Did you ever play Wario Land 4 on the Gameboy Advance? It was the last “classic” Wario Land game before its team switched over to making WarioWare games. If you’re a gaming, or at least a Nintendo, enthusiast you probably know what WarioWare games sound like, that endearingly weird crushed and echoey sound, but you might be surprised to discover that Wario Land 4 sounds of a piece with the Wario Land titles! Here’s the intro, hear for yourself:
Here’s the original WarioWare’s intro to compare its sound to. It’s all the good stuff!
geno7 over on Youtube (who has a terrific home page, by the way!) did a 51-minute deep dive into WL4’s sound design that’s just the kind of obsessive attention to detail that our cadre of pixel art loonies appreciate! Have a gawk and a listen and see if you agree.
It’s only somewhat adjacent to vidya gaems, but there’s have been enough TMNT games through the years that I’m going to make an Executive Decision and allow it. The Teenage Mutant Ninja Turtles Logo Generator will take text you enter and make it into a TMNT-style logo. It then provides a link to share the logo with others, but to get it out into other sites or pages you have to take a trip through Alt-Print Screen and an image editor.
Bahamut is one of the oldest traditions in Final Fantasy, going all the way back to the first game, where much of the game’s bestiary came directly from the Dungeons & Dragons books. Yet Bahamut was not fightable in that game, they wouldn’t fall into their standard role of challenge encounter until the third Japanese game. Like many D&D creatures, and JRPG creatures too, Bahamut was a borrowing from a mythological source. They were one of the entities upon whose back the world is carried. Observe:
Which of these entities is “dragon king” Bahamut? The person is just an “earth-bearing angel.” The bull is Kuyuta. Bahamut, or “Bahamoot,” is the fish. What’s more, it’s thought that the name derives from Behemoth, from the book of Job, despite Behemoth not being a fish. But Final Fantasy already has a Behemoth….
None of this proves much of anything. RPG writers, both tabletop and videogame, have long just pulled anything out of mythology, and sometimes more recent literature, that they wanted and just used it, regardless of author, age or culture. Gary Gygax had a Monster Manual to fill, he didn’t have any internet to help him fill it, but lots of other people enthusiastically used his bastardization, to help them compile their own bastardizations. That’s what most game lore is when you get right down to it: it’s bastardizations all the way down.
This is just a fraction of the edifying enfo, er info, in the article, a link to which awaits you here:
Picture your life and interests. Let’s pick out as part of it your interest in, knowledge of, and enthusiasm for video games. In the future, after you’re gone, what will be left of it? What will be remembered of what you know and have seen? Where will all of that go? Have you considered that, the way the internet is, a lot of that will simply disappear, tracelessly?
Websites die, and when they do, they leave very little in their wake. The early days of the web was filled with an overabundance of fansites and web shrines, and most of those are gone. The demise of Geocities, the decay of free web hosts in general, and the loss of online service web communities and hosts like Compuserve Ourworld, has resulted in the large-scale deletion of huge swaths of content, and the loss of web directories as a thing, combined with Google Search’s slide into senility, means what survives is a lot harder to find.
This is a discursive lead-in to the work at WikiData in cataloging games and game sites, which is summarized for 2022 here. Information on their efforts was written up here.
I wish I could say more, their work seems very important, but I’m just starting to learn about it myself! Apparently there is a means of querying their information to answer questions, like which game series has the most games? More on this in the future.
A quick note today, the 7-Day RogueLike challenges begins tomorrow! Try to make a roguelike game in seven days! This will be its nineteenth year, and its sixth on itch.io! Slashie, Darren Gray and Jeff Lait are running it again this year!
Consider joining it to make a game, or consider playing this year’s entries, or those of previous years! Last year there were 65 official entries. Regularly, a number of really interesting games are entered, but all manner of entries are accepted and are playable each year, from nearly professional to barely hacked together, and ranging from full classic style roguelikes to only slightly inspired by the general idea of procedural generation.
I love the 7DRL Game Jam! One of the oldest jams out there, on March 2 they’ll begin their 19th year! It asks participants to complete a roguelike game within a week. I even covered every game that succeeded at the challenge one year for @Play on GameSetWatch a long time ago.
Public enthusiasm for it has ebbed and flowed over that time, but even last year 65 people are recorded as having completed the challenge. And every time there are a few games that are hugely interesting! A rating system helps to reveal those games that might be particularly interesting.
If you’d like to participate this year, well, you just can, they’re clear that you don’t need their permission and there is no real prize for doing it. But if you want to participate during the official period of the challenge, this year it’ll start on March 3rd. We have a reminder post here on Set Side B ready to roll out the day before it begins, so keep watching our pages for it!
Here is a brief look at the highest-reated 7DRL games that made it last time:
Mercury Salvage
First: Mercury Salvage is a graphical roguelike about cleaning out derelict spaceships.
Second: The Mage’s Student is a deck-building roguelike centered around magic, and has to do with fighting off ” the many creatures guarding the Newt-Core and the Transformative Cricket…”
Third: Death Stranding RL is, as should be obvious, based on Hideo Kojima’s game. It has an interesting look for a console-based game.
Death Stranding RL
Torshavn: The Fae Forest
Fo(u)rth: Torshavn: The Fae Forest is a console roguelike written in the eclectic language Forth.
Fifth: In Orcish Fury, you’re an orc berzerker out for revenge. It’s playable in-browser.
Sixth: Greedy Rogue is also playable in browser, in it you’re a rogue rading a dragon’s lair while the dragon is out.
Grove Climbers
Seventh: Depths of Greed has you trying to get a cure for your daughter’s illness, akin to Larn. You’re a shopkeeper who goes to the nearby dungeon to try to find a cure, bargaining with the monsters.
Eighth: Grove Climbers has an interesting look to it, it’s team based and has (collective) you climbing a huge tree.
Lego Dimensions was much too awesome for this decayed world. Sadly, many of its greatest moments were part of DLC locked to various figures you had to collect individually.
But if you had the right bits of plastic, you could witness moments of pop cultural crossover greatness. Witness then this meeting between Portal’s GlaDOS and 2001: A Space Odyssey‘s HAL 9000, with the voices of each, sort of interacting with each other in their various impersonal AI ways.
Team Fortress 2, Valve’s infamous hat simulator, is, amazingly enough, still popular. Eons after it went free-to-play, years after it saw its last content update, many players had assumed it was, as far as new content went, dead.
Yet, people keep playing it. Following, arguably creating, the “games as service” concept, it seems somehow fitting that its makers might be turning their attention back to it right around the time that the industry generally seems to be reconsidering whether it works as a concept for most games. And so Valve has put out a call for community content to be included in an upcoming large-scale update. People got so excited over it that Valve said:
So, as reported by Kotaku, PC Gamer, and no doubt over half of the gaming internet by now, they’ve walked back their claims a bit. But it’s still a lot more movement than the game has seen lately.
How long has Team Fortress 2 been at it? It was included in the Orange Box for Xbox 360, along Half-Life 2 and the original Portal, a used copy of which is currently resting on the shelf of the donations shop of my local public library. (I’d get it but I don’t have a 360!) It’s been out for sixteen years. It was released in 2007, in that dusty age pre-Obama. The meme culture around it, bolstered by the game’s cartoony presentation and sponsorship for several years of the Saxxy Awards, helped establish, for better or worse, the tone of gamer humor. One of its most beloved actors, Rick May, the voice of Soldier (also Peppy Hare and Andross in Star Fox), passed away in 2020.
I’ve played some TF2 back in the day, I’m with it, I’m “hip.” I think I may have even scored a point once!
It warms the heart, as much as a cynical ad campaign for this year’s disposable cartoon media movie product can warm, to see that the Super Mario Bros. Movie made a website for the bros’ plumbing business.
And they made a commercial for them featuring a certain song that’ll certainly bring a smile to people who were kids in the late 80s in the U.S. I feel the spirit of Captain Lou Albano beaming down on us!
People who are familiar with the Deep Mario Lore will recognize the reference to Foreman Spike, from Wrecking Crew, in the Testimonials section, implying he’s in the movie:
The phone and text numbers on the site appear to work. If you text the number 9295562746 (the last five digits spelling MARIO), you can get this business card:
Why you want a graphic of a business card for a fake plumbing business created as a promotional tie-in for a movie based on a video game is your own lookout. I’m sure the website and the number, barring any original-Space-Jam style miracles, will stop working in a couple of years, so enjoy these pieces of electronic ephemera while they last.
The World Wide Web is now over thirty years old. In that time, more content has vanished from it than remains now, but some of it can still be dredged up from the shadowy archives of the Wayback Machine. This is the latest chapter in our never-ending search to find the cool gaming stuff that time forgot….
Post date: February 12, 2009 Archive date: July 6, 2012 Wayback Link Original URL: http://www.annathered.com/2009/02/12/valentine-meringue-mario-mushrooms/ Found through: the archives of Everlasting Blort
Anna the Red, self-described as bento and plush designer, current whereabouts unknown but went on to work for gaming company The Behemoth, posted instructions on how to make these adorable edible Mario mushrooms for Valentine’s Day back in 2009.
While the page that hosted the recipe is now only on Wayback, the image gallery that it drew from is still alive on Flickr. (Remember Flickr?)
Some more selections possibly of interest from AGDQ 2023. Note that times given in the text are not the length of the run, but as according to our usual policy the run length of the video itself.
Ape Escape 2 (1:04):
Goat Simulator (34m):
Castlevania: Aria of Sorrow Any% No 0HP race (42m) – at 19:40 in begins an extra Julius Any% run:
Super Mario Galaxy 2 four-player Any% race (3:27):
Watching massive layoffs happening at multiple big tech companies, Wizards of the Coast’s current licensing debacle (it’s what, their third?), and the Age of Owner Idiocy happening over at Twitter, I think right now it’s worth going over some of the big game properties that have been harmed, ruined, wrecked and generally destroyed by clueless executive edicts.
For some reason MMORPGs are particularly rife with this. City of Heroes was a popular game that was shuttered completely because NCSoft decided they didn’t want to run it any more, at all, full stop. Oh, and no one else can run it either. I seem to remember, two long eons past, that WorldsAway, an early graphical service I was an avid member of once, was racked with management argument over whether it wanted to be a virtual world or a chat service, and in the process technology just left it behind.
This kind of thing happens all the time. Recently I was reminded by a Metafilter thread of the story of what happened to Star Wars Galaxies.
All images in this post from Mobygames
This recent article at PC Gamer is basically a love letter to Star Wars Galaxies’ early days. It highlights its great sense of immersion, something that has been lost from MMORPGs as World of Warcraft’s massive success drove everyone to make their games much easier to play, regardless of other factors. It also mentions its many design missteps, which make it seem almost inevitable in hindsight that, eventually, the game’s design would be completely overhauled.
Before the change, called by the management the NGE, or New Game Enhancements, Star Wars Galaxies had a classless, skill-based system. Jedi powers, particularly, were notoriously difficult to unlock. They required that players find very rare Jedi Holochrons in the game that would tell them what they had to do to awaken the Force in their character. It was a demanding system that meant most players would never become Jedis, but it kept Jedi powers special, ensuring that they wouldn’t overwhelm the game universe, especially important since SWG was set at a time, between The Empire Strikes Back and Return of the Jedi, when Jedi were thought to be almost extinct.
Lots of players wanted to be Jedi but couldn’t, but the game had become known for making a difficult design choice and sticking to their guns, and if players did achieve Jedihood, it accorded them a level of respect that was rare in MMORPGs. Anyone can reach max level in an MMORPG if they just spend enough time playing, but this was something special. And Jedi characters had permadeath on; if one perished, it was gone.
In short: the game switched to a class-based system, Jedi were made an ordinary starting class, and gameplay was made much more action-oriented. While locations remained the same, the underlying gameplay was completely changed. It immediately lost a large portion of its userbase. It gained some back over time, and continued along for six years after, but the popular perception was that it was a grave misstep.
Server-based games like MMORPGs are in a difficult spot in cases like this: the pre-existing game basically ceases to exist, even for players who preferred it. There is no going back for them. People who didn’t enjoy that style of play had no choice but to like it or lump it. Meanwhile it has to build a membership anew based off of its new form, while overcoming all the negative press around its change of direction.
The pre-NGE Star Wars Galaxies spawned a fan recreation using the old gameplay soon after the gameplay changed, called SWGEmu, and it’s still running today with two servers. People who liked the later system, which was still in place when the game shut down, have had no recourse until relatively recently. Now a new fan-led effort, Star Wars Galaxies Legends, looks to revive the game as it stood when it closed, NGE systems and everything. SWGEmu’s website is just a forum system; SWGL’s, by contrast, is surprisingly slick by the typical standards of a fan project.
That’s a lot of words to write about a game that, in either form, I have never played, but that’s how much people care about Star Wars Galaxies, in both its forms, and Star Wars in general. I hope both are running decades into the future.
