Ollie Reynolds at NintendoLife makes a case that Super Mario Sunshine is the best 3D Mario game. It is quite underrated! For those who haven’t kept up, that’s the Gamecube version, which was also included in the limited release Super Mario 3D All-Stars on Switch and nowhere else.
Screenshot from Hackaday
And it’s not strictly gaming-related, but Bryan Cockfield at Hackaday keeps us appraised of the progress of a modern-ish OS for Commodore 64 computers! It’s called C64OS. People who have followed the 64 since olden times know this isn’t the first, or even the second, time this has happened. This project uses a character-based display to show its buttons and windows. It’s worth noting that it isn’t out yet, and it’s intended to be a paid offering, not something which one can just download and tinker with, which may limit its reach. Still though, it’s an interesting idea, and one that can take advantage of some of the C64’s more advanced peripherals, like mice, ram expansions and WiFi modems.
Welcome, and congratulations! You’ve made it to another Sunday. Your reward this week is… well, it’s something.
Classics of Game is the premiere contextless video game WTF channel. It’s a curated sequence of game clips, every one the cause of compulsive head-scratching. The embed above is a playlist of all (currently) 174 clips. Even if you know a lot of games, the chances are great you won’t know more than 10% of these. Good luck!
The Indie game showcases highlight the developer submitted games and demos we check out each week on Game-Wisdom. If you would like to submit a game for a future piece, please reach out.
Owner of Game Wisdom with more than a decade of experience writing and talking about game design and the industry. I’m also the author of the “Game Design Deep Dive” series and “20 Essential Games to Study”
It’s now been some years since pannenkoek2012’s “A-button challenge” videos hit the scene, introducing the internet to hyper-obscure Super Mario 64 glitch concepts like the HOLP and Parallel Universes. For the record, those videos can be seen here and here, and if you haven’t seen them before, you are in for a ride. Videos like the Walls, Floors, and Ceilings series (37 minutes, 32 minutes and 37 minutes) are not only interesting in their own right (to people of a certain mindset) but are a good introduction to concepts for writing your own 3D platforming engine.
These videos are all ultimately in service to the A Button Challenge, a long-running quest to try to complete Super Mario 64 with a few presses of the A button as possible. What may seem like a completely spurious pastime, it turns out, has been an obsession with some players since not long after the game first came out!
The origins and history of the A Button Challenge are explained by a surprisingly long and deep series by YouTube user Bismuth, totaling over four hours of video and, as I write this, isn’t even complete. I’m not sure how many people would be interested in watching so much on such a niche endeavor, but pannenkoek’s videos have been popular enough that I figure they must be out there, and some of them may even read this blog, so here goes!
For this perceptive podcast, I spoke with Matt Sharp who is the designer of Video Game Fables to talk about creating a subversive RPG while still adhering to the design and structure of the genre.
Owner of Game Wisdom with more than a decade of experience writing and talking about game design and the industry. I’m also the author of the “Game Design Deep Dive” series and “20 Essential Games to Study”
The last “major” F-Zero game released was back in the Gamecube, the sterling, yet extraordinarily challenging, F-Zero GX. What tends to be less remembered was it was a dual release. At around the same time, Sega released on Nintendo’s TRIFORCE hardware an arcade version called F-Zero AX. In the US arcades were pretty moribund around that time, so it tends to be a lot less recognized on these shores. The AX machine bore a Gamecube memory card slot so that players could take their save files to the arcade unit and use their custom vehicles there, and take data from that version back home. The AX version also has tracks and vehicles not in the GX version.
What tends to be even less well known is that nearly the entire arcade version of F-Zero AX is right there on the Gamecube disk! Back in 2021, Romhacker Elfor constructed a patch for the Gamecube version that, if played in an emulator or somehow made readable by GC hardware, can boot directly into that version of the game.
There are some differences from the arcade version in this revealed version of game, many of them related to music tracks left off the disk. More recently, Anthony Ryuki made a patch to restore those tracks, and bring the Gamecube AX version even closer to the arcade experience.
“We scour the Earth web for indie, retro, and niche gaming news so you don’t have to, drebnar!” – your faithful reporter
Here’s all the most important gaming news for protoplasmic organisms! Fortunately our interest sphere intersects well with Earth gaming culture for some reason on which I will not speculate!
The Verge, Jay Peters: Steam now supports Nintendo classic controllers, the ones they released to support their Nintendo Switch Online service and are only sold to members of that service. This includes all of the controllers they released, including SNES and N64, which are probably the most interesting for general use.
IGN, Ryan Dinsdale: a fan is remaking The Simpsons: Hit and Run, and in the process is making hand-drawn versions of the cutscenes. That’s the one that was inspired by the 3D Grand Theft Auto series, not the one that was inspired by Crazy Taxi and is said to have been taken off the market due to a Sega patent on the gameplay (that one was Road Rage). It’s especially worth noting that according to this video, the game will never be made available for download, leading one to wonder… why are so many people posting about it, then? That’s a lot of animation work for one person’s enjoyment, I have to say.
Destructoid, Chris Moyse: Bubble Bobble predecessor Chack’n Pop is coming to the Arcade Archives series. You can get some information on it from Jeremy Parish’s NES Works video on the NES port. BTW, I’d like to just shout out to Jeremy for being one of the most watchable, least strident and obnoxious, YouTube content producers out there. Anyway, Chak’n Pop. It’s a much less interesting game than B[u,o]bble, and only supports one player in any format, but you might find it interesting? But, is it $8 worth of interesting? (Eight whole dollars? Really?)
Image from Polygon article, ultimately from Bay 12 Games
At Polygon, Charlie Hall expresses appreciation for the greatness of Dwarf Fortress‘ upcoming pixel art in its eagerly-anticipated Steam version, by artist Neoriceisgood. It seems like nearly everyone involved with gaming has a non-zero quantity of evil in their soul in some place, but Tarn and Zack Adams are as pure as you can find. I hope this works out for them. It’s so difficult to make it as an indie developer, especially one with such a niche following like DF. We wish them all the best.
And Liam Doolan at NintendoLife notes that video board game developer Asmodee Digital is, due to the closure of an important networking back end service (because of Amazon), ending online multiplayer for its Catan implementation. They’re also taking Pandemic off of the Switch eShop on July 31 (just three days from now!), although they seem to be hinting that it’ll be back in an improved and retooled version eventually. People who have already bought it will still be able to download it, but it won’t be sold to new users.
One of the earliest companies that made a go of making and selling software for home computers was Scott Adams’ Adventure International, which was started based off of the success of his first game, Adventureland, way back in 1978, almost 45 years ago. Just to be clear, this is not the Dilbert Scott Adams! Adventureland predates Infocom and Zork, although not the original Dungeon written for the PDP-10. Adventure International would go on to make thirteen more games before going out of business in 1986 due to a declining market. Their old work is available for both download and immediate play via browser-based emulation from the Internet Archive.
The Q&A (about an hour long).
Recently Scott did a video Q&A over Zoom, the record of which is up on YouTube (listen for a certain familiar name to come up near the end-I was one of the spectators of the Q&A). One of the things revealed is that there is a modern remake of Adventureland, called Adventureland XL, on Steam for a mere $5! It’s in Early Access, and has been for some time, but they’re geared towards finishing it up for full release soon.
Adventureland XL is described as a “Conversational Adventure” game, which is to say, it’s driven by a text parser (although a better one than the old Adventure International games) and has text descriptions. But, like the original, it also has included illustrations.
Promo video for Adventureland XL
Scott works for a company called Clopas, which has a Kickstarter going for another new game called Stereotypical, to be made for iOS and Android platforms. It’s just getting started and has a month to go. They have a very charming pitch video! Please consider it, won’t you?
Another couple of items of interest came up in the Q&A. Scott Adams did games based on several Marvel properties at the time, which are Marvel’s very first computer game adaptations. They also made a graphic adventure version of cult movie The Adventures of Buckaroo Banzai Across The 8th Dimension, which The Retroist discussed here, and links a quick playthrough here.
A couple of other related items:
Mike Taylor has made available tools for using Ruby to compile your own adventure games using the old Adventure International engine, which you can find on GitHub.
And also mentioned at the Q&A is FujiNet, which is a line of network adapters (and other useful tools) that work with 8-bit computers. They work by handling all the actual networking within the device so it doesn’t strain the resources of their old processors. They can even emulate printers (so as to produce PDFs of output by the machine) and storage devices like disk drives, making for a nice all-in-one device.
During the talk someone mentioned what I think was a version for the Atari Lynx portable console, and even talked about using it to play Lynx Rampart with others over the internet, and since I am the biggest Rampart fan in the entire world, it felt like they were pressing my buttons specifically.
You may believe this or not as you please, but I actually don’t have much use for nostalgia. Some reminiscing about what once was is okay, but it’s very easy to take it too far, and verge off into ridiculous things like, say, claiming that casting a woman as the lead in a movie in a freakishly popular sci-fi film franchise is somehow retroactively ruining your childhood. We have no truck with that.
Zalman certainly got their money’s worth from that sponsored review on the front page, it’s probably been there for 19 years.
But we do try to recognize when things really were better. Not to devolve into the kinds of rhetoric our cave-dwelling co-blogger uses, the internet is easily seen to be in a less useful, less interesting state these days. Where it was once easy to Google up a plethora of simple freeware tools for most purposes, now rampant SEO and adverse purposes has made finding even simple tutorials for most computing tasks a maze of scams, farmed content, and even bots. When you do find something, more than likely it’s in the form of a YouTube video. A world of bloggers has largely been superseded, or at least made difficult to find by Google’s accursed algorithms and by social media and Stack Overflow, and a universe of fansites is being pushed into obscurity by Wikipedia’s sleezy cousin Fandom.com. And whatever you thought about the AIM/Yahoo/MSN instant messaging triumvirate, at least they didn’t lock off substantial content from the wider internet within a constellation of Discord servers.
I won’t claim that the older internet was better in every way (anyone remember ubiquitous pop-up ads?) but the lost hopefulness of it is tragic. Set Side B, in its way, hopes to rekindle some of that.
A contributing factor to the decay of the web is the cost in maintaining server space and connectivity. If you want to keep something up, someone has to pay money to run the internet connection, to store the site, and to pay your service provider for an IP address and the registrar for a domain name. Even fairly big sites like our dear departed ancestor GameSetWatch have vanished from the living web, now findable only by wandering the dim shadowlands of the Wayback Machine, and it’s foolish to think that even that will be around forever.
GameSetWatch was backed by UBM Media, now owned by an entity with the perfectly dystopian name Informa. You’d think they would have the pockets to preserve such a fondly remembered part of their legacy, but no.
“Ahead of the Game”
This is what makes me so pleased that GameSurge survives. I found it, like I did the subject of Monday’s post on the Interton VC 4000, by perusing the results of alternative search engine Wiby, which prioritizes sites with simple designs, on the grounds that they’re more likely to have interesting content. I’m not sure such an approach will scale with popularity, as it seems just as vulnerable to SEO optimizing as Google’s current mobile-friendly regime, but for now at least I’m finding it useful.
GameSurge is not an up-to-the-moment gaming news site. In fact, GameSurge currently hosts an article enthusing about the upcoming Dreamcast game Eternal Arcadia. As near as I can tell, not a byte has changed on the site since around 2005, and that’s just a late updating column. They don’t even acknowledge the existence of the Playstation 2.
And yet, it survives. Someone is still paying the bills. Someone still cares enough to keep the domain name up. It remains, frozen in amber, as it was back in pre-Gamecube days. The site doesn’t even have a favicon. It’s beautiful.
And like all beautiful things, it’s doomed. No one is going to resurrect this site and inhabit it again with new content. If they did, they’d have to change its design to convince Google to give it rank, which would ruin the charm. Whoever keeps it going, they will eventually give up pretending it’s a living thing and turn off the life support. When the lights go out it’ll be a sad day, but not an unexpected one.
And when you’re done, why not load up on much more recent gaming news from 1up.com and Joystiq? Geez, with such terrific site names I’m amazed no one’s bought them up and fleshed them out anew. Wait. I’m someone! I could do it! Let me make a call…. Hello? Engadget? I hear you have this domain name you might want to unload. I’ve got… um, 36 cents. Hello? Hello?
Did World War III ever get released? (checks) It did! And it’s on Steam! Cool?
“We scour the Earth web for indie, retro, and niche gaming news so you don’t have to, drebnar!” – your faithful reporter
Kenneth Seward Jr. at Kotaku tells us about things he wished he knew before starting Multiversus, the Space Jam: A New Legacy of fighting games. Besides that Steven and Garnet are best characters? Not due to gameplay properties, just because.
And Wes Fenlon at PC Gamer tells us about changes made to the upcoming remake of Tactics Ogre, many of which undo changes made to the previous remake of Tactics Ogre. I wish someone would remake my old Tactics Ogre Disk 2 on PS1, which snapped clean in half when I sat on it. I cried for fifteen minutes.
Here at Set Side B our purview is “Indie, Retro, Niche,” and we consider romhacks, of the niche, to be among the the nicheist. (Nietzsche-est?) But there are lots of romhacks, with more every day, and most just aren’t that newsworthy.
The linked hack, for Data East’s Famicom McDonalds tie-in game Donald Land, is an attempt by Garrett Gilchrist and Brooklyn Williams to simulate what a Raggedy Ann game from the NES era would have been like, using graphics and characters from different iterations. Here’s a scene with The Greedy, from the feature cartoon, that once inspired many a nightmare:
Pretty cool, and rather more ambitious than your standard pedestrian graphics swap!
I was looking around the web through alternative search engine Wiby, which I find can be a good way to get out from beneath Google’s oppressive crush of SEO and pandering, a.k.a. tHeaLgOrItHm, and wow did it come through. It brought my eyes to the small yet hopeful gaming site Retro-Sanctuary, and their YouTube channel, which presented something I had never heard of before: a super-obscure old German game console called the Interton VC 4000, created by a hearing aid manufacturer!
Look at those weird controllers! They’re like calculators with a joystick attached, but they’re analog, and unlike the Atari 5200’s infamous ‘sticks they’re self-centering! And this was made in 1978! Interton was owned by Phillips, who also owned Magnavox, who made the Odyssey and (later) the Odyssey 2. The VC 4000’s tech was licensed to other companies for making their own versions which, in an unfortunate prelude to the NES era of game production, couldn’t use each other’s cartridges because they were different shapes.
“No dear, we have Atari at home.”
As the guys in the video point out, most of the games for the systems were copies of early Atari VCS/2600 games, but often just different enough to be interesting for their own sake.
