Spare Change is an odd little Apple II game from 1983, where the player tries to thwart mischievous creatures who escaped from an arcade game, who are trying to steal quarters from the machines. One of Broderbund’s earlier hits, although it never gained the recognition of Lode Runner.
Such a charming little game
Do you not only understand this, but enjoy reading it? Then this should be very interesting to you.
Spare Change, in addition to its various little features like animated intermissions and customizable difficulty, also had a pretty strong copy protection scheme. These schemes served to prevent casual copying at the time (although cracks of all the popular titles inevitably started making the rounds on BBSes), but also serve to work against software preservation. Spare Change is 40 years old now, and disks fail frequently. There is an available crack, but it’s said to be missing an important feature: it fails to save their high scores to disk.
4am is the famed preserver of classic Apple II software, performed by dint of figuring out their protection and removing it as unobtrusively as possible. His account on Twitter (I refuse to call it X, I don’t even like saying Xbox) made for great reading for people of a technical mind. He isn’t on Twitter any more for, I dunno, some reason, but he still posts his cracks, and his explanations for how they work, to the Internet Archive, under the 4am tag.
All this is to say his crack of Spare Change makes for entertaining reading to one of the right mindset. One of you may have it, so here it is.
Sundry Sunday is our weekly feature of fun gaming culture finds and videos, from across the years and even decades.
In the year + one half we’ve been doing this, we’ve dug up a lot of varied things for Sundays. This one’s pretty short, but still, the fact they made it in stop motion is respectable. (At least I assume it’s stop motion. They could have made it in a computer I guess, but then, why make look like it was stop motion? Some kind of Lego Movie stylistic flex?)
Anyway, it’s another Pikmin 4 video. Pikmin 4 is not as sharply designed as Pikmins 1 or 3, it takes after 2 (it has caves, and even has one starring that game’s most infamous boss, the Waterwraith), but even the flabbiest Pikmin game is still a wonderful thing to behold.
This video covers is about an actual boss battle in Pikmin 4. Previous games had you fight monsters in the Long Legs family: the Beady Long Legs from Pikmin 1, the Raging Long Legs from 2, the Shaggy Long Legs from 3 and now… the Groovy Long Legs. This video is not confabulating much: it shines lights around, plays music, and your Pikmin actually do get down when you’re fighting it–which usually results in them getting turn into Pikmin Paste. Time to reload the floor….
The Atari brand has been in so many hands, and been used for so many things (including, most recently, NFTs and hotels) that making sense of it all is maddening. Christ Trotter on the atomicpoet Pleroma instance made a fairly lengthy series of posts laying it all out that, to my eyes, is accurate. He may actually know more about their history than I do, although pride makes me loathe to admit it!
The whole thread is useful, but here’s the first post on it, presented as screenshot because WordPress doesn’t yet support embedding that kind of thing directly. I don’t know why it’s so blurry, that seems to be WordPress again.
Cows have had a long history associated with pinball. Not that long compared to the whole range of pinball, going back to the Great Depression, but in the days of games with dot-matrix displays, it became a tradition to hide cows in pinball games in some way.
Just one example. In Attack From Mars, if you hit the Big-O-Beam ramp, sometimes the animal being enlarged is a cow. (If you can’t take your eyes off the game, listen for the woman saying “Would you look at the size of that cow?!”) Further, if you press the start button several times during this animation (each press will be punctuated by a MOO), it’ll turn the Saucer Attack minigame into Cow Attack, which is actually slightly easier I find; the hit detection is pixel-accurate, and the cows make for bigger targets. Here’s Cow Attack in action (one minute):
A history of pinball cows would take quite a while to explain, and that’s not the purpose of this post. No, what I’m here to tell you is that the legend of the Pinball Bovines has crossed to the makers of Metroid Prime Pinball on the Nintendo DS, which contains a cow! Here is video proof (33 seconds):
Remrod: “Indeed I am. I am renting two squash courts to store about 100 machines. But our DS version of pinball is more fun than the real thing!” (laughter)
Terasaki: “That’s right. There’s even an unexpected appearance from a cow.”
NOM: “A cow? What’s that got to do with Metroid?”
Barritt: “There was a pinball game in the 1980s called ‘Fire!’ in which a cow puts in an appearance. The game is about a huge fire that once broke out in Chicago. The cause of the fire was a cow kicking over a lantern. Ever since then, cows have become a fixture as hidden characters in pinball machines. This is well-known among pinball aficionados in Europe and the States, and perhaps around half of the pinball games released since then have featured a cow concealed in them. Naturally, we also put one in Super Mario Ball…” (laughter)
Terasaki: “If you do happen to find the cow, please leave it in peace!” (laughter)
The cow in the game has wings and flies around. Please, if you play it, respect this noble beast.
One of the best Kirby games isn’t a traditional Kirby game at all. Long before Kirby and the Forgotten Land finally worked out how the game should work in three dimensions, there was Kirby Air Ride, a Gamecube racing game that’s so weird. Kirby tools around on the Warp Stars that are his trademark ride through a number of courses at speeds usually only seen in an F-Zero game. There’s a variety of stars that can be ridden, more to unlock, it was the second game in which Meta Knight was fully playable, and the first where King Dedede was (unless you count short sequences in Kirby 64).
Kirby Air Ride had three modes, but they all felt a bit half-baked except for one. The standard Air Ride mode wasn’t bad, but could only be played one course at a time, with no overarching mode that connected them. That’s right, it didn’t have a “Grand Prix” mode. And the other competitors were only differently-colored Kirbys (Kirbies?) anyway. The courses were pretty good, but it didn’t give you much to keep you playing except for its checklist (which we’ll get to).
There was also a special racing mode that took place from an overhead view, on special one-screen courses, like Atari’s Sprint games, which felt even less substantive than the standard racing mode.
Possibly the best multiplayer experience on the Gamecube
But the reason Kirby Air Ride is special, and the reason I still have my copy of the game after all these years, is City Trial, which is one of the most engaging racing game experiences I’ve ever seen. It’s really good. Not because it has any overarching structure the other modes lack (other than its checkbox screen). But because it’s so novel; no other game I can think of provides the kind of gameplay that City Trial does, unless you count Smash Run from the 3DS version of Super Smash Bros., which was also made by Masahiro Sakauri. But even it isn’t really the same thing, because you can’t interact with the other players during it!
“Forget it Jake, it’s Kirbytown.”
City Trial puts from one to four players, either human-played or computer-controlled, in a free-roaming city area. It’s not really a “race” at all. While the city is, spatially, quite large, the players’ warp stars are so fast that it only takes about 20 or so seconds from one end to the other, and the game also keeps you appraised of where the other Kirbys are with on-screen indicators and a map in the corner. Over a period of between three to seven minutes, you zoom around trying to collect powerups for your star. They come in a variety of types: Top Speed, Acceleration, Charge, Turning, Gliding, Weight and more, all taking the form of 2D icons scattered randomly around the city.
Giving your warp star a tune-up is as easy as scooping up these symbols.
As you collect icons, each provides a small permanent (for the duration of the match) improvement in that one area of your star’s performance. Some are in boxes, which must be broken apart either by colliding with them repeatedly or spin attacks. Some of them are gray-colored, which are permanent power-downs.
Throughout the time limit, you seek out and collect as many as you can. If there is a maximum stat you can reach I’ve never seen it; I think it can go at least as high as 20 icon’s worth, but it’s nearly impossible to get that high. It’s gratifying to feel your default “Compact Star” get steadily better and better as you snatch powerups. But also, there are other vehicles throughout the city, and you can get off your default star at any time by holding down on the control stick and the A button and board another one. All of the varied stars from Air Ride mode (some of which aren’t really stars at all) are present, and they all control really differently from each other. Some even have special properties, it’s not a case at all of them just having different stats. When you switch stars, you get to take all of your collected powerups with you, though if you have a lot you’ll drop some, and have to spend a few seconds picking them back up again.
The amount of care that went into this one mode is almost shocking. You can attack other players and steal their powerups! You can even destroy their warp star, and force them to wander around on foot to find a replacement! Some of the traditional Kirby copy abilities can be found and used against the other players! There’s random events, with a lot of variety, that can happen, providing different dangers, or opportunities. You can sail out over the ocean on your hovering star. If you get enough height, you can fly over the invisible border wall and explore even more ocean.
What cosmic horror is invading Popstar this week?
You can also collect Legendary Machine parts, which are hidden in some of the boxes. The Hydra, from the more recent Super Smash Bros. games, is a direct reference to this. If you manage to find all three parts, to either the Hydra (the green one) or the Dragoon (the red one), you get to ride it. They’re both ludicrously overpowered, although they can also be difficult to control.
Target Flight is one of the more common competitions. It’s like a lost Monkey Ball minigame.
The real mark of genius in this mode is what happens when time runs out. The game shows a chart with everyone’s vehicle stats on it, then throws all the players into a random event. Your vehicle’s stats may make this event easy or hard! If you end up in an event where you have to attack enemies or aim to collide with targets, you might find yourself wishing you had laid off getting all those speed-ups, but plenty of the events are races too, including all of the race courses from Air Ride mode. How do you know what kind of event it coming up? There are two ways: sometimes, during the City Trial portion, the game will drop you a text hint as a message. (Hilariously, once in a great while it lies.) Or else, if you don’t like the randomness, you can choose broadly what kind of event will happen in the game settings.
Whichever player comes out on top in the event, the victory is short-lived. There is no huge victory celebration, no advantage to be gained. The game doesn’t even save player profiles. But City Trial mode is entertaining enough that we don’t really end up caring much? It’s even fun to play against computer opponents.
It was a long time ago, but at one point I had every one of these squares checked off.
Each of the three modes in Kirby Air Ride has a “checklist,” a grid of squares, each representing some accomplishment, or at least occurrence, that can happen in its game. This is the closest thing Air Ride has to progression. If you’ve seen the Challenges in Super Smash Bros. Ultimate, this is the same kind of thing. All of the challenges are hidden at first, but when you unlock one, the requirements for the ones around it are revealed to you. Some of the boxes unlock things, like new events, being able to play as Meta Knight or Dedede in the practice mode, or more Kirby colors. But mostly it’s just something to give obsessive players (like myself) something to work for. In a racing game without even a Grand Prix mode (seriously what is up with that?), I’ll take what I can get.
An aerial view of the bad part of Kirbytown, where the Waddles Dee all wear eyepatches and have goatees.
One more cool thing? Until fairly recently (and ignoring that non-canonical anime series), City Trial was our only glimpse into what day-to-day life was like in Dream Land. This city is evidently where Kirby and his friends live and play (I don’t think any of them have a job). There’s skyscrapers, a river, an ocean, an underground region, mass transit rails, a golf course (overseen by Wispy Woods), a castle and a volcano, and even “dilapidated houses,” which the players can demolish with their vehicles. I guess even Planet Popstar has a seedy part of its towns.
Apparently, day-to-day life in Kirbyland is spent in endless vehicular combat sessions. I’d like to say that I’m surprised, but for some reason, I’m not.
If you’d like to see how this works out in play, here’s an hour and 54 minutes of City Trial play, without commentary, on Youtube:
On Romhack Thursdays, we bring you interesting finds from the world of game modifications.
Super Mario World is one of the most hacked games of all. There’s a whole website devoted to hacking it, SMWCentral. They do have Yoshi’s Island and Super Mario 64 hacks too, but SMW is the main attraction.
They’ve done a bunch of contests over the years, where different members compete in judged hacking competitions to make hacks to various criteria. In April they wrapped up their second “Questionable Level Design Contest,” QLDC. And the gimmick of the winner is… pretty special.
Please overlooked the glitchy title screen. In this one, the presentation isn’t the main attraction.
A long walkway to the right from the starting location.
What? Is this a troll hack? One that just makes you run everywhere and nothing ever really happens?
Hmm. This screen looks like it’s full of levels, but none of the circles or houses work. The object is to get to that red pipe.
You hold X or Y to run, or, as this screen mentions, don’t hold X or Y to not run. That Pirhana Plant is animated, and if you run into it while it’s in your way, you have to restart the screen. A fun gimmick, sure, but we’re just getting started.
In case you haven’t cottoned to the gimmick yet–there is no actual level. The whole game is played on a series of connected map screens. You’d think not a lot would be possible, but in this hack, Mario can actually “jump” on enemies if his feet touch them. On this screen, Bullet Bills enter from the right, and you have to use the curved paths, along with judicious running, to “stomp” them with the right timing. When you reach the OFF circles to the right you clear the green blocks, and then have to work your way back left to get to the pipe.
And on this screen, the Thwimps jump back and forth, and you have to avoid them as you pass around the screen. If you touch an enemy you don’t “die” so much as get sent back to the start.
Then you get to this screen, which is a remake of a portion of the first level, and you wonder how far they’re willing to go with this gimmick.
As it turns out, they’re (“they” being Faro and MM102) not even close to being done. This level introduces these Stars that, when you press A on them, cause Mario to do a spin jump. This jump, however, actually activates the standard SMW platforming engine. Mario can move around as if he were in a level. Here you have to use that jump to bounce off the Big Boo and land on the other Star, which puts you back into map travel mode and lets you go to the pipe. The following levels make extensive use of this feature, and there’s lots left to explore.
The creators made a playthrough video, embedded below (it’s about nine minutes), but they suggest that you try the hack yourself first. You can do what you want, but it’s a joy discovering how they unveil progressively crazier gimmicks as you go. Consider trying it our yourself first, if you have the mind and means.
Every time Homestar Runner releases something new, it’s cause for celebration. They’ve been doing this for 23 years, and that’s not counting the original Mario Paint thing with the characters they made, long ago, that kicked off their merry legacy. Even though the days of them updating weekly and Strong Bad popping off sarcastic answers to emails left, right and center are long gone, every few months another new thing comes out of the Brothers Chaps’ content grinder, and we love that kind of sausage.
Of course making free stuff doesn’t pay the bills, and Adobe Creative Cloud is hella expensive these days, so much of their more recent stüf takes the form of little paid projects, like the Trogdor board game. So it is with this, a quite nifty collection of three point-and-click adventures. One of them came from their website long ago, but it’s now remade in that Unity thingy. it’s joined by two completely new games, and the three of them have better animation and full voice acting now! All are full of the wit and fun that Homestar Runner-branded contentTM has long been known for.
I managed to finish it in a night, but it was a very entertaining night! This thing is packed full of more jokes and character even than the Telltale series they did back in the Wii days. It’s amazing how many obscure interactions have unique voice lines, so be sure to try everything, and using everything on everything else.
Dangeresque: The Roomisode Triungulate, on Steam and itch.io (Windows and Mac, $8)
Wurm: Journey to the Center of the Earth is a Famicom/NES title with a lot of ambition, perhaps too much. Over on his self-named blog Kid Fenris posted a long article on it back in March. It makes it seem a lot more interesting than it otherwise would! We at Set Side B love experiments, successful or failed, and Wurm certainly was one, with shooter, side-scrolling platformer, first-person boss fights and even some visual novel elements. And protagonist lady named “Moby” is searching for her boyfriend named “Ziggy.”
Green-haired Moby wears the kind of outfit you could only find in something inspired by 80s anime.
The post mentions that designer Shouichi Yoshikawa, a.k.a. “Angela,” has an interview up at GDRI. It also mentions that Angela used to have a site devoted to their game, which while gone now has a backup on the Wayback Machine! Sadly the promised English version of the site never materialized.
Also–Kid Fenris mentions he once wrote about Wurm on GameSetWatch. My old stomping grounds!
If there’s two constants here at SSB, it’s that we post a lot of Nintendo content, and a lot of Youtube video stuff.
Nintendo, because they’re the most interesting of the major console manufacturers, and one of the most consistently great developers around today. I still think that Atari’s coin-op division, later split off as Atari Games, was more ingenious in their classic era, because they made such a wide variety of games and rarely did sequels, but Nintendo would definitely be second place, and has the advantage of still being alive as a company. (Atari Games has been gone for 18 years now, and that number isn’t getting lower. That makes me really sad.)
One of Nintendo’s biggest series is, of course, Super Smash Bros. It wasn’t always so. Smash on Nintendo 64, the first in the series, was a great little game, and the first time that they crossed over between basically all their properties, but it wasn’t until Melee, the second game, that it really became huge, despite being on the relatively low-selling Gamecube hardware.
Super Smash Bros. Melee was the game that really established the pattern for the rest of the Smash series: offer a ton of content, give everyone unprecedented amounts of fanservice, and offer a super fast-paced game with an eye towards the esports scene.
On that last point they succeeded: Melee is a very popular esports game. I don’t know if it’s more popular than Ultimate, the current Smash game released for Switch, although I don’t follow that scene generally so I really have no idea. All of the Smash games have some esports interest, but Melee’s the most popular previous title, I think.
Melee had a 13 month development time, fairly short, and resulted in a fair number of bugs, and that’s where AsumSaus’s videos are most interesting. Few games have had their internals splunked as deeply as Melee’s has, and they dredge up the most interesting facts from all that data.
I’ll just present one of their videos this time out, from three years ago, but I leave the door open to spotlighting others in the future. They’re just that interesting. So, here’s their 37-minute video asking, in considerable depth: outside the specific and highly particular subset of Super Smash Bros Melee that is tournament-level competitive play, taken as a whole: is the game actually good? He obviously enjoys that one tiny bit of it a great deal, but, what about all the rest? Watch the video to find out.
There are a number of NES games that feel like they’re held together with paperclips and chewing gum. Some of them are almost endearing for their glitchiness. When it comes to janky NES games, a few that I tend to think of are those made by Micronics (who implemented Ghosts N’ Goblins, which has an awful frame rate) and Athena (where one boss has a death animation that causes it to flip through many of the sprites in the game).
A company that usually did a lot better with their internally-developed games was Capcom, makers of Mega Man, 1943, Bionic Commando, and all the Disney Afternoon games from the time, all of which have slick 60 fps update rates and smooth animation. One game they made of which that is definitely not true, however, is NES Strider.
If you’re only familiar with Strider from the beautiful arcade version, you might wonder what even NES Strider has to do with it. It’s not proper to say Famicom Strider, because Capcom never released it in their home territory, perhaps because they were too embarrassed to.
Other than the first stage being set in generally the same fictional location in Russia (even if it doesn’t look at all the same), its story has absolutely nothing to do with it. Jeremy Parish looked at it (and remarked on its glitchiness) in an episode of Metroidvania Works from a couple of weeks ago. Some people, like Kid Fenris of the self-titled blog, actually likes it, although acknowledges its many issues.
Behind the Code, one of the best game internals series on Youtube, had a look at the implementation of NES Strider. It’s an interesting 15 minutes to my taste, but if you want a tl;dr, NES Strider often doesn’t make its framerate target, and instead of slowing the game down as most games do, it plows ahead forward into the next frame, leaving the incomplete data in its update buffer to be copied into the PPU. This causes the individual hardware sprites that compose enemy characters to sometimes have only one of their coordinates updated, or even causing data remaining from previous frames to be copied over.
Why does it does this instead of just slowing the game down? Possibly the coding was so crappy that it would have caused excessive slowdown; the scene chosen as an example in the video has the problem occur when there’s only two basic enemies on the screen in the game’s first area! Not the best engine on the system there Capcom.
