There was once a time where game information was really hard to find on the internet.
Before Fandom née Wikia started automatically generating wikis for everything in existence, before even GameFAQs, which started in 1995 and is still chugging away after all these years, became sorta-big, there were the shrines sites. Some enthusiast (obsessive?) would build a website to document literally everything about the game they could find. Early free hosting site Geocities was a haven for that kind of thing.
Not all of these sites were on Geocities, or other host short-lived free host. Some of them survive today. I personally think these sites are an essential part of the soul of the World Wide Web (yes, I’m old enough to call it that), and proudly link to some of them from our hard-wrought Links page.
One of my favorite of these shrines is the Bubble Bobble Info Pages, created back in 1998, and its companion site the Rainbow Islands Info Pages. It’s not just their old-school web design that I love, although that’s hugely charming to me. It’s that it’s the source of a great quantity of information on a couple of extremely opaque games.
The arcade game Bubble Bobble is absolutely filled with mysteries, most of which are practically undiscoverable without diving into the game’s code, and it’s known that even its manufacturer Taito lost its source code many years ago. This leaves BBIP as nearly the sole source for a lot of important game data.
My favorite of these facts is the information on how Bubble Bobble decides which special item to generate each game. These are not random but chaotic, influenced by unseen patterns, that gives a kind of sense of them. Some items tend to be generated on certain levels, but they’re not hard-coded that way, so that the player’s actions can influence them without relying on them.
The game keeps count of a huge array of things that the players can do or cause during the game. The number of times they jump, the number of times they shoot bubbles, the number of times the pop bubbles, the number of times they jump on bubbles, the number of steps they take, the number of times they wrap the screen, and so on.
At the start of each level, the game goes down the list, finds the first value that exceeds a certain limit (which generally increases with the game’s difficulty, both explicitly-set and dynamically-rising), will set that item to generate during that level, and resets the counter. Some of these things can only happen in certain levels, like screen-wrapping or popping water bubbles, and that gives the history of generated powerups throughout a game a shape, that the players can influence, even without knowing exactly how. These counters are not even reset when the game ends! They carry on to the next, and in fact a few of the counters probably won’t trigger for several games.
It’s a significant factor in what makes Bubble Bobble so much fun, but interestingly, it means it’s more fun when played in an arcade setting, where the actions of past players contribute to add uncertainty to the powerup schedule. This is a terrific design pattern that I don’t think nearly enough developers know about, and one of the few places in the world where you can find out about it now is the Bubble Bubble Info Pages.
Arcade Mermaid is our classic arcade weirdness and obscurity column! Once a month we aim to bring you an interesting and odd arcade game to wonder at.
Released in 1982, a couple of years after a little game called Pac-Man, Pepper II is a maze game set in a four-screen world. You’re a blobby angel thing called Pepper, obeying an edict from the Powers Above: zip up four screens’ worth of boxes. The box borders are made of un-zipped zippers, and by zooming around each one it’s zipped up and captured, filled with a pattern.
Opposing your efforts are a bunch of roving eyes and a weird pink creature callled “the Whippersnapper.” It was the golden age of arcades, and realistic scenarios were on the outs for a time.
Its box-surrounding play looks similar to Amidar at first, but it’s really quite a different game. Amidar‘s enemies move according to a set and inviolate plan, but the eyes of Pepper II rove mostly randomly, with a slight bias towards chasing you. Amidar only lets you attack your enemies once per board, after you’ve surrounded all four corners, but Pepper gets this power after capturing just one of the corners, or the box in the center, up to five times per maze. This means that you’re invincible a lot of the time! Play carefully and you’re almost always invincible, which is important because you’re really vulnerable when you’re not. There are up to three more enemies after you at a time than in Pac-Man, and their unpredictable meandering means you often get caught right as you’re finishing a box.
Pepper’s world isn’t a single screen, but consists of four interconnected mazes. The arcade manual calls them cubes, and when you clear one you get a little cube icon in the bottom-right corner of the screen, but it isn’t a cube really; there’s only four sides. The game world is more like a horizontal strip. When you go off-screen to the left or right, you enter the next screen in the strip, but if you go up or down you skip ahead/behind one screen. From Screen 1, left goes to 4, right goes to 2, but both up and down go to 3. Enemies don’t have an off-screen existence beyond a few seconds after you change mazes, but your progress on other screens is remembered, so you can solve each maze a bit at a time if you choose.
The best thing Pepper II has going for it is its speed. It is incredibly fast! It makes Pac-Man feel creaky by comparison! Surrounding an energizer box gets you only four seconds of invincibility, but it’s long enough to surround multiple other boxes.
Pepper likes to overshoot intersections, and even with attention you’ll still probably miss them sometimes. When you enter a new maze, enemies enter from the four sides randomly after only a second, and at the game’s speeds this makes them very dangerous at that time. You could start capturing a box, and by the time you’re all the way around it a roving pair of eyes have both entered and moved over into your path. The eyes are not focused pursuers, but their large number and randomness make them plenty deadly enough.
The Whippersnapper is a little special. When you activate an energizer you can destroy the eyes for points, but will just pass through the Whippersnapper. The Whippersnapper exists to prevent you from zipping up tracks randomly. It undoes your work as it moves through the maze! Once you’ve completely captured a box it’s safe and cannot be unzipped, but until then it’s easy for it to mess up your work. It also moves much faster than the eyes.
There’s a couple more nuances to play. If you go back over your own trail you’ll unzip it. There are bonus items you can surround for ever-increasing bonuses as the game continues. The energizer in the center of the board flips between a stronger version that also kills all the enemies on the screen. These play quirks don’t really amount to all that much. Pepper II is a game about careening at full tilt around a board, clearing it piece by piece, and frantically racing between energizers to keep your invincibility going, and the other details tend to get lost in the rush.
Extra lives are awarded at 40,000 and 80,000 points. A good early score is around 50,000. I can regularly break 200,000, clearing two cubes, but the difficulty goes up rapidly from there. Both as you continue in each board and as the game goes on the enemies speed up a lot, and starting with the second cube the unzipped trails turn invisible for short periods.
About Exidy
Exidy was founded by in the very early days of arcade gaming. Some of their better known games include Star Fire, Mouse Trap, and Venture. They were never known for their graphics, although some of their products were among the earliest arcade games to use digitized sound. Many of Exidy’s games made up for their lack of visual flair with strong gameplay fundamentals. Venture, particularly, is a minor classic. Exidy was known to court controversy at times, with games like Death Race, in which the player runs down pedestrians, and the excessively-gory Chiller, where the player uses a light gun to dismember helpless victims in a torture room. Chiller received an unlicensed port to the NES by AGC (“American Game Cartridges”).
Coleco ported Mouse Trap, Pepper II, and Venture to the Colecovision console, where they were met by an appreciative audience. Their port of Pepper II is especially good. It’s very much like the arcade game, just a little slower.
Exidy games from the time of Pepper II tend to have a visual look akin to DOS games played through a CGA card. Pepper II is like this, but it certainly can’t be called slow. It takes sharp reflexes just to get around its mazes.
My experiences with Omega have been filled with death, frustration, annoyance, exasperation, and death. But I have also greatly enjoyed the game. While even with source-diving I have not gotten much farther than completing the Goblin Caves, the game is still enjoyable for me to play. There’s lots of cool things to discover, powerful items to find, and interesting strategies to formulate. In Omega one may see early forms of ideas found in venerable NetHack and ADOM.
Those two games have had a lot more fan obsession directed at them over the years, which has broken off some of their sharper edges. There are entire genres of NetHack variants devoted to fixing things about it that some people disagree with.
Omega has not had this advantage. Rather more things will just kill you in Omega. There are a lot of things that deserve experimentation, but that experimentation will often result in an expedited demise, or else make your character unplayable, or merely erase much of your progress.
Why am I so into this? It’s because it’s a worthy game, one that can give an interested player a lot of enjoyment, yet few people talk about it anymore. And yet there is a real sense that this game could someday just vanish. While there’s several Github projects hosting the source with grandiose aims, like converting the code to use C++ or making a “Next Generation” version, they haven’t seen movement in several years.
In a file in the code, Omega creator Laurence Brothers offers his hopes for future development of his project. But then he graduated from college, and passed the game on to others, who, after some initial effort, have not done a great amount with it in the decades since.
Adult Life happens to everyone, and no one should be faulted for failing to maintain an old terminal game that was mostly played by college students. But it is a shame that Omega doesn’t have an inscrutable and forbidding DevTeam like NetHack does, to be mysterious in their aims and slightly malicious in their efforts.
As I’ve said, I’ve been tooling around a little with the source code. Omega’s structure isn’t that hard to understand. Maybe something will come of it. If it does, you can be sure that I’ll mention it here, and probably try to get some more column mileage out of it. Until then, here is a whole lot of strategy discussion on Omega.
This is pretty long! It may be the longest single @Play column I’ve ever written. It’s basically a FAQ itself, although in actuality few have done any asking for a long time. NetHack and ADOM have full wikis. Omega deserves one too, but until that day happens, this is what I’ve been able to piece together.
This logjam of an article is presented along the lines that, if people want to read it, it’s here, and if they don’t, well, at least I’m done talking about Omega for now, and it’s all here neatly in a single page that you can hit Close Tab on with a song in your heart. I don’t expect you to share my obsessions, only that you recognize why I’m obsessed, and to consider if you’d like to house this ancient DOS roguelike in your own brain too.
About as far as I’ve been, having completed the Sewer dungeon.
Here, you will discover how to join guilds, what spells the religions teach, how to immediately earn thousands of gold pieces, the details of more than one secret game mechanic, what to wish for, and how to enter Omega’s secret cheat mode….
Here are the previous posts on Omega: one – two – three – four. And while we’re at it, here’s the two previous posts on Omega’s contemporary Alphaman: first – second.
What Is The Objective?
So, what is your character trying to accomplish in Omega? The answer is: who knows?
In its way a bit like Animal Crossing, there is no definite ending to Omega. Your character can retire if they earn 50,000 gold pieces and buy a condo in Rampart. If you do that, then visit it and choose to retire, to the game, that’s a win: it calls the function p_win(), and ends the game. Pay off Tom Nook!
The other form of winning involves becoming an Adept, which means completing the Adept’s Challenge. In the game’s code this is called a “bigwin.” I am not completely sure of the requirements, but part of it involves going to the Astral Plane, which is done through the auspices of the Oracle of the Blue Flame, so don’t attack her! Once you do so you can make wishes when you want, but your score is frozen at the moment you complete the challenge.
Another form of victory is to get your name in one of the positions of the scoreboard. Instead of a Top-X list of scores, it’s a number of positions in the game world. If your character gets to the top of a guild, or a religion, or completes all the Duke’s quests, or gets the greatest Law or Chaos alignment score seen on that installation, gets commemorated, not just on the scoreboard, but as a presence in the game world for future players to hear about.
Some Nuances
Alignment
Maintaining alignment is a weird process. Omega was created at a time when old school D&D’s lawful/chaotic system was still in recent memory. In this moral setup, good and lawfulness get generally conflated, as do evil and chaoticness. A necessarily reductive, even medieval, outlook upon the world, no distinction is made for rulebreaking to help the oppressed, or the enforcement of evil laws.
In D&D, you decide your character’s alignment when you create it, and the DM is expected to enforce that decision, with consequences should the player’s actions not line up with it. This is especially bad for paladins, who can lose all their class powers. In roguelikes like Hacklikes, ADOM and Omega, alignment naturally changes according to the player’s actions: if you do lawful things, your character slowly becomes more lawful, and the same goes for chaotic things.
There are a small number of things that can greatly affect your alignment. One of them is reading a scroll of law or drinking a potion of chaos when you’re already of that alignment. I find it instructive to recognize how Omega represents: law is information, but chaoticness is physical. There is a “chaos sea” in the game, but no such physical manifestation of law. Even so, each undoes the other.
Over time, the things that affect your alignment the most are small but frequent changes, especially how you deal with monsters. If you attack a monster before it gets a swing on you, it’s chaotic; if you let try to hit you first, it’s lawful. No allowance is made for whether you had a choice in the matter.
If you are purposely trying to change your alignment, the best way to do it is, perhaps oddly, by threatening to intelligent monsters.
By threatening them, instead of killing them wordlessly, you get three lawful points. If you threaten them and they surrender (usually from goblins), you’re give a choice to kill them, rob them, or to free it.
If you let them free, you get two more lawful points. If you rob them, you gain two chaotic points, which is not enough to overwhelm the push towards lawful. But if you execute them on the spot, you gain thirteen chaos points, enough to negate the lawful gain and ten more! It’s unsporting, but it’s a good way to ensure that you stay chaotic, like, if you’re in the Sorceror’s Guild and you don’t want to get mega-cursed, or want to advance with them.
Guilds
One of the first things you’ll want to do in a game of Omega is to join at least one guild in the town of Rampart.
There is a ton of information to relate on the guilds and what they each do, their requirements for joining, what you get when you join up and advance, etc. I decided to summarize it all by way of this chart:
You might have to right-click it and save if you want to get a good look; I’d like to increase its size by more, but WordPress seems determined to maintain that left margin, argh.
The Fighting, Magic and Religion categories of guilds are all mutually exclusive with each other: you can only belong to one of each at a time. Some will throw you out if you escape their good graces, which allows you to then join another one: the Paladins if you cease to be lawful, the Gladiators if you somehow escape a match without winning, and the Sorcerors’ if you stop being chaotic-although in that case, you also get pretty heavily cursed, and they refuse to sell you mana for the rest of the game. (I’ve seen at least one report that they outright kill you, but this is not supported by my reading of the source code. They do cause some damage, though.)
The whole early period in Rampart is a lot like an extended character creation session. In D&D terms, you don’t even have a “class” until you pick out your first guild. It’s a good idea to not to earn any experience points until you’ve joined at least one XP-using guild, so you don’t waste any.
Once you’re a member of a guild, however, it can be a good idea to hold back before joining a second. Your earned XP is split between all the guilds you’re a member of. While you’re a member of only one guild, all of your experience goes only into it, making your advancement in it very rapid. The next-to-last rank in each guild is reached at 4,000 XP. It’s not hugely difficult to get to this if you only have one. That’s only like four trifids. If you have four XP-needing guilds (the maximum), you need to get 16,000 XP to get that far.
The exception to this is the Gladiators. Advancement in the Gladiators doesn’t use XP, and so it doesn’t take a share of the XP you earn. This, makes the Gladiators rather best fighting guild for the magic reliant. Even if you never choose to fight in the Arena, you can still take advantage of their extra combat maneuver point and gym credit. You still need pretty good stats to get accepted by them, however.
The highest rank in all the guilds but the Gladiators requires both completing a special quest and exceeding the guild experience total of the last player to reach the top of that guild. In the Gladiators, you must beat a character with about the strength of the current Arena champion. On multi-user systems, players may compete on a shared scoreboard. Provided you then retire, this puts your character up on the scoreboard as the leader of that guild.
Back in the day, I’ve read, players would compete with each other to get up on the board; nowadays, is there any system in the whole world still running Omega this way? It is sadly a lost form of gaming. Nowadays, if you’re playing solo and don’t come up with a different name for all your characters, you’ll end up with multiple slots taken up by the same name, which breaks your perception of the world, a little.
This explanation of higher-level Omega play brings with it the caveat that I myself have yet to win, despite (and, in a way, because of) all of my experimentation with Omega. I will report in with more on Omega’s endgame someday, once I’ve managed to get to it.
So, which guilds should you choose?
Fighting guilds: My favorite is the Gladiators, because they don’t take a share of XP away from the other guilds, and because they give you gym credit, which lets you pick which stats you want to improve. The Mercenaries mostly give you cash, Strength, and Constitution. The Paladins don’t give you any stat advances at all, and you have to be Lawful to join and remain a member. They do give you a lot of perks though, and every advancement gives you a very good item. That absence of stat advances hurts though, it means you end up spending your own money on stat boosts to make up for it.
Magic guilds: There are two choices here. The tradeoff here is between a chance of random spells from the Collegium Magii, or specific spells and half-price mana refills from the Sorcerors. The randomness from the college is fun, and sometimes gets you very powerful magic (and free experience for learning it!) but makes it difficult to plan your magic game. The Sorcerors’ discount on mana helps you make much more use of your spells, whatever they end up being.
The college is free to join if your Int is at least 18. The Sorcerors Guild is much cheaper to join if you become more chaotic first; the fee can be reduced to as little as 100 gold pieces merely by executing a few goblins (talk to the with ‘t’, threaten them, then kill them).
Religions: The main reasons to join a religion, it seems to be, are some extra Power and the many spells they can teach you. Here they are, and the levels on which you receive them:
Level 3 in all the religions teaches Sanctify, and Level 4 gives you Blessing. The Lords of Destiny don’t offer any spells other than those, but you do still get Pow for advancing.
Note that Set grants Invisibility at Level 1, and again at Level 3, which seems to be an error. Getting Invisibility right away is a point in favor of Set, but getting it twice is a point against him. And Athena and Hecate get Shadowform, a very cool spell, a whole level before Set does.
Pawn Shop
One of my favorite aspects of the game is the pawn shop in Rampart. It’s a rotating selection of random items for sale at a discount. Everything there is pre-identified, both good and bad items can be found, and a large selection of items can appear there. There’s enough good items that show up that it’s usually worth your while to check in, but not so many that it makes the random items you find in dungeons pointless.
Coupled with the cash from robbing the autoteller, it’s a great resource that helps make every game feel different, even when much of the opening time in Rampart is not actually all that random. It also has a lot of psychological value. As I mentioned last time, Omega can be really capricious, and sometimes there’s nothing you can do to save your character. If you’re going to be forced to start over for frustrating reasons, it helps a lot to know you can look in on the pawn shop and have a good chance of finding something useful and different to help your new character get on their feet.
If you’re playing Omega 0.90, you’ll find that the Pawn Shop has a much larger selection!
Strategies
There are a lot of spoilers here, many of which derived from reading the source code. That is your only warning. A game like Omega benefits strongly from having a community around it, to trade discoveries and observations and compete against each other. This community used to exist. Its annals are recorded in the archives of rec.games.roguelike.misc. It doesn’t seem to exist any more. Please take these notes in substitution for it. I have yet to get into the later portions of the game anyway. The early phases are the hardest parts to survive, so maybe this will help get you through the early frustrating phases.
Rolling a character
Major effects of the stats Strength: Damage with heavy weapons and carry capacity Constitution: Maximum hit points Dexterity: Chance to hit and damage with light weapons, chance to disarm traps Agility: Movement speed and dodging Intelligence: Chance of learning spells randomly and some aspects of spellcasting Power: Maximum mana points
Caveats of the above: I have yet to decode the source far enough to be sure of the effects of Strength and Dexterity in fighting; what’s given here is summarized from the game’s help file. There may be minor cases for each that are not covered here.
So long as your character can join a guild that can increase the above, low stats are not necessarily a big problem. See the section on guilds, above, for more information.
Robbing the autoteller
The ATM is “badly programmed,” not in the game’s code but in the game’s fiction, and can be easily exploited. Use Shift-O to open an account and set a password. (All of the ATM key commands are shifted, for some reason.) Then use Shift-P to enter a password, and enter anything except the password you entered. The teller will print a message saying the police have been alerted, and to press space to continue. Hit any key other than space, and after about half a minute you’ll have from 1,000 to 4,000 more gold pieces and five more chaos alignment points.
You can use those alignment points to get started on a career of gleeful lawlessness, or have the Archdruid neutralize most of them, or give 100 gold pieces at the hospice (or 1 gold piece five times) to get back to net zero if you want to join the Paladins or a lawful religion.
Exploring town
Rampart has a lot of resources available, enough so that it can be hard to keep them all in your head. I offer this chart to summarize what’s there. Note, while the layout of the main city is the same from game to game, many of these locations are moved to a random door. Most of these doors will be the ones that are open at the start of the game, but two, the Thieves’ Guild and the Brothel, will be in random closed (yet, unlocked) doors.
The Hedge Maze
The hedge maze is probably the most dangerous location in Rampart, other than the Sewer dungeon. Traps in the maze are a concern; setting off an alarm trap in here can be disastrous, setting the whole guard off looking for you. If this happens, the game can become almost unplayable. Talk to one of them and they may ask you to give yourself up. Doing this pacifies them, but also means you are sent to the City Gaol, although you tend to be released the first time this happens.
There are certain locations in each hedge maze layout that tend to generate either a trap, an item or a monster. As you play you’ll gradually get a sense of where those are.
The primary attractions in the hedge maze are the house of the Oracle, who gives advice as to the next places to go as well as having a mirror that can provide a free self knowledge spell, and the entrance to the Sewers, a popular second destination after finishing with the Goblin Caves.
Around the side and back of the maze is the Cemetary, which has some interesting items in it, which are unfortunately guarded over by liches. At the entrance to the cemetery, when you try to walk in, you’ll be asked something like “Are you sure?” This is not because of any special property of the cemetery itself, there’s a peaceful invisible monster, a haunt, standing in the entrance. Of special note, the hedges of the maze are separated from the castle by only a narrow moat of water. It is thought that there might be a secret back way into the castle, if one could get past the moat….
There is one more interesting property of the hedge maze. Randomly each game, a few of its bushes are chosen to be trifids. They look identical, and it’s not easy to tell them apart from hedges without special means. If you walk into either, you’re asked if you’re sure.
Walking into a hedge can do a variety of bad things to you, including tearing up your cloak or poisoning you, but walking into a trifid is usually fatal-unless you’re carrying a bucket of salt water outside of your pack! If this is the case, then instead of getting devoured by an evil plant monster, you automatically destroy the trifid and get 1,000 experience points for it! This is usually enough to advance you to the next experience level until you get up to 8,000 XP, and even then it’s a substantial boost. The more experience you get from methods like this, the less you’re put at the mercy of Omega’s combat systems.
The key is, you need the bucket of salt water to perform this trick, and also to either identify which bushes are the trifids. The salt water is sometimes sold for cheap in the Pawn Shop, and are reasonably common finds in the Goblin Caves. Identifying the trifids can be as simple as walking systematically through the hedges, although it’s best if you go cloakless and have poison resistance from a ring. You can also use some spells, like Firebolt and Ball Lightning, which destroy hedges but don’t affect trifids.
Why am I so into this? It’s because it’s a worthy game, one that can give an interested player a lot of enjoyment, yet few people talk about it anymore. There is a real sense that this game could vanish. There’s several Github projects hosting the source. They tend to have grandiose aims like converting the code to use C++ (last update: three years ago), or making a “Next Generation” version (last update: six years ago).
In a file in the code, Omega creator Laurence Brothers mentions his hopes for future development of his project. And then he graduated from college, and passed the game on to others, who, after some initial effort, have not done a great amount with it in the decades since.
Adult Life happens to everyone, and no one should be faulted for failing to maintain an old console game that was mostly played by people in college. But it is a shame that Omega doesn’t have an inscrutible and forbidding DevTeam like NetHack does.
I’m tooling around a little with the source code. Omega’s structure isn’t that hard to understand. Maybe something will come of it. If it does, you can be sure that I’ll mention it here, and probably try to get some column mileage out of it. Until then, here is the conclusion of our strategy coverage of Omega. Previous articles are here: first – second – third – fourth.
Spells
Certain spells, if you can get them, can make your journeys much easier:
Invisibility makes most enemies escapable if you can get at least one space away from an attacker. It offers no protection in melee combat, but no one can chase or shoot you while you’re unseen. Items can make you invisible too, though.
Sleep used against you is dangerous (but see more on that below). Sleep used against a monster tends to be even more dangerous for them, however: they tend to stay asleep indefinitely until attacked. You can doze a monster in the Arena and take your time resting for many minutes (with the comma key), and I haven’t seen the opponent awaken yet!
Firebolt is does moderate damage, and can destroy hedges. It doesn’t affect trifids, so it’s a good way of telling them apart.
Ball lightning is even better, and can affect a 3×3 area. However the low-end attack spell, Magic Missile, tends not to be too helpful.
Identification is extremely important if you don’t join the thieves’ guild; there are so many cursed items that some means of identification is basically required, and identification scrolls are too uncommon.
Shadowform makes exploration a lot easier, making overland travel faster, letting you pass through walls, and making it harder for many monsters to hit you.
Curing is nice for battling disease without having to find healers or a Potion of Curing. Healing, however, isn’t that useful; it doesn’t heal for much so in battle it’s mostly giving your enemy free hits, it consumes your precious mana points, and if you’re not in battle, you can use the comma key to rest for ten minutes for a similar effect.
The Enchantment spell is extremely useful if you can get it. It allows you to add pluses to equipment, weapons, armor, and rings, at the cost of mana points. All of these things help out a lot. I have discovered that enchanting an item to more than +6 will probably destroy the item. Beyond that, the catch is that nothing in the game that I know of grants Enchantment specifically. The only way to get it is through random means, particularly studying at the Collegium Magii.
At higher levels I can’t offer much advice. Two gods offer Hellfire at top rank, which instantly kills many monsters. Disrupt does high damage at a point in sight of your choosing. Disintegrate can destroy both monsters and walls.
Free experience
There’s a good number of ways to gain experience points without fighting!
Every lock you pick with thieves’ picks gives you 3 XP. Given the number of locked doors in Rampart, and the low experience requirements for the lowest levels (level 1 at 20 XP, level 2 at 50), if you can get picks somewhere, you can gain two levels right off the bat that way. You get free lockpicks from the Thieves’ Guild, but you don’t have to be a member to pick locks, or gain experience from it. If you don’t want to join the guild, sometimes you can find some in the pawn shop.
Disarming a trap earns 5 XP. If you score a critical success on the roll (more common at high Dexterity) and manage to salvage a trap component, you gain another 25 XP.
Greeting the Archdruid in the temple north of Rampart (talk with the ‘t’ key) is worth 300 XP. This is not only worth three levels from zero XP, but if you’re a member of only one guild or religion, it’s nearly enough to get you to the first level of advancement in it, which happens at 400 guild XP points. Reaching the first tier in a religion earns you two new spells! The biggest danger of doing this is the chance that you’ll be eaten by the lions and doberman death-hounds that perpetually roam the countryside.
Scrolls of Law and Potions of Chaos earn you experience points relative to how much alignment you have in their areas. They can be worth a lot! Don’t read/drink one if you’re of a different alignment, though.
I mentioned above that killing a trifid by carrying salt water earns you 1,000 free XP!
At the brothel in town (“The House of the Eclipse”), if you knock on the door at night and have 500 gold, you’ll have an “educational experience” and earn 100 XP. This also has a chance of increasing your Constitution, unless you answered “n” to the sexual preference prompt at the start of the game. In that event, you’ll instead have a chance to increase Intelligence. That’s rather a lot of money for 100 XP, but it’s a risk-free option if you have a lot of cash.
Survival
Food
You can always buy cheap food from the fast food places in Rampart, but they weigh 20 units. Although the default description of fast food is “red-and-white buckets,” they’re just food rations that haven’t been identified yet. Other food may be lighter, but can only be found randomly. I usually buy 10 food rations to start out, which is enough to make it to the Archdruid’s temple and back to Rampart. Note that the food rations you find in dungeons may be poisoned food, which is a different item class than normal food rations.
Combat
Remember to set your combat routine! That’s Shift-F. Read the game’s help about combat to find out more about it. At first you only two points to spend. Generally I find it’s best to spend them on Lunge Center: you get hit more often, but at least you can strike opponents with reasonable frequency. Whenever you gain some Agility, gain a level, or join the Gladiators, check to see if you gained another combat maneuver point. All of these matter, but except for the guaranteed bonus point you get as a Gladiator, they seem to be awarded a bit randomly. My first addition to my combat routine is Block Low at the start; after than, Block Center. From there I may add extra attacks. You can have as many as eight points, which can make you quite the terror.
If you’re against a stronger foe in an encounter, and have a chance, set your fighting routine to blocking at as many different levels as you can. You can escape from an encounter if you get to an edge of the tactical map, even if monsters are adjacent to you. Remember to set your moves back to how you want them later.
If you speed drops significantly (to 0.50 or slower), you’ll be warned that your maneuvers have been reset. This usually means you’re already in big trouble.
Lunarity
This is an obscure but extremely important aspect of Omega! At the side of the screen, there is a display they tells you what the current phase of the moon is. Do not ignore it!
If the phase of the moon matches your alignment, then you get an extra to-hit bonus equal to your experience level, and also do double damage! But if the phase is opposite your alignment, then you take a to-hit penalty of half your level, and do half-damage!
The Lawful phase is a full moon; the Chaotic phase is a new moon. Each is each other’s bad phase. For Druids, the half phases are the best times, and the bad phases are both full and new moons. Each phase period lasts for two game days. If you’re not aware of the effects of the moon, the result is your character just mysteriously rocks or sucks every so often. Lunarity also affects the magic consumption of your spells.
Overworld
In the overworld, unless your character is really strong, there is always the chance the game will screw you over with an adverse effect. Chaos storms can, on a whim, reduce your Power by 10 and zero out your mana, or teleport you into the middle of the Chaos Sea, or even reset your experience total and level to zero and remove all your spells and guild ranks. These eventualities are unavoidable, except by wearing Seven League Boots, which nullifies outdoor travel time. In all other cases they happen ever game hour when on the land. The only solution is to spend as little time outside as possible. Being a Druid, riding a horse, or being in shadowform can reduce this time, but only Seven League Boots negates it entirely.
Aside: One possible result of a chaos storm is being teleported to a random location in the overworld. A possible result of this is being sent to the middle of the Chaos sea, surrounded on all sides. Your only recourse in this instance is to try to swim to shore. The following is one possible result of that:
Summarized: the player is given a big negative alignment boost, then usually a whole experience level, and is then killed outright. Thanks for nothing!
Traps
Four types of traps offer special dangers:
Alarm – In dungeons, basically harmless. In Rampart though, probably makes the game unplayable until you turn yourself in by talking to the guards out trying to kill you.hysically, harmless. But spellcasters will find their magical reserves instantly depleted by this, usually meaning an expensive trip to the Sorceror’s Guild at the very least.
Disintegration – Destroys your cloak, your armor, or you, in that order. It does no damage to you personally if you’re wearing either of those two things. Just be sure to always be wearing either of those things.
Acid – Does damage, but more importantly, can destroy multiple items you’re carrying, even in your pack. Worst of all, if the trap decides to destroy a wand it’ll explode and cause a manastorm, doing heavy damage to you. I’ve been wiped out by two wands exploring from an acid trap.
Abyss – This is the worst trap. Teleports you to The Abyss, a place where you fall for an arbitrary distance, then back to the countrysite to land and take falling damage from the distance you fell. The higher amounts of damage are uncommon, but all too possible, and it can thdo any amount of damage.
Curses
Generally curses are of the typical roguelike style. Both wearable equipment and wands you’re carrying can be cursed. Worn equipment that gets cursed can’t be removed unless you can somehow lift the curse. The item often gains big negative effects too, like Rings of Strength are transformed into Rings of Burden when cursed.
I don’t have all the information on curses that I’d like to give you. As near as I can tell so far, to actually remove a curse, you have to get a blessing from a god you worship, which relies on sacrificing a good-enough item to them first. Scrolls or spells of blessing do not appear to work, although a blessed item is further away from being cursed to begin with and so can be an effective preventable measure. Your best recourse, that I know of, is to destroy the item by bashing it (Shift-Z). Some items may take multiple attempts.
Dungeon features
Rivers
Water is sometimes a big obstacle dungeons. Once in a while you might get a setup where you can’t make forward progress. You can jump over water, but only if you have seen the ground on the other side and know it’s empty. This is a prime use for a scroll of clairvoyance, which lets you map out a small square section of the current dungeon of your choosing. As an aside, this definition of “clairvoyance” in roguelike terms may have been an influence on NetHack’s, which maps out a section of the dungeon around the player. Or, maybe it was the other way around, and NetHack inspired Omega?
Anyway, a good way to die is to jump into water, which puts you at the mercy of whether the game thinks you’re carrying too much weight to swim out. You’ll be offered the chance to drop various objects to try to lighten your load enough, including as a single action, dropping your entire pack to be lost in the unknown depths. This is one of a number of ways the game has to destroy your whole non-equipped inventory at once; others include overweighing your horse while out in the countryside (it runs off and your pack is in its saddlebags) and an effect from touching a stone in a village.
It’s difficult to have a horse in a dungeon, since your character automatically releases a horse when you enter, but if you can manage it, it seems that they will swim across it readily. The way I know is to befriend a horse found in the dungeon.
Statues
There are statues in Rampart and the villages too. You can try to bash them (with the ‘z’ key), which can turn them to rubble, cause them to give you a random hint, or sometimes come to life. I have seen a statue, in a dungeon once, actually come to life when I stepped near it and immediately attack me. (It was a salamander, and since I didn’t have fire resistance at the time, I died very quickly. Statues aren’t defined to be of any type, they describe as “A strange-looking statue,” so there’s no hint as to what a statue might turn into. It’s for the best to be wary of them.
Rubble
Rubble is created when you tunnel through a wall, sometimes when you bash a statue, and when a monster destroys a door, as well as sometimes just generated randomly in dungeons. When you step on rubble, sometimes you take a small amount of damage, and sometimes you’re stuck in place for a number of turns. You don’t have to repeatedly try to get out of the rubble to escape it. All that matters is the amount of time that passes. You can still attack adjacent monsters while you’re stuck in rubble, you just can’t leave it.
Altars
Altars appear in dungeons as well as in Rampart and villages, and can be used for the same purposes. Most of these random altars will be of alignments other than that of your current god just from the law of averages, so if you’re already in a religion, praying at one in the dungeon is usually a bad idea. You can interact with altars in a couple of other ways. You can bash one, but this will draw the wrath of the altar’s deity. You can also cast the spell of Energy Drain at one. If I read the code right, you might get a couple of points of Power out of one this way if you’re not in a religion, but in any event you’ll still suffer from divine wrath. In this case, you take a random amount of damage between 0 and ten times your experience level, which is often a chance of immediate death. For many characters, this has the potential to be instantly fatal. I shouldn’t have to say this, but especially don’t bash or cast Energy Drain on an altar belonging to a god you’re a follower of.
Lava
Most lava takes the form of isolated pools. You can jump over it. I wouldn’t jump into it. Having a horse is no use here. There seems to only be one defense against walking into lava, other than just answering “n” to the question of whether you’d like to cook yourself: from reading the code, if your character’s name is “Saltheart Foamfollower”, and it’s got to be that exact capitalization, you’ll only take one damage from lava. It appears to be a reference to the Thomas Covenant books by Stephen Donaldson.
Conditions
Poison: Caused by hedges, spells, traps and some monsters. Means your hit points decrease maybe once a game minute. Cure it at the Healer’s, at the Paladins if you’re a member, a potion of poison antidote, or by eating lembas. It goes away on its own if you can survive long enough, but don’t take it lightly.
Disease: Caused by spells and some monsters. Means you don’t naturally heal. (Usually, you regain some hit points every ten minutes.) Get it cursed at the Healer’s, the Paladins if you’re a member, by eating lembas, or by drinking a potion of curing. Note, this is a different curative potion than poison.
Stat loss: Caused by poisoning and miscellaneous other causes. This lowers a stat, but not the max stat associated to it. Cured with a potion of spell of restoration, or by resting for a week in a rented condo. (That cures a number of the more obscure conditions.)
Slowness: This is caused by some spells, especially those of the goblin shamans. It is a long-lived condition. The only cure I know of is a week of rest in a condo, which you should avail yourself of as soon as possible.
Sleep: This one is extremely dangerous. Although the game still lets your character block and even counterspell while you’re asleep, you don’t get to take any non-automatic actions. The death march of flipping through page after page of attack messages, unable to do anything, is one of the most frustrating events in Omega. Fortunately it’s simple to become completely immune to sleep: just eat a schezuan pepper, which when unidentified are described as being “withered reddish stringy vegetables.” They’re not uncommon in the Goblin Caves, and sleep resistance is important enough to get that, if you haven’t found them by the time you’re done with Level 5 in the Caves, it’s worth regenerating the caves to gain more chances to find one. (You regenerate a dungeon by entering a different dungeon, even if just for one turn, the Sewers in the Hedge Maze are good for this. When you go back to the Goblin Caves, they’ll be unmapped, with a new set of monsters, and some of the treasure will be different.)
Level drain: Your level is distinct from your experience total. You can lose levels without losing experience points, which is what level drain is. If it happens, it’s immediately bad, but you get those levels back the next time you earn XP. You can also lose experience points, which in turn brings your level down. That can only be fixed by earning those experience points anew. Certain interactions with altars, particularly, can cause that, like asking for a blessing when a god doesn’t think you’re worthy.
Of special note, conditions are recorded by the number of turns they have left. There are special cases in the code that cause conditions that have more than 1,000 turns to never run out! At that point, the game considers them to be permanent! This is true of both good and bad conditions.
Specific monsters
Lions – Deadly if you’re not already a competent fighter, and fast. A common source of death from random encounters. If you don’t think you can take one, you might set your combat sequence to all blocking at different heights, then trying to get out of the map.
Goblin Chieftains – Common foes in the Goblin Caves, and will kill you a lot if you’re not ready for them. Setting one of your combat sequence items to Lunge Center helps. The big trouble with them is the great axes they wield, which have the potential to go lots of damage. If your own Strength is high, they aren’t bad weapons to wield yourself.
Goblin Shamans – They begin appearing at Level 6 of the Goblin Caves. You need to be sleep resistant (use the schezuan pepper trick I mentioned) before you try fighting them. If one of the slows you, rent a condo for a week to cure it.
Grunts – Usually pretty easy to beat, but if it connects with that club it can do 20+ damage. Best to treat it with respect, especially the one that shows up in the Arena.
Phantoms – They can drain your levels, which a cloak of negimmunity can protect against. They’re also incorporeal, so you can’t just smack them to re-death, but they can be harmed with magic.
Salamanders – As near as I can tell, you just want to make sure you have fire resistance. If you do, they’re pretty easy. If you don’t, you will be well-roasted.
Horses – Can be tamed by giving them a bag of unmilled grain (give with ‘g’). Talk (‘t’) to a tamed horse to ride it.
Mendicant Priests – These annoying supplicants follow you looking for a handout. Once they see you, they stick to you like glue, and can block you in a dead-end. You can give them a trinket to make them go away; this counts as a lawful act. They aren’t hard to kill, but can curse an item if you don’t finish them quickly.
Itinerant Merchants – Worth talking to on the off chance they have a good item for sale. They usually just sell junk, or hype their stables back home.
Fnords – These peaceful creatures are nevertheless very dangerous; while you’re adjacent to them, they summon other monsters, who probably won’t be peaceful. Usually best to just slay, despite this being a chaotic act you may want to avoid.
Soldier Ants – As in NetHack, soldier ants are a particularly deadly foe in Omega. They’re fast and the can poison you. While poisoning in Omega doesn’t have the risk of instant death that it does in NetHack, it drains significant health over a short period of time. If you get stung more than once, you’re probably done for. It can be worth trying to drink unidentified potions to save yourself; either Curing or Neutralize Poison will end the condition. It might be best to turtle up (set your fighting maneuvers to all blocks) and make for the stairs.
Harder foes – Run. A tactic that might work is to set your combat maneuvers to all Block at different heights, to “turtle up.” If you do that, and you do escape, remember to change your maneuvers back after. Note, however, that if you see a really out-of-depth monster, there’s a good chance that it’s actually a phantasticon, a fairly weak creature that masquerades as other types of monster. Its alternate appearances do not give it any special powers. It flips randomly between forms every few turns, so hang out at a distance and see if it changes.
Miscellaneous advice
Here’s something really basic: how should you run the game? Most of my playing has been in the DOS version of 0.80.4 running in DOSbox, and that’s how I suggest you play. Every other version has some issue: the Amiga version requires you set up UAE and figure out how to activate it in Workbench; the OS/2 version requires you set up a virtual machine running that OS; the two Windows versions both hide your location from you (the player) when you (the character) are invisible, a joke that’s not so funny when it makes the game difficult to play. The DOS version also hides your location, but still reveals where you’re standing with the terminal cursor.
In that DOS version, when you see the Oracle in the Hedge Maze, the game will ask if you want to ring the [b]ell or look in the [m]irror. Due to a coding oversight, after you look in the mirror, it looks like the prompt is still active. If you then press ‘b’, it’ll be interpreted as a movement command (diagonal down-left), and ask something like “Are you sure?” If you then answer ‘y’es, you’ll walk into the hedge, where you might get stuck, poisoned, or if you’re really unlucky eaten by a trifid. There is a command for interacting again with something right where you’re standing: the ‘@’ key.
There’s a similar issue when you step on a disintegration trap. The game will flip immediately past the notice that your cloak or armor has been destroyed. You can see the notice if you press CTRL-O (in DOS) to look back through the message buffer. Be careful not to step on the trap again immediately after, as you’ll probably disintegrate yourself if you do.
Don’t forget to check the key commands, with ‘?’. There are different keys for ordinary play and the overworld map.
It’s easier to get started playing a chaotic character than a lawful one. A chaotic character can get cheap mana from the Sorceror’s Guild, can build experience and alignment alike by threatening goblins then killing them (starting at around Level 5 you can even do it to chieftains), and you don’t have to worry about giving monsters the first try to hit you. Lawful characters have to play a bit more carefully at first. Neutral characters (like druids) have to play more carefully still.
Don’t drop anything in the overworld, as you won’t be able to pick it back up.
When you see an unfamiliar monster (especially in the overworld, where almost anything can turn up), the first thing you should use is Shift-X to identify it. Especially if it’s displayed as a letter with a background color, it’s almost guaranteed to be something dreadful.
Unlike NetHack, there are no “false” rumors. Anything you read on a hint sheet, hear on the wind, or get from other sources is true.
True Sight protects you from blindness.
At the start of the game, if you plan on going Lawful, it’s not a bad idea to save enough money from the ATM to join the Thieves’ Guild, which can be done before you get to +10 alignment. You can join the Paladins so long as your alignment is >0, so there is a window in there where you can join both. Once you’re in with the Thieves, they’ll never kick you out, but the Paladins definitely might.
Why join the thieves? They identify things cheaply, and then buy the identified things for more than the Pawn Shop will. Identified things generally sell for much more than un-identified. Joining the Thieves, depending on your Dexterity and alignment, may cost more than 1,000 gold. If you don’t have the cash from robbing the autoteller, you might get trapped in a spiral where it’s difficult to scrounge up enough money to join later.
If you get trapped in a dungeon, which happens once in a while, you can tunnel (Shift-T) through walls to get out of it, but you’ll leave a pile of rubble where you dig, which can trap you for some turns and harm you when you try to get over it. Also: if you tunnel too much on a level, you can collapse the dungeon around you, usually resulting in an immediate demise. (There are several warning messages that appear before that occurs though, so occasional tunneling is okay.) Tunneling is generally not useful for getting money embedded in walls, though: the money gets buried in the rubble.
Monsters in Omega never follow you through the stairs to a different level. This is an important fact!
Once the money from robbing the autoteller is used up, you may find yourself in need of more cash. The money you find in dungeons (in the early game at least) tends to be small amounts, worth 10 gold or less.
Here are some other likely sources of money. The best way to earn cash in the early going is selling great axes from goblin chieftains to the Thieves’ guild. You can’t do this unless you’re a member. You get more money if items are identified. If you identify them first, you can get 133 gold each, which tends to pay for your membership before long. The pawn shop doesn’t pay as much, but can be an acceptable fallback, although they, too, pay more if an item has been identified. Neither location will accept cursed items, but great axes used by the goblins are not generated cursed.
Once you find better magic items, you can get a good amont of money from them. And look out for “huge green gem” and “some stones,” as those are gem stones that bring you a lot of cash once they’re ID’d.
It’s risky at low levels, but there’s the Arena. Look out for the grunt, apprentice ninja, and especially salamander opponents in the early going. The salamander follows the apprentice ninja, you really want fire resistance before you tackle that one.
If you’re really low on money, you can go to the Public Works building in Rampart to get your money increased to 99 gold once.
When you talk to an animal, you get a silly reaction that results in the animal handing you an academic paper indicating that ANIMALS CAN’T TALK, DUMMY. Har har.
The Alchemist’s shop in Rampart can buy monster parts from you, or else for a fee turn some parts into useful items. But if you go to see them with such items in your pack, you might be dismayed to constantly be told you don’t have anything. In fact they can use lots of things, but they can only see items if you’re carrying them in one of your main inventory slots. They won’t notice anything in your pack.
The single most useful thing you can do to survive the early game is buy a good weapon (warhammer or morning-star for strong characters, epee or rapier for dexterous ones), then set your fighting routine (Shift-‘F’) to Lunge Center. I usually check the Pawn Shop before buying something in the Armory, in case something better can be had there for cheap. If you’re a strong character, you should probably switch to a great axe, from a goblin chieftain, as soon as you can.
The second most important thing is to have decent armor, which takes the edge off of each source of damage. I usually go with chain mail, or better if the Pawn Shop has something, but try to upgrade to plate, or especially . Generally, I find good heavy armor is better than light armor, even if it slows you down a bit.
Many of the miscellaneous items you find in dungeons, like tin soldiers or broken swords, have no useful purpose, but a few do. We’ve already noted eating schezuan peppers makes you permanently sleep resistant. Giving (with the ‘g’ key) a sack of grain to a horse can make it rideable.
The general loop of the early game is to find useful stuff in the Goblin Mines that you can identify at the Thieves’ Guild (only open at night), then either use or fence there. Use this money to improve your equipment and build your stats at the Gym and Library. There are stones you can touch in the towns that can also improve your stats, but they can have severe drawbacks, including but not limited to destroying everything in your pack.
If you manage to get the Enchantment spell, I know from experimentation that enchanting rings past +6, at least, is risky.
The problem with most good armor is that it’s heavy, and reduces the amount you can carry back to town at once. An exception to this is the best armor the Armory sells, lamellar armor, which offers both great protection and is very light. The problem is, it costs 3,000 gold pieces.
Omega has a cheat mode, which is called “wizard mode” by roguelike tradition. The DOS binaries have it enabled. While broadly intended for development use, it’s also a good way to learn how to play the game. You can activate it by going to the very upper-right corner of Rampart and attacking the corner of the wall to the north-west. The game will ask if you’re sure. Wizard mode is cheating and will disqualify you from the winner’s board, but it can be a less frustrating way to get used to Omega. It has a couple of special commands: Ctrl-W maps the current area, and Ctrl-X lets you make a wish.
If you do this, or you get a wish randomly (which happens once in a great while), a text prompt will appear asking what to wish for. The first thing you’ve got to know is, you only get one try. If you wish for something and the game doesn’t like it, it tells you “you feel stupid,” and what you actually receive is bupkis.
There’s a very limited number of things you can wish for. This isn’t an Infocom-style parser, nor a NetHack-style wish for an item. You can only wish for one of a small number of discrete things. This is a pretty big spoiler, but the game is so laughably precise about what you can wish for and how you must wish for it that I’m going to go ahead and lay out the whole damn list, directly from the source code. You can wish for:
Power (grants a lot of mana)
Skill (seems to grant one experience level in 0.80, or a flat 10,000 xp in 0.90)
Wealth (10,000 gold)
Law or Chaos (25 alignment points in that direction)
Balance (zeros out alignment completely)
Location (asks you which area of the game you want to go to)
Knowledge (teaches you a highly random number of spells, and may reduce the casting cost of some spells you already know)
Health (heals you and curses any poisons or diseases)
Acquisition (gives you a random item, works differently in wizard mode)
Summoning (sends in a monster, also works differently in wizard mode)
Death and Destruction work, but they’re really not a good idea.
You can wish for Stats only from wizard mode
Everything you wish for must be in lowercase beginning with a capital letter, and with no trailing spaces. You won’t get anything you wish for if you don’t capitalize it! The code uses the standard C library function strcmp() to do the check, so you have to get it exactly right.
If you do some searching for old Omega spoilers, you might find indication that you can wish for the main stats in normal play. That used to be possible, but was removed from the game by 0.80. You also used to be able to decide what was summoned. It’s not the only feature that had been heavily nerfed: blessed rods of summoning used to let you specify what you wanted to summon in an oblique way, but in 0.80 and 0.90, it’s always random.
And…
Rods of Apportation lets you get money embedded in walls.
Day businesses in Rampart open at 7 AM and close at 9 PM. Night businesses keep the opposite hours.
Dungeon levels can have multiple down and up stairs, but each has only one entry point coming from above and below. All the stairs doing down from a level lead to the same upstairs. All the stairs going up from a level lead to the same downstairs. If you teleport into a level, you end up at the same entry point. This can be taken advantage of sometimes to speed your travel, but it can also slow you down. It also means, if you’re sent down into a level by a pit trap, you’ll always be left at a place where you can immediately walk back up stairs.
White underscores in dungeons are elevators, they ask you to enter a dungeon level to be taken to. Don’t use them to ascent by more levels than there are in the dungeon. If you’re on Level 3, and go up three levels, it’ll take you to the surface. Higher than that and you’ll suffer a terrible fall.
Goal levels in dungeons cannot be warped to, so go to the level before. The goal level of the Goblin Caves is Level 10, and the goal of the Sewers is Level 18. The other dungeons you’ll have to find yourself (or read one of the FAQs linked below).
The Return spell from the Explorer’s Club is great, acting somewhat like Angband’s Scroll of Recall, or Diablo’s Scroll of Town Portal. Cast it on the first level of a dungeon, and it’ll take you to the deepest level you’ve been to. Otherwise, it’ll take you back to the first level. It usually takes some time to activate though. Because of its operation, it’s usually a good idea to go down stairs you find in a dungeon, even if just for one turn, if they’ll take you to a level you haven’t seen.
In addition to the chance of arbitrary damage, when you trigger an abyss trap, the game rolls d100, and if it comes up 13, you meet Yog-Sothoth (people familiar with H.P. Lovecraft will recognize the name), and if your alignment is higher than -10, you just die instantly. If your alignment is lower than that, you are granted 2,000 XP. There is no special effect if the number comes up as anything other than 13.
At Last!
We’re done talking about Omega for a good while! If you need more information, some documents on the official Omega distribution site may help you, although they’re all for 0.75: the FAQ for 0.75, a hint sheet, and a spoiler file. There’s more to say, I’m sure, but let’s save some for a future time.
Next month, we’ll have some other roguelike obscurity to talk about. See you then!
The Gripe Monster lives in a cave on the premises, and hates everything. In its mind, nothing has ever been great, but it always used to be better. It has demanded the opportunity to vent its three spleens here every once in a while. We have agreed, in order to shut it up, and so long as it confines its rantings to occasional Sunday evenings. Take it away, Gripey!
Don’t call me Gripey!
Rarr! I am the Gripe Monster! Fear me! I will talk your ear off if given the opportunity! Do you know how much a doctor charges to reattach an ear? And you can’t sue me for injury, judges think I don’t exist!
But I do exist! I’m not just a piece of pixel art! And I am displeased. This time the object of my formidable ire is a dumb listicle!
In particular my woeful focus is fixed upon an article on a website, titled 10 Games You Probably Didn’t Know Started As Arcade Games! It makes my bile boil, and my blood clog! It upsets all of my monsterly fluids!
Three of the series listed are Tetris, Super Mario Bros., and “Space Wars!” This article, it makes me breathe FIRE! None of these series started in arcades! It doesn’t even get the original name of Space War right! My sensibilities are agitated! They cannot even claim defense due to Mario starting in Donkey Kong, for they list that as a separate series!
I do blame the author, for my anger is indiscriminate, but my wrath is tempered with the understanding that writing is difficult and research is time-consuming, although the histories of these series are by no means secret! Much more, I blame the site that let it pass without question. Grar, I say! Grar and grar again! I swipe at it with my mighty claws, and I bite it with my awful tusks!
If you do not wish to suffer my wrath in the future, please edit your articles with greater care! And get off my lawn!
Management wishes to express that we bear no ill-will towards either the author or the site, although the points Gripey brings up are technically accurate. Mistakes happen!
If you’ve followed the speedrunning scene for a while, you’re probably familiar with fcoughlin‘s Zelda Randomizer. It’s a program that can take a rom file of The Legend of Zelda and “scramble” it, in ways that the user can specify, in order to make it playable afresh, even for people who have played through it dozens of times already. It can move dungeon entrances, dungeon layouts, item locations, enemy placements and much more. And its changes can be encapsulated into a seed value so multiple people can be guaranteed of playing the same version of the game.
But for everything Zelda Randomizer can do, one thing it cannot do is change the game’s overworld. All of the familiar Zelda landmarks, the Central Lake, the Lost Woods, Spectacle Rock, and the rest, will be present and in the same places. That is where Infinite Hyrule (forum post, BitBucket) comes in. It’s a program whose purpose is to randomly create new overworlds for The Legend of Zelda, and to insert those into a rom file.
Gah, Lynels! Nice waterfall though.
I should take a moment to impress upon you how difficult that job is. There’s a good reason fcoughlin never built an overworld randomizer himself. The Legend of Zelda doesn’t store its game world in an obvious format. To get around this, Infinite Hyrule actually expands the rom file, so it can avoid the original game’s convoluted system, which stores each overworld screen as a set of links to vertical sets of tiles.
This partially explains the unusual structure of Zelda’s landscape, and why a number of structures, like the round boulders of Spectacle Rock and the dungeon entrances, are reused in multiple places: there is only room for so many vertical strips of surface tiles in the game’s ROM chips. To create a program capable of generating new overworld, a programmer must not only keep this limitation in mind, and work within its stricture, but must also follow the usual checks to ensure the game is still winnable.
Note that tree in the bottom-left
But it’s not even necessary to combine the two tools into one, for Infinite Hyrule can work work with Zelda Randomizer! You just have to make sure you use Zelda Randomizer first, and that you restrict yourself to only using certain flags. I personally find the flag string cHBRDMIhioEeNCb14OPhBo useful for mixing things up acceptably.
In addition to mixing up the overworld and maintaining the unique feel of The Legend of Zelda‘s map, it implements a few new kinds of screens, including a village with houses, and can produce a map of the generated world too. That should keep you going for quite a while. And, if you’re not 14 any more, it can even be set to reveal LoZ‘s infamous secret caves with graphical tells of their location. That’s such a nice feature if you want to explore a map in a reasonable time frame, instead of resorting to the original game’s technique of testing every square. Since, after all, none of us are 14 anymore.
Showing off the new village biome
If for some reason you want a similar treatment for Zelda II: The Adventure of Link, you sadist, there is no need. The randomizer for that game can generate new overworlds without need of a separate utility. I’ve played quite a bit of that, and will tell you, if you thought the original game was hard, the randomized version can be ludicrous.
Chrontendo’s back! Dr. Sparkle’s long-running journey through the entire library of the Famicom and NES continues. He’s been doing this for at least 15 years! Chrontendo got its start as a blog, then moved to a YouTube format, although every episode is also uploaded to the Internet Archive. Dr. Sparkle tries to complete the games he covers, meaning, sometimes it takes a very long time to construct an episode, especially when it contains a lengthy JRPG.
In addition to being generally watchable by anyone with even a passing interest in video gaming history, Chrontendo is a good series just to have on in the background while you do other things. What I’m saying is that it’s comfortable. Like Comfortable Doug! (warning: earworm)
Chrontendo 60 is subtitled “The Most Perverted Episode,” covers April through May of 1990, and features:
horse racing sim Kurogane Hiroshi No Yosou Daisuki! Kachiuma Densetsu,
a long section the original Fire Emblem and the series in general,
Rare’s PinBot, a very unique and interesting simulation of a real Williams pinball table with some unique video extras,
GameTek’s home version of the Nickelodeon game show Double Dare, which was also made by Rare,
the ludicrously-titled Dinowarz: The Destruction of Spondylus,
Imagineering’s Ghostbusters II,
Ivan “Ironman” Stewart’s Super Off Road, by Rare,
a very long section on the epic Final Fantasy III, from and by Square, which Dr. Sparkle proclaims to be the best JRPG on the system,
Kagerou Densetsu, a “sorta action RPG thing” published by “Pixel,” but we’re not sure who exactly that is, and may have been intended, it is speculated, to be a kind of RPG-ish sequel to The Legend of Kage, and
Nintendo World Cup (forgive me for not typing out the entire Japanese title), that weird Kunio soccer game that Nintendo published under their own banner, just with all the story and setting removed. It’s a decent soccer game even so.
With this episode, Dr. Sparkle is declaring a dividing point for the series. Up until now has been the rise of the Famicom; the rest covers its fall, what he calls the “Byzantine Empire” phase of the system’s life. This doesn’t mean the series is almost over though. Far, far from it.
‘@Play‘ is a frequently-appearing column which discusses the history, present, and future of the roguelike dungeon exploring genre.
So let us talk about what is probably the worst thing about Omega: it’s capriciousness.
If you read the experiences of the CRPG Addict you might be given to thinking that Omega is actually pretty easy. Judging by the title screen on his review, he was playing 0.71, a version I don’t have access too, and may actually no longer be available anywhere on the vast World Wide Web.
My version is 0.80, which it seems like it must be harder than his. Also, he backed up his save games, which, while the instructions specifically suggest it if you’re having trouble, is still cheating. All of my games have been played traditionally. And let’s be clear as to why: because I’m a snob. A roguelike snob.
Of course most classic roguelikes have a degree of deadly capriciousness, but for some reason it’s especially bad in Omega. I don’t think I’ve seen a game with as many ways for a game to go from terrific to dead instantly, often without warning and in a single turn.
Here’s a list of ways this can happen, most of which I’ve personally seen.
To get it out of the way: you can be struck by a cosmic at nearly any time above-ground (and even underground? I don’t think so). That does 10 damage purely from random chance, with no way to avoid or reduce it. If you have less than 10 HP, your game is just over. Some characters don’t even start with 10 maximum HP. Cosmic rays are triggered at two different places in the code, on tables for indoor events and outdoor events. My reading of the code indicates that indoors, a check that can produce a cosmic ray happens every ten game minutes, and outdoors it’s every game hour. However, depending on the terrain, multiple hourly checks can be made per move. Cosmic ray hits are far from the only bad things that can happen per hour, so it’s best to go by road if you can, and with other travel aids if possible.
The hedge maze in Rampart is a terrific source of deaths. Traps in there can absolutely wipe you out, or else make the game unplayable. Traps exist elsewhere, but the hedge maze both has a higher density than elsewhere (it always seems to have at least one, and probably has several), and is right there in Rampart. There are a small number of possible layouts for the maze, and traps tend to appear in the same kinds of places, so eventually you figure out where you should search. Specifically: fire traps and scythe traps do a lot of damage, an abyss trap can bestow a bunch of falling damage arbitrarily and effectively teleport you, acid traps do damage can destroy multiple pieces of equipment, a disintegration trap can destroy equipment or kill you outright, and an alarm trap won’t do any damage, but it will make all the guards in Rampart permanently hostile, dooming your character unless you can take them, which is unlikely at the point in the game when you’ll be exploring the hedge maze.
Once you step out of the starting city of Rampart there’s the countryside, a whimsically deadly region where you can have “encounters,” during which you may be killed (I can attest) by bandits, goblin shamans, lions, bears, bog haunts, mirrorshades, liches, or even “doberman death-hounds,” who are both fast and get lots of attacks. Encounters can generate a monster right beside you, and in that case the game even gives it the first turn. Many times my games have consisted of spending the 15 minutes or so getting all my chores in Rampart done to get my character started, leaving town, getting an encounter on the way to the Archdruid’s temple, and getting wiped out literally before I could do anything. The only thing you really can do about these situations is decrease the amount of time you spend outside.
What did Lawrence Brothers have against dobermans?
I’ve died to random encounters three games in a row before: #1: Upon exiting the Archdruid’s temple, immediately, a random encounter. Then, in the tactical map, they got a turn before me and I died. I don’t even know what it was; it was invisible and killed me with a missile. #2: Upon exiting the city of Rampart, again before I got a turn, a random encounter. This time it was a goblin shaman casting spells. One was an area effect spell that killed the caster and awarded me an experience level, but then also killed me. #3: I got some steps towards the Archdruid’s temple before I got a random encounter that completely surrounded me with hedges. Trying to wade through them poisoned me to poison death.
How did I even wander into this situation?
Disintegration traps deserve special mention. I have again checked the game’s code and discovered the logic is: when you activate one, if you’re wearing a cloak, it’ll get disintegrated, no checks, no save, it’s just gone no matter what it is. If no cloak, it’s your armor that gets disintegrated. If no armor, it’s you. Traps in Omega are not common in the Goblin Caves, but can be anywhere there, and there’s lots of space for them.
Back to the hedge maze. Monsters can get generated there too, sometimes out-of-level ones, like lions, bears, “were-swarms,” frost demons, or pterodactyls. It’s right by the cemetery too, and sometimes it gets incorporeal visitors from there.
The hedges themselves can easily kill you. The game always asks if you’re sure when you accidentally miskey into one, thankfully. If you answer ‘Y,’ you open yourself to be stuck to the brambles for a not-insignificant number of turns, getting poisoned (easily deadly if you’re still at level 0), have your cloak ripped apart, or, if your luck is particularly bad, walking straight into the waiting tentacles of a trifid. Moral: YOU SHOULD ANSWER ‘N.’
Then there are the monsters who have unusually deadly attacks. Salamanders can breathe fire for high damage and from a distance unless you have fire resistance from a ring. Bog things can outright frighten you to death in melee. Until you learn that you should wear heavy armor to survive the Goblin Caves you’ll frequently get missiled to death by goblin chieftains, which are a prominent early source of fatality.
Learn to handle them, and later in the Goblin Caves your bane becomes goblin shamans, who can do a variety of awful things to you. The worst of these is sleep. If you get put to sleep, they’ll be able to get off several spells after. While somehow you can block their attacks, and even counterspell their continued enchantments, automatically while asleep, you’ll still often get slowed, snowballed, cursed, diseased, or poisoned. Entering a new level there is a particularly tense moment once these guys start showing up.
Oh here’s a good one. Fighting tooth and nail against goblin chieftains got my hit points down, but I was resting between fights and not doing too badly. Then not seeing any monsters around I walked across the room, happened to step next to a ‘1’ character, a statue. It came to life immediately as a salamander and promptly roasted my ass. I prefer my ass uncooked.
Get a load of this. Rolled stats until I got a character who had an Intelligence of 18, so they could join the Collegium Magii for free right away, and also could join the Gladiators. Did both those things. Bought ten buckets of Lyzzard Partes for early rations. Tripped over a hoplon, a good shield, and found both ring mail +1 and a war-hammer + 2 in the pawn shop. Found the Thieves’ Guild by dint of checking nearly every door in town. Joined the college but failed at the roll for learning a random spell. Went to the Arena and chose to fight the first opponent, a lowly goblin. Set combat tactics to Block Low then Lunge Center. On my first attack against the puny green foe, I take one hit point of damage from them, then: “Oh no! You hit yourself! You died!” Eleven points of damage from a fumble at level 0. That’s like having a fatal accident at after-school martial arts practice.
“Stop hitting yourself!”
At INT 18: “Killed by stupidity.”
It’s not just death that particularly bad luck can cause.
Weapons can shatter if you roll particularly badly in a fight. In general, you should consider your equipment in Omega as ultimately temporary.
Punching is of little use against strong enemies, so I bought a broad sword for 180 gold. Ventured into the wilderness. Got a random encounter involving a freaking lich. I managed to get away, but not before it destroyed my broad sword from a distance with a spell of Destructo Weaponum. I headed back to town and bought another one, then went to the Goblin Caves. Saw some money, stepped to pick it up, but surprise, there was an acid trap there! It destroyed my thieves’ picks, a bucket of Lyzzard Partes, and my broad sword again! Grawlix grawlix.
How does corrosive acid shatter a sword?
If an item gets cursed, you don’t have many recourses. I’ve never seen a scroll of blessing work on them; reading the source code suggests they’re just not strong enough. The most practical thing to do is break the weapon to bits with your bare hands: use the ‘z’ key.
Corporal Phantom guards the entrance.
Phantoms that appear in the hedge maze can level drain you; the main defense against that is a Cloak of Negimmunity, which you probably won’t have at that stage. If you just walk near the hedge maze, it’s possible to awaken a phantom sleeping inside. Phantoms are incorporeal, so weapon attacks don’t work on them, and once they’re awake they can chase you, floating right through buildings, throughout the whole city. The entrance to the city is a long passage with walls on both sides; if you don’t have a way of dealing with the phantom (use magic if you can), it’ll block the passage when you leave town, and get a few free hits on you when you return.
And then there’s the worst death of all, an attack by the dread monster Segmentation Violation:
Omega still has some decades-old bugs in it.
So what is my point? It’s not that you shouldn’t play Omega. It’s that you have to expect that your game could end at almost any time. Your game is not yours to have. Your character lives on borrowed time, so do as much with it as you can while you’ve got them.
These are a few things you can’t completely prevent, but what you can do is reduce their frequency. You can reduce the number of spaces you walk through in dungeons. You can try not to be slow when traveling the wilderness. If you encounter a trap, it might not be fair to it, but riding a horse will mean its effects are more likely to happen to it than to you. And good armor is almost always helpful, if you can afford it.
But sometimes, you just die. That’s just the kind of game it is. As you get better at Omega, you still suffer from them, but as you learn to play more effectively, you do find you get farther much more often.
How best to do that will be the subject of the next, and last for now, column on Omega.
Remember The Witness? Remember how everyone loved The Witness?
What? You didn’t love The Witness? Are you it some kind of blasphemer?
Sure, it has all those smarmy tape recordings all over the place. Certainly, you never quite feel like you’re done with it. Absolutely, everyone has at least one puzzle they find maddeningly obtuse (mine was on the ship). But you gotta admit, the special category of puzzle was a work of genius. If you don’t know what I mean by the special category, um… forget I said anything!
Well whether you loved The Witness or if you think it Jonathan Blows, you might want to have a look at The Looker, a pitch-perfect parody that’s actually a pretty decent puzzle game in its own right. It’s rated Overwhelmingly Positive, and as a reviewer says, “If you liked The Witness, you’ll like The Looker. If you hated The Witness, you’ll love The Looker.”
It’s free on Steam, and only takes a couple of hours to complete!
You want to know a great game that, statistically speaking, you’ve probably never played? Konami’s Maze of Galious for the MSX. It’s an early example of that genre we all now call Metroidvanias (Jeremy Parish, your royalty check is in the mail), and in Japan it was hugely inspirational. More recently, it was a direct inspiration for the La-Mulana games.
Well, more-recently-than-that, some romhackers have updated it to take advantage of the much more powerful MSX2 hardware. This results in much more detailed and colorful graphics and a number of other game improvements.
Playing it requires a rom of the original game (which you much seek out yourself), the patch file (here’s it’s GitHub site), and a patcher like Floating IPS. Or do you? Indie Retro News found a site that’s serving up the game and patch together, all ready to play!
Look at that murderous dungeon room. Now that’s what you call a video game.
If you’re prepared to patch the rom yourself and name it correctly (it’s explained on the project’s GitHub page), it can also be played in the online MSX emulator at webmsx.org.
So, what’s playing it like? Challenging! You have two characters, Popolon and Aphrodite, who have separate health and experience meters. Filling up your experience bar doesn’t actually improve your stats at all; it just heals that character up to full. And your characters’ jumps, while not as stiff as Simon Belmont’s, are not fully controllable in mid-air.
The two characters have subtly different abilities. Popolon’s attacks do more damage, he can jump higher, and his jump height varies according to how long the button is held. He’s also the only one who can push open doors. Aphrodite’s jumps are of constant height, but she’s also the only one who can survive in water! If one character runs out of health, the other can soldier on alone, but reviving the other is a difficult process.
Aww, they’re wearing matching armor!
In fact, the whole game is a difficult process! This is from that thankfully-brief time in the history of video gaming where developers seemed to revel in putting in secret features and hidden passages. Beating the final boss requires you find a very well-hidden item, the Cross, which is in a very secret passage. If you no longer have months to devote to finishing a game, you’re probably going to want to find at least a good FAQ for this one.
It’s nine years old, but I’m amazed by how few seem to know of these old projects that litter the internet, and this is one that’s definitely worth revisiting.
When people talk about reasons for the Great Game Crash of 1983 (which, it should be remembered, was mostly a crash in the U.S., other countries didn’t suffer much loss in popularity), one reason sometimes given was the lack of quality of one specific game: Howard Scott Warshaw’s E.T. The Extra-Terrestrial, for the Atari VCS/2600. (That’s not really the point of this post. For more of this, seen the Addendum, below.)
I should emphasize that it was easy to get frustrated by E.T. Its development was rushed so that it could be in stores in time for the 1982 Christmas season. Warshaw’s previous work Yars’ Revenge was a huge hit for Atari, but its successor, Raiders of the Lost Ark, is possibly a bit too experimental. I think E.T. is a better game than Raiders, it’s easier to learn certainly, but it has some definite issues that make it very frustrating to play.
There were a number of issues, but the biggest by far was that it was extremely easy to fall into the many pits that dotted the landscape of the game’s version of Earth, and after floating up out of one, it was just as easy to immediately fall back into one again. You could fall into a pit merely from changing screens in the wrong location.
Back in 2013, a user in the AtariAge forums using the handle recompile produced a hack to fix the game’s problems, including this one. They made a page that the hack from which could be downloaded, and explained, in great technical detail, how it had been made. The result has slightly worse graphics than the original, but is much more playable, and reveals that there is a very interesting game hidden beneath the rushed product mandated by Atari’s managers. Not only is the page and his work still up now, nine years later, but so is the AtariAge thread he made.
Remember: a delayed game is eventually good, but a bad game is bad until someone with enough time, energy and technical know-how takes it upon themselves to fix it, which in E.T.‘s case was about 31 years from its release.
Addendum
Was E.T. the real reason for the U.S. crash? Honestly, I’m dubious. It’s likely a contributing factor, but a slight one. But the fact that it can’t be ruled out, and probably helped a little, makes it something that many writers can point to without much fear of contradiction. It’s the way many narratives are built.
But there were plenty of good games, by the standards of the time, to offset the fortunes of any single title. A more likely explanation was a deluge of bad games, and a market oversaturated by them produced by companies looking for a quick buck, so that unless a consumer had done their research, it was difficult to separate the worthwhile purchases from the cash grabs.
Video games had, almost overnight, turned into a billion-dollar business. For a few years, specifically 1978 to 1982, the success of arcades, and of the Atari VCS and a number of excellent games for it, tantalized a nation. For a brief period, almost everyone sold game cartridges. I remember seeing them on the racks of drug stores during that time.
Then, almost as suddenly as it had risen, it collapsed. No one knew which games were good and which were bad. Even the good ones were pretty expensive: a $30 game in 1982 was nearly $90 in today’s (2022) money. All of those stores that had jumped on the bandwagon were left with piles of unsold inventory. Console gaming died out almost completely for a few years, until the arrival of the NES, and some canny moves by Nintendo of America, resurrected the industry in the land of its birth.
I’m a bit fuzzy on all this and open to correction, but….
In the UK, as far back is 1978, there was an electronic text service called Oracle, of no relation to the current-day owner of Java, OpenOffice, and VirtualBox. It was launched as a competitor to the even-older BBC service Ceefax that launched in 1974. In 1993 Oracle turned into Teletext, Inc. Teletext lasted for a good long while, up until 2009.
There is much more to that story, but we’re getting into the weeds. Our subject is the early teletype video game magazine Digitizer, a service provided on Teletext. Digitizer lasted from 1993 to 2003, a solid ten years full of typically cheeky 90’s British video game news content, delivered through the medium of ASCII text and artwork.
It’s a whole world of gaming enthusiasm from a lost era, and in it one can see the birth of a whole subculture. Some of these people are still writing today over on the site digitizer2000, although sporadically it seems. The site Super Page 58 has worked hard to archive as much of their content as they can, including a voluminous, yet still incomplete, listing of reviews.
And they liked the SNES port of Atari’s Rampart almost as much as I did!
‘@Play‘ is a frequently-appearing column which discusses the history, present, and future of the roguelike dungeon exploring genre.
We’re continuing our look at the classic late-80s and early-90s roguelike Omega! Here are parts one and two.
Omega is a cool game with a variety of RPG adventuring to be had, but it also has a slightly steeper learning curve than a Hack-like. So, under the principle of getting the broccoli out of the way so we can get to dessert after, let’s go over a couple of the more mechanical parts of the game: character creation, and the game’s unusual inventory system.
A note: It is the year 2022, we are all busy people, and Omega is an open source game. Thus I have availed myself of reading the source code to get some details of how Omega does things internally. This might be considered to be cheating, but honestly? Omega doesn’t play fair in some areas, so I feel no guilt about reading the code. One of the virtues of roguelike games is that often one can source dive and still find the game very challenging to play, and that’s definitely the case with Omega.
Character Creation
The first thing Omega asks you is if you want to [c]reate a character, or [p]lay as yourself.
If you choose to “create a character,” the game generates stats in D&D style, rolling virtual dice to produce a set of stats in the range of 4 to 18. You’re given ten re-rolls to try to get the best stats you can. (Under the pre-alpha, development version, you get 30 re-rolls. That version has been pre-alpha since 2001.) The system used is similar to the Dungeons & Dragons tradition of summing three six-sided dice for each stat, but there’s two departures:
You’re spotted one point on each stat: it’s impossible to roll a stat less than 4 by this method. You still can’t roll more than 18: one of the dice is essentially five-sided.
When the game rolls Intelligence, it saves the two six-sided dice that were rolled, and also uses those two die values for your Power, Agility and Constitution. Meaning, a lucky character in Intelligence will probably be lucky in several more things. I don’t know why it was designed this way, but it explains some trends in stat rolling I’ve seen.
When rolling character statistics, two of the dice are shared between four stats!
If you run out of re-rolls, the game throws you into play with the last set you rolled. There is absolutely nothing saying you can’t immediately quit (Shift-Q) and start over with a fresh set of re-rolls.
If you choose to “play as yourself,” the game will give you a series of questions and ask that you answer them honestly. They include things like how many pounds can you bench press, how many miles you can run, and can you shuffle a deck of cards with one hand.
It does not ask if you can juggle. Omega characters cannot juggle.
If you’re asked a number and answer higher than a certain amount, the program will print a message expressing incredulity, but accept it anyway. A few of the questions ask if the player has some supernatural abilities, like “Do you have ESP?” and “Can you see auras?” A bit of a spoiler: if you answer these in the negative, your character probably won’t have much Power, and Power is important. You definitely should lie about this.
At one point the game asks if you’re “physically handicapped,” which seems insensitive to me. If you’re in a wheelchair, why should you be expected to carry that over into the computer games you play? But again, everyone lies here anyway.
The last question asks if you’re Irish, which is worth a couple of extra points of Power, so here, too, you should apply a bit of the old blarney.
By lying, you can use the quiz to get yourself a character with 18s in everything without difficulty. You could think of it as an easy mode, in that you can still die pretty easily. After you take the quiz, you’re given the option to save your answers to easily get those stats again. I use the roller system when I play, to add additional variety, but it’s up to you.
Whichever method you use, you’re then asked for your character’s name, then whether you’re interested sexually in [m]ales or [f]emales. Ahem. Poly and asexual players might feel snubbed by this, but secretly, the game also lets you answer ‘y‘ or ‘n‘! Answering ‘y‘ for yes means your character will be considered interested in both; answering ‘n‘ for no means neither. This doesn’t have a huge effect on the game, but it does matter for brothel visits: if you answer ‘n‘, you have a chance of gaining an Intelligence point for a visit. If you answer something else, the point you might gain is in Constitution.
What Do These Numbers Mean?
If you’re familiar with Dungeons & Dragons-style attribute scores you probably already have a good intuitive sense of what the game’s stats do, many of which are the same as in D&D. But not everyone knows those, and even old-schoolers might miss some of Omega’s nuances.
In D&D, these are relatively set in stone except for the occasional gain upon gaining a level. In contrast, Omega has several ways for stats to increase, and a few ways for them to go down.
Strength helps determine the damage done by heavy weapons. If your Strength is high, you should look into a smashing or a two-handed weapon. Just as important, Strength determines your maximum carry weight. Even if you’re not carrying anywhere close to your maximum, being weighed down even a little reduces your speed, which is dangerous in a roguelike world! It also helps you join the Mercenaries and the Gladiators.
Constitution affects your maximum hit points. It doesn’t seem to give you resistance to poison or disease. You need at least average Constitution to join the Mercenaries.
A high Dexterity makes it easier to hit monsters, and also affects damage done with light weapons missile weapons. It reduces the cost of joining the Thieves’ Guild.
Agility determines your base movement speed, which affects how often you act and how easily you can run away from monsters. Since Agility factors into speed, it’s really nice to have. You need good Agility to join the Gladiators.
Intelligence affects the chance to learn spells from random sources. You need an Intelligence of at least 13 to join the Collegium Magii. If your Intelligence is 18, joining it is free! It also helps you cast a couple of high-level spells, but day-to-day, it doesn’t seem to affect much.
Power directly affects your maximum mana (that is, magic) points, making it very nice to have for spellcasters. High Power reduces the cost to join the Sorcerors’ Guild.
During the game, there’s a few more, derived from your level, the above statistics, your equipment, and the whims of fate:
Hit Points (HP), of course, are your character’s healthiness. If you run out you die, but that’s far from the only way.
Mana Points are your character’s immediate magic strength. Your maximum is your Power times your character’s level plus one. (Remember: Omega starts counting levels from zero!) Spells cast come out of this total. A subtle thing about Omega is that your Mana also counts as a protective factor. Some spells that monsters cast will be automatically countered if you have enough mana left.
Hit is your chance to hit, given a general situation.
Dmg is a measure of the amount of damage you might do. Luck matters for a lot; I’ve had a character with a Dmg of over 40 take several whacks to dispose of a lowly sewer rat.
Def is how easily you can dodge blows. Pluses on magic armor go to decrease this.
Arm is what D&D players would call “damage reduction,” it’s a property of heavier armor that reduces the hurt you take that gets through your Def.
And finally there’s Spd, or Speed, measured as a decimal value. A Speed of 1.0 means you act as often as an average monster. High Agility, low carry weight, riding a horse, and Boots of Speed can improve this. I’ve seen as high as 2.50. Carrying a lot of things can save your bacon, and being a little under 1.0 can be okay. I try to keep it above 0.70, preferably 0.80. Your ability in battle decreases sharply below that.
There is also a weird system in Omega that confuses some players, the “combat maneuver sequence.” This system was intended to be transparent to players who don’t care about it, so you don’t need to know about this to play, but you do need to know it exists, because of a bug that manifests sometimes.
When you walk into a monster to attack it, it’s not considered a single hit as in other roguelike games. Instead, your character can automatically perform as many as eight separate moves! Each move can be an Attack, a Block, a Lunge, or a Riposte, and each of these moves can be either High, Center or Low.
By default, your combat maneuver sequence is Attack Center, Block Center, and that suffices in many cases. But some enemies like to attack at certain heights (rats tend to bite at your feet, for example). Intelligent monsters are known to watch for when you attack at a given height, and to then block more often at that height, so changing your combat string sometimes can be helpful.
Higher levels, higher speeds, and being a Gladiator all can give you extra maneuver points, and they’ll go unused if you don’t acknowledge them. You change your combat sequence by pressing Shift-F. There’s subtleties to the system that I’m not covering here, but the game does a good job of explaining it in the help for that function.
The thing you need to know is: there’s a bug in Omega that, once in a while, causes it to forget your combat string. And if your Speed drops too low, it might reset your string to the default. If you’re fighting and you notice that you aren’t seeing any messages from your side, no hits, no blocks, not even misses, you might want to hit Shift-F and at least choose a default string (press ‘!‘).
Keyboard Reminders
I mentioned the main keys back in part two. If you need to be reminded of them, you can get a complete list in-game by pressing ‘?‘ (the traditional roguelike Help key) and then hitting ‘l‘.
Many of the keys are roguelike standard, but there are a few that are different: the pick-up-an-item key is ‘g‘, on DOS the recall-message key is Ctrl-O, and to zap wands you use ‘a‘, I guess for ‘a’pply. To use miscellaneous items, it’s Shift-A; it’ll ask if you want to use an item or an artifact. Artifacts are powerful and rare items, and you usually won’t find any of those until much later.
Omega uses both number pad and the vi keys, with added diagonals, for movement. In case they’re useful (maybe you don’t have a numpad), the vi keys with diagonals are hjkl and yubn.
One of the keys, the letter ‘i‘, is your gateway to your most formidable challenge to learning Omega: its inventory system. Prepare yourself!
Oh Boy, It’s Time To Explain Omega’s Inventory
Probably its inventory has dissuaded more players than anything else from playing Omega. I think it’s really not hard to understand! It’s just different, so it takes a little getting used to. Please try to bear with me, and try to consider what Omega’s creator Laurence Brothers was trying to do with it.
The first thing you have to know is your character has two inventories. The most obvious one consists of the equipped items, the ones your character wears on their person; the other is the character’s pack, which is just a bag for loose things.
Most of the time you’ll want to deal with your character’s equipment items, and just store extra stuff in your pack. There is an array of item slots around your character’s body. If this were Ultima VII or Eye of the Beholder or some other 90s CRPG you’d probably have a paper doll display to drag item icons into, but this is a terminal-screen roguelike, so your equipment slots are all represented by letters of the alphabet.
In most roguelike games, you use the ‘w’ key to Wield a weapon, Shift-W to Wear armor, Shift-T to Take off armor, and a couple other keys like that. Not so in Omega. Instead, you move the item you want to use into the proper slot, and it’s automatically utilized. So to wield a weapon, you put it into your weapon-hand slot, which is slot b. To use a shield, you put it into your shield slot, h. (Unlike D&D characters, Omega characters have figured out they can attach a shield to their arm!)
Omega’s item system generalizes the idea of wielding weapons, wearing protective gear and magic items, and having a few items at-hand for immediate use. Instead of having special commands for these things, they’re all put to use using the same process. If you put items where they’re supposed to go, your character will use them.
Gym Class Movie: Your Body Slots And You
So, you have a plethora of slots in which you can place the various fantasy accouterments that are necessary to successful exploration. Here is a list of these slots. When playing, you might want to keep a list of these until you’ve internalized them all:
*: “up in air” a: ready hand (for general items, like maybe a torch) b: weapon hand (for what you use to bash things) c: left shoulder (a place to store generic items) d: right shoulder (likewise) e-g: belt (more generic item slots; I’ve kept a goblin corpse in one before!) h: shield (used automatically in combat situations) i: armor (put a piece of body armor here to wear it) j: boots (like above but goes on your feet) k: cloak (goes over armor) l-o: fingers (slots for up to four magic rings)
I hope that’s easy enough to understand. Note, if you’re playing 0.90, these letters will be a bit different. They were rearranged a bit to avoid confusion with the inventory management keys.
The most vexing, yet most used, of these slots is the “up in air” item. This is a special slot used as a crossroads between all the other slots and your pack. Whenever you obtain a new item, it goes up in the air, and throws up an inventory prompt so you can communicate to the game what you want to do with it.
A Romp Through The Prompts
When you press the ‘i‘ key (that’s lowercase: in Omega, capital letters are always shifted), you’re shown the list of your item slots and their contents, and the cryptic line:
d, e, l, p, s, t, x, >, <, ?, ESCAPE
If you pick up an item you’ll get a very similar line, except with a tilde in it, and without the list of item slots! This is the short prompt. From the short prompt, if you just press tilde (~), you’ll get to the usual inventory list.
Pressing ‘?‘ describes what these keys all do, and offers to show you full help, but I’ll give you an overview here. They’re all pretty important.
One of the slots will be highlighted with a >> cursor in front of it. That’s the “current item.” You can move the arrow to point to other items with ‘>‘ and ‘<‘ to move up and down. (> and < are the standard roguelike keys for Down and Up. Why don’t the arrow keys work? That’s a good question.) Most of the other commands make use of either this current item, or the “up in air” item.
The ‘e‘ and ‘x‘ keys are your main tools for getting items where they need to be. ‘e‘ exchanges an item from the up-in-air slot with the current slot. ‘x‘ does the same thing, but it also automatically closes the inventory display if the operation ends with the up-in-air slot empty.
If you leave the inventory screen with an item up in the air, that item will fall to the ground! It’s not a place to keep things indefinitely. As I said before, Omega characters can’t juggle.
If you’re at the short prompt, there will be no visible item slot list, and no cursor. Instead, the ‘e‘ and ‘x‘ keys will ask you the letter of the slot you want to move the item to. When you’ve played enough to have memorized what the slot letters are, you can use those and play much faster. Before you get to that point, you can just press ~ to get to the list. There is no game advantage to using one over the other.
Another important inventory operation involves getting stuff into and out of your pack. Your pack also has slots, but they’re all generic.
Pack operations take time. Omega actually simulates your pack like a stack. While you can get items out no matter where they are in it, items deeper in the pack take more time to dig out. Items you want available for instant access are best kept in your main inventory slots, if not in your ready hand (a), then maybe on your shoulder (c, d) or belt (e-g). These slots all can contain any item; slots like shield (h) and armor (i) can only contain those kinds of items.
Items deeper in your pack take more time to reach. Ideally though, you won’t keep immediate emergency items in your pack at all.
The ‘s‘ key shows the contents of your pack; ‘p‘ puts the up-in-air item or pointed-at item into your pack; ‘t‘ takes something out of your pack. The ‘t‘ key also offers to show you pack contents if you press ‘?‘. Another thing to note: for some reason, pack letters are all capitals. If you try to get something out of the pack, but don’t press shift, it won’t work.
Remaining functions: ‘d‘ drops the up-in-air or current item immediately; ‘l‘ gives you a text description of the current item, ‘?‘ gives you a reminder of all these keypresses, and ESCAPE transports you out of Inventory Land, and back to the game world proper.
The Inventory System In Practice
So how does this work in play? Well, at the start of the game you have no food. So enter buildings until you find one that tells you:
Commandant Sonder’s Rampart-fried Lyzzard parts. Open 24 hrs. Buy a bucket! Only 5 Au. Make a purchase? [yn]
Answer ‘y‘ to use some of that starting money to obtain some sustenance. It asks “How many?”, so let’s say 10, a good amount for the start of the game.
A passel of Lyzzard Buckets, for your pleasure. *** MORE ***
Omega’s *** MORE *** prompts work like NetHack’s, but appear at the right edge of the screen for some reason. Press the space bar to clear it. You’ll then be thrown into the inventory short prompt:
Action [d,e,l,p,s,t,x,~,?,ESCAPE] ‘Up in air’: 10x red and white striped bucket
You have an item, the new-bought buckets, in the up in air slot, so if you just pressed escape you’d drop your newly-acquired food. What you might want to do is press ‘p‘, to put the item in your pack for later. But if you want to eat immediately, you could press either ‘e‘ or ‘x‘, to move it, to ‘a‘, your ready hand slot. If you do any of these things, you’ll keep the Buckets O’ Lyzzard, and not drop them.
If you put them in your ready hand, or somewhere else on your person, then now you can eat! Exit inventory (if it didn’t happen automatically) and press ‘e‘, the Eat key:
Eat — Select an item [a,?]
Even if you have other items on your person, the food is the only thing that can be called edible, so it’s the only letter listed. You can press ‘a‘ now to chow down.
Your mouth feels like it is growing hair!
Well, it is fast food after all.
If there was already something in the ‘a’ ready hand slot, then the food will go into that slot and whatever had been there will be moved up in the air. You only have so many suitable body slots. You can usually stash anything into your pack, with ‘p’, if you don’t want to be fussed. But your pack has limited space too. If all your suitable body slots and your whole pack are full, you’ll probably have to drop an item.
Ah, that was a lot of broccoli. Are you still with me? Next time, we’ll actually be able to go into game strategy!
