It’s not a command to delete temp files as root on a Unix-styled system! It’s a fun and free little game over at itch.io!
The board on the left is a Sudoku-like game; the board on the right is Minesweeper. The two boards match: the numbers on the Sudoku board are the number of mines in the matching area of the Minesweeper game. You use each to help you solve the other!
It’s not perfect, mind you. There’s currently no way to mark a square that definitely has a mine in it, just the question marks you see in the right-hand board above. There are still cases, familiar to players of standard Minesweeper, where you end up having to guess. And don’t click the “change size” button if you care about the current game: it doesn’t make the boards larger, it starts a new game with bigger Minesweeper and Sudoku boards!
Still though, I have to give creator Rianna Suen props for a cool idea! I found this through the “map obelisk” area during Roguelike Celebration, which is a pretty cool place to find things beloved of clever people!
Advance Wars By Web is a long-standing website allowing for Advance Wars games to take place between players online. It’s old enough that it came out before Advance Wars Dual Strike, the first DS Advance Wars game, and has survived long enough to see the release of Dual Strike, Advance Wars Days of Ruin, and now Advance Wars 1+2: Reboot Camp.
The first Advance Wars game had a legendary awkward launch date: September 10, 2001. I don’t know if world events following it had any influence on its popularity, but Advance Wars had the advantage of being a long-running series, going back to the Famicom, that had never been given a chance in Western territories. (One reason? Super Famicom Wars had a notorious character named Hister, with a moustache that made its inspiration unmistakable.)
The first two Advance Wars titles, taking their name, like previous versions, from its release platform the Gameboy Advance, were unexpectedly popular. The gaming groups I was in in college played an incredible amount of Advance Wars 2. We maxed out the game’s timer at 999 hours! I have no doubt that, if our group hadn’t broken up from people graduating and leaving, we’d still be playing it today.
Both of these games are preserved in proper fashion by Wayforward’s Switch remake of Advance Wars and its immediate sequel. Of the two games after it, Dual Strike leans a bit too hard on CO powers (already a creeping problem in AW2), and Days of Ruin implemented a lot of gameplay adjustments and fixed but, alas, lost the weird sense of fun from the semi-cartoony characters and setting of the first two games.
The Gameboy Advance Advance Wars games did not have internet-enabled multiplayer. The DS versions had better options, but they’re unavailable now, at least without some technical effort, due to the shutdown of the Nintendo Wi-Fi Connection.
Advance Wars By Web both allows a game much like AW2 to be played over the internet, and it does so with features that make it feel like a play-by-mail game, with the site handling the state involved with turn-based multiplayer. It does this at the of having any form of single-player: all of its battles are against other human players. So it’s not an excellent way to learn to play Advance Wars games interactively, as with the official games, which easy you into the game a bit at a time. But as for learning how to play this online version, there’s a number of useful videos available on their Tutorials Page. I especially like their video on overcoming first turn advantage, which they do by spotting the second player one Infantry unit. It’s not a perfect solution, but one that works out fairly well in play. And the video on designing balanced multiplayer maps, which offers a lot of practical advice that can be carried over into designing maps for the original games. And there’s a huge library of over 3,800 games to view, if you want to see how the community plays.
I don’t know if Reboot Camp is helping to sustain the avid fandom that the first Advance Wars games did, but I’ve enjoyed it a lot. If you enjoy it too, you can go from Reboot Camp right into playing against people online on AWBW. I can’t offer much more about it than that, for Advance Wars is a deceptively deep game and I have to make a post here, on the average, every day, but it’s been offering online play between humans for nearly twenty years now! That has to count for something.
Ah, it crept up on me, so let me remind everyone that Roguelike Celebration begins today, although until tomorrow it just means they’re opening their social space for awhile. Nicole Carpenter at Polygon wrote a short piece about this year’s conference.
There is an admittance fee, but if you can’t afford it you can also get a free pass! Please consider paying them if you are able though, they do a lot of work every year in putting it together.
Here is the official schedule (linked), below is it presented just as a list of talks, with ✨sparkle emojis✨ around the things that personally enthuse me. ✨Just because!✨
Times given are US Pacific/Eastern. If you think the short times between starts are indicative of short talks, most of them aren’t that short, they have two tracks going on beside each other:
SATURDAY
9:30 AM/12:30 PM: Arron A. Reed, Klingons, Hobbits, and the Oregon Trail: Procedural Generation in ✨the First Decade of Text Games✨
10:00 AM/ 1 PM: Nic Tringali, ✨Abstract Space Exploration✨ in The Banished Vault
10:30 AM/ 1:30 PM: Linas Gabrielaitis, Fictions of Infinity in ✨Geological Finitudes✨
11:30 AM/2:30 PM: Florence Smith Nicholls, Another Stupid Date: ✨Love Island as a Roguelike✨
11:45 AM/2:45 PM Kes, Hunting the Asphynx: Roguelikes, ✨Provenance✨, and You
Noon/3 PM: Mike Cook, Generating Procedures: ✨Rule and System Generation✨ for Roguelikes
1:30 PM/4:30 PM: Scott Burger, The ✨Data Science✨ of Roguelikes
2 PM/5 PM: Nat Alison, In Defense of ✨Hand-Crafted Sudoku✨
3 PM/6 PM: Eric Billingsley, Scoped-down design: ✨Making a Tiny Roguelike✨
3:30 PM/6:30 PM: Elliot Trinidad, Touching Grass & Taking Names: Tuning the ✨Blaseball✨ Name Generator
4:30 PM/7:30 PM: Paul Hembree, Audible Geometry: Coordinate Systems as a Resource for ✨Music Generation✨
5 PM/8 PM: Jurie Horneman, Why ✨Dynamic Content Selection✨ Is Hard
SUNDAY
9:30 AM/12:30 PM: Mark Johnson, ✨Generating Riddles✨ for a Generated World
10 AM/1 PM: Jesse Collet & Keni, Fireside Chat About the Development of ✨NetHack✨
10:30 AM/1:30 PM: ✨Leigh Alexander✨, ✨McMansions of Hell✨: Roguelikes and Reality TV
1 PM/4 PM: Ray, Remixing the Layer Cake: Facilitating ✨Fan Reinterpretation✨ Through ✨Caves of Qud✨’s Modular Data Files
1:15 PM/4:15 PM: Crashtroid, Preventing Ear Fatigue with ✨Roguelike Music✨
1:30 PM/4:30 PM: Everest Pipkin, The Fortunate Isles: Fragment Worlds, Walled Gardens, and ✨the Games That Are Played There✨
2 PM/5 PM: ✨Jeff Olson✨, ✨Alphaman✨: Developing and Releasing a Post-Apocalyptic Roguelike Game in the ✨DOS Days✨ When Computers Were Slow, Memory Was Scarce, and No One Had Ever Heard of Object-Oriented Code
Another JRPG post! That’s two in a row, and it’s about some quite interesting games, including a lost Shining Force game. The website JRPG Junkie tells us about some Sega arcade games that fit the mold that sound like they would have been interesting to have tried.
Quest of D (image from JRPG Junkie)
Quest of D was a dungeon crawler where the player’s inventory was collected as physical trading cards, that were scanned into the game in order to use them. Shining Force Cross was similar in concept but without the cards; it lasted until 2016. And finally there was Soul Reverse, introduced in 2018.
The world of Japanese arcade games from around this time is largely a big dark area to me, and right around the time when the US arcade industry started its death spiral. It was also a time when server connectivity and online updates came into vogue, meaning when the servers went down, many of them ceased to be playable. It’s really sad that this has become essentially a lost age of gaming, at least to people outside of Japan. We probably couldn’t play them then, and we certainly can’t now.
There was apparently a leak of the upcoming Super Mario Bros Wonder game (the first hour of gameplay is here), and it has a terrific little sequence that makes me think it’s going to become highly memeable. The part that really makes it for me is the flowers’ comments. Here it is, edited down to just that sequence. Note that this is a spoiler, but it’s for only the second level of the a whole long game.
Because of the danger it’ll be taken down, I’m not uploading this to Youtube. Please enjoy, it’s about a minute long.
Much much later, in a secret world, there is a reprise of this idea, and it’s much harder. Warning you now, It’s a more significant spoiler, not for story reasons, but just for existing. It’s fun, but looks pretty hard! I got the video out of a much longer video, at 4 1/2 hours and showing off all of that secret world, here. This is just that level, at two minutes long:
Sundry Sunday is our weekly feature of fun gaming culture finds and videos, from across the years and even decades.
I’m going to be honest, I vary in my appreciation for TerminalMontage’s gaming-related Youtube animations. Sometimes I think they’re brilliant, other times I think they really try too hard to be edgy. At their best they use the purposely-janky animation to make a point about the subject. Previously I’ve linked to their Breath of the Wild “speedrun” animation, where some of the things that would ordinarily be kind of lolrandom inclusions were actually, amazingly, references to things players do in actual speedruns.
I think the pinnacle of their output has to be their depiction of the events of The Typing of the Dead, Sega’s side-sequel to The House of the Dead 2, which took that lightgun zombie-shooting arcade game and grafted a typing trainer onto it. It was one of the most memorable game experiences I’ve ever seen, not just for the crazy premise that entirely works, not for the ludicrous power of its word list, but because the boss fights were each reworked to fit into the style, and forced players to answer questions with the keyboard, or type ludicrous sentences to try to mess them up.
There’s Something About The Typing of the Dead takes the game’s premise and reworks it as if villain Goldman was a 4chan-style vomiter of memes, right down to having an Anonymous mask, and as such makes for a more effective villain than the actual game had. The computer-synthesized voices for the characters are on a par with the terrible voice acting in the game. Most of all, I’m pleased for the unexpected use of Whomst’d’ve at the end.
Now that I’ve finally managed to squeeze this video into Sundry Sunday, I look forward to never mentioning memes here ever ever again.
Nethack uses the system time-of-day clock to affect the game in modest ways. It figures out the phase of the moon, and if it’s a full moon the player’s “base luck,” the number at which it starts and tends to trend towards, is +1. Luck affects the game in many minor ways, most notably affecting the to-hit chances of striking monsters. Full moons also affect werecreatures and the chances to tame dogs, but those effects are highly situational.
Playing on a new moon has one effect, but it’s a big one. If you’re fighting a cockatrice and you hear its hissing, and are not carrying a lizard corpse, then you always begin turning to stone, instead of there only being a one-in-ten chance. This is what is called a “delayed instadeath”: you don’t die immediately, but if you don’t take immediate action it’ll happen in the next few turns. That’s the next few turns from the game’s perspective: various events may conspire to prevent you from getting that action at all. (The Nethack Wiki’s page on petrification is instructive.)
If you do get the turn, one of the things you can do is eat a lizard corpse, or that of another acidic monster. (Eating dead monsters raw is something you just end up doing often in Nethack.) If those aren’t at hand, what usually works is prayer, provided that you haven’t prayed too recently, your patron god is not angry with you and you’re not in Gehennom. Ordinarily, if you haven’t been playing badly, your god isn’t mad at you. If you’re in Gehennom you’re in the late game anyway, and probably have had ample opportunity to obtain one of the several ways of halting impending calcification.
Prayer is nearly a universal panacea, if it’s available. But there is one other thing that can block prayer: if your luck is negative. Even if it’s by just one point, prayer will never work.
That’s where the only other date effect in Nethack comes into play: on Friday the 13th, your luck defaults to -1, the opposite of the full moon effect. So, unless you’ve increased your luck by one of a number of means, prayer will never work on Friday the 13th. And today is both a new moon night and Friday the 13th. Other uses for prayer won’t work either: if you’re weak from hunger? Too bad. Low on hit points? Sorry. Punished with a ball and chain? Not going to work. Wearing cursed levitation boots? LOL.
Days that both have a new moon and are a Friday the 13th are rare. The last one was in July of 2018, before that November of 2015, and the one before that was in 1999. So, um, if you’ve been thinking about trying out this weird old roguelike game you’ve heard about, you might want to wait a bit. Until tomorrow, anyway.
On Romhack Thursdays, we bring you interesting finds from the world of game modifications.
It’s another video! And it’s Nintendo related! I bet you’re just thrilled!
This is one, however, is far from something the Big N would approve of. Snooplax goes into great detail in explaining the history of hacking Super Mario 64, the first 3D game to really have a substantial hacking scene–I don’t count things like DOOM, since to a degree it was made to be extensible. Nintendo never dreamed that people would do the things to the Mario 64 engine that they have, which has included optimizing it to the extent that it can run at 60 fps on original hardware!
Seeing all these hacks together in one video is rather inspiring. There’s been not one, but at least three, major Super Mario 64 level editors, with different degrees of flexibility and detail. What enthusiasts have done with the engine over the years is surprising, and there’s no end in sight, so please enjoy this look back at this prolific scene.
It’s been making the rounds, but I feel it’s worth echoing. When the DS and Wii online servers shut down, it was forced because Nintendo’s partner who maintained the Nintendo Wi-Fi Connection Servers decided they didn’t want to do that any more. This is Nintendo’s own decision here.
The big game affected here is the first Splatoon, which still has, for now, free online play with the purchase of the game. Also affected will be Mario Kart 7 and Animal Crossing New Leaf for 3DS.
There will be some who will shrug over this, saying Nintendo shouldn’t be expected to run these services indefinitely. Sometimes they will shrug quite loudly. I am not one of them. I think online servers should be kept going for much longer than most companies run them. I think this should be considered part of the contract they entered into when they sold the game. It is true that 3DS and WiiU games had free online server access, that Nintendo’s multiplayer subscription service began with the Switch. But I still think the way I do, and I also think it’s foolish to think that, just because it’s a paid service, that Switch servers will be kept running for any longer than the 3DS and WiiU servers were.
My concern is an issue of software preservation. These kinds of games and services are in danger of being outright lost in their current form, like many MMORPGs, and iOS and Android games for previous versions of those OSes. I feel very strongly that this software should be remembered and made available for future generations. It’s true that there are efforts to reverse engineer these kinds of services, but there is no guarantee that they will be completely accurate, or even successful at all, especially if they rely on secret algorithms and information housed on the official servers.
Ah well. Get in those free splatmatches while you can. Their days are numbered.
Chunsoft has announced a new Shiren the Wanderer game, Shiren the Wanderer: The Mystery Dungeon of Serpentcoil Island, for Nintendo Switch, due out on February the 27th! Some of the most popular columns from @Play on GameSetWatch were the screenshotted play I demonstrated of the fan translation of Super Famicom Shiren, and if the comments on the trailer are something to be trusted, there’s still a diehard group of fans out there.
Interestingly, the theme of this one is “back to basics,” suggesting that some of the greater mutations of the more recent games, like the Night rules, equipment experience and such, will be pared back. Some of those rules I like and some I don’t, but I have said that more recent Shiren games, while fun, feel like they’re lacking something. Some of the series enhancements starting from around Shiren 4 (which never got an official English release) I have issues with, particularly, monsters always going straight through blind intersections if they have no knowledge of Shiren’s location, allowing the player to take advantage of the AI to avoid conflict; and that Shiren’s healing rate actually decreases, not just relative to maximum HP but in absolute terms, as he gains experience levels. These are relatively minor qualms though, and most players won’t even notice them.
Here is that trailer:
Some noteworthy elements are the return of Shiren’s lady friend Asuka (who despite appearances is several years older than him), and of giant-sized boss battles, possibly using some of the engine enhancements done to facilitate large Pokemon in Rescue Team DX. I also appreciate that the story appears to be a naked grab for loot! It’s always felt to me that a wanderer’s life is, or should be, a hard-scrabble existence, and while our rogueish characters may affect the fate of the world, they’re still usually in it for themselves. That way, if they fail (and they fail often), you can laugh at them more than feel sorry for them.
I keep trying to do more @Play columns but other work continues to get in the way. I have a fair number of subjects to write about now though, not the least of which being my ill-advised decision to buy the super-skeevy Omega Labyrinth Life on Switch. I feel like paying money for that might have gotten my name on a list somewhere, so I might as well get some column inches out of it!
A little while ago Roguelike Celebration, this year on October 22 and 23 (later this month!), did a short preview as a promotional event. I mentioned this before, it came and went, and now the talks are online.
The sudden release of F-Zero 99, free to play for Nintendo Switch Online members, has brought Nintendo’s ultrafast racing series back into the spotlight after 20 years. (Well, there were some GBA games, but they don’t seem to be as much remembered these days?)
F-Zero 99 gets its aesthetic from the original SNES game, which is nice, but also feels like a bit of a waste. Nintendo created 26 new characters for F-Zero X, and the Amusement Vision team at Sega (creators of the Monkey Ball series!) made some more for F-Zero GX. And the cool thing is, none of the characters feel like an afterthought. Every one of these weirdos could star in their own video game. F-Zero GX gives all of them voice acting in their endings, and even their own theme song!
Most significantly, every F-Zero GX playable character has a short movie that’s unlocked if you complete all the Grand Prix leagues with them on Master difficulty. But that is a huge feat! F-Zero GX is ludicrously difficult even on lower difficulties, and some of the cars are more suited to driving well than others.
Of course, on Youtube you can find a compilation of all the pilot profile movies. Many of them are really silly. Here they are:
And as an extra, here’s a playlist of the 41 character theme songs from F-Zero GX:
