“We scour the Earth web for indie, retro, and niche gaming news so you don’t have to, drebnar!” – your faithful reporter
(I decided to get some use out of the old news roundup post template for this item.)
News comes from Ars Technica‘s Kevin Purdy, and was announced on Sega’s website, a large number of items will be removed from Steam and all the major console storefronts with the end of the year, although as Ars points out, the Playstation and Switch storefronts are only seeing the Sega Classics Collection removed. Steam is seeing the most removals. Items on the Nintendo Switch online compilation will not be affected. Nothing removed will disappear from your library of online purchases (unlike what happened with Oxenfree on itch.io when it was picked up by Netflix), so if you want to play these items, in this form, later, buy them now, and you’ll “always” be able to download them again later. (Always deserves scare quotes because nothing online is forever, but you’ll be able to play them some while later at least.)
Why are they being removed? Purdy speculates that, like how Sonic the Hedgehog titles were removed in advance of the release of Sonic Origins, there’s probably some new collection of Sega classics in the works that these items will be a part of, or maybe they plan on bundling a bunch of them with a Yakuza game or something.
Sega’s website lists them all, but the great majority of them are Genesis titles, along with Nights Into Dreams for Saturn, and Crazy Taxi, Space Channel 5 Part 2, and the Dreamcast Collection, originally for Dreamcast of course. I personally recommend Crazy Taxi, of course.
(EDIT: I’m reminded that AOC is a representative, not a Senator. Which is like, lol, if you care about facts or something. Still I’ve corrected it.)
We don’t post about politics much here. This is entirely not because it might drive people away, but it is because much of the rest of the internet is full of it, and we’re feeling a bit overwhelmed by it all, and the terrible consequences if the wrong person (you know who he is) wins in the US in just a week. Anyway, many of our readers aren’t even in the US, and to all of you, I say, I envy you.
But a weird bit of news came out involving Kamala Harris’* VP** candidate Tim Walz that both edges into our lane and is an excuse to talk about something I’ve long been wanting to remark upon, about Sega’s classic arcade racing-game-but-not Crazy Taxi.
(* For non US-people: Kamala Harris is the Democratic candidate for President in 2024. **”VP” stands for Vice President, a largely ceremonial role, but should something happen to the President, the Vice President becomes the new President.)
I’ve played a lot of Crazy Taxi. I played a lot of Crazy Taxi 2 as well. I had a Dreamcast, for the brief period it existed, and they were unquestionably great games for that system, with amazing (if Youtube-unfriendly) soundtracks. Well as it turns out Tim Walz has great taste in games, because back then he had a Dreamcast too, and he had Crazy Taxi for it. And he streamed a few minutes of it, with terrific Democratic*** House Representative**** Alexandria Ocasio-Cortez.
(***”Democratic” refers to the Democratic Party, the US’s left-ish party that currently serves as our feeble bulwark against the hooting forces of awfulness that beset our entire world. ****”House Representative” means a member of the House of Repesentatives, one of the US’s two Legislative Houses. That concludes the US civics portion of our post.)
I am conflicted about this video. Walz is one of the most personable people ever to be nominated for high office, a genuinely friendly individual. But he isn’t a great Crazy Taxi player. And it might be because he doesn’t know how to do a maneuver called a “Crazy Dash.”
(Let me say now: I don’t even appreciate making jokes that sound like “he’s bad at gaemz lol im voting for other guy,” the stakes are way too high for me to be able to laugh at that. Just, keep it in your hat/purse/gender neutral container, please.)
But this reminded me of something I’ve thought about for a long time, and was driven (heh) home to me over DragonCon this year. There was a Crazy Taxi machine there, at stand-up model, I think with a slightly flaky gas pedal, that made it unreliable to perform Crazy Dashes.
Crazy Taxi. Image from MobyGames.
A Crazy Dash is simple to perform once you know how. From a halt, with the gear shift in Reverse, in quick succession shift to Drive and slam the gas pedal. If the timing is right, your car will lurch forward with a burst of speed. And if you do this while driving, shifting to Reverse with foot off the gas, then shifting to Drive and flooring it with the same timing as a Dash, it’s called a “Limiter Cut,” and you get an even greater burst of speed!
Crazy Dashes and Limiter Cuts are essential to even slightly good games of Crazy Taxi, which is why the sit down version of the game puts instructions for how to do them on the control panel, why the Dreamcast version’s manual explains precisely how to do them, and why at least one of the squares in the “Crazy Box” challenge mode is all about teaching you how to perform them. It’s what I’ve come to think of as gatekeeper knowledge: it guards the way to good scores and long games. If you don’t know it, you’re doomed to fail.
Image from Kotaku
Crazy Taxi is an arcade game. Even on the Dreamcast, it’s just a direct port of the arcade version with added modes. Arcade games want your money, and they don’t want to give you very long games in exchange for it, so the next player can step up and put in their doomed quarters as well. But the catch is, if good players can’t have decently-playing games, then people won’t play. I heard it said that the average target game length was 90 seconds, and average means a substantial number of games will come in under that mark.
Yet, I can play Crazy Taxi for substantially longer than 90 seconds. I can go for 30 minutes. And it’s thanks in part to the Crazy Dash and the Limiter Cut, essential knowledge for the reckless cabbies of Faux San Francisco.
Because of the DragonCon Crazy Taxi machine’s flaky gas pedal, I didn’t have any 30 minute games there. But I did manage to make the scoreboard, barely, at 20th place, with a score of just over $5,000, getting (by the inflated metrics of its scoring system) a Class S license. Thing is, I must have watched a dozen other people play the game at DragonCon this year (the arcades there are always super packed), and none of them came close even to my meager score. Because none of them knew how to do a Crazy Dash. It was a stand-up cabinet, which didn’t have that sticker explaining how to do one.
That’s what I mean by gatekeeper information: it’s literally One Weird Trick to stellar Crazy Taxi scores and game times. Once you know how to do it your journey isn’t over, in fact I think that’s where the game starts to get really interesting, and my highest scores on the easiest difficulty are nearly $70K. But if you don’t know how to at least do a Crazy Dash, you will never get a good game of Crazy Taxi, you just have no chance. You’ll just waste too much time accelerating from a stop, and you’ll have to stop frequently to let off customers and pick up new ones. Its just how it’s designed.
What amazes me is that Crazy Taxi was a hit, it did very well in arcades and on Dreamcast, and yet still most players never learn this information. And in a way, and understand that I’m uncomfortable with this conclusion, that’s for the best? Like how a crane game set to reflex towards a target winning percentage will be more likely not to drop a piece of plush if a lot of players have recently lost, so too are all those players losing quickly at CT allowing the designers to guard half-hour games behind a simple maneuver that, still, few players will ever bother learning. The alternative is to make the trick harder, or even not to have one, dooming everyone, the casual and the dedicated, to those pitiful 90-second games. That’s capitalism for you.
Which shows, I guess, that the illusion of being able to do better is more important to arcade game success than reality? I don’t know, I’m uncomfortable talking about illusions in a post that started out mentioning politics. But hey, Tim Walz! If you read this and want some Crazy Taxi tips, reach out! And good luck in November, please help Kamala Harris to send That Other Person as far away from public office as possible.
Once you start thinking of it in terms of gatekeeper knowledge, you start seeing it everywhere. One-hit kill action games are full of it, since the first time you encounter any enemy, it’s likely to behave in some way that will kill you. The best action games will try to have an enemy demonstrate unexpected behavior at least once before it’s likely to be fatal. And any time a game kills your character out of basic unfairness, like from a sudden unavoidable death trap, that’s gatekeeper info.
UFO 50, for all its greatness, does this a lot. The very first game in the collection, Barbuta, has an instant death laughably close to the start. Some of its games feel like a sequence of deaths you have to experience, each at least once, before you’re allowed to win. But it’s far from unique in this, and in presenting itself as the history of a fictional 80s developer, it could be argued that it’s mirroring the development of game design at the time.
Few games have as iconic a soundtrack as does Crazy Taxi, which boasts a memorable collection of Offspring and Bad Religion tunes backing its trademark atrocities of municipal transportation.
Word is that Crazy Taxi plays on Youtube are susceptible to copyright strikes because of all those licensed tunes. One solution? Have a live band play what the game would have been playing! That’s what this player, and three supporting musicians, do in this submission for the next AGDQ (14 minutes). You could complain that you never get to hear the whole song, but you never could do that in Crazy Taxi anyway.
The mode shown off is called Crazy Box. It’s a collection of 16 driving challenges bundled with the home versions of Crazy Taxi, and they’re all pretty, well, crazy. The highlight, I think, is the last challenge, which is simply to do a lap around the arcade city as if it were a traditional driving game, although with traffic turned up, because it’s not Crazy Taxi without a ton of traffic.
It’s not completely positive, as they point out the game’s high encounter rate and the slowness of battle, but gosh there’s a lot of awesome things in Skies of Arcadia that don’t seem to have ever been revisited in other games.
The main overworld is one in which you have an airship and fly around a world that has floating islands but no real ground. Sure, that’s been done by other people, and more than once, and fairly recently too, but SoA brought some really interesting nuance to it that gave players good reason to explore, like interesting optional subquests. You could find mysterious locations out in the world and sell them to the Explorer’s Guild for extra money, but only if you’re quick enough to stay ahead of rival ships also looking for them. There was also an alternate form of combat, ship-to-ship (and sometimes ship-to-huge-monster) battles, that played out very differently from the JRPG norm. All the extra things to do gave the game this weird veneer of simulationism, which I always find interesting, even if it was largely an illusion.
Skies of Arcadia was originally a Dreamcast release, one of only two substantive JRPGs made for that system (the other was Grandia II), and fell victim to the Dreamcast’s short life and subsequent exit from console manufacturing by Sega. It did get a remake for the Gamecube, but that was the last we’ve seen of Skies of Arcadia, other than character cameos in Sonic racing games.
Sundry Sunday is our weekly feature of fun gaming culture finds and videos, from across the years and even decades.
I’m going to be honest, I vary in my appreciation for TerminalMontage’s gaming-related Youtube animations. Sometimes I think they’re brilliant, other times I think they really try too hard to be edgy. At their best they use the purposely-janky animation to make a point about the subject. Previously I’ve linked to their Breath of the Wild “speedrun” animation, where some of the things that would ordinarily be kind of lolrandom inclusions were actually, amazingly, references to things players do in actual speedruns.
I think the pinnacle of their output has to be their depiction of the events of The Typing of the Dead, Sega’s side-sequel to The House of the Dead 2, which took that lightgun zombie-shooting arcade game and grafted a typing trainer onto it. It was one of the most memorable game experiences I’ve ever seen, not just for the crazy premise that entirely works, not for the ludicrous power of its word list, but because the boss fights were each reworked to fit into the style, and forced players to answer questions with the keyboard, or type ludicrous sentences to try to mess them up.
There’s Something About The Typing of the Dead takes the game’s premise and reworks it as if villain Goldman was a 4chan-style vomiter of memes, right down to having an Anonymous mask, and as such makes for a more effective villain than the actual game had. The computer-synthesized voices for the characters are on a par with the terrible voice acting in the game. Most of all, I’m pleased for the unexpected use of Whomst’d’ve at the end.
Now that I’ve finally managed to squeeze this video into Sundry Sunday, I look forward to never mentioning memes here ever ever again.
Have you ever heard of Cosmic Smash? I’d be shocked if you had. It’s the kind of thing that even I only know about from obsessive reading of obscure game blogs and Youtube videos. It was a Sega arcade game that got a release for the Dreamcast right at the moment the company was getting out of the console business. It had laughably bad timing, and it never made it out of Japan.
Yet, the game has gotten a cult following. You could deride it as merely a futuristic, three-dimensional take on racquetball and Breakout, but it’s one of those games where the style makes all the difference. Here’s some footage of the Dreamcast version:
Why don’t people make games that look like this more often?
Time Extension, one of those blogs that makes good posts so often that I’m tempted to tell you to read it instead, did an article talking with the creator of a spiritual remake called C-Smash VR, released for Playstation VR2 with a license from Sega and the blessing of the game’s original creators. It’s such an obscure game that I’d be surprised if it could be profitable, but we love rooting for underdogs here, even if I have a general antipathy for VR.
Some exciting news for people who have set up their Dreamcasts for online play. While official servers for Dreamcast games have all been taken down long ago, fans have worked towards making their own fan-run versions, and word from Dreamcast Junkyard is that they’re close to getting one working for Daytona USA 2001! While the game was released with online play, the servers for that game went down very quickly, staying up for just 18 months. Dreamcast Junkyard has an interview with ioncannon, the person responsible for this wondrous event.
Images from the article, ultimately from ioncannon
If you have a Dreamcast and the game, you won’t have to edit anything to get it working, but the Dreamcast Broadband Adapter does not work with it. You’ll have to use the built-in Dreamcast Modem in conjunction with DreamPi, a method for using a Raspberry Pi to connect a Dreamcast to the internet.
All the details are in the interview, so if you’re interested in trying this or just want to learn more, there the info be.
“We scour the Earth web for indie, retro, and niche gaming news so you don’t have to, drebnar!” – your faithful reporter
From Lorenzo Franceschi-Bicchierai at The Verge. More news on Billy Mitchell, retro game record holder and villain of King of Kong. Now, in addition to having his Donkey Kong record stripped from him then reinstated, he has been accused by forensics experts of having used MAME to achieve two of his Donkey Kong scores that were represented as coming from arcade hardware. It has to do with differences between how MAME and the arcade machine build their game playfields for display when a level begins. It’s interesting reading! Mitchell has sued Twin Galaxies over defamation over how he achieved his records, which this evidence could play a role in.
At NicheGamer, Fingal Belmont presents a list of 24 3DS games to get before its eShop closes. There are ways to get new software on a 3DS after the store closes, but they aren’t legal means, and won’t get any income to the games’ creators, and we all want that!
It’s at Kotaku that Ashley Bardham reports that Twitch is ending their “Host Mode” feature. Through this feature, a channel that isn’t stream itself can choose to host another stream, a loved feature that enables one channel to “raid” another, granting them all its viewers. Twitch says the feature is going away on October 3.
And at VG247, Alex Donaldson tells us of an Indiegogo project to make an updated version of the Dreamcast’s iconic VMU memory cards. The updated devices will be compatible with the Dreamcast and the original cards, which had an LCD screen that could run simple games, and could even be connected to each other to trade information, but will have more powerful hardware and better screen resolution. The project is here.
You may believe this or not as you please, but I actually don’t have much use for nostalgia. Some reminiscing about what once was is okay, but it’s very easy to take it too far, and verge off into ridiculous things like, say, claiming that casting a woman as the lead in a movie in a freakishly popular sci-fi film franchise is somehow retroactively ruining your childhood. We have no truck with that.
Zalman certainly got their money’s worth from that sponsored review on the front page, it’s probably been there for 19 years.
But we do try to recognize when things really were better. Not to devolve into the kinds of rhetoric our cave-dwelling co-blogger uses, the internet is easily seen to be in a less useful, less interesting state these days. Where it was once easy to Google up a plethora of simple freeware tools for most purposes, now rampant SEO and adverse purposes has made finding even simple tutorials for most computing tasks a maze of scams, farmed content, and even bots. When you do find something, more than likely it’s in the form of a YouTube video. A world of bloggers has largely been superseded, or at least made difficult to find by Google’s accursed algorithms and by social media and Stack Overflow, and a universe of fansites is being pushed into obscurity by Wikipedia’s sleezy cousin Fandom.com. And whatever you thought about the AIM/Yahoo/MSN instant messaging triumvirate, at least they didn’t lock off substantial content from the wider internet within a constellation of Discord servers.
I won’t claim that the older internet was better in every way (anyone remember ubiquitous pop-up ads?) but the lost hopefulness of it is tragic. Set Side B, in its way, hopes to rekindle some of that.
A contributing factor to the decay of the web is the cost in maintaining server space and connectivity. If you want to keep something up, someone has to pay money to run the internet connection, to store the site, and to pay your service provider for an IP address and the registrar for a domain name. Even fairly big sites like our dear departed ancestor GameSetWatch have vanished from the living web, now findable only by wandering the dim shadowlands of the Wayback Machine, and it’s foolish to think that even that will be around forever.
GameSetWatch was backed by UBM Media, now owned by an entity with the perfectly dystopian name Informa. You’d think they would have the pockets to preserve such a fondly remembered part of their legacy, but no.
“Ahead of the Game”
This is what makes me so pleased that GameSurge survives. I found it, like I did the subject of Monday’s post on the Interton VC 4000, by perusing the results of alternative search engine Wiby, which prioritizes sites with simple designs, on the grounds that they’re more likely to have interesting content. I’m not sure such an approach will scale with popularity, as it seems just as vulnerable to SEO optimizing as Google’s current mobile-friendly regime, but for now at least I’m finding it useful.
GameSurge is not an up-to-the-moment gaming news site. In fact, GameSurge currently hosts an article enthusing about the upcoming Dreamcast game Eternal Arcadia. As near as I can tell, not a byte has changed on the site since around 2005, and that’s just a late updating column. They don’t even acknowledge the existence of the Playstation 2.
And yet, it survives. Someone is still paying the bills. Someone still cares enough to keep the domain name up. It remains, frozen in amber, as it was back in pre-Gamecube days. The site doesn’t even have a favicon. It’s beautiful.
And like all beautiful things, it’s doomed. No one is going to resurrect this site and inhabit it again with new content. If they did, they’d have to change its design to convince Google to give it rank, which would ruin the charm. Whoever keeps it going, they will eventually give up pretending it’s a living thing and turn off the life support. When the lights go out it’ll be a sad day, but not an unexpected one.
And when you’re done, why not load up on much more recent gaming news from 1up.com and Joystiq? Geez, with such terrific site names I’m amazed no one’s bought them up and fleshed them out anew. Wait. I’m someone! I could do it! Let me make a call…. Hello? Engadget? I hear you have this domain name you might want to unload. I’ve got… um, 36 cents. Hello? Hello?
Did World War III ever get released? (checks) It did! And it’s on Steam! Cool?
The Sega Dreamcast was ahead of its time in many ways. It was possible to load web pages on a Sega Saturn Net Link, but the Dreamcast had a built-in dial-up modem and came with a web browser included in the box. In the US it was created by PlanetWeb; Japanese users got DreamPassport, . Further, several games had built-in web browsers to connect with websites online that offered hints, forums, DLC and special functionality. Sonic Adventure allowed you to upload the Chao from your Chao Garden to a day care service. All of those services broke when a game’s servers were taken down, although in the case of Sonic Adventure, a fan bought the domain when it expired and put up the original content so that Dreamcast consoles can find it.
While several versions of the PlanetWeb browser were released during the system’s short life, they all have some pretty significant limitations. The Dreamcast itself only has 26 MB of RAM, of which only 16 MB is of general use. Plus many sites rely on scripting, which the Dreamcast wasn’t equipped to handle even at the time. On top of it all few people use dial-up internet any more, so that modem isn’t too useful. The Dreamcast Broadband Adapter is an effective workaround, but is hard to find. The Dreamcast also had keyboard and mouse peripherals release for it to aid in internet use.
Dan Wood on YouTube recently plugged a Broadband Adapter, keyboard, and mouse into his Dreamcast and took it online with a 2008 browser release, and the video above shows the results. If you’re curious to see how much the web has changed since then it’s worth the 22 minutes out of your day it takes to watch it. (Less time, if you speed the video up! Another minute less if you skip past the ad!)
How many people used the Dreamcast for serious browsing? It was a fairly clunky experience even back then, when most web pages were fairly lightweight and most didn’t rely on scripting. I had it back then and I only put it in a few times. The PC experience was much better even then. Internet Explorer launched in 1995, and of course Netscape Navigator and Mosaic came before. Compare that to the Dreamcast’s 1999 release date for some hint that, even though it was the first console that was internet capable out of the box, it was already a little late to the party.
That’s okay though. We’re publishing a gaming blog in 2022. Old things are okay with us.
At VentureBeat’s subsite GamesBeat, Dean Takahashi sadly reports that Bernie Stolar, former President at Sega of America, has passed away at the age of 75. Alana Hauges of NintendoLife notes that his early career was in co-op, before joining Atari and working on their Lynx portable system. Later at Sony, Stolar helped shepherd the Playstation and franchises such as Crash Bandicoot and Spyro the Dragon, before leaving to help Sega launch the Dreamcast.
After going free-to-play, the player base of popular battle royale hit Fall Guys‘ has ballooned to 20 million! But Eric Van Allen at Destructoid tells us that there is some tension among long-time players over changes to its currency model. At GameRant, Rory Young has more, including an observation made by one of the players: under the new system, a player who loses five matches in the first round ends up making more than a player who wins a match after five rounds!
Space Bob vs The Replicons
Graham Smith at Rock Paper Shotgun tells tales of the 2018 indie game Space Bob vs The Replicons (Steam), described as like a 2D No Man’s Sky, but didn’t do well on its initial release. Its creator had a heart attack a week after it hit Steam, then left the games industry. But he’s back, and has announced a big update. Its developer is Intravenous Software, and they’re on Twitter!
