The Flipside of Gaming
No image this time. There’s nothing to take a screenshot of! SjASMplus is, simply, a cross-platform assembler targeting the Z80 platform, the processor that runs many classic arcade games. (I refuse to say “powers,” that’s not what that word means!) If you have interest in writing new games for old arcade platforms, it’s something you’ll need.
It’s the holidays still, and I’m trying to unwind a bit. I’m failing, but at least the effort is there: the effort to reduce effort. Maybe someday.
I’m considering writing more on the subject of the male-gendered Pac, which I assume is a mere matter of social custom among the Pac-People since they have no genitalia or clothing. Pac-Man bootlegs, in particular, are bizarre and wonderful, even if they often aren’t very fun to play.
But Cam has a nice page devoted to Pac mutants. And these old Geocities-style pages need much more love these days, so for now I’ll link to them. Have a look!
Sundry Sunday is our weekly feature of fun gaming culture finds and videos, from across the years and even decades.
For a supposedly mature art form with (as we’re often reminded) revenue exceeding television and movies, and legions of fans ready to defend its honor in the gladiator pits of social media and discussion forums, it’s surprising how unexamined some video game tropes are.
Like, how so many games have decided that floating in the air and slowly rotating is a universal signal that an object can be collected? It’s ubiquitous! See for yourself:
What I especially like is how esoteric are a few of the games in this compilation of miscellaneous game collectables. I recognize both Ribbit King and ToeJam & Earl III (the often forgotten Xbox one) within this montage-like object!
Floating and Spinning (Youtube, four minutes)
Some of my favorites from Next Fest 2023.
Owner of Game Wisdom with more than a decade of experience writing and talking about game design and the industry. I’m also the author of the “Game Design Deep Dive” series and “20 Essential Games to Study”
The demoscene is a rich source of awesome, and at times ridiculous, imagery and sounds. Once in a while we sift through it to find things to entertain you with.
Found from Z303’s aptly named Tumblr The Demo Scene, Batman Rises was created by the aptly-named Batman Group, who might be just a little too obsessed with Warner Bros’ multimedia megaproperty. This demo was created for the Amiga 500 with 1 MB of RAM in 2022. That people are still making demos for the classic Amiga platform today is pretty awesome, whether they focus on Batman, Spider-man or some other be-spandexed corporate-owned trademarked character.
Here is video of the demo in action (8 1/2 minutes):
They also made a blog post describing the narrative of the demo. You may find it interesting. It still seems pretty fluffy to me (I mean it has a scene of zooming down a technological tunnel for no reason I could discern), but I’ll admit it’s pretty awesome to see something like this running on 36-year-old hardware! If you have interest in obtaining the demo yourself, to run in physical hardware or an emulator, both it and instructions for running are here.
In 1987, programmers Robert Germino and David Todeshini wrote a weird and obscure Commodore 64 game called The Red Obelisk. It barely made a dent in the market, which is kind of a shame. It’s nearly entirely unique, which is a difficult thing to say of any game 36 years after its publication.
Part of why it’s not remembered much today might be how unique it is. It’s mostly a game about alchemy, but not as much in an Opus Magnum kind of way. You’re given an object, kind of like a gemstone, found in an asteroid belt. You shock it with electricity, zap it with lasers, and shoot sound waves at it. All of this is depicted in an illustrated laboratory, with surprisingly atmospheric graphics and sounds. Doing these things may increase its value. You can sell it at any point to earn energy proportionate to its value, which you need to run your ship and guard against hazards, and points. Your real goal though is to create a Red Obelisk
An earlier work of theirs was Sentinel, of which there’s even less information online.
I played a bit of The Red Obelisk and uploaded a recording to Youtube. I don’t do too well. Here is that video (7 minutes):
Both The Sentinel and The Red Obelisk, and another game I think they made called Phaserdome, were included on a disk called Master Blaster put out by Keypunch Software. Keypunch wasn’t a great organization; there are tales of them taking freeware games, scrubbing them of information by which their creators might be identified, and then selling that on a disk. It was before the widespread adoption of the Internet, the World Wide Web was still three years away, so it was easier to get away with that sort thing than it is now.
Later on The Red Obelisk got picked up for an issue of Loadstar, and the veracity of its editors I vouch for completely. I haven’t yet checked their products for the other games. Sentinel is also on Loadstar. The documentation I retyped below suggests they have another game on Loadstar as well. Both The Red Obelisk and Sentinel are on the Internet Archive, but you can get legal and paid-for copies for $15 of the first 199 issues (Loadstar was amazingly long-lived) via LOADSTAR COMPLEAT, still sold by its long-time Managing Editor, my friend Fender Tucker. The Red Obelisk is on LS64 issue 58.
The game is fully described in its instructions, below, so I’ll just give you some of my own impressions. It’s interesting! It has to have something to it for it to have persisted in my memory for so long. I think the game is implemented in BASIC with some machine code routines to handle the real-time portions. This is a perfectly valid way to implement a game; I did it often myself back then. It’s pretty much the only way to get the smoothly-moving asteroids and slick sound effects the game has.
What I remember the most is the Object Mode, where you zap various objects on your workbench in the hopes of creating a hugely valuable Red Obelisk. Everything you do costs energy, and running out destroys your ship, so efficiency is a must. In order to succeed you must take notes as to how each object behaves. Basic directions are given in the instructions: get the Tolerance below 100 with electricity, and the Temperature above 500 with lasers. Is that all there is to these tools? It has been too long for me to remember, but I do remember finding a string of Red Obelisks at one point, so there must be some process to it. Experiment to see what you can find.
The other thing I remember is the noise that your ship makes when you collect an object. All of the sounds in The Red Obelisk are effective, but that noise found a home in my brain when I played it decades ago, and it has never left. I think it probably never will.
What follows are the instructions to the game as included on Loadstar 58, as written by Fender himself, with section headings and minor formatting added by me.
by Robert Germino and David Todeschini
One of the safest bests of the 21st Century is that treasures will be found in space in the form of small meteors. They may be grey and drab-looking on the outside but inside will be jewels and precious gems, just waiting for the mining engineers to extract them. But it won’t be easy.
If you are a veteran of the universe of STURGRAT (on LOADSTAR #54) you will have an idea of the complexity of 21st Century space mining.
In THE RED OBELISK you are in control of a mining company. You must gather some object from space and by using the powers of your factory, you can ‘sell’ them for the maximum profit. Your goal, as is any capitalist’s, is to garner as many shekels as you can.
Let me describe your ship first. It is a Sturgrat space mining/laboratory and short-range fighting vessel. It operates in three modes, the Object Mode, the Mining Mode and the Attack Mode. You begin in the Object Mode (which is the inside of your laboratory) where you get a readout of all the capabilities of the Sturgrat.
The most important thing to keep your eyes on is the POWR rating in the lower right of the screen. If this gets too low, you will lose your ship, and, as is shown right above the POWR display, you only have two, not counting the one you begin with.
But your power is running down so you can’t tarry too long making decisions. And believe me, there are a lot of them to make.
You begin with an object on the conversion table. Its type is shown on the left. The idea is to process this object and then convert it into SCORE and POWR. You have to get the tolerance down and the temperature up.
These two values are shown on the left, TOLR and TEMP. You hold down the E key (for the electrodes) for a short period of time and notice that when you let up the TOLR has gone down. Get it down below 100. Press L (for the lasers) the same way to get the TEMP above 500. Since your POWR is going down all of the time, it pays to do these two things quickly and efficiently. They MUST be done for each object.
In the bottom left hand corner is the value of the object (VALU). As a true capitalist, you will want this figure as high as possible before you convert it into cash (SCORE).
You can increase the value of the object by bombarding it with Ultrasonics. Press U and then push the joystick forward and listen to the pitch of the sound. Press the firebutton and the VALU will increase by a certain amount. If you want to increase the VALU faster, push forward on the stick, the pitch will increase and so will the amount the VALU increases when you press the firebutton.
You can get too greedy with VALU. If you’ve increased it too high, the object will be destroyed and will disappear from the screen.
A good Sturgrat miner will write down the TYPE of object and try to discern the maximum VALU an object of that type can attain WITHOUT destroying itself at conversion. Write this figure down, too.
If you convert at too low a VALU, you will only get the VALU, but if you convert it at just below the ‘peak’ VALU of an object, it’ll be transformed into the incredibly valuable RED OBELISK, which, in more ways than one, is the name of the game. It’s up to you to determine each object’s ‘peak’ value.
You cannot do much more in the Ultrasonics mode. Press U to toggle out of it (if you are in it) and then you are ready for conversion. You do this by pressing RETURN. You’ll either (a) convert it for the present VALU, (b) create a RED OBELISK (which pays off handsomely) or (c) find yourself looking at a dreaded FALSE OBELISK. If you see one of these, you have to act quickly and destroy it by firing Caps at it (the F key) or by bombarding it with Ultrasonics. If a FALSE OBELISK is left to itself it will destroy your current ship and its cargo.
Which brings up the question: Where do objects come from?
You have to space-mine them. Press the SPACE bar to go from the Object Mode to the Mining Mode. You’ll see your Sturgrat drifting through a meteor field. Use the joystick to maneuver around the meteors trying to capture the small, shining object that is floating slowly across the screen. The object must be captured DIRECTLY in the Sturgrat’s scoop. Even a small bit off-line will cause your ship damage.
You have a tractor beam which you can enable with the firebutton. It will draw the gleaming object up the screen where the action is less hectic.
As a matter of fact, the top of the screen is a safe place where you can scoop up hydrogen molecules with your tractor beam and slowly boost your POWR if you are running low.
You can gather up to nine objects at a time or you can gather just one and head back to convert it. To go back to the Object Mode, press RETURN.
You begin your stint as space-miner with 3 ships and 3 Caps, but as your POWR gets higher (above 1500 megajoules) your Sturgrat becomes more attractive to marauding space-hijackers. When you least expect it you will be attacked.
The message says that you have lost the object on the conversion table and that the marauder wants to know if you surrender or not. If you surrender, you won’t lose your ship but you’ll have to continue with what you have. If you answer N to the surrender prompt you go to the Attack Mode.
This is the arcade portion of your mission. Move the joystick so that the cross-hairs are on the middle of the attacking ship and press the firebutton to fire. Keep an eye on your POWR level. If you are in danger of losing your ship you can weaken or destroy the marauder with a Giga-Gem by pressing the G key.
Giga-Gems can destroy any cargo that the attacker may have, so you should use them only as a last resort. When you have bludgeoned the attacker into submission he’ll ask if he can trade his cargo for his life. If you feel in a benevolent mood (or in a greedy one) you’ll probably do better accepting his offer and letting him limp off into space.
If you choose to destroy the enemy, you may be able to salvage some of his Caps. If you let him live you may get CRGO (objects), Krystals or Giga-Gems. Base your decision on what you need most.
The Krystals (KRYS) cam be converted in the Object Mode by pressing K. A Krystal is mainly a bonus score you get for defeating a marauder and being kind enough to let him slither off alive.
That’s about it. It will take a little practice with the controls of your Sturgrat but soon you will be grabbing objects and converting them like crazy hoping to find a level for each TYPE of object that will give you a RED OBELISK. As your POWR rating goes up you will have to fight off space-raiders more. Try to get the highest score so that you can head back to Earth a rich man.
As for the trip back to Earth, that’s another game, but one I’m sure Bobby and David will be creating soon. Sturgrat rules! Long may it run.
DISK FILES THIS PROGRAM USES: RED BOOT, RED BOOT 2, RED OBELISK, SPR1, T.RED BOOT
**** End of Text ****
If it’s generally entertaining, I try to save game-related animations and cartoons for Sundays, but this is probably interesting more for how it illustrates how the Pac-Man propery is changing. Yes, it’s another excuse to rant a bit about how Pac-Man’s lore is changing under Namco’s direction, like in the Baby Pac-Man post!
I recognize that Bally/Midway’s taking the lead on Pac-Man promotion and lore amounted to a bit of cultural chauvinism. In the early 80s, U.S. licensors of Japanese arcade games would outright put their own copyright notices on games. When I was a kid and Pac-Man fever was running at 104 degrees (Fahrenheit), I knew that Bally/Midway was a thing that existed, but nothing at all about Namco. They filled that widespread ignorance of the game’s origins with their own lore, starting with Ms. Pac-Man, and it’s surprising that now, long after their deal was dissolved and Midway games division consumer games division shut down, that their lore survived for so long.
A lot of that has to do with the enduring popularity of Ms. Pac-Man. Other Bally contributions like Jr. Pac-Man haven’t proven nearly so enduring. Another part of the U.S. Pac-Man lore, that has ended up exerting a strong, almost unhealthy, influence over their property has been the Hanna-Barbera cartoon show, yes the one almost no one remembers except for its weird Christmas special, from 1982. That thing got two seasons, alongside likewise forgotten (and less durable) properties Richie Rich and The Little Rascals. H-B’s version of the characters continues to pop up randomly in different places, like the cover art for the original version of Tengen’s release of Pac-Man for NES.
The Hanna-Barbera cartoon was a strong influence over the art design and music of Pac-Land, which means among other things that that weird cartoon is now echoed in Smash Bros. Ultimate. Shh! No one tell Warner Bros!
Okay, time to spiral on down to the point of this post. A “pop-up store,” it seems, is a “retail concept” that involves setting up a small store for a limited period of time, often with a strong theme or a focus on a single brand. Kind of like a micro-sized version of Spirit Halloween.
Namco experimented with a Pac-Man-themed pop-up store in Japan in 2016. They called it “Pac-Store,” and they came up with its own idiosyncratic take on the Pac-Man lore for it, and made a series of short web cartoons to promote it. They’re still on Youtube, but they’re collected into one video by The Pac-Man Archive. That’s what is embedded below. Even though it’s mostly in Japanese you should watch a few minutes of it, if just to see how Namco has retconned the history of the hungry yellow sphere.
Pac-Man has two assistants, but they’re not Ms. Pac-Man or Baby or Jr. They don’t even have “Pac-Mom,” Namco’s more-recent recreation of Ms. Pac that isn’t burdened by AtGames’ licensing with Ms. Pac-Man creator GCC. Instead, Pac is backed by “Pac-Marie” and “Pac-Little.” Keep in mind that the horrible “Pac-Man and the Ghostly Adventures” TV show was released around 2013, and its characters got unfortunately crammed into at least one iteration of Pac-Man Museum (the one I have on Steam). It’s interesting that they didn’t use those for Pac-Store. Maybe Namco was already coming to realize that Ghostly Adventures was destined for purgatory.
I actually don’t hate Pac-Marie, she’s got a fun design, and it’s not like Pac-People have much to distinguish them anyway. She’s still a hell of a lot more appealing than anything from Ghostly Adventures.
Pac-Store – All Animated Shorts (Youtube 8 1/2 minutes)
So many more games to show off.
EDITOR’S NOTE: It’s that time of year again, when time is short and news is light. There are a lot of these Next Fest video showcases lined up, so there’ll probably be more than usual of these for the next couple of weeks.
Owner of Game Wisdom with more than a decade of experience writing and talking about game design and the industry. I’m also the author of the “Game Design Deep Dive” series and “20 Essential Games to Study”
Sundry Sunday is our weekly feature of fun gaming culture finds and videos, from across the years and even decades.
Welcome to a different sort of Sundry Sunday! This week, I’d figure I’d explain to you how weirdly seriously I find this section to do!
You might think just finding a random funny or weird game-related video on Youtube is the easiest cyberthing in the compuworld. It’s only been one of the most popular form of videos on Youtube since it started up. Newgrounds has been around for how long again?
Well, you see, that’s kind of the problem. Newgrounds is part of what I’m going to euphemistically call gamer culture, and that tends to be what I’m going to understatedly call extra. Surely I don’t need to go into the many excesses of gamerdom, at this late date.
So I have to choose carefully. And it’s not just gamer culture I have to carefully circumnavigate, but some other examples of the excesses of fandom.
I figured I’d illustrate by showing a couple of videos that I would not otherwise present in this forum, and note why I wouldn’t. Let us away!
The word “Ultimate” is in the title. It doesn’t reflect my feelings.
This one’s borderline. The opening gag of Bowser turning into a salaryman is a good one. But then a flower starts cussing Mario out, and Luigi slaps the ass of Elephant Daisy. And British hunters poach Elephant Mario, and Mario gets cussed at some more and gets squished to paste inside an inchworm pipe. And there’s a Lion King parody that is just a reference without a point. And then Peach grabs a Wonder Flower, making an enemy bulk up like on steroids, and reacts with anticipation as it then approaches her. You know. “Adult” humor.
“Adult” humor is a difficult thing to apply well. Just having kids’ characters react in such untoward ways is not a positive or negative on its own, but that is my point, just that isn’t enough for me to recommend a video. It feels like I’m recommending a Family Guy sketch, a style of animated comedy of which I’ll litotically say I’m not a fan.
Furthermore, the whole video is just a series of vignettes like that. A single funny joke in a video has to carry the weight of the whole rest of it. I’m not going to say this video is sloppy because obvious effort went into animating it, and there’s even some good ideas in there. But there’s always going to be reasons not to link to something, all it takes is one, and I knew it wasn’t going to be right for Sundry Sunday (outside this context) the moment Luigi slapped Daisy’s butt. Sometimes I despair of finding something good to put in on Sunday, but I’d rather not present a culture find that week at all than one that crosses a grossness line. That’s just me, but then, I’m me, and I’m writing this.
This video has the opposite problem. And it’s not really a problem, I’d say, it’s fine, it’s not intended as a value judgement against it, except that, by rejecting it for here (again, outside of this context), I am unavoidably judging it by a value, the value of being right for Sundry Sunday. What I mean to say is, it isn’t bad. I just can’t quite bring myself to say it’s good.
What causes me to reject this one is two things: it’s not funny, and on top of that, it’s kind of glurgy.
In summary: in the universe of the recent Super Mario Bros. movie, Mario and Luigi’s old boss, Foreman Spike, comes into a room to find them messing up on a job, and at first berates them for poor work, but then eases up and has a bonding moment with his two employees, fixing the leak himself while telling him a story of his own early career. And that’s really it. It’s supposed to be heartwarming, but it comes off as ingratiating.
It might work better if there was more at stake. If we had a bit more prior insight into Spike’s character (he’s not a big part of the movie). I’m not as concerned with the fact that the video is just a voiceover of a dramatic presentation of a fancomic, I’ve presented things like that here before.
I don’t dislike it, but I think the bar for inclusion here is a little higher.
There’s a game ebook bundle going on at StoryBundle, with a collection of posts from Set Side B on it! But more than that, it has books on Mortal Kombat by David Craddock, books on beat-em-ups and horror games from Hardcore Gaming 101, on early arcade history from Andrea Contato, and books from Boss Fight Games on Parappa the Rapper, Goldeneye 007 and Minesweeper! It’s got just five days remaining.
You can get all 10 books for $25! It’s gone up lately but it’s still really worth it! All of the books have no DRM and can be read in most any reader, including Amazon devices! They can read EPUBs now! At last finally surprisingly at this late date!
StoryBundle is a wonder, they always present so much interesting stuff. I’m rather surprised they keep asking me back, so I try to make my own weird little contributions to it worth your while.
Gaming Feast StoryBundle (ends December 14th)
Here we are, at the cusp of 2024, and 2D BOY, along with offshoot Tomorrow Corporation, have at last announced a sequel to the hit that could be considered to have kicked off the whole indie gaming thing: World of Goo.
World of Goo got started as Kyle Gabler’s Tower of Goo, part of the Experimental Gameplay Project way back in 2005, which you can find out more about in this post-mortem here (PDF). Tower of Goo can still be downloaded here it seems.
Kyle Gabler and Ron Carmel formed 2D Boy, who made the sequel World of Goo three years later. World of Goo was what got the ball rolling on indie gamedev, and was an important early hit on the Wii’s digital distribution platform Wiiware and iOS. Versions of World of Goo, now called World of Goo Remastered, can be bought for a variety of platforms today. World of Goo was surprisingly popular, and in its Remastered form looks great even now. It spawned the “Sign Painter” meme that went around for a few years.
Kyle Gabler and some other friends then formed Tomorrow Corporation, producing the ungame Little Inferno, and the unique programming games Human Resource Machine and 7 Billion Humans, which I can tell you from experience are all worth playing. But 2D Boy never made another game, until now, or more accurately, until soon.
World of Goo includes a version of Tower of Goo, but also expands upon the theme, and tells a number of very weird stories along the way. If you’re not familiar with the series, using an easy drag-and-place interface, you take goo balls, little black spheres with eyes, and link them together to make physics structures, akin to the ones in the old SodaConstructor web applet, in order to meet various objectives.
All we know so far about the new game is what’s shown in the new trailer, which is where the screenshots in this post come from. It looks really promising, with the physics model now updated to include fluid effects. Game physics have come along very far since the first games were made, it’ll be interesting to see where they take it today, as well as what the Sign Painter has been up to since he was last seen in Little Inferno.
World of Goo 2 – Official Trailer 1 (Youtube, 2 minutes)
