Not a lot to say about this one that isn’t in the title. Maybe the fact that it’s two minutes long.
Wii Eshop theme on motherboard error code piezoelectric speaker (Youtube, 2 minutes)
Wii Shop Theme Played on a 1-Bit Speaker
Author: rodneylives
Sundry Sunday: Link Breakdances in Gerudo Outfit
Sundry Sunday is our weekly feature of fun gaming culture finds and videos, from across the years and even decades.
It’s not always easy to find these kinds of videos? Youtube’s hated algorithm is heavily influenced by the last things you watched, so if you get in a mood to watch restorations of old arcade games, it doesn’t take many of those until your homepage is loaded with them, to the exclusion of other things.
And honestly, who beside me is going to link to videos like this, an animation of Link in Breath of the Wild, in the much appreciated by fans Gerudo Outfit, breakdancing out in the desert, with unexpected accompaniment? That’s what Sundays here are for folks. Showing you the things that Youtube doesn’t want you to see, if only by accident (30 seconds).
When you’re attacking Vah Naboris but the music is really good (Youtube, animated, 30 seconds)
100 Commodore Plus/4 Games
I’ve brought up the Commodore Plus/4 before, an odd system that seems poorly suited as a follow-up to the massively successful Commodore 64. It was the host system for Pac-Pac, a Pac-Man-like game made in recent years for the Plus/4, a system that’s, compared to the C64, really doesn’t seem meant for games. The video that’s our subject today is just a collection of quick views, I mean just a few seconds each, of 100 Plus/4 games, for the reason that there being even one seems like a challenge. Here is the video (17 minutes). Why? I’ll save that for after the embed.
The Commodore 64 had its strengths and weaknesses. It had hardware sprites, but only 8 of them, each with at most three colors, and even for that you had to trade off half their horizontal resolution. It had smooth scrolling, but it required the processor to move every byte of the screen itself, a feat that was actually impossible on unaided hardware within one frame’s time. (Well, there was a way to do it, discovered fairly recently, but it’s bizarrely dangerous. I’ll describe that some other time.) It had a very good sound chip for its time, but it only had three voices. It had 64K of RAM, but some of it was very difficult to access, and a quirk of the system’s design mean that some of it couldn’t ever be used by the graphics chip. And it had a floppy drive true, but in the rush to release it it ended up with a terrible flaw, making the 1541 floppy drive the slowest disk drive of all the 8-bit micros, giving rise to a whole category of fastload software.
The Commodore 64’s greatest strength was its very low price. Founder Jack Tramiel upended the calculator market with a very low cost calculator, and pulled he same trick on microcomputers with the C64, which sold for just $200 for much of its life. The Plus/4 sold for more than that for the scant year it was offered, abandoning its predecessor’s main advantage. To make up for it, it had a word processor, database and spreadsheet included in ROM. The Plus/4 was intended as a business machine, which is a shame, because businesses could afford PC clones. The C64 was properly seen as a games machine. A C64 without its game-friend features was not going to make it.
The Plus/4 had much worse sound support, no scrolling support, and worst of all, no hardware sprites. No sprites means moving objects have to be done either with tile graphics (wasteful in terms of tiles) or a bitmapped screen (slow). It did have a couple of advantages though. It had support for many more colors, up to 121 of them, and its processor, another version of the 6502, was clocked quite a bit faster.
Still, regarding games on the Plus/4, as the adage goes, it’s amazing that the dog talks at all. Every game in the video, old and new, should be regarded as something of a triumph.
Jeremy Parish Covers SMS Shinobi
I’m sure I’ve said this before, but Youtube is largely a wasteland when it comes to game opinion, criticism and history media. Generally, if it has to do with games, you have to sift through a whole lot of crap to get to the good stuff.
The gold standards in this wretched field are Dr Sparkle’s Chrontendo and spinoff serieses, which seek to review every NES and Famicom game in a decade-plus quest, and Jeremy Parish’s NES Works and its own spinoffs. Our post’s topic today has to do with one of those spinoffs, SMS Works, which has at last come to one of the Sega Master System’s defining titles: Shinobi.
One of the best things about Jeremy’s videos is the context they bring. They try hard to mention other games that came out around the same time, and how ideas would be bandied about between the different developers, repeated and refined. His videos are the only source I know of that would realize, that could realize, that Shinobi was heavily influenced by Namco’s spies-vs-tokusatsu-creeps arcade game Rolling Thunder.
So then, at 15 minutes long, here is that video.
SMS Works: Shinobi (Youtube, 15 minutes)
Possibly the First US Commercial For a Nintendo Product
Generally it’s considered that arcade Donkey Kong was the product that put Nintendo on the video game map, but Nintendo’s Game & Watch line actually predates it by a year. They licensed it to Mego, the company that made those highly collectable large-scale action figures of pop culture characters, and Micronauts.
The Video Game History Foundation found Mego’s commercial for “TOSS UP,” what they called Ball, and branded under their name for Game & Watch products, “Time Out,” and put it–guess where? Yeah it’s on Youtube again (46 seconds):
Shmuplations Translates An Interview With An Arcade Donkey Kong Programmer
The name of Ikegami Tsushinki Co. is a bit better known nowadays. For a long while Nintendo was content to just let the world believe they were entirely responsible for their early blockbuster arcade hit Donkey Kong, but eventually word got out that all of its program, and large portions of its design, were the work of a number of uncredited employees of that company. While Nintendo owns the trademarks over the game, the copyright of the arcade game’s code appears to be owned by Ikegami Tsushinki, or perhaps held in joint between them and Nintendo.
Which is it precisely? Look, when you write a daily blog you don’t have time to hunt up Japanese legal records. What is important though is that this is why Nintendo doesn’t have the rights to just rerelease arcade Donkey Kong willy-nilly. To date, they have used it once since the classic arcade era: an inclusion in the N64 Rare title Donkey Kong 64. Mind, there has been an Arcade Archives release from Hamster; I presume they got the rights from both Nintendo and Ikegami Tsushinki. It’s for this reason that Nintendo almost always presents NES Donkey Kong in compilations, which is similar but differs from the arcade game in many important ways.
Hirohisa Komanome was one of the people at that company that worked in concert with Nintendo’s Shigeru Miyamoto, and several other employees of Ikegami Tsushinki, to complete the design and implement Donkey Kong from Miyamoto’s notes, finishing it in only around three months. Donkey Kong came out in July of 1981, meaning it was probably began around the beginning of the year. The quickness of their work would prove to be essential: remember, the American arcade industry collapsed in 1983, when many promising games would be abandoned or released to greatly diminished profits. If Donkey Kong had been released a little later, it may not have become such a fondly remembered hit.
Kate Willaert commissioned the translation by Alex at Shumplations of an article written by Hirohisa Komanome that was published in 1997 in the Japanese publication bit. It’s up on their site here. Given that Nintendo tends to be very tight-lipped when letting their employees talk to the press, it’s probably good for us that Donkey Kong was implemented by an outside company, or else this account of the game’s creation may never have seen print, or our eyes.
Donkey Kong: A Record of a Struggle translated into English (shmuplations.com)
More NES Glitches Tested in Nintendo World Championships
We already linked to what turns out to be Part 1, back on Monday. This is Looygi Bros’ part two, nine minutes long:
Here’s our post on Part 1, and here’s a link to its video.
Looygi Bros. tends to make a series of videos on topics, so there will probably be a Part 3, and more. Instead of linking them all individually, I may wait for a bit and collect them all into one post, or maybe even add them to this post retroactively.
Here are the glitches in Part 2 listed out and explicated:
- Super Mario Bros, jump over the flagpole in World 1-1: Requires time-consuming setup, and useless for saving time, as the result is Mario can’t finish the level, but it does work.
- More invisible ladders in Donkey Kong’s Ramps level: There are more invisible ladders than the one demonstrated in Part 1, and these aren’t caught by traps! The current World Record recorded by the servers uses it, in fact, making it an essential strategy for anyone trying to beat it.
- Kirby Credits Warp: One of the levels in the game has a massive trick, where Kirby can get inside a wall, and if they have the Stone ability (possible to get with Mix), can crash the game, and if the Start button is pressed on the same frame as Stone activating, the NES cart jumps straight to the credits! The crash however takes the NWC software back to the selection menu, and the Start button is disabled, so this one’s impossible to do.
- Legend of Zelda moving through blocks: A frequently-used trick in speedruns, it’s not caught by the NWC software but there’s no place where it’s useful for saving time.
- Super Mario Bros. 4-2 Wrong Warp: This is an alternate way to get to the 8-7-6 Warp Zone without having to reveal the hidden blocks, then hit and climb the vine, by going down the coin pipe shortly after without scrolling the screen far enough to change the secret area destination. Seems to be impossible to make work in NWC, as the game rewinds when the vine block is scrolled off-screen.
- Super Mario Bros. 8-4 Wrong Warp: Done under similar conditions to the 4-2 wrong warp, this one is caught by the emulator and rewinds the trial.
- Surviving Timeout in Metroid’s Escape Sequence: If Samus uses the final elevator with the right timing at the end of the escape, the explosion happens, but she survives to complete her mission anyway. It’s possible in NWC, but results in the longest-possible time to complete the trial, so it’s only useful to show off.
- Super Mario Bros. 8-2 Bullet Bill Flagpole Animation Skip: If Mario bounces off of a low-flying Bullet Bill right at the end of 8-2, it’s possible to trigger the flagpole, but leave Mario before the block on which the pole rests. This results in him walking into it endlessly, but it triggers the level completion sequence, and means he doesn’t have to raise the flag or walk to the castle. It’s really only a slight time save, but it does work in the NWC version of the game.
Sundry Sunday: brentalfloss’ DK Rap 2018 (NSFW)
Sundry Sunday is our weekly feature of fun gaming culture finds and videos, from across the years and even decades.
Six years ago brentalfloss did a parody video of the infamous “DK Rap” from the opening of Donkey Kong 64, updated for the times. It’s hilarious, but also disturbing and sad. Summary: Donkey Kong became a gun nut, Diddy is a MRA incel jerk, because of Tiny bees are dying out, Lanky’s the reason this video is NSFW, and Chunky’s… well, you can find out for yourself.
It’s all pretty saddening, but truthfully in line with how game culture has gotten worse over the years too. Ah well, at least Parappa’s still good and pure!
DK Rap 2018, “Where are they now” (brentalfloss on Youtube, 4 minutes)
Tombstones: Romhacking.net Calls It Quits, Game Informer Shuts Down
First:
It’s a grievous blow to the game editing community, but Nightcrawler, the maintainer of the 19-year-old hack repository and community site romhacking.net, is shutting its doors. The reasons why are the top news item on the site, probably the last new news item that will ever be posted there.
They mention several reasons, but say a collection of users who had offered to take up the site for disingenuous reasons. The details were not mentioned, but they mentioned by way of comparison what happened to emulator author Near, creator of higan, and that can be easily taken as a bad sign.
However, Gideon Zhi on Bluesky offers a different take, that suggests comparison to Near is greatly inappropriate, and that Nightcrawler was severely burnt out and refused offers to help. I don’t know which is more accurate, but the details are offered suggest there may be something to his version of events. Gideon Zhi isn’t one, I think, to cover something like that up. Ah well, drama.
Maintaining a hugely popular website for 19 years is a huge drain on your time, energy and finances. It’s possible that ultimately Nightcrawler needed, or even just wanted, to retire, and that’s okay.
I’ve made frequent use of romhacking.net over the years, both in researching two romhack ebooks and the Romhack Thursday feature on this site. While what the maintainer of romhacking.net says in their news post, that there isn’t as much of a need of a centralized site for collecting and presenting romhacks as there was back in 2005, I still found their site extremely useful, and I think it served a vital role. I will greatly miss it, but I understand their wishing to move on. They took the step of uploading the whole site contents to the Internet Archive, which is a forward-thinking move that I applaud.
Will they ever return to updating the site? Anything is possible, but I expect not. Will another site arise to take its place? Who knows, there’s definitely demand for it. I wish Nightcrawler well in any event, and thank them for their service.
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Second:
Kotaku reports that Game Informer, the oldest game magazine still in print in the US (dating back to 1991) is shutting down. It was originally a production of the classic game retailer FuncoLand, who would advertise, in turn, in classic 90s gaming magazines, and the publication changed ownership to GameStop when they bought FuncoLand out in 2000.
Since then, GameStop has kept the magazine going as a house publication, at times distributing issues for free to customers. It seems the announcement was sudden, with management sending out a tweet about the publication’s closure while staff was being notified of the ending of their positions.
There are older game magazines in Japan, of course, and US game magazines lately have had things pretty tough with competition from the internet. It’s surprising that they’ve managed to keep going for this long.
Review: World of Goo 2
Usually it’s Josh Bycer who does these reviews of new games, but for a change I’m doing one this time! And in text no less! It’s World of Goo 2, which is available for purchase now on the Epic Store, Switch and the makers’ own website.
The people from Tomorrow Corporation got in touch out of the blue, because then-Gamasutra helped spread the word about the original game long ago. Now-Game-Developer currently has a temporary hold on freelance Q&A work, but Kyle Gray was gracious enough to give me a press key anyway, and I figured a review here would be the least I could do. It’s true, it was a free key, but on the other hand I’ve always been a big fan of the original World of Goo. I’ve finished it at least twice, on PC and on Wii.
Does this make me biased? What does biased even mean? The principals of 2DBOY and Tomorrow Corporation have always been shining stars of indie gaming, and I’ve played nearly everything they’ve made since, including the DS title Henry Hatsworth and the Puzzling Adventure, directed by Kyle Gray. Was there a chance that this could have been a negative review? Not really, but then, if it was going to be negative, I probably wouldn’t be writing it. All I can do is assure you: we’re not in this for press keys.
–
There are games that feel like they’ve been with us always, and so it seems for the original World of Goo. It was published in 2008, but I’m so used to games being older than I expect that I half expected it to date from 2006, or earlier.
2DBOY’s World of Goo came out at the beginning of the indie gaming revolution, and one was of the biggest success stories of that heady time. It was one of the first non-Nintendo downloadable titles for the Wii, where it was a huge hit and helped to establish that console, and Nintendo’s consoles generally, as a hospitable, profitable home for small independently-made games.
In the 16 years since, the game industry has changed drastically, although really it always has been. Indie titles have proliferated, to the degree that it has become difficult for a game to make itself seen amidst a flood of competitors. Some of the principals of 2DBOY split off into another company, Tomorrow Corporation, which produced the quasi-spinoff Little Inferno, a couple of brilliant visual programming games, Human Resource Machine and 7 Billion Humans, and they published the comedy-adventure game The Captain. Except for The Captain, all of these Tomorrow-made titles, and World of Goo too, share a distinctive and unique visual style and soundscape, which are kind of like if Tim Burton and Danny Elfman decided to make video games.
But World of Goo was the game that started it all. It’s a clever physics game where players build constructions out of “Goo Balls” in order to erect towers, bridge gaps, and generally bring the remaining balls on the level to an exit pipe. Drag one goo ball near another to make a bond between them, which behaves like a thin, stiff spring. By joining them together, balls and bonds, you can make all kinds of physics constructions. More species of goo balls are introduced in later levels: goo balloons, reusable goo, goo that can bond to three other goo balls at once, goo that can only bond singly, goo that sticks to walls and more.
The aim of most levels is to reach that pipe somewhere in the level. If you can get a goo construction close enough to it, it activates, drawing goo balls into it. To win a level, you have to collect a minimum number of balls; getting more means getting a better score. Usually goo balls that have been used to build things can’t then be sucked down the pipe, so the more goo you use to reach it, the less you can save and the lower your score. Each level has an optional “OCD,” or “Obsessive Completion Distinction” target, that is reached is marked on the hub screen by a flag. Some levels it’s earned by saving a target number of goo balls, some by using under a certain number of moves (goo connections), and with some it’s just a time limit. All of this applies to its sequel, World of Goo 2, as well, just with more kinds of goo and with more puzzle elements. The OCD goals now have one of each type for each level, which are tracked separately.
World of Goo’s gameplay is not completely original. A variety of small games and web toys featuring physics systems of WoG’s type have existed at least as far back as the year 2000, going back to Soda’s defunct, yet fondly remembered Java toy Soda Constructor. World of Goo itself began life as a freeware toy called Tower of Goo, that emerged from its creators’ work at Carnegie University and the Expermental Gameplay Project. (Warning: link is ancient, although still works.)
–
World of Goo went far beyond those earlier versions of the idea, and World of Goo 2 goes beyond even that. The games stay fresh through by constantly introducing new wrinkles on the concept, and new kinds of goo balls with different properties, and it’s always a joy to get a new element to play with. The first game had 48 levels, and WoG2 has 61, but they go by in a flash, and the game never overstays its welcome. If anything they feel much too short, like there are gameplay possibilities left unexplored. I guess it’s true that you should always leave them wanting more.
World of Goo had a bizarre story involving the creation and machinations of an ominous company, called World of Goo Corporation, that may have been inspired by 2DBOY’s founders’ experiences working for Electronic Arts. It’s really less of a story as a collection of short stories, told in five chapters, with the highlight being a bizarre and self-referential Chapter 4 where the game’s concepts are flipped upside down.
World of Goo 2 also has a bizarre story that’s like a collection of short stories, about World of Goo Corporation’s ominous successor, World of Goo Organization. It all culminates in Chapter 4, where the game’s concepts aren’t so much flipped upside down but entirely stretched out of shape. I don’t want to spoil it, but Chapter 4 is amazing.
So yes, World of Goo 2 largely follows the same lines as the predecessor. It’s not just in story. It follows up on some of those possibilities hinted at during World of Goo, but it also adds many more new concepts, so by the end, which I reached in an obsessed 9 1/2 hours of play, I felt like there were at least as many gameplay loose ends as at the end of the first World of Goo.
All the old species of goo ball return, but now there’s new friends to learn about. There’s now liquids! And jelly creatures that you can split apart and grind up in satisfying ways! Goo conduits and launchers, and shooters and engines, and even more beyond that. The physics engine has received a substantial upgrade. Goo balls now leave damp blotches on the terrain they rest upon. The Time Bug undo feature can go back a bit further. You can drag the view around with the mouse, zoom in and out with the mouse wheel, and the goo balls are a bit better about getting out of your way when you’re trying to click on something important.
The only way that it’s really deficient, I’d say, is that it lacks the open-ended “Tower of Goo” mode of the original, where players could use their collected goo balls from the other levels in a high score challenge. Maybe in an update? World of Goo 2 has enough ideas in it that they could, if they chose, make a World of Goo 3. But what then? Could they keep riding this train for 100,000 years? Maybe not, but if they can keep up this level of ingenuity, then easily for another sequel.
World of Goo 2 has an engaging art style, so here, have some of the many hundreds of screenshots I took. There aren’t any big spoilers in them, but they do illustrate some of the later goos and gimmicks.
I had an amazing amount of fun with World of Goo 2. I binged it and finished it in 9 1/2 hours. You might finish it a bit faster, since I took something of the scenic route, but I also still remember many tricks from the first game, which I had completely OCD’d on Wii, and didn’t get stuck anywhere. It gets started a bit faster than World of Goo did. If you haven’t played it, you might want to go through it first. Luckily World of Goo has never gone out of print, and is available for nearly all desktop and mobile platforms, in addition to Nintendo consoles. You can’t get the Wii or Wii-U versions any more, but it can be obtained readily for the Switch.
It’s true, I’m on Tomorrow Corporation’s side. They’re good people and deserve to do well, but I’d be obsessing over World of Goo 2 even if I’d never heard of them before. It’s a real jewel, and I’m sure you’ll enjoy it.
If you found this review useful, please pass it around. And let us know; maybe I’ll do more text reviews in the future.
NESHacker’s Guide to the NES Hardware
More and more I find I should do a blog search to make sure that I haven’t posted something before, and my search for this video didn’t find it. It did find our link to the Copetti Site’s discussion of various console architectures, and a separate link specifically to their explication of the SNES’ construction, but not this particular video from NESHacker, so it’s fair game. Post! (zoop)
It’s only about nine minutes long so you can guess that it doesn’t go into deep detail. Essentially the NES is split into two parts, the CPU and its memory, and the PPU graphics chip and its own memory. A lot of classic consoles and microcomputers had to take special measures to support their display, which often ended up being the most complex part of the unit. Think about it: you have what amounts to a deluxe broadcast character generator right there in a box on your desk, shelf or floor, with lots of extra bells and whistles besides. (In fact, home computers were often used to generate current events channels for local cable companies, and an Amiga was essentially the basis for the old Prevue Guide channel.) It’s like a tiny special-purpose, single-receiver TV station just for your own use.
Graphics hardware is extremely timing sensitive. It has to generate the signal for your TV to display according to standardized picture generation requirements, so special requirements are often necessary. In the Commodore 64, for instance, the VIC-II graphics chip has the power to actually put the 6510 CPU to sleep, so it can have unrestricted access to the computer’s memory, without fear of bus conflicts, when it’s needed. This reduces the overall speed of the processor by a bit, and it’s why C64s turn off the screen when loading programs from cassette tape, in order to keep the CPU timing consistent relative to the data being streamed in off the tape.
The NES gets around this by giving the PPU RAM and address bus for its own exclusive use, and to put stuff in it the CPU has to use the PPU as an intermediary. And what’s more the NES exposes both the CPU and PPU’s address busses through the cartridge connector (which is why it’s got so many pins), allowing carts to supply dedicated ROM and RAM to both chips.
Even though it’s just a high-level overview, I found it a worthwhile use of those nine minutes, and you may very well enjoy it too.
NES Hardware Explained (from NESHacker, on Youtube, 9 minutes)
Wherefore MISSINGNO?
It’s another highly technical game glitch explanation, although from a source we don’t often follow here: even though it has to do with explaining glitch Pokemon from the first generation of that series, it was the ending presentation of RustCon 2020 given by Siân Griffin, despite having little to do with Rust, other than showing the possible results of not having strong memory safety in your programming language.
It’s 39 minutes long, and it might prove difficult to get through for some, but it’s good and interesting information:
I will give you an overview:
When the original Pokemon games generate a random encounter with wild Pokemon in the overworld, they refer to one of two lists in RAM memory, copied there from ROM. One list is for “grass” Pokemon, that are generated when walking through tall grass, and one is for “water” Pokemon, that are generated when in riding a Pokemon using Surf over water tiles. The lists are copied when entering a new region, with a differing enemy generation table.
Due to an oversight in the tile checking code, a different subtile is checked when generating a Pokemon from each list. This means it’s possible, on some shores, to generate a Pokemon from the grass list when actually on the water. If one of the lists has a Pokemon generation rate of 0% for its type, then its list doesn’t actually get copied. Some regions that are largely aquatic aren’t intended to ever generate grass Pokemon, and so have a 0% grass encounter rate, and so never copy a grass Pokemon encounter table. The Pokemon generated come from whatever was in memory before, which may be all zeros, or may be whatever used the memory in that area previously. Pokemon has little RAM to work with, so the Pokemon generation table memory has other things that use that memory, and one of those is data for the trainers you trade Pokemon with.
If you use Fly to fast travel to Cinnabar Island, you can reach a region where the grass encounter table won’t have been initialized, but you can still cause grass encounters to happen by Surfing on the shoreline. The contents of that table can be manipulated by doing something else that uses that memory beforehand. As a result, you can cause an encounter with an undefined Pokemon, which has the name MISSINGNO and has various glitch attributes.
Because the Pokemon has faulty definitions for some of its attributes, like appearance and cry, it’s possible to crash the game or wreck your save data from playing around with MISSINGNO. But if you run from it, this damage can be minimized. And when it tries to mark that you’ve seen MISSINGNO in the bit array that records which Pokemon you’ve seen, it overshoot that table and actually sets a bit in the memory that follows it, which usefully, is your inventory. Generate the right version of MISSINGNO and run from battle, and you may suddenly find yourself with over a hundred of an item in a specific slot in your inventory. If you put the Rare Candy there before, you now can give your Pokemon over a hundred experience levels, or you could create stat-gain items this way, or lots of Master Balls.
Glitches such as these seems like they’re rare, but really, there’s lots of games that have them. It’s one of the perils of coding your game in assembly, really.