Tag: book2

Folding Ideas: Why It’s Rude To Suck At World of Warcraft

Another another video again once more! And this is a big one. Dan Olson of Folding Ideas tends to post long-form, movie-length videos on its subjects. They were the toast of the internet for a while after their brutal takedown of NFTs and cryptocurrencies (2h 18m), which was recently followed up by an equally detonative look at NFT-based libertarian techbro virtual world Decentraland (1h 49m-I told you they were long).

Between those two worthy video conflagrations they produced a video that is rather in our backyard, a one hour, 24 minute vid-essay on who World of Warcraft became a place where playing sub-optimally isn’t just frowned upon, but came to be seen as anti-social. If you’re interested in the social aspects of MMORPGs, It’s worth devoting an eleventh of a day’s waking hours to!

What’s really interesting here is something I’ve been worried about with older video and computer games for a while. Games that manage to still be popular over a lot period get focused on, dissected, sometimes disassembled, and laid out so that they have no secrets. Their audience both focuses on them, and both seeks out ways to play them better, and reasons to play them better.

That’s where speedrunning comes from, and that’s the thing-what’s happening in WoW is just what’s happening to classic gaming in general. It’s become a degraded form of play, almost, to come to a game completely new. I’ve bought into this too, occasionally leaving a message on a Youtube video of someone playing sub-optimally giving a couple of helpful tips. Really though there’s no need. If they wanted to do that, the avenues are available to them. There’s already plenty of people trying to play, say, Castlevania III in the best possible way.

World of Warcraft is 19 years old now, and even has an entire official alternate version that duplicates the game experience from launch. During that time the expert-level strategies that were discovered by players after long observation and practice have become ubiquitous lore. Even if you’ve never read a FAQ or watched a tutorial video, just from hearing other players talk about the game and watching them, a lot of it will seep in.

As a result, not only can’t a long-time player go back to how they experienced the game at launch, because they know too much, but even new players can’t, because the community around them is filled by those players who know that much.

There’s lots to think about here. Especially if you’ve played World of Warcraft before, but also if you haven’t. (I haven’t!) Also note that the video is consciously patterned after Jon Bois’s videos for SBNation and Secret Base. Here in 2023, that’s a comforting reference.

Why It’s Rude To Suck At Warcraft (Youtube, 1h24m)

More Game Map Sites

We’re still searching for old game info sites that are still up in 2023. Another couple of use are Video Game Maps, last updated in 2007 but still available, and Revned’s Video Game Maps, which saw its last edit in 2016, but is mirrored on Github.

It feels, to me, like this is what the World Wide Web should look like, flat, static HTML pages with sidebars and hyperlinks. A thing of beauty.

For the past 20 years it’s felt like any game information you could ever hope to find is out there on the World Wide Web, somewhere, but as both the people who grew up playing these games grow old, and the drive and motivation to start and maintain websites has diminished with the popularity of social media, this is increasingly no longer the case. Sometimes you can find vanished websites on the Wayback Machine, but it’s a lot harder to find things there, Wayback often misses images, their web archives are often incomplete, and server-side scripts are broken by archiving so dynamic content is usually dead, the page contents locked in the state it was at when the time of archival.

VGM: Maps and Strategies! and Revned’s Video Game Maps

NES Maps and SNES Maps

I’ve banged this drum a lot lately it feels like, but I have to reemphasize that the internet is not forever, and as Ryan North has told us lately, even the most popular website in the world is one missed bill from disappearing, probably forever. As this happens more and more often, big and well-funded content hosts like Fandom and Github persist, while smaller, independent information sources tend to fall away, which results in a rich-get-richer feedback loop. Independent sources of accurate information are so important, no matter the subject. It is difficult to fault anyone unwilling to keep content up and updated for a large portion of their lives, but whenever it happens, I appreciate it.

Before the death of Flash, their Zelda map used it to provide an interactive browsing experience that is sadly defunct now. This PNG version is still great, though.

So I’ve been trying to celebrate the best, most long-lived websites out there, and NES Maps, and its sister site SNES Maps, qualifies, going back to around 2006. That’s 17 years! And it’s still there, quietly providing maps of just about any NES game you might want to find information on.

It’s not perfect. Their labeled maps of Castlevania III, I discovered just now, are incomplete, cutting off after Block 5, promising that more is coming soon for who knows how many years. But most other games have complete maps, including a number of Japanese-only title. It’s truly a great resource, and I hope they can figure out a way to keep it going for the long term.

NES Maps and SNES Maps

Loadstar!

Now is the beginning of a fantastic journey!

Aah that’s a screen I haven’t seen in a long long time.

1982 saw the founding of the Apple II computer magazine-on-disk Softdisk. Soon after Softdisk Publishing produced disks for other home computers too. One of them, Big Blue Disk, has gone down in history as previous employer of some of the original principals of id Software, especially John Carmack and John Romero. But another of Softdisk’s legacies was their Commodore 64 product, Loadstar, probably the longest-lived Commodore 64 software publisher. They published C64 software from 1984 to 2007. And most, if not all, of it is available online!

Loadstar is yet another of those computer gaming stories that must be told, and I’m in a pretty good place to tell some of it, because I beta tested for them for many of those years, and sold programs to them as well. Yes, several of their releases bear the programmer name John “The Mad Gamer” Harris. You have to understand, this was long before the word gamer reached common usage. In fact, as someone who may have primacy over the use of the term, I hereby forbid its use by anyone with misogynistic, anti-trans or racist intent. It is so decreed, hey-nonny-nonny!

Loadstar was lots of fun. Every month they’d send you two disks in the mail with several new pieces of Commodore 64 software on it. Under the watchful eyes of Fender Tucker and Jeff Jones, and later on Dave Moorman, it’s not that they grew an empire of Commodore programs, but they did manage to sustain that platform for a small but avid userbase for far longer than you’d have thought possible.

I plan to start doing Loadstar reviews eventually, but in the meantime, you can try out some of the later issues of this important piece of computing history at the site linked below. Note that you’ll have to have a means of running C64 software to use them, of course. The emulator VICE is known to work well. And if you want to hear the words of Fender, Jeff or Dave yourself, all three are on Facebook.

The LOADSTAR Library

Romhack Thursday: Final Fantasy for MSX, in English

On Romhack Thursdays, we bring you interesting finds from the world of game modifications.

There was a period during the 8-bit era where games best known for being on the NES could get ports to other machines. Most of the ports we got in the US and Europe were not that great. There were a fair number of classic NES games with lackluster home computer adaptions. Even the best of these, like Mighty Bomb Jack, Castlevania and Life Force for the Commodore 64, usually paled compared to their NES counterparts.

I put the blame for this on the cartridge format. While a much more expensive media for releasing software than disks or tapes, it had the great advantage of being enormously flexible. The whole phenomena of mapper chips and other in-cart add-on hardware on the NES had no counterpart on the C64 during its heyday, even though there was really no reason the ’64 couldn’t use the same kinds of chips that the NES used.

Things were a little different in Japan on their native microcomputer platforms. While anemic ports were certainly possible there (like the infamous Super Mario Bros. Special) a fair number of console games got pretty good computer ports. Many of the best of these were for the Sharp X68000, a system I really must cover in detail soon, but the MSX platform got a fair number, many due to the efforts of Konami.

Both Dragon Quest and Final Fantasy for MSX ports with their own unique properties. Today’s post is about Final Fantasy, which recently got an English translation, and which in play and structure resembles its NES original to a large degree. It’s even a slight upgrade, with more colors in its characters and able to make use of an MSX sound expansion cartridge for improved music.

The game was reimplemented from the ground up, so it’s even missing many of the bugs that the Famicom original, forged out of raw bytecode as it was by consummate hacker Nasir Gebelli, is known to have. It would probably be the definitive early version of Final Fantasy if it didn’t play painfully slowly. You can’t see it in these screenshots, but instead of the world sliding smoothly across the screen as on the NES the terrain snaps by in eight pixel steps, and your party also walks more slowly than on Nintendo’s machine. And while it’s not as bad as loading times in the Playstation 1 Final Fantasy games, the game still lingers on a blank screen for several seconds when fights begin and end, which will drive you nuts before long.

The English translation patch that FCandChill put together basically just uses the NES game’s script, so no surprises there. These days games in the style of those early JRPGs are quite out of style, but if you still have a hankering to play a game that basically demands that you grind out levels to have a chance and where you will almost certainly total party wipe at least once during your run, you could do worse.

English translation patch of Final Fantasy for the MSX2 (romhacking.net)

Set Side B is One Year Old!

Thanks for reading Set Side B! This year we’ve talked about roguelikes and classic arcade games and romhacks and silly game videos and even some more esoteric subjects, like Wordle clones and crossword puzzles, and all kinds of other things. We intend to bring you lots more, over the next year, from the Flipside of Gaming.

Might I suggest taking a moment to investigate some of our finely-sifted tags? There’s @Play, the continuation of my old GameSetWatch roguelike column, Arcade for Arcade Mermaid and other arcade gaming posts, Sundry Sunday for fun gaming memes and videos, and Romhack for Romhack Thursday and similar posts.

PannenKoek2012 Returns: Crashing Super Mario 64 With Pendulums

PannenKoel2012 is the Super Mario 64 enthusiast (that’s the only word I can think of that matches) who has been working on reducing the number of A button presses needed to finish the game. They haven’t gotten it down to zero yet, and likely never will, but by resorting to increasingly extreme measures they continue to figure out ways to get it down. I think they’ve been working at this project for over 12 years; the oldest video on their Youtube account is that old.

Of arguably more interest than their quest, though, is its interesting byproducts, which is a series of Youtube videos, on both their main channel and alternate channel UncommentatedPannen, which not only explain how their many subtle and effective stratagems work, but also a number of aspects of how Super Mario 64’s engine works, and even basic principles of computer science. These videos are so in-depth that they have their own wiki to track the concepts they use, to explain turns like Parallel Universe (PU) and Pedro Spot.

When I say they return, it’s not that they ever left, but it’d been a while since they had a solid explainer. Now they have one, it has spoken narration instead of the text that marks many of the best videos, and the production values have even increased a bit:

In this video, a clever way to manipulate the pendulums in Tick Tock Clock to crash the game after 39 1/2 days of playing also takes into its sweep an excellent explanation of many of the systems compilers use to represent numbers and their limitations.

And here are a number of those interesting videos (by no means complete) that they’ve posted in the past: The Art of Cloning (17m29s) – Walls, Floors and Ceilings parts One (37m23s), Two (32m5s) and Three (37m26s, all three together being a pretty through explanation of how Mario 64’s platforming system works) – Blinking (eyes, 8m40s) – Floats (9m23s) – Pause Buffering (8m7s) – Pitch Conversation and Yaw Velocity Conservation (15m15s) – Sleeping (Mario, 7m25s) – Random Number Generation (12m37s) – Wall Hitboxes (6m50s) – Releasing Objects (5m18s) – How Holding Objects Really Works (12m1s) – Units, Speed and Sense of Scale (4m41s)

How to Crash SM64 Using a Pendulum (Youtube, one hour 12 minutes)

Set Side B Changes Formats!

I’m thrilled to announce that today marks the beginning of big news for Set Side B. We’re switching our theme! We’re no longer providing the most eclectic and interesting of retro, indie and niche gaming information. No, starting on this auspicious day we’re going to all old websites and ancient meme videos!

We’re talking zombo.com! We’ve got YTMND! The Onion! I Can Has Cheezburger! Know Your Meme!

You like wikis? Have you heard of Everything2, or The Earth Edition of the Hitch-hiker’s Guide to the Galaxy? I hear there is also another upstart wiki-based knowledge site out there somewhere, we look forward to the day when it’s nearly as content-packed as E2 or H2G2.

Remember Slashdot? Remember Digg? I mean the Digg after the Digg that succeeded Digg! Have you been to Fark lately? How about MetaFilter? For some reason I’m still there! The twin fonts of news, Salon and Slate! Liberal infozones Dailykos and Talking Points Memo, they still exist, thumbing their noses at ennui and entropy!

Project Gutenberg is still gamely trying to give away a trillion ebooks! Snopes debunks all the worst misinformation out there, and Cecil Adams’ The Straight Dope column stopped running, but seems to be now running again, and new columns debut on their message boards! And the Internet Archive, in particular their Wayback Machine, is an essential tool for any thinking netizen, and I hear they could really use your support!

McSweeney’s Internet Tendency still brings a droll sort of funny. The IMDB may be owned by Amazon now, but you can still get a ton of information on nearly every form of visual media there. Rotten Tomatoes still aggregates movie reviews from critics and viewers alike.

Game stuff? GameFAQs, although owned by Gamespot, is still around, and StrategyWiki is the good version of what Fandom ruthlessly exploits. The Cutting Room Floor provides info and esoterica on hundreds of games!

There are webcomics too! Let’s see. XKCD, Argon Zark, Dork Tower, Order of the Stick, Penny Arcade, PvP, Bob the Angry Flower, Girl Genius, Megatokyo and The Perry Bible Fellowship! Also Maakies and Red Meat (although they’re a tad edgier, and Makkies is sometimes NSFW).

We hope you’ve enjoyed this April Fool’s Day post! Happy thoughts! It’s intended as a real and useful post and certainly isn’t just an excuse to write whatever I wanted today!

But pleaase remember: the internet isn’t forever. The sites you love now won’t always be around. Ask me about Suck.com, Plastic, or the Brunching Shuttlecocks someday. But not today, I’ve got this terrible pain in all the diodes down my left side.

Have a few ancient Youtube videos from our voluminous files! (Yes, we keep files of cool Youtube videos. We’re awesome that way.)

That should be enough for now. Gotta keep some of it in reserve. For later….

Chrontendo 61!

Does it seem to you like there’s been a lot of Youtube videos here lately? It’s an unfortunate fact that a lot of the information and articles that once would have been in informative and quick-reading blog posts are now presented to the internet in a format that requires video editing software to create and 15+ minutes of your time to watch.

However, with Chrontendo it’s worth it. Dr. Sparkle’s epic-length tour through the entire run of the Famicom’s and NES’s libraries. Most episodes are an hour or longer, but you definitely get your time’s worth by watching them. And like U Can Beat Video Games, it’s nice just to have running in the background while you do other things.

We linked to Chrontendo #60 last June, titled “The Most Perverted Episode.” Sadly Chrontendo #61 doesn’t come with any titillation factor; it’s title is “Not really worth the wait.” It’s a series of games ranging from pretty bland to outright terrible. Covered are the months of May and June 1990, plus one game that’s a holdover from April. Within the video is footage and commentary on:

  • Castle Quest, which is not the same game as Castlequest in the U.S., which was a renamed localization of a game called Castle Excellent in Japan. It’s a turn-based strategy game that’s like Chess against a computer opponent, but with a random factor.
  • Ys II: Ancient Ys Vanished: The Final Chapter, which isn’t so bad, but was greatly overshadowed by the must more impressive Turbografx CD version released around the same time.
  • Baken Hissou Gaku: Gate In, yet another horse racing sim, this one with an extremely bland presentation.
  • Jajamaru Gekimaden: Maboroshi no Kinmajou, a so-so ninja adventure/Zelda clone.
  • Snake’s Revenge, the disowned sequel to Metal Gear that Hideo Kojima didn’t work on, a game that some people like but Dr. Sparkle doesn’t. I’ll say it’s more polished than NES Metal Gear, at least.
  • Remote Control, a video version of a nearly forgotten MTV game show that couldn’t use any of the celebrity likenesses from the show.
  • Chip ‘n Dale: Rescue Rangers, another of the Disney Afternoon tie-in games. Dr. Sparkle admits it’s not bad, and it’s probably the best game of the episode, but is only really interesting when played co-op with two players. There’s a fairly scandalous piece of Gadget fanart here, scavenged from the aptly-named halls of DeviantArt.
  • Rally Bike, a port of a Taito arcade motorcycle game with much less polish than the original. I note that this game was ported by one of my un-favorite developers, Visco.
  • Battle Fleet, another turn-based strategy game, with a naval theme.
  • And S.C.A.T.: Special Cybernetic Attack Team, a game that plays a bit like Capcom’s Forgotten Worlds, but without that game’s hallucinatory visuals.

Chrontendo #61 (Youtube, 1 hour and 1 minute) – archives – previously

Editorial: Where Are Retro Games Going?

This editorial doesn’t necessarily reflect the views of this blog. However, blogs don’t have views anyway, so what would that even mean?

I was sitting and watching some Zelda: Breath of the Wild videos in a Metafilter post by Fizz, from streamer PointCrow. I was going through the usual generation shock–I the hyper-frenetic editing, zooming visuals with added sound effects, slow zooms, constant cues telling me how they want me to feel, combined with his constant state of hype and excitement, they were wearing on me. But that’s probably just my age? As much as it pains me to admit it I’m not young anymore, having just turned fifty last month. Maybe it’s just the style of popular youth media now Somehow I don’t think it is, I don’t see everyone doing that. I suspect it’s really Youtube’s algorithm that prioritizes engagement really really hard, that pushes some people to those lengths. Anyway, I don’t intend to make this into a screed against PointCrow, who obviously works very hard to succeed, and does have some interesting videos. By all means watch a few if you want. That’s not the point of this post anyway.

Movie notwithstanding, does anyone care about Super Mario Bros. anymore, for its own sake?

It was while watching it that I started to realize how insular these kinds of video can be? If you don’t know anything about Breath of the Wild, a lot of it will be impenetrable to you. That may be why there’s so many videos about this game in particular. There’s like a while little genre of BotW videos that show off tricks, odd corners of the game, and amazing feats in it. I post about them here sometimes even.

My worry has to do with the phenomenon of retro (from our perspective) gaming in general. We often hear people talk about games like Super Mario Bros. and the original Legend of Zelda as if there were some kind of timeless classics, which is a bold statement to make even approaching 40 years out from the Famicom’s launch. Timeless is timeless, and in centuries will anyone know or even care about it? The jury is still out of course on whether humans will still be around in that time, but let’s presume they will be.

It’s a tricky and devious game for people not prepare for it, but the original Legend of Zelda is surprisingly playable now.

In fact, let’s restrict out scope to the relatively near future, maybe 20 years from now. Will people still care about the 8-bit era of games around that time?

We have some reason to believe that they aren’t played as much now as they used to be. NES-era games, on the Switch, are no longer sold individually, like they were on the Wii and Wii-U, but in bulk, as part of a subscription. That seems to indicate, I think, that they haven’t turned out to be as much of a selling point individually as before.

My hope is that they will, and I think games like Super Mario Bros. do have some qualities that don’t just expire like the milk left in the fridge for a month. But they don’t exist in a vacuum, and what gives me cause for concern is the ways in which these games are experienced now.

I think that retro games still fill a useful niche, in that they’re solidly-made and challenging games, with a distinctive look and sound, that don’t have gigantic playtimes. Super Mario Bros. will not claim weeks of your life. Even the longer ones don’t demand as much of your attention and times as a AAA-title Square Bethesda WA Microsoft Co Inc. And indie games, while often worthy, are often a risk to spend money on. Many NES-era games are well known to be playable and interesting, which is how they got to be popular in the first place.

My concern, though, is that as the people who grew up with these games age, their original context is being increasingly lost. Less and less often, the people who play and think about these games didn’t come to them from mostly personal, pre-internet perspectives, but as something brought to them by other people, meaning, not just hearing about them, but being pre-spoiled regarding their gameplay, and especially from watching streamers and speedrunners.

What, I wonder, is the ratio between people playing games as intended, and those purposely trying to break them in a variety of ways, and do superplays? Are new game players inundated by streaming culture? Do they get the sense that 8-bit games are only interesting if one tries to blow them up? And in the future, will people continue to find their way to games like Super Mario Bros. and The Legend of Zelda, and appreciate them for what they are?

Is there perhaps space out there for people just doing normal runs of retro games? I wonder if I should give it a shot.

Broken Connections

Broken Connections is a little game by prolific roguelike creator Slashie, Santaigo Zapata (Facebook), that puts you in the shoes of Rogue co-creator Glenn Wichman (also on Facebook) in 1980. His then-roommate Michael Toy (yep, also on Facebook) worked on Rogue over a dialup connection to the mainframe at the University of California at Santa Cruz. The game poses a (probably fictional) situation that the connection is lost, and you are tasked with traveling to campus and finding out what is wrong with the connection and reestablishing it before the system reboots and a weekend’s work is lost.

There’s no enemies or anything like that. It’s a turn-limited quest that only requires that you find your way to the machine in time and plug in a cable, but along the way you encounter a number of people who have minor problems, or recognize you and want to tell you about something, or are just about on their day. Glenn is a very nice person, but it’s up to you if you want to engage with them or continue along on the task you’re there to do. If you feel up to it, you can go back after plugging the cable in, when there isn’t a pressing time limit.

The stakes are pretty minor. If you don’t make it, a weekend’s work is lost. I’m sure Michael Toy can recreate his work, but it’d still be very nice to be able to save it. There is no big win condition, or reward for being nice to people, other the just being a good person. In that way it’s like real life.

If you want to know more about Glenn, Michael and the game, Slashie discusses it on his blog.

Broken Connections (itch.io, $0, playable in browser)