, you can never completely negate it. Bots, those blue blobs that jump at you, exist to humble overconfident players. They look like weak enemies, and don’t do much damage once you have some Life levels, but there is always the chance that they’ll ding you. I love that. It has a very high skill ceiling.
How does this NES game screenshot manage to be widescreen? Well….
Zelda II has long been regarded as the black sheep of the series, like how many Nintendo series have second installments that play with the formula. It’s the only Zelda with an experience system, it’s the only one with a separate combat screen, and it’s the only one with a system of extra lives.
It is also the only Nintendo-made Legend of Zelda game, released pre-Breath of the Wild, that has never been remade in any way! Zelda I had BS Zelda, the first Satellaview one; Link to the Past had both a Satellaview update and one for GBA; Link’s Awakening has been remade twice. Ocarina of Time has Master Quest and the 3D version, Majora’s Mask is also in 3D on the 3DS, and Wind Waker, Twilight Princess and Skyward Sword all have HD revisions. That leaves Zelda II.
To further heap laurels upon it, I say it’s the Zelda with the best combat! The newly-teenaged Link has a sense of weight and inertia to him that fits swordfighting well. It works so well that it seems like an obvious thing, but the fact that so few other games do swordfighting so well proves how difficult it is to get right. Breath of the Wild and its sequel have good combat, but silver-level enemies in it are just a bit too much of a damage sponge, and appear too often in the late phases of the game.
Now I’m bending the rules a bit by including this game because it’s not a romhack, it’s a fan remake. But it looks like a romhack. And the game follows Link’s movement from the NES game very closely. If he moves any differently than he did in that outing 36 years ago, I can’t point to how. Any skills you have from playing Zelda II will transfer over exactly, which is good, because they are hard won.
Unlike A2MR, the fan recreation of Metroid II: Return of Samus that Nintendo cruelly quashed, this game has only slightly upgraded graphics, it all looking like it could have been done with the original engine. It’s not, it’s made with Unity, and it pulls out just a couple of effects it’d have been hard, if not impossible, to have done on Famicom-level hardware.
Beyond that, the game’s structure is not greatly changed. The basic map of North Hyrule is similar to the NES game. There are differences, sometimes big ones, but the game still has the same feel, enough so that people who have played a lot of it on the NES will immediately know much where to go and what to do. There’s just a new wrinkle in some places.
ZIIAOL is, I must emphasize, an even harder game than Zelda II. It’s really made for people who are familiar with the original. To pick just a few instances of its higher difficulty: you only start with three units of health and magic instead of four, you must find three Magic and Heart Containers to improve that stat, there are new subquests and places to find, and some areas are slightly randomized. (The game also has its own built-in randomizer, if you really want to mix up your game.)
Yet, of many of the enemies that had tricks to beating them, the tricks still work. I’m thinking especially of its infamous knight enemies, the Ironknuckles, which sent a generation of kids screaming away from the TV. Yet, once you know their trick, to jump and hit them high on the way down, in the helmet, they become fairly simple to beat. The same trick works here, which is a huge relief. (If only it worked in the combat Timer game on the recent Zelda Game & Watch!)
Anyway. It’s free on itch.io, and if you have any interest in the original, or NES games in general, it’s worth it to give it a shot. You’re going to die a lot, but that’s probably going to be true of the original too. But they’re fun deaths.
Why is it called by its initials, “ZIIAOL?” My guess is, it’s probably to help it stay off of Nintendo’s radar. I have used the name from their itch.io post in case it helps them in this goal.
Owner of Game Wisdom with more than a decade of experience writing and talking about game design and the industry. I’m also the author of the “Game Design Deep Dive” series and “20 Essential Games to Study”
All the gaming bigsites have been talking about Grimace’s Birthday, a promotional Gameboy Color game sponsored by McDonalds and made by Krool Toys. Here it is on IGN, and here it is on Kotaku. And, here it is on Gizmodo, and here it is on Retro Dodo.
Ars Technica linked to it as well. I love their title. It reads, “For reasons no one can fathom, McDonald’s has released a new Game Boy Color game.” Well, I think I know why. It’s an advergame. Judging by how many websites have stories about it, I think the why is freaking obvious. It’s so obvious that I would be surprised if an ad agency weren’t behind this flurry of interest by half the bigweb.
ima grip and sip
Some notes. I’ve seen people say it’s the first “official” Gameboy Color game since the system died. I suppose that’s true, but that’s really tricky language. It’s official in that McDonalds sponsored it, and it uses the McDonaldland characters with their blessing. It’s not official in that it’s supported by Nintendo. It doesn’t have the “Official Nintendo Seal,” and it’s not being released on physical media. Although it was made as a Gameboy Color rom, and can be played on actual hardware using a flashcart or if someone put it on chips (in such a way as to get past Nintendo’s hardware check) and made a cartridge of it, but nearly everyone will play this as a webgame, on maker Krool Toys’ website.
What the game actually looks like. It’s a platformer with heavy inertia.
(Why the bay, take a look at the site design on both of those pages, they’re totally earlyweb relics! I am not complaining; in fact, I love them fiercely. Do not get between me and those sites!)
All of this is of course part of McDonalds’ promotion where they’re cerebrating the Grimace’s birthday, an affair that involves purple milkshakes. In a whole post of surprising revelations, the biggest one is that they remember they have McDonaldland characters to begin with, as they’ve been gathering dust for over a decade.
Anyway, it’s not a bad game. It’s mostly interesting for the novelty value. It won’t win any rewards, but it’s a perfect ordinary timed GBC inertial platformer. It’s mostly notable for McDonalds’ temerity in sponsoring it, but I suppose Nintendo doesn’t much care anymore about the integrity of their (oh frog) twenty-five year old hardware’s library.
Boo the hey: no one paid us for this post, but we’re not against making thousands of dollars. McDonalds, call us.
It looks like Jupiter’s Great Purple Spot! Two Earths could fit inside that vaguely violet blob! The whippede creme is mostly frozen methane! Drink it before it undergoes gravitational collapse and becomes a star! ALL THESE SHAKES ARE YOURS EXCEPT EUROPA
Owner of Game Wisdom with more than a decade of experience writing and talking about game design and the industry. I’m also the author of the “Game Design Deep Dive” series and “20 Essential Games to Study”
Sundry Sunday is our weekly feature of fun gaming culture finds and videos, from across the years and even decades.
In memory of Blaseball, that awesome star that burned brightly for less than three years, it seems like so much longer. An animatic from the time of its height, about players seeing the future and choosing to get incinerated by the Rogue Umpires so they could come back to play against and beat The Shelled One’s Pods. If none of that makes sense to you I’m sorry, it’s too late to understand, all you can do now is enjoy.
The indie showcases highlight the many games we play here on the channel. If you would like me to play your game for a future one please reach out. All games shown are either demos or press key submissions.
Owner of Game Wisdom with more than a decade of experience writing and talking about game design and the industry. I’m also the author of the “Game Design Deep Dive” series and “20 Essential Games to Study”
Indie Retro News reported recently on this cool run-and-gun game made by Division 六 the style of Metal Slug. Here’s a promotional video. Note that some of the sound effects are taken directly from Metal Slug, but are intended as placeholders. The final version should have no outside assets.
We love games made for unlikely hardware, and PETSCII Bros. fits that bill like a duck’s dentures. Like we explained in the post about that PET demo from a while ago, the PET didn’t have changeable graphics characters and no bitmap mode at all, and so it wasn’t what we’d consider a games machine. But it did come with a set of interesting graphics characters that, among other things, had a set of 16 characters that let programmers use the screen as a super-low-res 80×50 pixel display.
PETSCII Bros is a PET action game that uses those characters (long called “PETSCII” as a cheeky reference to ASCII) for an actual game, that plays similarly to Nintendo’s classic Mario Bros. arcade game. Of course you’ll need a PET, or an emulator (such as the one that comes with VICE) to play it. Or if you’re just passing interested, you could watch this video to see how it works:
