Say what you will about Commodore BASIC 2.0, the built-in programming language and makeshift shell for the Commodore 64, written by Microsoft employees and descending from code written by Bill Gates himself, it’s certainly, um, basic. Nearly everything that takes advantage of that machine’s graphics or sound features involves POKEing values into memory at various locations, requiring a programmer to memorize a long list of important numbers.
Because it doesn’t interface with the system’s unique features to any great extent, it’s a very generic version of BASIC. But this means it can be ported to other systems without tremendous effort. Fancy-pants commands don’t have to be converted to another architecture’s norms, because there aren’t any! And lots of systems used the instruction set and general capabilities of the MOS 6502, upon which the Commodore 64 is based, so now we have versions of its BASIC that work on the Nintendo Entertainment System and the Atari 800. They’re both based off of Project 64, an annotated disassembly of the C64’s BASIC and Kernal ROM code.
The NES port should be able to run on actual hardware, but you’ll need the Family Keyboard that was made to work with the Famicom’s own official BASIC to use it, which was only released in Japan.
By the way, the reason that I write BASIC in all-caps is, it’s an acronym! It stands for Beginners’ All-purpose Symbolic Instruction Code.
‘@Play‘ is a frequently-appearing column which discusses the history, present, and future of the roguelike dungeon exploring genre.
This is @Play #89. We resume our examination of 1995’s post-apocalyptic DOS roguelike, Alphaman! If you missed it, don’t forget to check out part one!
Checking Berries and Inspecting Gadgets
I’m an outspoken fan of interesting identification systems in roguelikes. You’re free to disagree with me, but I find that they add a layer of strategy to the use of items. In many games, when you randomly find a good item, it makes sense to immediately press it into service. Often there is no skill in its use; you use, wear or wield it, and from then on its powers are at your disposal. At its furtherest extreme it’s like the random number generator is playing you. There should be some decision-making involved to properly utilize the item once it’s found. Maybe items have limited durability that has to be managed? Maybe items change over time, so you must know when best to use them? Or, as with Rogue and Hack, maybe you don’t know what many items are at first, and must figure that out through some risky and costly manner.
Congratulations!
Alphaman uses an identification system, but it works differently from Rogue’s. While there are items that can identify other items, for the most part you don’t identify things like that. There are two major classes of unknown items in Alphaman: berries and devices.
Berries are somewhat like Rogue’s potions. They’re one-use items that are generally consumed to activate. Alphaman has 35 kinds of randomized berries to discover on each play. While the game gives you insight into a few berries at the start of the game, most berries must be discovered by testing them. Like Rogue’s potions, there are good and bad berries, and like in Rogue, once you know the function of one variety of berry, you know it for all other berries of that type. Good-type berries might heal you, restore your fatigue, permanently increase your defense, or help you figure out how to use gadgets. Bad ones could poison you, cause you to grow useless extra limbs or blind you. And then there are the interesting cases, the berries that could be either bad or good, depending on its color. Most berry effects are temporary, although some, like the berry of blindness, last a significant number of turns.
An important thing to keep in mind about berries: known berries are marked with an asterisk, but their descriptions don’t change in-game. You must check your known items list to find out what a berry does. Flipping between the inventory and the discovered items list does get annoying after a while.
Alphaman’s innovation with berries is giving each a ripeness level. All berries have a color that tells you how ripe it is. The colors go through the spectrum, from red (least ripe) to purple (most ripe). Ripeness is kind of like the curse/bless system of NetHack, but all berries naturally become riper over time. More ripe berries are more powerful than less ripe ones.
You will probably have to consume some berries to identify them. If it’s a bad berry, you want to identify it by eating it unripe. If it’s a good berry, you want it to be ripe to maximize its effects. But some berries give bad effects when unripe and good effects when ripe. That’s especially the case for stat and experience effecting berries, which are very helpful when eaten when ripe. A few berries are also better off thrown at enemies than eaten yourself. Decisions, decisions.
Gadgets are also divided into two classes, small and large. There are 97 types of small device and 38 of large. Fortunately you don’t have to use-identify them! There is a command, F, to figure out how to use a device. You aren’t guaranteed to be successful, and if you fail your chance very badly you could break the device, or, if it’s a grenade-type item, cause it to go off in your hands.
Many kinds of gadgets are humorous, and some are useless, but a few apparently-extraneous ones have a secret function that can be discovered if you experiment with them. Like, a microwave oven can ripen berries, and toilet paper can be used as a weapon against dung beetles. Try using items, with the U key, to see what they do. A handful of items can also be “Unused,” with Shift-U: this is usually used to un-equip wearables, but that’s also how you get things out of a Backpack item.
Mutations and Fatigue
Two unique characteristics of Alphaman are the way it handles mutations, and its fatigue system.
Mutations are in other roguelike games, of course. They’re important elements of both ADOM and Dungeon Crawl Stone Soup. Alphaman uses them as an extra couple of perks your character receives upon creation. Unlike many other games, starting an Alphaman character is very quick: you get basic stats in a number of D&D-like categories, and are randomly assigned one Physical and one Mental mutation. You don’t gain more mutations as a character progresses. The ones they begin with are the only mutations they’ll have through the whole game.
Mutations are used the same way as items, with the U key, for “Use.” Most of them have a short delay before you can use them again. All of these mutations are beneficial, but you don’t get any say in what you get, other than by start-scumming, quitting and restarting many times until you get your favorites. Some mutations immediately increase one of those middling starting stats up to epic levels. Most mutations are very helpful if you know how to use them correctly, but figuring out the best way to use them might take a few games. I especially found the Quills mutation, which gives you an innate missile weapon you can use in a pinch and directly damages monsters who attack you in melee.
“Pooped”
Fatigue is a very interesting addition to the roguelike formula, in my opinion. Every action you undertake carries with it a cost in energy, which comes out of your fatigue level. Fatigue is shown on screen by a status that runs from Well Rested down through Pooped, and eventually Exhausted. Your actions become less effective as your fatigue rises. If this sounds burdensome, it needn’t be. It doesn’t take very much to restore your fatigue level. All you generally need to do is rest a few turns, with the period key, to get your level back up from Pooped to Well Rested.
What fatigue does is impose a limit on doing many things in close succession. Fighting large numbers of enemies at once, even if they’re attacked one at a time, will tire you out a lot. If you’ve being chased by monsters and are a little faster than them, you can probably store enough of your stamina by running until you’re one space away, then resting a turn while they catch up. Carrying a lot of things, measured by your on-screen Encumbrance level, or having a low Constitution stat causes you to become fatigued more easily. But so long as you think to rest a few turns after fights you should be okay.
Spoilers
This section is spoilers, but they are the kind that, at this late date, I think will help a player decide whether they want to play this unusual and interesting game more than actually give anything away. Still, if you want to go in completely fresh, you’ll want to skip this section. (I gave a few very minor things away above, but that’s pretty light.)
To win at Alphaman generally requires:
Finding Elvis’s Hideout, and getting the Blue Suede Shoes from the real Elvis (who is friendly, but won’t give you the shoes until all the Impersonators are defeated). BTW, all of these places are considered “castles” by the game.
Finding the Munster’s castle, 1313 Mockingbird Lane, which contains a map to reveal the location of the Grinch’s stronghold. The stronghold can be found without the map, though you’ll have to search around for it.
Finding the Castle of Those Who Came In Second to find Buzz Aldrin’s Space Suit, which confers radiation resistance. The Grinch’s place is always in the middle of a radiation zone, which will rapidly sap your health while you’re within it. It is possible to acquire radiation resistance by other means, so this may be optional.
Finding Trump’s Casino for the ID card to get into the Grinch’s castle. You’ll easily know the casino—most of the monsters and items found inside it are “Trump” monsters and items, as in, Trump Ghouls, and the Trump Cheese Grater.
Finding the Castaway’s Fortress to obtain the Keptibora Serum from Gilligan, which provides 24 hours of resistance to the Grinch’s nerve toxin. The Castaway’s Fortress is always surrounded by water, so a means of travel to it must be sought.
Some of the jokes in Alphaman have not aged well, but there are bits that are rather prescient.
In the roguelike way, each of these steps contains many unexpected perils, and it may take you multiple attempts at each, falling victim to each major obstacle at least once, before you discover the way through. If you have the time, energy, and patience to put up with that, then Alphaman will supply you with many hours enjoyment. The pleasure of this may begin to diminish for you as you die more and more often, however.
You first games are likely to be short, so not much lost, but the further you get, the more you lose when an unexpected danger kills your hapless character. (“It’s a rosebush, how hard could it be?”) One thing that might help you, that’s not a tremendous spoiler, is that the various castles you have to explore can mostly be done in any order.
He’s a mean one! He really is a heel!
At the very end of the game you’ll face the Grinch, and he has one last nasty surprise for you. I am torn, a bit, about whether to spoil this, but it is in a chapter of spoilers, and it may save you a loss at the very end of your journey. So I will reveal this: Your final task is not to kill the Grinch. Think about who he is, what he came from, look around his castle for significant items, and thing how you might be able to find a way to appeal to his better nature. That’s all.
Alphaman’s Legacy
The legacy of 20th-century hussle.
1995 was towards the latter days of the age of shareware. It’s easy to forget, but there were different types of shareware. There was the first-hit’s-free type, the kind that gave out the first episode but where the publishers released the others by mail order or or commercially. That was the model that Wolfenstein 3D and Doom used, and was probably the most successful. Then there’s the kind that lets you play up to a certain point, but to go beyond that you had to pay for a registration code, that unlocked the rest of the game. This often got assigned the moniker of “trialware.” Then there’s what we might call “true” shareware, where the game, in full, was distributed, and while it might nag you to register it, there was no need to to keep playing. If players enjoyed it, they were on the honor system to send in their payment. One of these true shareware games was Alphaman.
Alphaman’s creator Jeffrey Olson tells me he only ever received about 30 paid registrations for his game. At $15 each, that comes up to $450, which given the number of hours he put into it doesn’t seem like proper recompense. Perhaps it’s because of the prevalence of free, sometimes even open source roguelikes like NetHack and Angband, which were already on releases that current-day players would see as reasonably complete. Jeffrey doesn’t harbor any hard feelings, he says, he was just happy to meet people who enjoyed his game.
In the years since its release, Jeffrey has been doing quite a lot with his life! He graduated with a doctorate in Physics from Cornell University. He made hardware that will travel to the planet Jupiter on the Europa Clipper:
“[…]cooling a JPL infrared spectrometer to detect what chemicals are present on Jupiter’s icy moons, and to the asteroid Psyche, cooling a gamma ray spectrometer that will detect what elements are present in the metallic asteroid. I wish I had put a gamma ray spectrometer in Alphaman.“
Jeffrey also also been married for 30 years, plays soccer every week, plays the trombone, and makes his own beer to share with friends. A high-school friend of his, Peter Jessop, helped test the game, and has done voice work for a wide range of big-name video games, among them Destiny 2 and Red Dead Redemption! It’s always nice when one of our team does good.
I asked Jeffrey if he had anything to say to people who have played and enjoyed Alphaman over the years, and who might play it in the future. He said, “Thanks for taking the time to play Alphaman. I hoped you enjoyed playing as much as I enjoyed creating it, and sorry about all the jokes from the 1990s that aged so poorly. I’ll always be embarrassed by references to Dan Quayle, Mary Decker, and the Kevorkian Machine….”
Thanks for your efforts, then and now, Jeffery. We’ll meet again in the Adventurer’s Lounge someday, after the last quest is done.
Steam is having a sale for a few days on roguelike and roguelite games, as well as “Souls-like” and “metroidvanias.” They published a page defining each of the terms, which I don’t entirely agree with, and by featuring all of them in a sale called Going Rogue they seem to be purposely conflating these terms, which annoys me a little, although there are plenty more concerning things going on in the world right now. (Especially metroidvania, which really has almost nothing to do with roguelikes.)
I give some better definitions down below, but in the meantime let’s have a look at some interesting items in their sale:
Rogue Legacy 2 (20% off at $19.99): The first Rogue Legacy was a surprisingly long time ago! It was an important exploratory action-adventure game with randomly generated areas. Player death was an intended part of the game: after a character dies, for the next game the player picks one of that character’s offspring, which has different, randomly-generated characteristics. They could also use money found on the last run to upgrade a town, to provide new characters services before they entered the dungeon. Rogue Legacy 2 looks like it continues the tradition.
Slay the Spire (60% off at $9.99): If you’re tired of buzzwords then you might be wary of a game that says it’s both a roguelike and a deck builder, but I think they’re two concepts that fit together pretty solidly-which recent years have proved well enough. This may have been the first of the type. It came out in January 2019 but is still rated Overwhelmingly Positive on Steam, and that’s worth something.
Peglin (10% off at $17.99): It’s one of the newest games in the sale, a combination of roguelite play and Peggle-like pachinko. In the future, all games will be defined by their likes, so we might as well get started now I suppose. The essence of roguelike games, I believe is in adapting to uncertainty, and a mode of pachinko certainly fits that bill.
Roguelikes got their name during the formation of the Usenet group rec.games.roguelike, for being like the classic terminal-based RPG Rogue. At that time it was obvious what the term meant: turn-based tactical combat roleplaying games with random dungeons and randomized items, usually with ASCII graphics by necessity since they were played in a terminal. In the time since then the importance of ASCII graphics has diminished a lot, but the other aspects are pretty good identifying characteristics. Since roguelikes of this form are still popular in some circles, it feels right to let them have it. Although I should note that one of the people who made Rogue has said that they consider a “roguelike” to be a game that can surprise its creator. (I could well be misremembering this, granted.) Since the Steam page mentions it, I figure I should at least link to the Berlin Interpretation’s definition of what it means to be a roguelike.
Roguelites may have gotten their name from me, back in the days @Play was on GameSetWatch. It’s been like 15 years, I don’t remember that well. I used the term to describe games like Spelunky and Binding of Isaac, which wrapped action gameplay around a roguelike core. Another good term for these is action roguelike. The page on Steam states that the ability to bring elements across games is a factor that could make something roguelite, but there are roguelike games with that aspect: NetHack‘s bones levels, for instance, and Shiren the Wanderer‘s between-play progressions.
Souls-like games take after Dark Souls, which has some superficial gameplay similarities with roguelikes (especially the difficulty and emphasis on playing smart) but really shouldn’t be lumped in with them carelessly.
Metroidvanias are exploratory platformers set in a large world. There’s usually some kind of item-based movement advancement that gates access to later areas. The term was probably coined by Jeremy Parish. They get their names from the 2D Metroid games and the exploratory versions of the 2D Castlevania games-which don’t include the original Castlevania, despite what Valve’s page says.
One entire internet has been posting about Ocarina of Time remade in Unreal Engine with a 60fps frame rate. I am told that I should at least acknowledge this. I do so with Marc Deschamps’s mention on comicbook.com. It mentions the fact that Sora from Kingdom Hearts is playable.
And Lowell Bell on NintendoLife uses speculation about bringing them to Switch as their excuse to mention ten Western RPGs: Ultima (why only the original?), Diablo (it’s already got Diablos 2 and 3), Fallout (Wasteland 2 is there), Might & Magic VI (bring us Xeen!), Deus Ex, Morrowind, Vampire: The Masquerade Bloodlines, Neverwinter Nights 2, Dragon Age: Origins and Witcher II.
The wonderful podcast Keep Nintendo Weird (Podchaser – YouTube), which spotlights a lot of awesome and unusual games made for Nintendo systems, recently covered a doozy: Space Station Silicon Valley! One of a pair of games made for the Nintendo 64 by DMA Design before they became known as Rockstar North, SSSV is a clever and charming action puzzle game where you’re a microchip that can take control of robot animals in a rogue space station.
It’s notable for its trademark humor, its inventive gameplay, and a weird bug that, as I discovered personally soon after its release, actually makes it impossible to finish! While the main story can be completed, one of the optional trophies hidden in the levels won’t collect when you come into contact with it, and it was a couple of generations before software patches could be distributed after a game went live, so there is just no way to 100% the game without hacking either it or your save file somehow. Oops!
It’s awesome when a tile-based game uses huge letters like this.
Gaming Hell is great! It’s an obscure game investigation site with some serious Oldweb power. They recently had a look at the Japanese-only Game Boy title For The Frog The Bell Tolls, known in its home territory as Kaeru No Tame Ni Kane Wa Naru, the game whose engine went on to serve as the basis for Link’s Awakening. (EDIT: As the article points out and I skipped over, and discovered after I wrote the preceding, while Kaeru no Tame Ni Kane Wa Naru has a number of aesthetic and gameplay similarities to Link’s Awakening, under the hood people note that the engine does not seem to be similar!)
There is a whole world of Nintendo games that never made it out of their home country on release, and the company only acknowledges exist in other territories with reluctance. Games like Captain Rainbow, Doshin the Giant, and Nazo No Murasame Jo. Once in while one might get a Virtual Console release, or a mention in a Smash Bros. or Nintendo Land, but other that it seems like strict radio silence.
Ant Cooke of Gaming Hell speculates on why this game didn’t make it to the US, that it has to do with some difficult to localize content. There may be something to this, but if I might offer? Kaeru No Tame Ni Kane Wa Naru also only got one rerelease in Japan. Maybe Nintendo saw its not featuring one of their large stable of marketable characters as a weak point? Likely it’s a combination of many factors that edged the game over into possibly-unprofitable territory on some obscure spreadsheet, somewhere.
(Source) We in the US never get cool box art like this.
One could spend hours speculating on why Nintendo does or doesn’t do a thing. Ultimately they are a huge company, not a monolith but composed of hundreds of people, and many people could doom a project if they chose. It is a shame in For The Frog The Bell Toll’s case. It’s not just their loss, but all of ours.
Brendan Hesse of Gamespot, speaking for site staff, offers a ranking of 14 Final Fantasy games. From worst to first, the ranking, all according to original Japanese numbering and not including the MMORPGs: 2 < 15 < 13 < 3 < 1 < 9 < 4 < 8 < 7 < 5 < 7 Remake < 10 < 12 Zodiac Age < 6
I’ve seen it elsewhere, but I’m linking to Eric Van Allen’s report for Destructoid, on Disney Dreamlight Valley, a lifesim with Disney IP. I’m imagining it as being like Animal Crossing, but with Disney characters. Do you know how annoying a neighbor Tigger would be?
It fell to Sean Hollister at The Verge to inform us of a hack of a Fischer-Price toddler game controller to make it suitable for playing Elden Ring. Was it made by foone? It wasn’t, it was Rudeism? Cool.
And Steve Watts, writing for Gamespot, has, to mark the 35th anniversary of the release of the original Castlevania (the game not the anime), a listing of games not-too-subtly inspired by it, like 8 Eyes for the NES. Although this reviewer feels compelled to note they left out The Transylvania Adventure of Simon Quest!
We here at Set Side B are about computers, and we’re about games, and we’re about the intersection between the two, which happens by accident to include Northwoods Radio Sleep Baseball, available as individual files, and also through Google and Apple‘s podcast systems.
People have remarked about the powerful soporific effects of having a baseball game playing on the radio when you’re trying to fall asleep at night. But there are several difficulties with using baseball for sleep-producing: there’s not always a game on, when the game’s over there could be any loud thing on afterward, and there’s always the chance something exciting might happen that would rouse you from your repose and briefly cause you to care.
Sleep Baseball solves all of these issues. The games played are not on a radio but on your phone or computer, as audio files. The Sleep Baseball league is entirely fictional, so there is no actual drama. And the announcer is pretty relaxed and low-key, as are all the ads (for fake products and businesses), so you don’t have to worry about sudden bursts of interest.
If you’ve followed Sleep Baseball before, you should know now that they have recorded their third game, and have recorded some new ads. If you had gotten tired of the same game and events between the Big Rapids Timbers and the Cadillac Cars, it might be of interest to you to give the new recordings a try. Sweet dreams!
You made it through another week of life in 2022! Here is some video silliness to congratulate you, and encourage you to keep on keepin’ on!
I’m always down for an excuse to link new Homestar Runner content, but this here’s a gaming blog! It’s gotta be about games Mr. Strong Man.
What’s that you say? It is a game? Well fine then, I will gladly accept that flimsy excuse! It’s Marzipan’s Beef Reverser, and it’s on itch.io. You play Only Girl in the Homestarniverse Marzipan as she whips mobile steaks with her Shantae-like hair in a Game Boy setting, sending them careening into a cow skeleton, helping to reconstitute it back into a cow. I’m sure it works that way in real life too. And notice, it’s not a Flash game, it’s an actual Game Boy rom file, playable in your favorite homebrew-capable Game Boyish setting.
A short devlog from RujiK the Comatose about a monster breeding sim they’ve been working on. Dismayed as a kid by the fact that breeding in video games tends to be done according to tables rather than truly from combining the attributes of the parents, they set out to create a procedural version that matched what they expected when they were young. The results seem to be satisfactorily freaky, although, possibly to the dismay of some, we get no renditions of monster mating.
A quick digression. They’re basically redoing what was done in Spore some 14 years ago now. Why is this interesting, while Spore is old hat? My guess it’s that the tech is being put in service of a Pokemon-like game instead of Will Wright’s extremely generic simulationist gameplay.
Games from the classic (Space Invaders onwards) and later eras of arcade machines tend to be preserved fairly well, or at least have MAME watching their backs, but there was a whole era of arcades before that time, that pose special challenges for preservation. Atari/Kee’s early release The Quiz Game Show, for instance, their first game using a processor, read questions off of special data tapes that may not even exist nowadays. Many games from that era had no processor, and were constructed out of discrete logic components.
When I wrote part one of We Love Atari Games, I was surprised by how many games from this era are so little known now. Atari’s Football, for example, sold extremely well, even keeping up with Space Invaders for a little while (until Super Bowl season that year ended), but I barely even heard of it before I started working on the book.
These games are important to preserve too, but the difficulty in emulating them, their great rarity, and the inescapable arrows of time and entropy present huge challenges. Please listen to the podcast for more information, from people who know much more about them than me.
