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Not a bad start to our little endeavor! Here’s to many more!
The Flipside of Gaming
Not a bad start to our little endeavor! Here’s to many more!
“We scour the Earth web for indie, retro, and niche gaming news so you don’t have to, drebnar!” – your faithful reporter
Scott Hayden at Road To VR notes that a VR roguelike called “OUTLIER,” all-caps, has been cancelled, with a reason given that might seem unusual: they overestimated demand. They also say that they underestimated the complexity of the roguelike genre, which I can certainly sympathize with. It’s being remove from the Steam store. People who bought the game on Steam Early Access can either keep it or ask for a refund. I wonder if someday having a notable delisted project in your Steam library might be seen as a mark of status, in some circles?
Over on BoingBoing (they still exist!) there’s a couple of interesting posts. By Popkin, there’s a video from a Nintendo arcade game from 1976 called Sky Hawk, that used 16mm film footage of remote-controlled fighter planes to provide targets for players to hit! It was a shooting-gallery kind of game, where the whole game is hitting targets. Here’s the video on YouTube.
And long-time Boinger David Pescovitz presents a demo for a failed 1982 educational technology program with the name Wired In, that entertaining in its early 80s way. It has clips of Bill Murray providing some entertaining moments, and a tongue-in-cheek PSA from Lily Tomlin about the dangers of Pac-Man addiction.
Steve Hogarly at Rock Paper Shotgun appreciates My Time At Sandrock for PC, a “wild west” town simulation game. Yes, Stardew Valley is mentioned.
At The Chozo Project (which doesn’t seem to be overtly Metroid-themed), Zach Lindermann reviews the Sega Nomad, a portable system that’s capable of playing Genesis games, a mere 25 years after its release.
Claire Jackson over at Kotaku talks about the refreshing repairability of the Steam Deck.
Okay, this one requires a little explanation. There’s a community on the internet. What’s it about? Generally speaking, nearly anything, but this one is devoted to constructing homebrew “cyberdecks,” (Reddit link) self-contained portable computers whose design brings to mind cyberpunk fiction. Liliputing’s Brad Linder presents one that uses for its internals the guts of a Framework modular laptop.
Ryan Dinsdale at IGN reports that Jonathan Jacque-Belletête of Eidos Montréal noted that their studio had for a time been working on Final Fantasy XV, before Square-Enix decided to return the project to its Japanese studios.
Stuart Gipp at NintendoLife presents us with a history of Teenage Mutant Ninja Turtle video games on Nintendo systems.
And, the website High Five For has a number of lists of 25 games on various system that they consider to still be interesting now, years after their obsolescence: NES – SNES – PS1 – Genesis/Mega Drive – Game Boy Advance – TurboGrafx 16/PC Engine.
Grog‘s subtitle is “The Reimagined Original Roguelike Game,” which sounds like it could have been an abandoned acronym. It’s made by Dr. Thomas Biskup, creator of the classic roguelike game ADOM, who played Rogue on an old PDP at Roguelike Celebration back in 2018. Your default name is Brak, which is probably a reference to the creation of fantasy author John Jakes, but it’s possible to amuse oneself by imagining Zorak’s pal traipsing cluelessly through the dungeon. “Oh, man!”
Grog‘s presentation is purposely old-school, a gray console window with ASCII characters for graphics. While it’s similar to Rogue, it has some interesting differences. It doesn’t support diagonal movement or attacks, for one. There’s 25 levels, with two kinds of enemies introduced with each new floor, we might call them a strong one, with powerful combat ability, and a tricky one, with a way to give you troubles in other ways. Secret doors are automatically searched for as you move.
The movement keys are WASD, traditional for DOOM, not the hjkl set derived from vi. The wait key is the space bar, and period is to wait until fully healed, so if you’re used to waiting with period and paging with space, you might want to consider changing your habits. To use stairs, use the ‘r’ key. Lots of items are used by pressing ‘u’ or ‘f’. Press ? for other keys and information.
The game asks you for your name, gender (while it defaults to male, you can enter any text!) and type (like, species). The game’s set up so that if you enter the same thing at all of these prompts, your character will generate the same way, deterministically.
Grog’s level builder is similar to Rogue’s, but it’s not limited to a 3×3 grid of rooms.
One thing about Grog that’s mentioned on its page is the game actually gets more difficult the more times you play. When a character dies, they may show up as a ghost on later runs, making things more difficult for you, and also when a monster defeats a player character they may get promoted into a unique individual, with added power and a name, that can show up on later plays! This customizes your copy of the game to an extent as you play.
Grog: The Reimagined Original Roguelike Game ($0)
Note, the download is hosted from Dropbox, which is notorious for rate limiting, so if you can’t get it immediately, maybe try another day.
Each indie dev showcase highlights the developer-submitted games and demos we check out for our Wednesday night streams. If you would like to submit a game for a future one please reach out.
Arcade Mermaid is our classic arcade weirdness and obscurity column! Once a month we aim to bring you an interesting and odd arcade game to wonder at. Although this time, we’re expanding the purview to talk about an extremely rare game that has just become playable by the public through emulation for the very first time. Please note, this was written quickly and late at night. It may see minor corrections once I see it by the harsh light of day.
One of the best podcasts out there for classic arcade enthusiasts is The Ted Dabney Experience! Episode 15 of that was a talk with Bob Flanagan, who created Atari’s underrated Skull & Crossbones, and also headed the wonderful, prototype, obscure and unreleased, yet recently revealed on the internet Marble Madness II.
Bob Flanagan was mainly a programmer during his time at Atari Games, where he helped implement the original Marble Madness, Paperboy, and Gauntlet. Skull & Crossbones is the only Flanagan-helmed game that got produced, but MM2 could have been another.
Another reason to cheer for this game finally, finally seeing the light of day is the music, which kyuubethe3rd mentions was among the finest work of Atari composer Brad Fuller, who sadly left us in 2016. Marble Madness had very memorable music, and the 14 main levels of MM2 sound like they could easily have come from that game, including a remix of the original’s Beginner Maze track.
I haven’t seen anyone talking about the source of the roms. It’s been known that the MAME developers have had copies for safe keeping, but were forbidden by the person who let them dump them from releasing them to the public. A MAME driver, I hear, has been around for a while, but maybe only privately. I don’t know what that has to do with the efforts of David ‘mamehaze” Haywood, who has worked to get the game working over the past few days.
I’ve watched a lot of playthroughs of MM2 over the past couple of days, it has been quite a focus to speedrunners. Here’s a couple, that make the game look really easy: FlannelKat, and LeKukie. DumpleChan has a slower run that looks a lot more like a good player would have done in an arcade if the game had been made:
As mentioned before, no one seems to know how this game, long a holy grail for preservations and arcade enthusiasts alike, got released. Was it leaked? Did someone who happened to have the roms just decide one day to throw them online? There’s a thread at AtariAge that notes that the owner would release the roms in exchange for $42,000. Did someone raise that much money? They are now on the Internet Archive, and work on an official MAME driver is well underway, so in any event, stuffing this genie back into its lamp now is probably impossible.
The sound design is nearly identical to Marble Madness, using many of the same noises. The attention to detail on recreating the experience of the first game is admirable! And as mentioned, the music is terrific.
All of the original game’s enemies and most of its obstacles are seen somewhere in this game’s 14 levels. The only ones that come to mind that are absent are the Intermediate Race’s rolling wave and the infuriating cycling platforms at the end of the Ultimate Race.
It’s still a race against time, with leftover seconds carrying over to later levels. It’s still a co-op/competition game, where players can interfere with each other, seek to scroll them off screen for a time penalty, or coordinate their movements to double-team the Evil Black Marbles* and help keep players in the game.
A few of the levels have names from the original game. Their layouts are different, though.
Marble Madness’s greatest weakness was always its ultra-short length. It only had six levels! It could be excused around the time of its creation, since in 1984 those kinds of scrolling map games were still a new thing. Well here there are 14 mazes, and three bonus rounds too!
Instead of a straight sequence of levels from start to finish, they’re arranged into tiers, of roughly equal difficulty:
Practice
Tier 1: Aerial – Sandbox – Icebox – Astral
Pin Bonus 1
Tier 2: Highrise – Oasis – North Pole – Sunburst
Pin Bonus 2
Tier 3: Wacky – Wierd Walls (sic) – Deep Sea – Silly
Pin Bonus 3
Final Maze: King Of The Mountain
Each tier can be completed in a variable order, with the player(s) deciding which maze to tackle first. Like in the original game, each maze in a tier carries time over from the previous one, with a small bonus. When the last maze is finished, players get 1,000 points for every second they had left, but also their time is zeroed out.
After each tier, the players enter into a pinball-themed bonus stage! The acceleration is tuned way up for these, making them feel properly chaotic. The players use their marbles to hit targets to spell either MARBLE or MADNESS, and hit drop targets to earn as many points as they can. Players get five extra seconds for every 5,000 points they score, on top of a large time award granted for starting the next tier.
Throughout all of this, if a player runs out of time in solo play, they can opt to continue to try the maze again with a large amount of start time. In group play, they can continue with the same time as one of the other players.
This pattern lasts until the final level, King Of The Mountain. It’s like a tier to itself with only that one level. Only two attempts are granted here: The First Try, and then, after a continue, the Last Try.
A lot of the game is fairly easy, but King of the Mountain is long and tough! Unlike most of the other mazes, the player starts at the bottom and must ascend to the top. At the very end the players have to climb a series of icy slopes that’s very difficult to make it through! It’s a suitable successor to the end of the first game’s Ultimate Maze, with its disappearing pathways.
This one’s big. Marble Madness, in the arcades, a trackball game. Marble Madness II uses standard eight-way joysticks. It makes for a huge difference, it makes the game easier, and also negates the point of the game a little.
In an earlier stage of development (as “Marble Man,” see below) the game went out on test in a trackball version, but it happened around the time the company began to move away from trackballs as a control method. Atari had been associated with trackballs for a long time, going back to the classic Atari Football, and they had recently released the trackball-based strategy/puzzle game Rampart. It’s possible, had Marble Madness II made it to production, that it would have been offered as an upgrade kit for Rampart. There is talk in the arcade modding community of some people wanting to turn their Rampart machines into Marble Madness II, despite the hardware being quite different. (I think this is a shame, as a long-time outspoken fan of Rampart, but it’s understandable for this game!)
With digital joystick control, long narrow passages lose much of their danger, turning a frantic perilous roll into the holding of a direction and the tap of a Turbo button. But also, joysticks can be less precise for this kind of game. I’ve seen forum posts speculating about what would be necessary to reimplement trackball control in the game, even though it’s not a simple change to the code. There’s the advantage that the programming of the original, trackball-based Marble Madness is out there. Time will inform us of the feasibility of this.
Marble Madness II was developed seven years after Marble Madness, and in that time powerups went from intriguing new idea to de rigueur. Throughout most of the mazes (not the first or last) there are crown-like structures with a cycling powerup atop them. It’s possible to bash through these and collect the powerup that’s currently on display. Two of these, Cloak and Crusher, allow the player to either evade or destroy monsters. Knobby gives a marble super-sharp control, and Heli grants flight for a while, allowing for huge shortcuts.
As speedrun playthroughs have demonstrated, these powerups allow for gigantic time saves! Heli can bypass whole sections of the maze, and Knobby allows a marble to tear around corners with pinpoint precision. In a multiplayer game only one player can get a powerup from each location.
This really is a major change. In Marble Madness, other than the time awards for starting mazes and the occasional random award of 10 seconds, there was no respite from the steady advancement of the clock. You do get five extra seconds for beating another player to the finish line, but that’s only awarded in two-player mode, and the difficulties of playing with another player overwhelm that meager allowance.
In Marble Madness II, each player is awarded five bonus seconds for every 5,000 points they collect. The plethora of bonus flags scattered around mean that players will be earning bonus time frequently, the time awards often greater than the loss from going out of your way to collect them.
About those flags. They’re in every level but the first and last ones. They grant from 1,000 to 5,000 points, with the number printed on the flag. These are all over the place, and make it easy to amass a load of surplus time. Fortunately for the game’s design, this extra time is converted into more points at the end of a tier, and the players must begin stockpiling all over again Also throughout most of the mazes are bonus flags, worth 2,000 points each. These rarely flash into visibility for a couple of seconds, but often will appear as a reward for reaching out-of-the-way regions of the map.
The game promises players a “Super Bonus” for collecting all the flags in an area, but this requires a lot of patience to track them all down, and sometimes there are mutually-exclusive branches in the path of a maze that make it impossible for a single player to reliably get every flag if playing on their own. The Heli powerup, particularly, is great for collecting flags.
That last level King Of The Mountain doesn’t have any flags! Killing the enemies on that level is worth good points, but it means that very little bonus time is awarded there.
Every level has its own unique peril! Sand, crushers, falling icicles, killer satellites, meteor crashes, fists smashing out of walls, floating frying pans (in Wacky, of course) and many more. At the very end, huge rock-throwing trolls guard the passages up to the top of the Mountain.
It’s known that in an earlier stage of its development, Marble Madness II was subtitled “Marble Man,” and the winner of a race would transform into a super-heroic humanoid body for a moment at the end. A digitized voice would exclaim “Marble Man!” at the start of a game and the end of a race. There is footage of this version of the game, taken from off of one of the surviving machines, on YouTube, demonstrating the voice.
The released version of Marble Madness II doesn’t have the Marble Man theme, but it does have voices, and they’re pretty nice I think! When you start a game, your marble develops a face and shouts “Marble madness!” in a way that never fails to make me smile. When you hit a letter or spell a word in a bonus level it’s announced aloud, and to me that’s almost reward enough in itself. It’s probably for the best that the superhero theme was dropped, but the faces, both on the marbles in their death animations and on the enemies, add some needed character to what might otherwise have been a pretty dry game.
So, that’s what we have to report on Marble Madness II, a game developed 21 years ago and is just now seeing the light of day outside of an extremely small number of collectors. 21 years is a long time. A not-insignificant number of fans of the original Marble Madness have died in the intervening time, never having had a chance to enjoy it. And even now, because it’s only playable in emulators, a lot of people who could otherwise enjoy it, but cannot overcome the technical hurdle of getting MAME up and running and getting its roms into the right shape (a formidable obstacle to many), will still be denied playing it.
Marble Madness II is not yet up in official MAME, but its driver is well along, and I think it’ll probably appear in the next release. I urge you to at least give it a try, and think of all the people who would have enjoyed if it had appeared back at the time of its creation. It was a long time coming, but at least now it is here.
Use the version of HBMAME currently here, version 0.244. Use the directions to set it up, but you’ll be helped if you already know how to use MAME. The romset can be gotten from the Internet Archive here. You’ll have to rename the ZIP archive to marblmd2.zip for HBMAME to recognize it.
* The “Evil Black Marble” was adapted as a character on turn-of-the-century website The Conversatron. So says me, apparently the sole surviving person who remembers The Conversatron. Memory hurts.
I’ve not hidden my general contempt for current-day Atari, a company that has little to do with the old company, and has among other things dirtied their hands with cryptocurrency. But at least they know they have their hands on something good with the iconic Atari “Fuji” logo.
They tweeted about an article on the logo on the site Logo Design Love, which itself is an excerpt from Tim Lapetino’s wonderful book The Art of Atari. That at least is worth your time to check out! The logo is definitely one for the ages, which is probably why contemporary Atari still uses it. Atari Games, the arcade company, made use of it from early days all the way through to the end, when they were renamed Midway Games West shortly before they were dissolved completely.
“We scour the Earth web for indie, retro, and niche gaming news so you don’t have to, drebnar!” – your faithful reporter
Nicole Clark at Polygon wants us to know of a free video card game based on Pokemon that isn’t derived from the physical CCG! It’s called Pokemon Crystal League, it’s free on itch.io, and it’s instead inspired by the first portion of Inscryption. As with anything so directly related to a Nintendo property, you should probably look into getting this before it’s too late-assuming it even makes it to press time!
Also at Polygon: Cian Maher’s 14 “most exciting” games of the summer, which contains a Gloomhaven computer game update, Super Mario Strikers, Capcom Fighting Collection, and Cuphead: The Delicious Last Course.
At CBR, Gina notes evidence that the character of Magil in Chrono Cross is actually Magus from Chrono Trigger incognito, something fans had long suspected.
Back once again to the crossover fighter genre. Zack Zwiezen at Kotaku looks at WB’s Multiversus and asks, with some justification, if all pop culture is merging into a thick homogeneous paste. It is, after all, a game in which The Iron Giant can team up with Velma from Scooby-Doo to fight against Batman and Tom & Jerry. Space Jam: A New Legend certainly seems to imply WB is heading in that direction.
D. Hardawar at Engadget tells us that EVE Online can now be played streaming with just a web browser and a strong-enough internet connection. The new format is called EVE Anywhere. I mean, why not? The game is already sometimes derisively refereed to as a spreadsheet simulator, so why not build Google Docs support into it too?
At NintendoLife, Liam Doolan points to a Twitter post from the account of Sonic Mania developer Headcannon, where they state, while some of their work appears on the upcoming Sonic Origins, they did not directly work on it themselves.
Also from Liam Doolan: Nintendo files a patent for a method to fight online cheating and software modification. We take the view here that all software patents are bad by definition, but at least they’re trying to do something about cheating in their games? While the article has an illustration from a Splatoon game, there is actually nothing to say which games will utilize this technique.
While we’re talking about software patents, Sony got one for adding trophy support to classic games. Owen S. God at Polygon says that feature is coming to the rerelease of Syphon Filter on Playstation Plus, and, presumably, to other games afterward. (I wonder if the RetroArch achievements server counts as prior art here?)
Ryan Dinsdale, a freelancer working for IGN (hey! hire him!), tell us that Marcus Nebelong at Dreams developer Media Molecule has recreated the Unreal Engine 5 train station demo in that software.
Finally, from way over on Video Games Chronicle, Jordan Middler mentions that Xbox S sales in Japan exceeded PlayStation 5 sales last week. It’s the first time something like this has happened in eight years! It seems likely that the limited number of PS5s available to be sold might explain the difference. The PS5 still has a higher install base in Japan compared to the Series S, by 8-to-1, but in the past year the Series S has exceeded the entire lifetime sales of the Xbox Series X. Since the release of the original Xbox back in the PS2/Gamecube era, only 2.3 million units have been sold across the entire line, most of them being sales of the 360.
This is not some fan game made to play like Marble Madness, but the real deal, a legendary lost prototype from the Silver Age of Atari Games! Cancelled because of the great arcade fervor at the time around fighting games, meaning little Atari released in that era performed well on test.
Word is that the rom has been released somewhere on the internet, although I do not know where. It had been known that all the surviving Marble Madness II cabinets were owned by old Atari staff or collectors who were averse to allowing the rom images to be released. Whether one of them had a change of heart or, as has been speculated with Akka Arrh, another legendary prototype, they may have been obtained through nefarious means.
Technically the rights are still owned by Warner Media, I believe. I’ve long been amazed that the current rights holders haven’t seeked out the owners of these prototypes and offered them a big payday to dump the roms and release something like a Midway Arcade Treasures 4. Sure, it’d only be a matter of time before someone broke the roms out of such a package, but they’d still sell a ton of units and the prototype owners would be properly rewarded for both maintaining their machines and for lost collector value, and importantly, the games would be out there among people who would enjoy them and be protected against further loss and obscurity.
YouTube: Marble Madness II (Atari prototype arcade game) is now playable in MAME
The subject line says it all. It seems like it’ll still be possible to get funds into those shops for a while using a Switch, or using a funding card, but direct adding will be disabled after today.
The long-running Atari fansite AtariAge sells a number of carts that run on classic Atari VCS systems that make it do things you might not expect that system could do. Some of the most impressive of these are remakes of classic arcade games that go far beyond what was possible at the time. A number of these were developed by Champ Games. Here are links to a number of videos showing them off, although sone of the may not currently be in their store:
“Galagon” – Wizard of Wor – Zoo Keeper – Avalanche – Scramble – Super Cobra – Mappy (especially this one!)
A few others, not from Champ Games: Aardvark (Anteater) – Venture Reloaded – Space Rocks (Asteroids) – Star Castle – Pac-Man – Draconian (Bosconian)
“We scour the Earth web for indie, retro, and niche gaming news so you don’t have to, drebnar!” – your faithful reporter
From Marc Deschamps at comicbook, Epic bought Fall Guys studio Mediatonic, and as a result, when Fall Guys goes free-to-play, they’re removing it from Steam. People who had bought it on Steam will still have access to it there, and they plan to still support and update that version, but new copies will no longer be sold there.
Multiple places are reporting on a new game described as Stardew Valley meets Spirited Away. I’m choosing to link to Kate Gray’s post on NintendoLife on Spirittea. I get the sense that there is a PR department around this media blitz, although I certainly don’t begrudge them that, drebnar.
On April 7, Duncan Heaney at Square-Enix had an interview with the producer of Chrono Cross, Koichiro Sakamoto, about the recently-released remake of the game. It contains the revelation, hardly surprising, that the source code of the game had been lost, and they literally had to recreate the game from surviving materials and deducing the implementation logic of the original.
Chris Carter at Destructoid points us to a God of War mod that puts Homer Simpson, Bart Simpson and Ned Flanders into the game, complete with pretty accurate voice acting! They also linked to a YouTube video showing it off. The article mentions some people suggesting another mod with Peter Griffin fighting a chicken, about which, could I just suggest: please don’t.
At Ars Technica, Sam Machkovech calls Warner Bros’ Multiversus, their upcoming smashalike (I’m still trying to make that term happen!) “a compelling Smash Bros. clone.” I mean, it’s got Steven Universe and Garnet in it, so that’s a plus, but no Pearl or Peridot! Also: no Switch version yet.
Goomba Stomp is a website that’s been showing up in my searches more and more often lately, and Renan Fontes there has an essay discussing player character growth in The Legend of Zelda!
Damian McFerran at NintendoLife wrote about the troubled history of the Polymega retro gaming console last year, and now mentions that it may be getting Dreamcast support.
John Walker at Kotaku mentions Mysplaced, a game that looks an awful lot like Nintendo’s remake of Link’s Awakening, which is causing some concernation among fans. Liam Doolan at NintendoLife also chimes in. If you were to ask me? The whole dang industry is built off of copies of copies and copies, and to suddenly care about this one is kind of ridiculous. As if Zelda clones weren’t once like half the industry! Have they ever seen Neutopia? Golden Axe Warrior? They are not going to get sued because they don’t call these characters “Link,” “Zelda,” or “Ganon.” Next!
Jez Corden at Windows Central says Microsoft’s Activision/Blizzard acquisition is moving fast. I wonder if, way back in the early 80s, those bright young refugees from Atari suspected that, one day, the company they were founding would one day contribute to the value of a corporate behemoth?
Finally, in more serious news, Luke Plunkett at Kotaku notes that Epic Games contributed money to help Ukrainian developers working for Frogwares to be safer as Russia’s invasion of that nation continues. Good luck guys!
You’ve made it another Sunday! For making it this far, why not take a break with some fun things? The whole point of Sundry Sunday is to be a low effort thing for the end of the week, but to be honest I couldn’t resist putting in a little extra work on this one.
It might not be evident on the surface, but the classic riffing show Mystery Science Theater 3000 has roots deeply entwined with video games. The show’s staff were known to spend off hours playing Doom against each other on a company LAN they had made for that purpose. During the show, they produced a clip that was distributed on the PlayStation Underground magazine CDs in which they riffed on some of Sony’s artsy commercials from that time (above).
After the original run of the show ended, some of the cast and crew drifted for a bit, doing various projects. One was a short-lived web comedy magazine called Timmy Big Hands, which we might look at some day. Show leads Mike Nelson, Kevin Murphy and Bill Corbett did a couple of other things together, like a four episode movie riffing project called The Film Crew, before they eventually settled into doing Rifftrax, a project the three of them work on to this day.
While at Rifftrax, they’ve produced at least two game riffing clips. The first was made for sadly-departed gaming site Joystiq, and riffs on Mega Man, Final Fantasy X, Sonic the Hedgehog and, especially, something from the Metal Gear Solid series, which I would think is the perfect fodder for such video merrymaking:
Afterward they made another short clip for IGN riffing on Gears of War 3:
Rifftrax makes their living producing and selling clips making fun of shorts and movies, and one of those is the 1993 schlockfest Super Mario Bros. I call it schlock, but it’s one of those movies that critical opinion has slowly been coming around on over the years since its release. More and more it’s being seen as a competently-made and entertaining kids’ sci-fi fantasy movie perfectly of a piece with the era in which it was made-it’s just not a very good adaptation of the games with which it shares a title.
Rifftrax sells the whole Super Mario Bros. riff, complete with the movie on which it’s based, on their site. I highly recommend it, but IGN presents a nine-minute clip teaser from it on YouTube: