TToOVG is the initialism I’m trying out for Drew Mackey’s blog Thrilling Tales of Old Video Games, and they have an excellent post up about Mario’s death animation, in fact the death animation of lots of platformer characters, where the fall off the screen.
They turn to face the player, as if acknowledging for the first time that there’s a space alongside the strictly 2D in-profile world through which he traveled before the Nintendo 64 existed, and leaps out like an ant escaping an ant farm. Like this:
Image from linked blog (there, however, it’s animated)
Mario isn’t the only character to die this way. Other faller-deathers include Milon, the Doki Doki Panickers, Wonder Boy, Master Higgins, the Mice Mickey and Minnie, Little Nemo, Kid Dracula, Kirby, Sonic the Hedgehog, and even Scrooge McDuck, who really should be able to afford a more unique animation.
Think about how odd it is that so many games use this leaping out of the screen idea, and that we rarely question it. Then go read the post, where they interrogate the idea even further.
Sundry Sunday is our weekly feature of fun gaming culture finds and videos, from across the years and even decades.
A few years ago, former long-time voice of Mario, Luigi and Wario, and current Nintendo “brand ambassador,” Charles Martinet posted some amusing videos on Instagram, of him playing around with some figures of the plumbers and improvising their voices during his vacation in Chile. At the time I found them charming! I don’t know about others? The posts have been preserved here (10 minutes), but they aren’t the point of this post.
SuperStaticPro made some Source Filmmaker animations that repurposed the audio into little vignettes. I also like them, and they are the point of this post.
Between U Can Beat Video Games, Video Games 101 and other channels like that of the late SaikyoMog, there are _<i>lots</i>_ of video guides to classic games. If I linked to all of them here they’d overrun the channel. I’m considering making those links a weekly thing, like Sundry Sunday and (sporadically, these days) romhacks, to keep their numbers under control. We’ll see.
Of course Super Mario World is a game that’s been destroyed by speedrunning. If you set aside scripted, tool-assisted speedruns (TASes), which I usually do nowadays, there are people who have still taken advantage of glitches to warp directly to the credits from gameplay, and perform much weirder tricks besides. This video doesn’t rely on those: it’s just the most direct route from start to finish through its levels, as God and Tezuka intended.
I think it’s pretty obvious that, while the game is excellent in many ways, Super Mario World has so many extra lives that they end up almost meaningless. There’s all the traditional ways to build up your horde of Marios waiting in the wings for their chance at platforming glory: getting 100 coins, hidden 1up blocks, knocking a bunch of enemies off with shells, stomping on many enemies without touching the ground, and defeating lots of enemies with a single Starman. Then there’s those specific to Super Mario World: getting 5 Dragon Coins, finding a 3up Moon, getting a lot of gray coins generated by a gray P-Switch, having a lot of enemies on-screen when hitting the Goal Tape, and earning several in one of the bonus games.
But there’s one source of extra lives that few know about, or at least, I didn’t know about it. There are invisible triggers in some levels that, if you cross over their activation points in order, will generate a single 1up Mushroom. Looygi Bros shows off all 15 of these spots in the game here (8 minutes):
Why Nintendo decided to include these spots in a game where players will usually be walking around with double-digit life counts, I couldn’t tell you. Super Mario World is one of those Mario games where it doesn’t save progress after every level, so running out of lives is a real setback. But they could have just designed it so that it saved more often? I guess they just saw that it’s fun to earn lots of extra lives.
Nintendo has released a series of short animations starring Mario in various inoffensive, vaguely humorous situations. They average at a little less than a minute each, are nearly wordless except for Mario’s vaguely-Italian noises, and are obviously intended for children. Hey, it’s a low-effort week. Consider yourselves informed.
The first:
Number two:
Tres:
One interesting thing bout them, they’re on Nintendo UK’s YouTube channel, and I think on Nintendo of Japan’s, but they’re not on Nintendo of America’s channel. I wonder why?
Sundry Sunday is our weekly feature of fun gaming culture finds and videos, from across the years and even decades.
Let’s watch a good old fashioned crazypants video. From MangoSauce. In this one (2 minutes), Toad reveals a number of disturbing beliefs to Mario. Things escalate, and they escalate, and they keep going. Well see for yourself:
See? As crazy as a box of rotating weasels. Well that’s what I got this week. See ya.
Displaced Gamers and their various technical dives, including the Behind the Code series, are favorites around here, and we’ve linked to them many times before. They take a lot of time with their content, but they always do a good job, much better than the average Youtube channel of whatever type, and it’s always something interesting to learn about. They have a new video up now (22 minutes) that examines the differences between the original and revised versions of Super Mario Bros 3, released a few months apart back in 1990.
Most of the differences were superficial: they changed the cover art slightly and added a ® symbol replacing a ™ on the Official Nintendo Seal. On the rom itself, they changed the names of the lands in the ending, from a flavorful set of localized names to just Adjective Land eight times in a row.
But there were other changes, and one of them was a substantial difference in the code, one that required moving much of it around by seven bytes to make room for it.
What was it? In brief, there’s one level in the game, 7-3, that uses a vertical-only scroll instead of a horizontal or multi-directional scroll, and it writes the images of the cards in the status window to the wrong place. So in the original release, on that one level, the card images are mysteriously blank during the vertical section.
That was fixed in the revision, which meant a check for what kind of scroll the level was using, and which changed the pointer to where to write them. Code needs space, and that space came out of a section of unused bytes at the end of the rom, with all the code between the change and that section shifted to account for it. If you had a Game Genie code that relied on data in those memory locations, too bad! You’ll need a modified version of that code.
Here’s the full low-down, which goes into much greater detail:
It’s been a difficult time here for the moment, so I’m doing low-effort posts at the moment. I have ideas for several more long-form posts, but if the posts be long, so is the time to write them properly. So, in the meantime, here’s yet another Youtube video on a random piece of video game hyper-esoterica.
It’s a good one this time though! A 25-minute video on using all kinds of glitches and tricks to avoid beating bosses in a game where every level ends with a boss!
Super Mario 2, USA version, isn’t a game that I don’t think of when it comes to glitches, and I’d wager it doesn’t for many of you either, so it’s a bit reassuring to know that it’s got as many weird ways to bend the game’s rules as do games like Super Mario Bros. and Ocarina of Time. The video’s from Retro Game Mechanics Explained, which, along with Displaced Gamers, are among my favorite channels for digging deeply into the actually assembly code of games, and figuring out exactly why they do, or don’t do, what they could/should. Along the way you’ll get a basic understanding of how SMB2USA handles connections between areas.
If you’re as obsessed with understanding how these games were put together as I am, it’ll be like sugar candy to you! If you aren’t, well, maybe you’ll find it interesting anyway.
Sundry Sunday is our weekly feature of fun gaming culture finds and videos, from across the years and even decades.
If you’ve been following Sundry Sunday for a while here, you might have caught on to a few trends. One, too many Nintendo characters. And two, I have a high resistance to schmaltz.
There’s fifty-pound bags full of unearned sentiment just laying around the Youtube platform, and most of it I will have no truck with. A lot of it depends on your past connection with characters, and despite surface appearances, I don’t have a lot of connection with game characters. And it feels like theft, to cloyingly play off of pre-existing characters in such cheap and easy ways.
But that’s not to say it can’t be done well, as in this short voice-acted slideshow that was released soon after the recent Super Mario Bros. Movie. The (newer) SMB movie definitely has its faults, but it also has some pretty deep cuts from throughout Mario’s history, and the best of those has to be Foreman Spike, semi-antagonist from Wrecking Crew, and Mario & Luigi’s boss in the mundane world of plumbing.
There are slight hints that, despite his abrasive personality, there is a tiny bit more to Spike than seems at first, and that’s what makes the slideshow, from GabaLeth, feel like it’s slightly more entitled to its emotion than your standard cartoon sugarjob. And it’s only a minute long. Here:
Sundry Sunday is our weekly feature of fun gaming culture finds and videos, from across the years and even decades.
Since Mario 64, Charles Martinet certainly recorded a lot of noises for Mario and Luigi. If you look far enough (specifically, to the Mario & Luigi games for GBA and DS) you can find some entertaining random Italian-like sounds. Mayo on Youtube combined some of these noises with comical animation, to produce these very short (1/2 minute) videos.
Super Mario Bros. Wonder is 15 months old now, and as is usual for games this far out, the hype around it has died down. But this video, and its information, has been in my to-post file for a long time, so let’s get it checked off of my list.
There is a level with a boss fight against Bowser Jr. where he makes himself really small (accidentally), then really large, and the player’s size changes to the opposite: really big, then really tiny. The player’s physics change to reflect their new volume.
As it turns out, this effect is, in a way, faked. During this whole fight, the player’s size doesn’t change at all! Instead, the room changes size, and the camera is zoomed in or out so it’s not noticeable. Junior’s size actually changes twice as much. The changes to the player’s physics are applied on top of this state.
Rimea on Youtube made a video, like a whole year ago, that applied the Wonder effects from the boss fight in normal levels, and the player’s character doesn’t change size at all there, there’s the physics changes and that’s all. Then they put some other objects in the room, some question mark blocks, and they change size along with the room, making the camera gimmick a bit more obvious.
Here is their video explaining and demonstrating how the effect is done (6m). Why is it implemented like this? My guess is that the player movement routines in Mario games are really complex and detailed, and any time when it comes to a decision whether to change it or something else, the developers do everything they can to not mess with the precise and exacting parts of the engine, for fear of breaking some other obscure part of the game. The player program has to be used throughout the whole game, while the boss and its room are only used in one part, so it risks breaking fewer things to put the changes all on them. That’s how I see it, yeah.
